 Section: BA
 01C   Room: 201 A
 Lecture Time & Days:
 Sunday     8:00 – 9 :20

 Tuesday   8:00 – 9:20
Dr. Fawzia Aseel
Office:        Room 108 A
Office Hours:    Sunday 9:30 - 11:00
                Monday 10:30 - 12:30
                Tuesday 9:30 - 10:30
                Wednesday 8:00 - 10:00

Email: Rawda_d@ Yahoo.com
Widely regarded as
the greatest writer in
English Literature
1563-1616
Stratford-on-Avon,   England
wrote 37 plays
about 154 sonnets
started out as an actor
Actor  for Lord Chamberlain’s
 Men (London theater co.)
Also > principal playwright
 for them
1599> Lord Ch. Co. built
 Globe Theater where most of
 Sh. Play’s were performed
Comedies


Histories


Tragedies
Plays  produced for the
 general public
Roofless>open air
No artificial lighting
Courtyard surrounded by 3
 levels of galleries
Wealthy  got benches
“Groundlings”>poorer people
 stood and watched from the
 courtyard (“pit”)
All but wealthy were
 uneducated/illiterate
Much more interaction than today
Stage>platform   that extended into
 the pit
Dressing & storage rooms in galleries
 behind & above stage
second-level gallery> upper stage>
 famous balcony scene in
 Romeo & Juliet
Trap door>ghosts
“Heavens”> angelic beings
Only men and boys
Young boys whose voices
 had not changed play
 women’s roles
Would have been
 considered indecent for a
 woman to appear on stage
An , and:   If
Anon:       At once - Soon
Ay:         Yes
But:        Only - Except for
E’en:       Even
E’er:       Ever
Exeunt:     They go out( leave stage)
Exit:       He , She goes out
Haply:  Perhaps
Happy: Fortunate
Hence: Away, from her
Marry: Indeed
Methinks:    I think
Nay:         No
Pray : Please
Thou  ,Thee ,Thy , Thine :
 You, Your, Yours
Whence:         Where
Wilt:       Will, will you
Withal:      In addition to
Would:       Wish
Yea :        Yes
Ordinary writing that is not
poetry, drama, or song
 Only characters in the lower
  social classes speak this way in
  Shakespeare’s plays
 Why do you suppose that is?
The
sequence of
events in a
literary work
The plot usually begins
with this:
introduces>>>>
 setting

 characters

 basic situation
Oftencalled “initial
incident”
the first bit of action that
 occurs and which begins
 the plot
Thestruggle that
develops
man vs. man
man vs. himself
man vs. society
man vs. nature
The point where the
protagonist’s situation
will either get better or
worse
protagonist>good
 character
antagonist>bad character
The turning point of
the story>everything
begins to unravel
from here
Thus begins the falling
 action
The end of the
central conflict
The final explanation
or outcome of the plot
If this is included in
 literature, it will occur
 after the resolution.
Drama where the central
character/s suffer disaster/great
misfortune
  In
    many tragedies, downfall results
  from>
  Fate
  Character flaw/Fatal flaw
  Combination of the two
Central idea or
Insight about life
which explains the
downfall
Characters   who
have many
personality traits,
like real people.
One-dimensional,
embodying only a single
trait
Shakespeare   often uses
 them to provide comic
 relief even in a tragedy
Characters within a
story who remain the
same. They do not
change. They do not
change their minds,
opinions or character.
Characters that
change somehow
during the course of
the plot. They
generally change for
the better.
Oneperson speaking on
stage > may be other
character on stage too
Long speech expressing
the thoughts of a
character alone on
stage. Macbeth gives a
soliloquy after the
murder of King Duncan.
Words spoken, usually in an
undertone not intended to
be heard by all characters.
In The Merchant of Venice
Shylock’s Asides are very
important to the spectators as
they explain the reasons of his
revenge on Antonio.
Shakespeare   loved to use
them!!!
Humorous use of a word
 with two meanings >
 sometimes missed by the
 reader because of
 Elizabethan language .
Words  that tell the reader
 who is being addressed:

“Ah, my mistresses, which of
 you all/ Will now deny to
 dance?”
Acontradiction
between what a
character thinks and
what the
reader/audience
knows to be true
Words used to suggest
the opposite of what is
meant
An event occurs that
directly contradicts the
expectations of the
characters, the reader,
or the audience
Use of comedy within literature
that is NOT comedy to provide
“relief” from seriousness or
sadness.
In MACBETH look for moments of
comic relief that help “relieve” the
tragedy of the situation
1. Macbeth
  A Tragedy by William Shakespeare

2. The Taming of the Shrew
   A Farce by William Shakespeare
   1.A.C. Bradley. Shakespearean Tragedy .
    Hong Kong: The Macmillan Press Ltd, 1978
   2. Anthony Burgess. English Literature .
    London : Longman, 1974
   3.Caroline Spurgeon. Shakespeare’s Imagery .
    London :Cambridge University Press, 1982
    4. Peter Spalding. Drama in Practice.
       London : Macmillan Publishers Ltd.1985
 Participation:5 marks
 Power Point Presentation: 20 marks
 Test: 20 marks
          Sunday 29/ 4 / 1432 H
 Quiz: 15 marks
          Tuesday 21/ 6/ 1432 H
  Final: 40 marks
               Total: 100 marks
Wishing You a
  Successful
Academic Term

Course on shakespeare lane 448 introduction

  • 2.
     Section: BA 01C Room: 201 A  Lecture Time & Days:  Sunday 8:00 – 9 :20  Tuesday 8:00 – 9:20
  • 3.
    Dr. Fawzia Aseel Office: Room 108 A Office Hours: Sunday 9:30 - 11:00 Monday 10:30 - 12:30 Tuesday 9:30 - 10:30 Wednesday 8:00 - 10:00 Email: Rawda_d@ Yahoo.com
  • 4.
    Widely regarded as thegreatest writer in English Literature
  • 5.
    1563-1616 Stratford-on-Avon, England wrote 37 plays about 154 sonnets started out as an actor
  • 6.
    Actor forLord Chamberlain’s Men (London theater co.) Also > principal playwright for them 1599> Lord Ch. Co. built Globe Theater where most of Sh. Play’s were performed
  • 7.
  • 8.
    Plays producedfor the general public Roofless>open air No artificial lighting Courtyard surrounded by 3 levels of galleries
  • 9.
    Wealthy gotbenches “Groundlings”>poorer people stood and watched from the courtyard (“pit”) All but wealthy were uneducated/illiterate Much more interaction than today
  • 10.
    Stage>platform that extended into the pit Dressing & storage rooms in galleries behind & above stage second-level gallery> upper stage> famous balcony scene in Romeo & Juliet Trap door>ghosts “Heavens”> angelic beings
  • 11.
    Only men andboys Young boys whose voices had not changed play women’s roles Would have been considered indecent for a woman to appear on stage
  • 12.
    An , and: If Anon: At once - Soon Ay: Yes But: Only - Except for E’en: Even E’er: Ever Exeunt: They go out( leave stage) Exit: He , She goes out
  • 13.
    Haply: Perhaps Happy:Fortunate Hence: Away, from her Marry: Indeed Methinks: I think Nay: No Pray : Please
  • 14.
    Thou ,Thee,Thy , Thine : You, Your, Yours Whence: Where Wilt: Will, will you Withal: In addition to Would: Wish Yea : Yes
  • 15.
    Ordinary writing thatis not poetry, drama, or song Only characters in the lower social classes speak this way in Shakespeare’s plays Why do you suppose that is?
  • 16.
  • 17.
    The plot usuallybegins with this: introduces>>>> setting characters basic situation
  • 18.
    Oftencalled “initial incident” the firstbit of action that occurs and which begins the plot
  • 19.
    Thestruggle that develops man vs.man man vs. himself man vs. society man vs. nature
  • 20.
    The point wherethe protagonist’s situation will either get better or worse protagonist>good character antagonist>bad character
  • 21.
    The turning pointof the story>everything begins to unravel from here Thus begins the falling action
  • 22.
    The end ofthe central conflict
  • 23.
    The final explanation oroutcome of the plot If this is included in literature, it will occur after the resolution.
  • 24.
    Drama where thecentral character/s suffer disaster/great misfortune  In many tragedies, downfall results from> Fate Character flaw/Fatal flaw Combination of the two
  • 25.
    Central idea or Insightabout life which explains the downfall
  • 26.
    Characters who have many personality traits, like real people.
  • 27.
    One-dimensional, embodying only asingle trait Shakespeare often uses them to provide comic relief even in a tragedy
  • 28.
    Characters within a storywho remain the same. They do not change. They do not change their minds, opinions or character.
  • 29.
    Characters that change somehow duringthe course of the plot. They generally change for the better.
  • 30.
    Oneperson speaking on stage> may be other character on stage too
  • 31.
    Long speech expressing thethoughts of a character alone on stage. Macbeth gives a soliloquy after the murder of King Duncan.
  • 32.
    Words spoken, usuallyin an undertone not intended to be heard by all characters. In The Merchant of Venice Shylock’s Asides are very important to the spectators as they explain the reasons of his revenge on Antonio.
  • 33.
    Shakespeare loved to use them!!! Humorous use of a word with two meanings > sometimes missed by the reader because of Elizabethan language .
  • 34.
    Words thattell the reader who is being addressed: “Ah, my mistresses, which of you all/ Will now deny to dance?”
  • 35.
    Acontradiction between what a characterthinks and what the reader/audience knows to be true
  • 36.
    Words used tosuggest the opposite of what is meant
  • 37.
    An event occursthat directly contradicts the expectations of the characters, the reader, or the audience
  • 38.
    Use of comedywithin literature that is NOT comedy to provide “relief” from seriousness or sadness. In MACBETH look for moments of comic relief that help “relieve” the tragedy of the situation
  • 39.
    1. Macbeth A Tragedy by William Shakespeare 2. The Taming of the Shrew A Farce by William Shakespeare
  • 40.
    1.A.C. Bradley. Shakespearean Tragedy . Hong Kong: The Macmillan Press Ltd, 1978  2. Anthony Burgess. English Literature . London : Longman, 1974  3.Caroline Spurgeon. Shakespeare’s Imagery . London :Cambridge University Press, 1982  4. Peter Spalding. Drama in Practice. London : Macmillan Publishers Ltd.1985
  • 41.
     Participation:5 marks Power Point Presentation: 20 marks  Test: 20 marks Sunday 29/ 4 / 1432 H  Quiz: 15 marks Tuesday 21/ 6/ 1432 H Final: 40 marks Total: 100 marks
  • 42.
    Wishing You a Successful Academic Term