Costumes
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The costumes for the movie opening feature stereotypical bank heist attire. The main characters wear long black coats and masks based on influences from films like Point Break, The Dark Knight, and Reservoir Dogs. Black coats were chosen because they make the actors look inconspicuous and the whole group already owned similar jackets. Masks were included to add effect and emphasize the severity of the characters' actions, inspired by the masks used in The Dark Knight.
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Final Ideas
The document discusses plans for marketing a crime thriller film through a trailer and magazine. For the trailer, it describes choosing scenes showing the murder and kidnapping to attract crime thriller fans. Locations were selected to fit the genre and add dark, creepy atmospheres. The murderer's costume is dark to blend in but stand out, while other characters dress casually. Props like a knife and clock add fear and urgency. For the magazine, the title 'CINE REALM' highlights films. A bold font makes the title stand out as the first thing seen. A close-up of the murderer's creepy mask is chosen for the cover to suggest the film genre and stand out from other magazines on shelves.
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This document summarizes how the media product uses conventions of real thriller genres and films. It establishes the main character and introduces a damsel in distress. It aims to engage the audience with an enigmatic opening that leaves them with questions. Typical thriller elements like suspenseful music, costumes, and plot devices are used. Locations and shots create atmosphere while revealing details strategically. Character introductions establish normality initially to contrast with later revelations. The title and credits are kept plain to suit the thriller style.
Props
The document discusses various props used in the creation of a thriller film opening, including a white mask, black gloves, pictures with red pen markings, scissors, a knife, a newspaper front page created in Photoshop, and a red luggage bag. The props were chosen and designed to conceal identity, create suspense, portray the killer as evil and perfectionist, and establish themes of danger, violence, darkness and mystery.
In what way does your media product use
This document discusses how the media product uses and develops conventions of real thriller genres. It summarizes that the story follows a typical thriller plot of a man with a dark secret. Common thriller techniques like an ominous opening scene, suspenseful music, and an enigmatic title sequence were used. Costumes and props were chosen to create normalcy and intrigue. Characters were introduced in ways that establish mystery, such as a close-up of the female lead. Camera shots and editing techniques like slow pacing and close-ups aim to build suspense and allow the audience to solve clues. The setting and indoor shooting maintain an atmosphere of normality.
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This document summarizes key elements of a short film thriller produced for a class assignment. It describes settings like a dark cave filled with rubbish used to hold the protagonist hostage. The antagonist is portrayed as uncaring and powerful over the hostage. Conventions like themes of entrapment and escape are explored. Visual styles like blurred and canted shots create disorientation to reflect the protagonist's experience. Iconography like ropes and cigarettes are used to convey imprisonment and the antagonist's power. The identity of the protagonist and the resolution are kept ambiguous, challenging expectations.
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The media product challenges some horror film conventions while following others. It challenges the typical portrayal of the victim being female by having a male character killed in the opening scene. It also does not reveal the killer's identity to create suspense. However, it follows conventions around using ominous music to set the tone, having the main character trapped with no escape to build tension, and using sharp editing to keep the audience engaged. The document discusses how the opening sequence develops different conventions of the horror genre.
In what way does your media product use, develop or challenge forms and conve...
This document discusses how the media product uses and develops conventions of real thriller genres in its story, genre, setting/location, title design, costumes/props, character introductions, and camera/editing techniques. The story follows a typical thriller plot with a man and a damsel in distress. Music, props, and plot develop the thriller genre. The setting looks normal to create intrigue. Characters are introduced plainly to withhold information. Camera shots and editing pace create mystery and suspense through close-ups and transitions. Overall, conventional thriller tropes are employed to engage the audience.
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The document discusses plans for marketing a crime thriller film through a trailer and magazine. For the trailer, it describes choosing scenes showing the murder and kidnapping to attract crime thriller fans. Locations were selected to fit the genre and add dark, creepy atmospheres. The murderer's costume is dark to blend in but stand out, while other characters dress casually. Props like a knife and clock add fear and urgency. For the magazine, the title 'CINE REALM' highlights films. A bold font makes the title stand out as the first thing seen. A close-up of the murderer's creepy mask is chosen for the cover to suggest the film genre and stand out from other magazines on shelves.
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This document summarizes how the media product uses conventions of real thriller genres and films. It establishes the main character and introduces a damsel in distress. It aims to engage the audience with an enigmatic opening that leaves them with questions. Typical thriller elements like suspenseful music, costumes, and plot devices are used. Locations and shots create atmosphere while revealing details strategically. Character introductions establish normality initially to contrast with later revelations. The title and credits are kept plain to suit the thriller style.
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This document summarizes key elements of a short film thriller produced for a class assignment. It describes settings like a dark cave filled with rubbish used to hold the protagonist hostage. The antagonist is portrayed as uncaring and powerful over the hostage. Conventions like themes of entrapment and escape are explored. Visual styles like blurred and canted shots create disorientation to reflect the protagonist's experience. Iconography like ropes and cigarettes are used to convey imprisonment and the antagonist's power. The identity of the protagonist and the resolution are kept ambiguous, challenging expectations.
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The opening of A Nightmare on Elm Street establishes the main focus on dreams and features a girl being chased by Freddy through a factory. Though Freddy is not shown in detail, his clawed glove is revealed and cuts the girl receives in her dream carry over to the real world. The credits are sparse and against a black background to add mystery. Camera angles emphasize the girl's fear and isolation. Symbolism through the girl's white dress and a jumping lamb establish themes of innocence and being preyed upon. Dark lighting maintains the horror tone as the lines between dreams and reality are blurred.
Irony P.K. M 5/2
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2. Dramatic irony occurs in stories where the audience understands something a character does not, such as not knowing someone's true identity. This creates irony and surprises the audience.
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The document discusses the use of props in horror film openings. It notes that props are commonly used to add a sense of fear through close-up camera shots. A knife is a commonly used prop but the author decides against it since it has been overused. Religious icons are mainly used in supernatural horror films to make audiences uncomfortable. The group ultimately chooses to use keys as the prime prop in their opening, as it will create tension when the protagonist struggles to open a gate while being grabbed from behind.
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The document discusses the use of props in horror film openings. It notes that props are commonly used to add a sense of fear and identify victims and villains. A knife is a frequently used prop but will not be used in the discussed film opening due to being overdone. Keys were chosen as the prime prop instead, as it will be used to show a character struggling to open a gate, alerting an antagonist, subverting the sense of security a key typically provides.
Question 1 powerpoint
The document discusses the opening sequence of a horror film and how it uses various technical elements in a conventional way for the genre. It describes the antagonist wearing a iconic white mask to hide his identity and instill fear. Vulnerable female protagonists are followed through the woods, building tension with music, sounds effects and fast cuts. The final shot shows one girl being captured up close by the dominant antagonist, screaming as the title appears. Various props, costumes, lighting and locations were chosen because they are typical horror film conventions.
Question 1 evaluation
The document discusses how the student's media product opening sequence for their thriller film "Find Me" uses and develops conventions of real thriller films. It analyzes elements of mise-en-scene, narrative, characters, music, and more, comparing choices to films like Se7en, Inglorious Bastards, Scream, and Taken. Key influences included the use of natural lighting from Zodiac, a baseball bat weapon from Inglorious Bastards, and the unsettling music and tone of Se7en. The student aimed to represent typical thriller conventions and stereotypes to relate their work to established examples of the genre.
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In this document, the author discusses how their student film incorporated various techniques from real psychological thriller films to create suspense. These techniques included using different camera shots and angles to portray characters and power dynamics, incorporating sound to signal suspenseful scenes and engage audiences, paying careful attention to costumes, props, lighting, and setting to establish atmosphere, including stereotypical weak protagonists and unexpectedly dark antagonists to manipulate audience expectations, and challenging the genre by featuring more physical than mental/emotional conflicts between characters.
Evaluation question 1
1. The costume, characters, narrative, sound, and shot types in the film trailer challenge some conventions of horror films while developing or maintaining others.
2. Specifically, the film trailer challenges conventions by using a hoodie for the antagonist rather than an iconic mask, starting with the disruption of equilibrium rather than establishing it, and incorporating non-diegetic sounds.
3. However, the film trailer also develops or maintains some conventions through using lighting techniques to represent changing characters, including a female scream, and employing binary oppositions between the protagonist and antagonist.
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The document discusses how the media product represents social groups through its characters, locations, and props. The main protagonist is dressed similarly to typical film noir characters to imply an aggressive nature. The femme fatale is presented as a victim rather than a manipulator. Scenes take place in a dark, isolated park to show vulnerability. Props like an alcohol bottle represent certain social groups. Jazz music and voiceovers are used for their film noir conventions. The target audience includes those who enjoy thrillers and follow trends.
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The document proposes a psychological horror title sequence that depicts a woman mentally scarred by her past. It draws inspiration from the title sequences of "Durham County" and "American Horror Story: Hotel", utilizing techniques like flashes between scenes and the juxtaposition of red against black. The sequence will feature a doll and use flashbacks to show the woman's traumatic childhood experiences, challenging stereotypes by portraying her as both a victim and antagonist.
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1) The document discusses the use of different camera techniques in documentaries such as Tales of the Grim Sleeper and Ross Kemp on Gangs. It analyzes aerial shots showing crime scenes, the use of direct address to make audiences feel included, and high angle CCTV footage to show real evidence.
2) Direct address, where the subject speaks to the camera, is used to make audiences feel more involved and understand characters. Establishing shots are discussed to set the scene of gang-heavy Los Angeles.
3) Over the shoulder shots can create a sense of power and authority, such as with a sheriff, and may be incorporated to do the same with emergency service members.
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The document outlines initial plans for three short film ideas - a horror film about two students who break a clock and are chased by a mysterious figure, an action film about a character trying to catch a bus on time, and a sad film about aging and people slowly disappearing over time. It then provides more details about plans for the horror film, which will include various shot types like close-ups and long shots to tell the story, and focus on a chase scene with jump cuts between angles.
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The document summarizes how the media product utilizes, develops, and challenges conventions of the thriller genre. It discusses using iconography like a mannequin, cinematography techniques like close-ups and low angles, lighting, editing techniques like montage and fade to black, costumes, settings and more to both follow thriller conventions as well as challenge norms. Examples are provided from films like Insidious 2, Seven, and others to illustrate how certain elements mimic conventions of the genre.
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Los españoles recibieron ayuda decisiva de diversos grupos aborígenes como los cañaris y huancas durante la conquista del Tahuantinsuyo. Aunque los orejones cusqueños lucharon contra los conquistadores, no todos lo hicieron. Tras la muerte de Atahualpa, los indios proporcionaron alimentos, ropa e información a los españoles. Manco Inca lideró una resistencia de ocho años contra los hispanos desde Vitcos y Vilcabamba, causándoles grandes bajas.
nanotecnología
La nanotecnología es el estudio y manipulación de la materia a escala nanométrica. Ofrece beneficios como productos más pequeños y eficientes, pero también riesgos como la replicación descontrolada de máquinas a nivel molecular. Es importante que los avances científicos mejoren la vida humana sin poner en peligro la dignidad de las personas.
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Este documento presenta resúmenes biográficos de cuatro heroínas peruanas que lucharon por la independencia del Perú: Micaela Bastidas, esposa de Túpac Amaru II que fue ejecutada brutalmente por los españoles; María Parado de Bellido, heroína ayacuchana que fue fusilada asumiendo la responsabilidad por sus convicciones patriotas; Francisca Zubiaga de Gamarra que acompañó a su esposo en campañas militares resistiendo penurias; y Manuela Sáenz, mujer y ay
Presentacion De Les[1]
El documento describe el lupus eritematoso sistémico (LES), una enfermedad autoinmune crónica que puede afectar múltiples sistemas del cuerpo. El LES es más común entre mujeres jóvenes y se caracteriza por períodos de brotes y remisiones. Puede afectar la piel, articulaciones, riñones, sistema nervioso y otros órganos. El documento también discute los síntomas, factores de riesgo, tratamiento y pronóstico del LES.
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Similar to Costumes
Evaluation Question 1
Daniel created a horror film trailer and supporting marketing materials that used conventions from real horror media but also challenged conventions and included unique elements:
1) The trailer used point-of-view shots, night filming, and ominous shots inspired by films like Halloween, but did not include graphic violence or nudity.
2) Scenes implied danger through atmosphere rather than showing it, such as a victim found dressed in the bath.
3) The final scene built suspense through stalking imagery rather than blood or gore as seen in other trailers.
4) Supporting materials like magazine covers and posters featured sinister images that identified the genre while leaving aspects open to interpretation. Overall, Daniel both drew from
She's the killer
The document discusses how the filmmaker approached various elements of their horror film opening in conventional and unconventional ways based on research of real horror films. Conventions used included putting the title at the end with a horror font, including production company logos at the beginning, not showing credits until after, portraying the main character as a naive woman in distress, using common horror locations of forests and houses, having the antagonist wear all black, and using point-of-view shots and fast editing to build tension. Some elements like using credits earlier and filming during the day rather than night challenged conventions. The filmmaker analyzed their choices and discussed how they could improve future openings.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses the filmmaker's approach to creating a trailer, poster, and magazine cover for a horror film. For the trailer, they aimed to balance conventional and unconventional elements. They used found footage and jump cuts, but stuck to typical editing techniques. For the poster, they challenged conventions by using a long shot but included standard horror elements. The magazine cover followed conventions for layout but took inspiration from another cover by including a two-shot image. Overall, the filmmaker considered conventions from their research but also experimented with some unconventional elements.
Media Studies, Evaluation Q1
The document discusses how the media product challenges conventions of the horror genre in its trailer and other elements. It examines conventions like using low lighting, darkness, and sudden lighting changes to create anxiety. It also discusses the use of icons like masks, weapons, and tarot cards. While the trailer does not include characters or point-of-view shots due to its short length, it features a clown figure as the villain. The document also covers conventions in trailer color schemes, title design, and fonts to effectively communicate the horror genre and film's subject matter.
Evaluation 1
1) The document discusses a student's short horror film called "Don't Move" that uses conventions of the genre like an urban setting, dark colors, and a masked killer.
2) The student aimed to both use common horror conventions but also challenge some, like making the protagonist realize they were the killer.
3) In additional media like posters and reviews, the student maintained conventions like ominous black for the poster and including a screenshot in the review. This helped communicate the genre clearly while still being original.
Coursework evaluation
My opening sequence adheres to many conventions of psychological thriller and horror genres in real media. It is shot from an unknown point of view in an eerie house setting with portraits and empty chairs adding an unsettling tone. Iconography like stairs and contrasts of light and dark advance the mystery of who is watching. Fades between angles like pans, close-ups, and high shots immerse the viewer and obscure context per genre norms. While combining thriller and horror conventions, my sequence challenges expectations by featuring a single sleeping character, preventing use of editing techniques like continuity that advance narratives. Overall, the sequence aims to intrigue audiences and feel professionally produced by adhering to familiar genre tropes.
Coursework evaluation Question 1
In this document, the author discusses how their media product adheres to and develops conventions of real thriller/psychological thriller films. Specifically, the author sets their opening sequence in an eerie house setting using low key lighting and black and white, mimicking popular films. They also follow genre conventions for the title, credits, and production logo. Iconography like portraits and empty chairs are used to create unease. Camera angles, editing techniques, and an ambiguous point of view also emulate real thriller films. The goal is to make the product look professional and appeal to audiences by conforming to established genre conventions.
My media product
1) The document discusses how the author's media production conforms to and challenges conventions of real media products in various ways.
2) It adheres to conventions of short films and horror genres through its simple narrative, use of common horror tropes like a female protagonist and stalker antagonist, and inclusion of standard credits and institutional elements.
3) However, it also challenges some conventions by subverting expected narrative structures, using psychological horror elements instead of gore, and editing on an iPhone app instead of traditional software.
In what ways does your media product use, develop or challenge forms and conv...
My horror film uses, develops, and challenges conventions of real horror films to attract a target audience. I used common horror themes like good vs evil and isolation to create suspense. However, I developed conventions by killing a character early and setting part of the film near safety. I also challenged conventions by having a teenage girl as the villain and not using dark colors or blood. The film employs techniques like shaky cameras and music to create fear but also develops the point of view of the villain and uses phones instead of common props like knives.
My pitch
Jack Jackson proposes a horror film trailer that builds tension and suspense through psychological elements rather than graphic violence. He will use themes of tension, isolation, and the unknown relating to the Gothic tradition. The protagonist Jack will be pursued by the spirits of the forest as the antagonists. Jackson aims to create fear in the audience through tension and suspse rather than attractive victims or everyday props. Diegetic and non-diegetic music will be used to build climax. Shots like close-ups, panning and point-of-view will engage the audience in the protagonist's experience without revealing too much of the plot.
In what ways does your media product use, develop or challenge forms and conv...
A2 Media Studies Evaluation
Horror Film
In what ways does your media product use, develop or challenge forms and conventions or real media products?
Media 1
The media product challenges horror movie conventions by killing a male character in the opening sequence rather than a female. It also does not reveal the killer's identity to the audience. Additionally, the opening sequence is filmed with lights on rather than in dark lighting with shadows to provide a clearer view. The victim in this opening does not have an opportunity to escape and is killed after exchanging texts, challenging the convention of attempted escape.
Question 1 evaluation
The document discusses how the creator's media products used and challenged conventions of real horror genre media. Their film trailer followed typical conventions like an eerie soundtrack and fast pacing but chose not to include a graphic death scene. The film poster used a dark color scheme and placed the main image off-center. The magazine cover kept the horror color scheme but most magazines do not focus on one genre. While conventions were generally followed for effectiveness, some were challenged to create less typical but still engaging media for the target audience.
Question 1
This document discusses how the media product uses and develops conventions of real thriller films. It summarizes how sound, lighting, mise en scene, editing, camera shots, location, binary opposites, and the hermeneutic code were used. For sound, tension was built through background music and sound effects. Lighting created atmosphere and mystery through shadows. Mise en scene kept the antagonist a mystery. Editing included fast pacing and point of view shots. Camera shots avoided close ups of the antagonist. The location shifted from street to dark woods. Binary opposites established good and evil characters. The hermeneutic code created mystery around the antagonist.
Evaluation - Question 1
The document discusses the opening title sequence (OTS) for a horror film called "The Basement". It describes how the OTS uses conventions of the horror genre, such as taking place at night in an isolated setting (an empty school). It builds tension through minor ominous music, dark lighting, and not showing the villain's face under his hoodie. The OTS was edited to enhance fear using color balance, chiaroscuro effects, and close-ups when tension is highest. Scary fonts were used to maintain fear and mystery for viewers. The story involves the last student being attacked by a school worker and dragged to the basement where something terrible is hidden.
A2 Evaluation 1
The document discusses the conventions used and broken in a psychological thriller trailer, magazine cover, and film poster created by the author. For the trailer and magazine cover, the author largely followed genre conventions, such as including a clear protagonist and building tension in the trailer. However, the trailer broke conventions by using a character voiceover instead of dialogue. The film poster took a more ambiguous and unconventional approach compared to typical thriller posters by using a close-up shot with an ambiguous expression and stormy backdrop.
Here is Evaluation
The document discusses how the film "Devour" uses and develops conventions of the zombie horror genre in its title, credits, characters, settings, costumes, camera work, and editing. For the title, the film follows conventions by using a one word title that foreshadows violence, but makes it unconventionally brief. The credits also use the same typography as the title for atmospheric consistency, placing some on screens and some in shots. The protagonist character is a lone female, as seen in research, and she and the zombie are dressed in typical clothing for their genres. Camera work establishes settings conventionally while adding pans for effect. Editing uses cuts and fades between shots to create pace and focus during action scenes.
Test
The media student discusses how their horror film trailer uses and develops conventions of real trailers while also challenging some conventions. The trailer uses common horror settings like schools and forests. It keeps the killer's face hidden, includes ominous music and handheld camerawork during chase scenes. However, the student begins with a montage rather than just the production company. The killer is also a female, challenging the male killer convention. The magazine cover follows conventions like positioning but challenges expectations by featuring a powerful female killer rather than a victim. The poster features an unusual reflective shot of the main character but includes standard elements like the title and tagline positioned conventionally.
Film opening title sequence proposal form
1) The document is a proposal for a horror film opening title sequence for a college course.
2) The student proposes a "slasher-horror" genre film with dark, low lighting and shots of the antagonist walking at night. Props will include notes and news articles related to the killer's victims.
3) The target audience is identified as students and above, as the film aims to appeal to both genders but may not interest young children or the elderly.
Question 1
This document summarizes how the film uses, develops, and challenges various conventions of the horror genre. It discusses using conventions like ending on a cliffhanger and using dark lighting and costumes. It develops conventions through the characterization that hides the protagonist's identity at first. It challenges conventions by having minimal dialogue in the trailer, as in the film, and having a male rather than female or child as the victim.
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More from denceh97
Props 140117085846-phpapp02
The document discusses props needed for a student film project about a bank heist. It describes borrowing a car from family for filming, as well as using sound effects of cocking guns. Most importantly, it discusses emailing the drama department to borrow masks for the bank robbers, which were crucial to fitting the conventions of the bank heist genre.
Schedule
The document outlines a film production schedule that took place from December 2013 to March 2014. It includes traveling to Africa in December to film landscapes, hosting a film shoot on Christmas Day with actors at the person's house, and additional filming in early January. Throughout the process, the person worked to meet deadlines for pre-production, production uploads, blogging, and evaluations in order to get the best grade possible for their exam.
Question 3
Sony Pictures would be a suitable distributor for the film "The Final Job" based on three reasons:
1) Sony Pictures has a wide range of film genres that have been distributed, from family films to blockbusters, allowing room for a film like "The Final Job" in their catalog.
2) They previously had success distributing the similar British crime film "Snatch" which grossed over $30 million, indicating another British crime film could also be profitable.
3) While Sony Pictures has a large existing audience, the film could attract new British fans, especially working class Londoners who would relate to the story, expanding their audience.
Equipment list
This document lists the equipment that will be used for filming a final piece, including a Canon 600D camera for its quality, light weight, and quick setup to allow for guerrilla shooting in Africa. A tripod is included for panning shots, stability when moving the camera, and shots of Africa and action scenes. A 16GB SD card will store all footage captured during guerrilla filming in Africa where unpredictable scenes will be shot.
Costumes
The costumes for the movie opening feature stereotypical bank heist attire. The main characters wear long black coats and masks based on influences from films like Point Break, The Dark Knight, and Reservoir Dogs. Black coats were chosen because they make the actors look inconspicuous and the whole group already owned similar jackets. Masks were included to add effect and emphasize the severity of the characters' actions, inspired by the masks used in The Dark Knight.
Snatch analysis
The document provides an analysis of the opening scenes of the film "Snatch" and how it influenced the filmmaker's own work. The opening establishes two main characters through a voiceover by Statham that describes their roles. It then cuts to a diamond heist, using tense music to build suspense. The filmmaker aims to similarly open their film with action and grab viewers' attention, and to introduce main characters. The document examines the sound design and character performances in the scene from "Snatch" as well.
Snatch analysis
This document summarizes and analyzes the opening scenes of the film "Snatch" to provide inspiration for the filmmaker's own opening scene. The opening of "Snatch" introduces two main characters through a voiceover and establishes the criminal genre. It then jumps straight into an action-packed diamond heist sequence. The rising tension in the music helps build suspense. Overall the filmmaker found the opening to be attention-grabbing and plans to introduce their own main characters and also transition quickly from a calm scene into action in their own film.
Props
The key props needed for the filmmaker's bank heist scene included masks from the drama department to portray robbers, a Ford Focus car borrowed from family for the getaway vehicle, and toy guns with added sound effects to represent weapons. The masks and car were essential props secured through permission from others due to the filmmaker's limited budget and age restricting solo driving.
Shot list
This document outlines 13 different shots for a film scene involving a car heist. Shot 1-2 are establishing shots with a voiceover. Shot 3 shows the actor on a plane from a medium distance. Shot 4 is a medium long shot through the car showing both parties. Shots 5 and 9-11 involve dialogue between characters shown through various mediums and side shots. Shots 6-8 involve closeups to introduce characters during a voiceover. Shot 12 shows a character cocking a gun for emphasis.
Schedule
This document lists dates from December 2013 to March 2014 and the film production activities that occurred on each date, including traveling to Africa to film landscapes, returning to England to pick up props, filming for 2 hours at a house with all actors, filming remaining lines alone in a car park, continuing pre-production work at school, completing pre-production work and blogging, uploading all production work and blogging, and answering evaluation questions on a blog.
Locations
Henry Dence filmed establishing shots at Yurie Yoshimi school in Uganda with permission. He chose to start his film there to set up the storyline of an undercover detective returning to Britain from Africa for a final job. Dence also filmed on an empty aeroplane to England to fit with the storyline and provide an interesting location for viewers. Finally, he filmed a scene with gun replicas in a car park on Christmas to avoid police being called and safely shoot the scene away from public areas, since police presence was higher during the holiday.
The final job
Henry has returned from Africa to work as an undercover driver for British agencies. On his first job back, he picks up two criminals, Worried and Eyebrows, from a bank robbery that has gone wrong. Worried is panicking from the north of England and good at shooting but bad at getting away. Eyebrows is the best planner but has unusual eyebrows. Their small bank job has somehow attracted a large police response, making Eyebrows believe they have been set up. Henry now finds himself in the middle of a dangerous situation as the getaway driver for the botched bank robbery.
Risk assessment sheet
Henry Dence wrote a risk assessment sheet for his film "The Final Job" which he is writing, producing, and directing. The major risks included attracting police attention by using replica weapons, not having enough film to complete the project due to actors living out of the area, and actors getting hurt from props. To address these risks, Dence planned to clearly mark that filming was occurring, have contact numbers for emergency services, and film with a responsible adult present.
Production roles
Henry Dence is directing a production titled "The Final Job" and taking on multiple roles such as director, script writer, camera operator, sound, editor, locations manager, costumes, and production manager. He will be responsible for directing shots and actors, writing the script, operating camera with others, handling sound, editing the film, securing three filming locations, coordinating costumes, and ensuring the production runs smoothly and meets deadlines.
Final idea for the movie opening
The document outlines a plan for a movie opening scene involving a heist. It will begin by showing part of the initial heist over about a minute. It will then flash back to show the three members planning the heist to keep it under the two minute time limit. Unlike earlier ideas, it will now include shots filmed in Uganda of an undercover agent returning from a mission in Africa to be called in to stop the heist. Dialogue and flashing between the heist and planning will be used, cut short when the undercover team prevents the getaway.
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Implicitly or explicitly all competing businesses employ a strategy to select a mix
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一比一原版新西兰奥塔哥大学毕业证（otago毕业证）如何办理
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
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留信网认证的作用:
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→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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Costumes
- 1. Costumes When it comes to the costumes within my movie opening, I have really gone for stereotypical bank heist features. I took notes from heist films such as ‘Point Break, The Dark Knight, Reservoir Dogs’ etc and they all wear either a smart black dress suit, or a coat of some form, most of which are masked too. I have not got a lot of costume to go on as the main part of the film is based on above the waist shooting, therefore the long coats and masks are the only things in view. Coats: I chose to have a dark black coat, not only because my actors all own a similar type of jacket, so it looks co-ordinated, but they are a way of looking inconspicuous in a crowd, which would have happened when robbing the bank. I chose the long black option, because I knew that it was accessible for everyone within the group. I also used them as black is a colour associated with danger and death, so to emphasise the severity of my characters I will use these. Masks: My decision with the masks was not difficult, in fact as soon as I had the idea to do a heist film I immediately set about emailing the drama department asking for a set of masks, which they very kindly provided. With the masks I was influenced by films such as The Dark Night, as they exceed anyone’s expectations of a brutal bank robbery, so to add effect to mine I will also be using masks.