The document provides guidance on creating movie trailers. It discusses the history and purpose of trailers, noting that they were originally shown after films but were moved to before films as people would leave. It describes the components of trailers, including using a three act structure, quick cuts of exciting moments, and leaving the resolution unknown. The document also provides tips on voiceovers, text, music, and fonts to match the genre. It recommends including website and social media links at the end.

1. Creating Trailers
Creating Trailers

2. Did you Know.....?
Trailers were originally shown at the end
of films which is where they got their
name from – they trailed after the film.
That didn’t work because everyone got
up and walked out the cinema before
they were shown, so they were moved to
being shown before the film.
Teaser trailers appear to generate audience
interest usually for big budget blockbusters.
They are between 30-60secs long and give very
little information, often relying on audience
prior awareness of the story, characters or hype
surrounding the film. They exist to ‘tease’ and
excite the audience in advance of the full trailer.

3.  pre-trailer screens include MPAA rating card – Motion
Picture Association of America, Production company screen and
Distribution company screen.

4. Putting your trailer together
 Trailers are said to have a 3 Act structure – Act 1 lays out the context of the story. Act
2 establishes the problem and ends with a dramatic climax. Act 3 often features visual
montage of key moments of the film and may have cast name screens if there are
stars that sell the movie.
 Trailers use Long shots at the start to establish character and setting
 Fades to black that suggest shifts in time
 Transitions/cuts with by booming SFX build tension
 Transition screens place significant text on screen, images and shots before/after
should echo the text
 Short shots and quick cuts of some of the most exciting moments from the
film, the ‘events’ that lead to resolution but not necessarily in chronological order
 Resolution should be left out, viewers left guessing.
 Music should build to a crescendo
 Sudden moments of quiet and silence will have impact on mood and pace.

5.  The voiceover and text on screen will most likely feature the film’s USP, its unique selling
point.
The USP is anything that would make people want to see your film over any other films
currently released. This could be at the beginning or end of your trailer.
 Typical voiceovers /text or V.O/Text mix include:
'This Season'… (creates a sense of anticipation)
'From the people who brought you…' (refers to established audience)
'Based on the unbelievable true story…'
'Based on the bestselling book…‘
‘Academy award winner....’
 Award screens may be put before the trailer or after the title

6.  The voiceover can also establish the narrative. Words chosen can suggest key themes
and summarise the plot in a grand way to suggest the plot is timeless and universal.
Some clichéd examples are:
Single words of human emotion such as ‘Love’ ‘Friendship’
Some actions.......
.....can never be undone.....
They will find hope where they least expect it.....
One man's destiny…
She will face her biggest challenge.....
It will change their lives forever!
Experience a new kind of fear....
In a world where....
 Choose fonts and transitions carefully to match genre/narrative. They must be
consistent throughout.

7.  End your trailer with your title again and then a final credit page showing the names of the
crew. The font used for this page is most commonly ‘Steel Tong’. Try to find something
similar.
 You should also include a final screen with official website details. And commonly today,
facebook and twitter links.

8. • What is a genre?
• What are conventions?
• What is a trailer/teaser trailer? Why are they
used?
• How have movie trailers become more
contemporary?
• What makes a good trailer?
• Are independent films up to the same
standard as Conglomerates?
Starting Point on your Blog:

9. Pre-Production Phase
1. Forms & Conventions
• Genre conventions
• 3-5 in-depth similar text analysis
• Conclusions drawn
2. Target Audience Research
• Minimum of 10 questionnaires with analysis & conclusions drawn.
• Target audience research and audience theory
• Contemporary media landscape
3. Subject Matter Research
• Research into the artist, genre etc. with conclusions drawn.
• Research into ideas / mise-en-scene, shooting & editing styles, fonts etc. you will be using.
4. Representation issues
• Research into Ideology, Representation, Star Image & Power & Conclusions drawn using Goodwin’s
Analysis
5. Institutional Context & Professional Practice
• film company/Institutions
Worth 20% of your
marks.

10. Research and Planning Level 4

11. Pre-Production Phase
1. Forms & Conventions
• Genre conventions
• 3-5 in-depth similar text analysis
• Conclusions drawn
Task 1:
• Research the conventions of different Genres (pick about 3)
• What are the convention? What would viewers expect to see in these types of
films?
• Textual analysis of 3-5 trailers from these different genres – audience
theory/narrative theory/ representation of characters/use of light and shadows?
• Are there any similarities in the layout of these trailers? Could you sum up what it
is that you will need in order to make your trailer

12. Media Coursework Timeline
Sept-Oct
 Research and planning
 Detailed pre-production work
Nov-Dec
 Shooting and editing main
 Finish main piece
 Finalising planning for print/web pieces
Jan-Feb
 Print pieces produced
 Finish ancillary pieces
Feb-March
 Feedback on products
 Evaluation
= 9 months
= 39 weeks
= 273 days
There will be a series
of interim deadlines
throughout this
time.

13. Pre-Production Phase
2. Target Audience Research
• Minimum of 10 questionnaires with analysis & conclusions drawn.
• Target audience research and audience theory
Task 2:
• Primary research into what types of films people like.
• What do they expect to see in a trailer?
• What about the trailer makes them what to see the film?
• Think about audience theories as to why we like to watch these films
• Think about different types of audiences – passive/active

15. Pre-Production Phase
3. Subject Matter Research
• Research into the artist, genre etc. with conclusions drawn.
• Research into ideas / mise-en-scene, shooting & editing styles, fonts etc. you will be using.
Task 3:
• What genre have you chosen for your trailer?
• What are the typical conventions – (Todorov/Propp)
• Primary research – questionnaire into what your audience wants.
• Effects your genre could have on the audience – horror – hypodermic needle/moral
panic?

16. Pre-Production Phase
4. Representation issues
• Representation
Task 4:
• How is representation presented in your genre?
• Gender
• Age
• Ethnicity
• Disability
• Regional identity

17. Pre-Production Phase
• Write a treatment. That’s your idea
for the sequence written down as a shot
by shot account of what your sequence
will look like.

18. Pre-Production Phase
• Script – this should be written in the
correct format – see me or follow this
link for the right approach to your
script… you must write one even if
there’s no dialogue

19. Pre-Production Phase
• Storyboard – this should be at least 15
panels and also follow correct
conventions which essentially means
including clip duration, transition/editing
notes, camera direction (movement,
angle etc) and a description of the action.

20. Pre-Production Phase
• Shot list – unlike the storyboard this is a checklist
of each and every shot you will need for your
sequence. If you are shooting a conversation for
example you will need the whole thing from at least
three different angles (master shot including both
characters, and over the shoulder shot of character
A, and an over the shoulder shot of character B –
then you might get creative and include a low angle
or canted angle to give you options in the edit)… all
of these will appear on the shot list so you don’t
forget on the day.

21. Pre-Production Phase
• Production schedule – this should
be a detailed account of when you will
shoot and edit the sequence and who
will be required on which days.

22. Pre-Production Phase
• Production updates – whenever
you make some progress (when you
produce the storyboard or script or logo
etc) update the blog – has it been done
to the required standard? How does it
help move the production forward? Have
you learnt anything useful along the
way?

23. Pre-Production Phase
• Test shots – if you are ready to shoot – but don’t
have your actor/costume/location or can’t shoot the
real thing for any other reason, do some
camerawork/editing practice. Use each other or use
any available person to stand in as one of your actors
and test your storyboard ideas with a few test shots…
these can then be used to test out colour correction or
special effects in Premiere Pro – these can be posted to
the blog… both I and the moderator will be very
impressed with your commitment to improving your
production skills!

24. Pre-Production Phase
• Location Recce – grab a camera, go to a couple of
potential location where you want to shoot and
photograph them. You post these to your blog with a
couple of notes on how you might use the location,
any problems you may encounter. Consider the time of
day you want to use it, what the light will be like, what
other people/traffic might be around… is it on a flight-
path, for example, with airplanes going overhead every
5 minutes? (that will create sound-mixing havoc in the
edit!)

25. Pre-Production Phase
• Props/costumes list. You may well
decide to just use whatever costumes your
actors turn up in, but you’ll get a better mark
for demonstrating some prior thought to it…
record your ideas for what characters should
be wearing, what make-up you might need,
what props you will need and how you will
source them… (remember – no
guns/knives/weapons in public places!!!)

26. Pre-Production Phase
• Soundtracks – start looking for
appropriate royalty-free soundtracks.
Write a post on what mood you want to
create with the soundtrack, find a few
and post these to the blog. You will find a
couple of links in the left sidebar of this
blog under ‘useful links’

27. Pre-Production Phase
1. Forms & Conventions
• Genre conventions
• 3-5 in-depth similar text analysis
• Conclusions drawn
2. Target Audience Research
• Minimum of 10 questionnaires with analysis & conclusions drawn.
• Target audience research and audience theory
• Contemporary media landscape
3. Subject Matter Research
• Research into the artist, genre etc. with conclusions drawn.
• Research into ideas / mise-en-scene, shooting & editing styles, fonts etc. you will be using.
4. Representation issues
• Representation,

28. DEADLINE: 8th
November
Planning:
• Treatment
• Script
• Storyboard
• Shot list
• Production schedule
• Production updates
• Test shots
• Location Recce
• Props/costumes list
• Soundtracks
• Lastly – A-grade coursework productions
will necessarily have comprehensive planning.
While quality of your work is the most
important thing, quantity is the very first thing
I and the moderator will consider – if you
want an A-grade (in your coursework), around
50 blog posts across the whole project
including the production and evaluation
would be considered a minimum for you to
achieve this.