Creative non-fiction is a genre that uses storytelling techniques to deliver factual information in an engaging way. It requires the research skills of journalism combined with the narrative skills of fiction writing. By making information vivid and emotional, creative non-fiction aims to give readers a deeper understanding than just presenting verifiable facts. Examples show how it uses vivid language, emotions, and the reader's imagination to stimulate thought and arrive at larger truths beyond mere facts. Creative non-fiction has applications in history, travel writing, profiles, memoirs, journalism, and even business where storytelling can be persuasive.
he Merchant of Venice is a tragic comedy by William Shakespeare, believed to have been written between 1596 and 1598. Though classified as a comedy in the First Folio and
Flowers For Algernon Essay. The Play of Daniel Keyes Flowers for Algernon Fre...Mari Howard
Flowers for Algernon Character Analysis - Free Essay Example .... Flowers for Algernon: Argumentative Essay Directions, Outline, and Rubric. Writing the "Flowers for Algernon" Essay - LEARN PARK. Response to Literature Essay with Flowers for Algernon by Daniel Keys. Essay flowers algernon summary. The Play of Daniel Keyes’ Flowers for Algernon Free Essay Example. Wondrous Flowers For Algernon Essay ~ Thatsnotus. Flowers for algernon introduction. Flowers for Algernon, Essay Example .... FLOWERS FOR ALGERNON. 21 Flowers for Algernon ideas | flowers for algernon, teaching .... Flowers for Algernon Essay - Google Docs. Flowers for Algernon Essay .pdf - Stephanie Penafiel English 10B Period .... Flowers for Algernon by Daniel Keyes Essay Sample. Nursing Essay: Flowers for algernon essay. Flowers For Algernon Essay Topics - 2021 | TopicsMill.
he Merchant of Venice is a tragic comedy by William Shakespeare, believed to have been written between 1596 and 1598. Though classified as a comedy in the First Folio and
Flowers For Algernon Essay. The Play of Daniel Keyes Flowers for Algernon Fre...Mari Howard
Flowers for Algernon Character Analysis - Free Essay Example .... Flowers for Algernon: Argumentative Essay Directions, Outline, and Rubric. Writing the "Flowers for Algernon" Essay - LEARN PARK. Response to Literature Essay with Flowers for Algernon by Daniel Keys. Essay flowers algernon summary. The Play of Daniel Keyes’ Flowers for Algernon Free Essay Example. Wondrous Flowers For Algernon Essay ~ Thatsnotus. Flowers for algernon introduction. Flowers for Algernon, Essay Example .... FLOWERS FOR ALGERNON. 21 Flowers for Algernon ideas | flowers for algernon, teaching .... Flowers for Algernon Essay - Google Docs. Flowers for Algernon Essay .pdf - Stephanie Penafiel English 10B Period .... Flowers for Algernon by Daniel Keyes Essay Sample. Nursing Essay: Flowers for algernon essay. Flowers For Algernon Essay Topics - 2021 | TopicsMill.
My Favorite Memory Essay. My Childhood Memories Essay Essay on My Childhood ...Heidi Marshall
My favorite childhood memory essay. Essay on Childhood Memories in 200 .... My Childhood Memories Essay | Essay on My Childhood Memories for .... How to write an essay about my favorite memory. Essay about a favorite childhood memory. How To Write An Essay About My Favorite Memory : Popular Essays. My Best Memory Essay in English || Ten Lines on My Best Memory - YouTube. Favorite childhood memory Essay Example | Topics and Well Written .... 005 My Favorite Memory Essay High School Childhood Memories Narrative .... ⚡ A favorite childhood memory essay. Childhood Memories Essay for .... Favorite Memory. How To Write An Essay About My Favorite Memory – My Favorite Memory Essay.
CBRD - Bridging faith and scholarship; influencing policy and practiceRaymund Habaradas
The Center for Business Research and Development is the research and advocacy arm of the Ramon V. del Rosario College of Business of De La Salle University.
Nurturing research in a business school - The DLSU experienceRaymund Habaradas
Nurturing research in a business school, Center for Business Research and Development, De La Salle University, bridging faith and scholarship, influencing policy and practice
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
2. Creative non-fiction
Also referred to as:
Personal journalism
Literary journalism
Dramatic non-fiction
The new journalism
Parajournalism
The new non-fiction
The non-fiction novel
The literature of fact
3. Creative non-fiction (Cheney, 1991)
Requires the skill of the storyteller and the
research ability of the reporter
Doesn’t just report facts; delivers facts in ways
that move people toward a deeper
understanding of the topic
Creative non-fiction writers must see beyond
facts “to discover their underlying meaning”; they
must “dramatize that meaning in an interesting,
evocative, informative way.”
4. Why creative non-fiction?
Conventional thought: non-fiction’s purpose
was not to entertain, but to inform, to teach, to
lecture
Research findings: we learn best when we are
at the same time entertained, when there is joy
and pleasure in the learning; the strongest, most
lasting memories are those embedded in
emotion
Insight: Creative nonfiction writers inform their
readers better by making the reading experience
vivid and enjoyable
5. The new journalism, though often reading like fiction, is
not fiction. It is, or should be, as reliable as the most
reliable reportage, although it seeks a larger truth than
is possible through the mere compilation of verifiable
facts, the use of direct quotations, and adherence to
the rigid organizational style of the older form.
The new journalism allows, demands in fact, a more
imaginative approach to reporting, and it permits the
writer to inject himself into the narrative if he wishes,
as many writers do, or to assume the role of a
detached observer, as other writers do, including
myself.
- Gay Talese (one of the first and best practitioners of
creative non-fiction) in his book Fame and Obscurity
6. There is a definite advantage to the newspaperman in
recreating reality if he uses every conceivable literary
avenue open to him; for his job, depending on the
intensity of his sense of mission, is to penetrate ever
more deeply into the truth of every story – and this can
only be done if he has the instruments of language,
narrative know-how, character-development, etc., that
until now have always been associated with fiction.
- Seymour Krim (a newspaperman) in
Reporter as Artist
7. “…Of late, journalists have begun to pay more heed to
the theories and techniques of the creative writer. The
result has been the infusion of the drama and tension of
fiction into the veracity of fact…. You can give your own
writing extraordinary power by applying some of the
fundamentals of dramatic literature to writing factual
articles….
“The advantages of writing nonfiction in ‘story’ form are
many. You get the reader involved. You make the reader
want to know what happens next. You get the reader
closer to the action or the personalities you portray. And,
perhaps, you even come a little closer to ‘truth’”
- Ken Metzler (a professor of journalism) in an article “Show, Don’t
Tell: How to Write Dramatic Nonfiction” for the Ragan Report
8. Creative non-fiction uses vivid
language.
Richard Zelzer’s The Discus Thrower describes a man physically in
very vivid language, one that gives us unexpected images,
unexpected metaphors.
9. I spy on my patients. Ought not a doctor to observe his patients
by any means and from any stance, that he might the more fully
assemble evidence? So I stand in the doorways of hospital rooms
and gaze. Oh, it is not all that furtive an act. Those in bed need
only look up to discover me. But they never do.
From the doorway of Room 542 the man in the bed seems deeply
tanned. Blue eyes and close-cropped white hair give him the
appearance of vigor and good health. But I know that his skin is
not brown from the sun. It is rusted, rather, in the last stage of
containing the vile repose within. And the blue eyes are frosted,
looking inward like the windows of a snowbound cottage. This
man is blind. This man is also legless – the right leg missing from
midthigh down, the left from just below the knee. It gives him the
look of a bonsai, roots and branches pruned into the dwarfed
facsimile of a great tree.
- Dr. Richard Seltzer in “The Discus Thrower”
10. Remember the vinegar ads years ago, in which contestants
were asked to make mukhasim or mukha-asim faces, and they
responded with grimaces and contortions? Funny and
effective, yes, but the planners did not take into account the
fact that many, if not most, Filipinos show faces of pleasure in
reaction to the sourness of sinigang, manggang hilaw,
sampalok, and many other gifts of our landscape.
We like sourness; it is a true pleasure. We squint, we sip, we
smile, we hum “saraaap!” We describe the perfect point as
katamtaman, being on the exact edge of sourness versus
saltiness, not too much (which brings mukhasim), not too little
(matabang), but just right.
- Doreen G. Fernandez in “Sour is Super”,
Food Magazine, September 1998
11. Creative non-fiction uses
emotions to arrive at the truth.
George Will’s On Her Own in the City mentions concrete, realistic
details about life in an East Harlem tenement to make a commentary
about poverty and the welfare system. He utilizes conversation to
provide “emotion”, i.e. to make the article more human, more
understandable, and more memorable.
12. When police, responding to her call, arrived at her East
Harlem tenement, she was hysterical: “The dog ate my
baby.” The baby girl had been four days old, twelve
hours “home” from the hospital. Home was two rooms
and a kitchen on the sixth floor, furnished with a rug, a
folding chair, and nothing else, no bed, no crib.
“Is the baby dead?” asked an officer. “Yes,” the mother
said, “I saw the baby’s insides.” Her dog, a German
shepherd, had not been fed for five days. She
explained: “I left the baby on the floor with the dog to
protect it.” She had bought the dog in July for
protection from human menaces.
- George Will (a Pulitzer Prize-winning columnist) in
his Washington Post column “On Her Own in the City”)
13. Creative non-fiction stimulates
the reader’s imagination.
Gay Talese’s New York utilizes suggestive description. This kind of
description suggests (and only suggests) something to the reader’s
imagination, enabling it to bring to the description its own previous
similar experiences in order to understand.
14. Excerpt from “New York”
“New York City is a city of things unnoticed. It is a city
with cats sleeping under parked cars, two stone
armadillos crawling up St. Patrick’s Cathedral, and
thousands of ants creeping on top of the Empire State
Building. The ants probably were carried there by
winds or birds, but nobody is sure; nobody in New York
knows any more about the ants than they do about the
panhandler who takes taxis to the Bowery; or the
dapper man who picks trash out of Sixth Avenue trash
cans; or the medium in the West Seventies who
claims, ‘I am clairvoyant, clairaudient and
clairsensuous.’”
15. New York City is a city for eccentrics and a center for
odd bits of information. New Yorkers blink twenty-eight
times a minute, but forty when tense. Most popcorn
chewers at Yankee Stadium stop chewing momentarily
just before the pitch. Gum chewers on Macy’s
escalators stop chewing momentarily before they get
off – to concentrate on the last step. Coins, paper
clips, ballpoint pens, and little girls’ pocketbooks are
found by workmen when they clean the sea lion’s pool
at the Bronx Zoo.
- Gay Talese, using suggestive description in his
opening of the article “New York”
16. Creative non-fiction uses
rhetorical strategies.
Rhetoric is the art of using language effectively. It is also a means of
persuasion (e.g. reasoning through content or logic, through passion
and emotions, and through the merits and character of the speaker).
For the Greeks and Romans, it is the art of elocution.
17. Some rhetorical strategies
Narration or
storytelling
Description
Definition
Comparison and
contrast
Classification
Illustration or
exemplification
Analysis
Cause and effect
Argumentation and
persuasion
18. Deadma 101
Our word for the day is dedma.
Etymology. Dedma is the attenuated form of the English
words dead malice. Dead malice, in turn, is the literal
translation of the Tagalog expression, patay malisya. It
is conjugated thus: dedma, dinedma, dededmahin.
I remember my consternation at first hearing dedma used in
ordinary conversation. A friend was describing a chance
public encounter between one couple, A and B, and
another couple, Y and Z.
19. Now A had once been seriously involved with Z, and B had
been on the verge of marrying Y, not to mention that A
and Y had been the closest of buddies, so close in fact
that they were rumored to be having a homosexual
relationship. Plus B and Z were cousins, so you can
imagine the possibilities for going ballistic. The
spectators licked their chops and held their breaths in
anticipation of a juicy, scandalous scene, and then…
“Nagdedmahan silang lahat!” my friend exclaimed with glee.
In other words, they averted an ugly confrontation
through dedma.
- Jessica Zafra, in the article “Deadma 101”, Today (10
February 1994); Twisted (Anvil Publishing, 1996)
20. Applications of creative nonfiction
History
Travel essays
Character sketches /
profiles
Personal reflections /
memoirs
Journalism
Nature
Science and
technology
Business writing
Popular culture
21. Creative nonfiction in business?
Creative non-fiction is basically expressing facts
through storytelling.
Storytelling is an effective tool for persuading
people.
Persuasion is key in business dealings, i.e., with
customers, suppliers, employees, colleagues,
bosses, investors, and business partners.
Management gurus also utilize creative non-
fiction techniques to sell their books / ideas.
22. “Father came home from work, gave mother a hug,
and proudly announced that the Computing Tabulating
Recording Company, henceforth would be known by
the grand name International Business Machines. I
stood in the doorway of the living room thinking, ‘That
little outfit?’ Dad must have had in mind the IBM of the
future. The one he actually ran was still full of cigar-
chomping guys selling coffee grinders and butcher
scales.”
- Thomas J. Watson Jr., as quoted by Collins and
Porras (2002) in “Built to Last”
23. “[To] build a motor car for the great multitude…. It will
be so low in price that no man making a good salary
will be unable to own one – and enjoy with his family
the blessing of hours of pleasure in God’s great open
spaces. …everybody will be able to afford one, and
everyone will have one. The horse will have
disappeared from our highways, the automobile will be
taken for granted.”
- Henry Ford, talking about his dream “to democratize
the automobile”, as quoted by Collins and Porras
(2002) in “Built to Last”
24. “The most important skills of the real-world management
researcher are not in the methodology or observation and
statistics but the novelist’s skills of imagination, sensitivity and
empathy with other human beings.
“His hypotheses are derived by insights from his experience,
broadened by scholarship and deepened by introspection. His
insights are finally validated by their conformity with the
human experience of his readers, across cultures and over
time. The “generalization” of his findings ultimately consists in
the breadth and depth of their acceptance.
“The great management theories, like the great novels, are
those that continue to be meaningful as the reader’s
experience and knowledge accumulate over the years.”
- Ramon K. Katigbak in Management Theory as
Creative Non-fiction (8 September 2005)