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Creating Digital Preservation
Policies and Procedures
Maggie Downing
Manager of Digital Imaging
Conservation Center for Art and Historic Artifacts
Digital Content
Digital Preservation
Policies and Procedures
Institute of Museum and Library Services (IMLS)
Report “Protecting America’s Collections”
• Surveyed Libraries, Museums, and Archives
• 63% of institutions collect born-digital or digitized
materials
• 84% of institutions that collect born-digital materials
have no plan at all for digital preservation
Moriz Jung, Viennese Café: The Man of Letters, 1911
Digital Content
Moriz Jung, Editor’s Conversation with a Statesman, 1907
Digital Preservation
Policies and Procedures
 What are digital collections?
 Why do we need to worry about them?
 What is digital preservation?
 What is a digital preservation policy?
 Who is it for?
 Why might your organization need a digital preservation
policy?
Digital Content
What Are Digital Collections?
 Digitized materials from your art collection
 Digitized materials from your archives
 Born-digital artworks like digital videos, video
games, or interactive pieces
 Born-digital administrative records such as
important emails, websites, or Word, Excel, or PDF
documents
Moriz Jung, Editor’s Conversation with a Statesman, 1907
Digital
Preservation
Challenges to Managing Digital
Content
 Digital files depend on technology
 They are susceptible to human error or attack
 Digital collections can be abstract in concept
 Can be difficult to advocate for digital
preservation
 Can be intimidating
Moriz Jung, Greyhound, 1912
Digital
Preservation
What Is Digital Preservation?
Digital preservation combines policies, strategies,
and actions to preserve the accurate rendering of
authentic digital records over time.
-Adapted from American Library Association
Moriz Jung, Variety Act 9: Also Mario Brasso, "Leap of Death" Artist, 1907
What is Digital Preservation?
 More than just file storage and backups
 Active management includes:
• Encouraging best practices at time of file creation
• Adding metadata to provide helpful context
• Keeping an inventory of digital content to preserve
• Active storage and file maintenance
Moriz Jung, Variety Act 9: Also Mario Brasso, "Leap of Death" Artist, 1907
Digital
Preservation
Policy
What is a Digital Preservation
Policy?
A Digital Preservation Policy is a high-level
document akin to a mission statement, strategic
plan, or collections policy. It is adopted by the
highest level of the institution and to ensure
ongoing commitment to digital preservation.
Moriz Jung, Rainbow Obstacle, 1911
Why do we
need it?
Why Do I Need One?
 Helps to fulfill your mission
 Ensures an ongoing commitment over time
 Helps to protect your investment
 Helps to strengthen grant applications
Moriz Jung, O, Caruso! 1911
Why do we
need it?
What Does a Digital Preservation
Policy Look Like?
 State the institution’s commitment to digital preservation
 Define the scope of digital records to preserve
 Define your stakeholders
• Users, keepers, and creators of the digital content
 Identify goals and challenges
 Outline staff roles and responsibilities
 Identify current principles and best practices that will
guide your institution.
Moriz Jung, Variety Act 12- One for All, All for One or a Glimpse through the Keyhole, 1911
Why do we
need it?
Examples
• Dartmouth College Library
https://www.dartmouth.edu/~library/preservation/docs/dart
mouth_digital_preservation_policy.pdf
• Purdue University Research Repository
https://purr.purdue.edu/legal/digitalpreservation
• University of Massachusetts Amherst Libraries
https://www.library.umass.edu/dmsdocument/144-digital-
preservation-policy
• Yale University Library
https://web.library.yale.edu/sites/default/files/files/YUL%20Di
gital%20Preservation%20Policy%20Framework%20V1%200.pdf
Moriz Jung, Bulldog 1912
Why do we
need it?
Learn More!
• Digital Preservation Coalition
https://www.dpconline.org
• National Digital Stewardship Alliance (NDSA) Levels of Digital
Preservation
https://ndsa.org/publications/levels-of-digital-preservation/
• Sustainable Heritage Network
https://sustainableheritagenetwork.org/
• Conservation Center for Art and Historic Artifacts
https://www.youtube.com/channel/UCdv19rjrblgl_cn4WocvHIQ/feat
ured
• Documentary Heritage and Preservation Services for New York
https://dhpsny.org/webinars
Moriz Jung, Conversation between Mutes, 1907
Why do we
need it?
Questions?
Email: mdowning@ccaha.org
Thanks!
Moriz Jung, Variety Act 10- Man or Reptile or Razor? 1907

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Creating Digital Preservation Policies and Procedures, Maggie Downing

  • 1. Creating Digital Preservation Policies and Procedures Maggie Downing Manager of Digital Imaging Conservation Center for Art and Historic Artifacts
  • 2. Digital Content Digital Preservation Policies and Procedures Institute of Museum and Library Services (IMLS) Report “Protecting America’s Collections” • Surveyed Libraries, Museums, and Archives • 63% of institutions collect born-digital or digitized materials • 84% of institutions that collect born-digital materials have no plan at all for digital preservation Moriz Jung, Viennese Café: The Man of Letters, 1911
  • 3. Digital Content Moriz Jung, Editor’s Conversation with a Statesman, 1907 Digital Preservation Policies and Procedures  What are digital collections?  Why do we need to worry about them?  What is digital preservation?  What is a digital preservation policy?  Who is it for?  Why might your organization need a digital preservation policy?
  • 4. Digital Content What Are Digital Collections?  Digitized materials from your art collection  Digitized materials from your archives  Born-digital artworks like digital videos, video games, or interactive pieces  Born-digital administrative records such as important emails, websites, or Word, Excel, or PDF documents Moriz Jung, Editor’s Conversation with a Statesman, 1907
  • 5. Digital Preservation Challenges to Managing Digital Content  Digital files depend on technology  They are susceptible to human error or attack  Digital collections can be abstract in concept  Can be difficult to advocate for digital preservation  Can be intimidating Moriz Jung, Greyhound, 1912
  • 6. Digital Preservation What Is Digital Preservation? Digital preservation combines policies, strategies, and actions to preserve the accurate rendering of authentic digital records over time. -Adapted from American Library Association Moriz Jung, Variety Act 9: Also Mario Brasso, "Leap of Death" Artist, 1907
  • 7. What is Digital Preservation?  More than just file storage and backups  Active management includes: • Encouraging best practices at time of file creation • Adding metadata to provide helpful context • Keeping an inventory of digital content to preserve • Active storage and file maintenance Moriz Jung, Variety Act 9: Also Mario Brasso, "Leap of Death" Artist, 1907
  • 8. Digital Preservation Policy What is a Digital Preservation Policy? A Digital Preservation Policy is a high-level document akin to a mission statement, strategic plan, or collections policy. It is adopted by the highest level of the institution and to ensure ongoing commitment to digital preservation. Moriz Jung, Rainbow Obstacle, 1911
  • 9. Why do we need it? Why Do I Need One?  Helps to fulfill your mission  Ensures an ongoing commitment over time  Helps to protect your investment  Helps to strengthen grant applications Moriz Jung, O, Caruso! 1911
  • 10. Why do we need it? What Does a Digital Preservation Policy Look Like?  State the institution’s commitment to digital preservation  Define the scope of digital records to preserve  Define your stakeholders • Users, keepers, and creators of the digital content  Identify goals and challenges  Outline staff roles and responsibilities  Identify current principles and best practices that will guide your institution. Moriz Jung, Variety Act 12- One for All, All for One or a Glimpse through the Keyhole, 1911
  • 11. Why do we need it? Examples • Dartmouth College Library https://www.dartmouth.edu/~library/preservation/docs/dart mouth_digital_preservation_policy.pdf • Purdue University Research Repository https://purr.purdue.edu/legal/digitalpreservation • University of Massachusetts Amherst Libraries https://www.library.umass.edu/dmsdocument/144-digital- preservation-policy • Yale University Library https://web.library.yale.edu/sites/default/files/files/YUL%20Di gital%20Preservation%20Policy%20Framework%20V1%200.pdf Moriz Jung, Bulldog 1912
  • 12. Why do we need it? Learn More! • Digital Preservation Coalition https://www.dpconline.org • National Digital Stewardship Alliance (NDSA) Levels of Digital Preservation https://ndsa.org/publications/levels-of-digital-preservation/ • Sustainable Heritage Network https://sustainableheritagenetwork.org/ • Conservation Center for Art and Historic Artifacts https://www.youtube.com/channel/UCdv19rjrblgl_cn4WocvHIQ/feat ured • Documentary Heritage and Preservation Services for New York https://dhpsny.org/webinars Moriz Jung, Conversation between Mutes, 1907
  • 13. Why do we need it? Questions? Email: mdowning@ccaha.org Thanks! Moriz Jung, Variety Act 10- Man or Reptile or Razor? 1907