Snatch analysis
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The document provides an analysis of the opening scenes of the film "Snatch" and how it influenced the filmmaker's own work. The opening establishes two main characters through a voiceover by Statham that describes their roles. It then cuts to a diamond heist, using tense music to build suspense. The filmmaker aims to similarly open their film with action and grab viewers' attention, and to introduce main characters. The document examines the sound design and character performances in the scene from "Snatch" as well.
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Snatch analysis
This document summarizes and analyzes the opening scenes of the film "Snatch" to provide inspiration for the filmmaker's own opening scene. The opening of "Snatch" introduces two main characters through a voiceover and establishes the criminal genre. It then jumps straight into an action-packed diamond heist sequence. The rising tension in the music helps build suspense. Overall the filmmaker found the opening to be attention-grabbing and plans to introduce their own main characters and also transition quickly from a calm scene into action in their own film.
Codes and conventions
Thriller film openings typically introduce the protagonist and set up their encounter with the antagonist. They build tension through techniques like quick cuts, unsettling music, and shadowy lighting to keep audiences on the edge of their seats. Legally, films include copyright warnings and production company logos before titles introduce the director, producers, and lead actors. The thriller film "Panic Room" starts with an establishing shot of New York City set to tense music to immediately immerse viewers in the thriller genre. Within two minutes, the main characters and setting are established to move the plot along at a fast pace.
Codes and conventions
Thrillers commonly follow the protagonist meeting the antagonist, with the protagonist overcoming the antagonist by the end. Thrillers build tension through sound editing, lighting, and music to create a sense of unease and anticipation of danger. Thriller film openings typically establish the setting and main characters quickly and set the scene for conflict through an establishing shot and musical score that builds tension.
Speed genre analysis sheet
This document provides an analysis of the 1994 action thriller film "Speed" directed by Jan De Bont. It examines whether the film conforms to or breaks conventions of the genre in terms of its technical features, codes and conventions, setting, characters, themes, narrative structure, iconography, and ideological message. For each category, the document finds that the film breaks conventions by including quick cuts, appropriate locations and sounds, a young heroic main character, high levels of violence and death, a suspenseful narrative structure, American iconography like roads and accents, and a message of being safe and cautious.
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The trailer for Shutter Island establishes a sense of mystery through quick flashes of locations and characters. Clues are provided, like a piece of paper reading "who is 67?", that get viewers engaged in solving the film's mystery. Shots of Leonardo DiCaprio's character are close-ups that show his reactions and give a sense of him feeling trapped. Key objects are also closely filmed to focus attention on important story details and clues. The music and editing help build an unsettling atmosphere that leaves viewers wanting to learn more.
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The document discusses a trailer for the film "John Doe: Vigilante" where a serial killer kills criminals who keep reoffending. The locations in the trailer seem basic and could be recreated by the researcher. Overall, the researcher found the trailer to be poor quality compared to others and feels it reveals too much of the plot.
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The document discusses researching an existing trailer for the film John Doe: Vigilante. It analyzes aspects of the trailer such as locations, lighting, camera angles, and story elements revealed. The researcher concludes that this trailer reveals too much of the story and would not entice viewers to see the full film.
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The trailer for John Doe: Vigilante reveals that the film is about a serial killer who kills reoffending criminals he believes are still a threat, and shows scenes of the killer being interrogated. While the locations and lighting used in the trailer seem basic and could be recreated, the reviewer finds the trailer poor and feels it reveals too much of the story.
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Snatch analysis
This document summarizes and analyzes the opening scenes of the film "Snatch" to provide inspiration for the filmmaker's own opening scene. The opening of "Snatch" introduces two main characters through a voiceover and establishes the criminal genre. It then jumps straight into an action-packed diamond heist sequence. The rising tension in the music helps build suspense. Overall the filmmaker found the opening to be attention-grabbing and plans to introduce their own main characters and also transition quickly from a calm scene into action in their own film.
Codes and conventions
Thriller film openings typically introduce the protagonist and set up their encounter with the antagonist. They build tension through techniques like quick cuts, unsettling music, and shadowy lighting to keep audiences on the edge of their seats. Legally, films include copyright warnings and production company logos before titles introduce the director, producers, and lead actors. The thriller film "Panic Room" starts with an establishing shot of New York City set to tense music to immediately immerse viewers in the thriller genre. Within two minutes, the main characters and setting are established to move the plot along at a fast pace.
Codes and conventions
Thrillers commonly follow the protagonist meeting the antagonist, with the protagonist overcoming the antagonist by the end. Thrillers build tension through sound editing, lighting, and music to create a sense of unease and anticipation of danger. Thriller film openings typically establish the setting and main characters quickly and set the scene for conflict through an establishing shot and musical score that builds tension.
Speed genre analysis sheet
This document provides an analysis of the 1994 action thriller film "Speed" directed by Jan De Bont. It examines whether the film conforms to or breaks conventions of the genre in terms of its technical features, codes and conventions, setting, characters, themes, narrative structure, iconography, and ideological message. For each category, the document finds that the film breaks conventions by including quick cuts, appropriate locations and sounds, a young heroic main character, high levels of violence and death, a suspenseful narrative structure, American iconography like roads and accents, and a message of being safe and cautious.
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The trailer for Shutter Island establishes a sense of mystery through quick flashes of locations and characters. Clues are provided, like a piece of paper reading "who is 67?", that get viewers engaged in solving the film's mystery. Shots of Leonardo DiCaprio's character are close-ups that show his reactions and give a sense of him feeling trapped. Key objects are also closely filmed to focus attention on important story details and clues. The music and editing help build an unsettling atmosphere that leaves viewers wanting to learn more.
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The document discusses a trailer for the film "John Doe: Vigilante" where a serial killer kills criminals who keep reoffending. The locations in the trailer seem basic and could be recreated by the researcher. Overall, the researcher found the trailer to be poor quality compared to others and feels it reveals too much of the plot.
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Evaluation – forms and conventions of media texts
The document discusses how the opening sequence of a horror/thriller film uses conventions from the genre in its camera work, angles, sound, mise-en-scene, and narrative. It compares shots and techniques to well-known films like Scream, I Know What You Did Last Summer, and Psycho. While following conventions like close-ups, music, and lighting for tension, it challenges the genre by killing off the male character first rather than the female, subverting the typical vulnerable woman trope. This twist leaves viewers unsure of what will happen next to the now-empowered female protagonist.
Se7en’ analysis
A powerpoint analysis of the first two minutes of the thriller ‘Se7en.’ Including screen shots to go alongside the text.
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Task 8
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Se7en
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Presentation2
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Textual analysis for batman v superman
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Seven Opening Scene
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Analysis Of The Opening To Seven
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Analysis Of A Film Opening
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The document discusses how the opening sequence of a horror/thriller film uses conventions from the genre in its camera work, angles, sound, mise-en-scene, and narrative. It compares shots and techniques to well-known films like Scream, I Know What You Did Last Summer, and Psycho. While following conventions like close-ups, music, and lighting for tension, it challenges the genre by killing off the male character first rather than the female, subverting the typical vulnerable woman trope. This twist leaves viewers unsure of what will happen next to the now-empowered female protagonist.
Se7en’ analysis
A powerpoint analysis of the first two minutes of the thriller ‘Se7en.’ Including screen shots to go alongside the text.
The art of the title sequence
The document discusses the purpose and analysis of title sequences in films. It provides examples of title sequences from films like Psycho, King Kong, and Juno that are brief and set the genre. The Catch Me If You Can sequence uses stick figures and music to set a mysterious crime genre. Dawn of the Dead uses graphic images and sounds to create fear and horror. Richard Morrison discusses successful title sequences for Batman from 1989 that had never been done before and Sweeney Todd that brought new animation elements.
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The document discusses the narrative structures and theories presented in the opening sequences of four films: Woman in Black, The Purge, and Submarine.
For Woman in Black, the opening establishes equilibrium with children playing before disrupting it by having the children jump out a window after looking at something off screen, implying they were ordered to jump by the villain, the Woman in Black.
The Purge begins with extreme violence and no equilibrium, establishing it as very violent. It then introduces a character in a car where equilibrium begins, with the disruption being the criminal Purge period allowed once a year.
Submarine's opening is vague, showing only shots of a messy teenage boy's room, implying the film
Se7en
The film Se7en is distributed by New Line Cinema and focuses on two detectives, one portrayed as the hero and one as the villain. Various film techniques are used to characterize the detectives differently in the opening scene. The hero detective is presented in a positive light through his clothing, lighting, and serious demeanor, while the villain detective is shown negatively through his attire, the lighting, and his casual behavior at the crime scene. The story is set in a city and follows the detectives chronologically as they search for a serial killer, leaving the audience to wonder who committed the opening murder and who the ultimate villain is.
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The document provides an analysis of the film "Seven" and how it uses various micro elements to create meaning for the viewer. It discusses key themes in the film like the seven deadly sins. It also analyzes how elements like mise-en-scene, costume, setting, cinematography, lighting, camera angles, and sound are used in scenes to convey meaning and elicit responses from the audience. Examples from scenes are referenced to illustrate how these techniques symbolize ideas like the darkness of society or the differences between characters.
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Ferris Bueller's Day Off is set in the 1980s, as shown through the characters' hairstyles, room decor, and other visual cues. At the beginning, Ferris is seen feigning illness to fool his parents into letting him skip school for the day. He directly addresses the audience with a cheeky wink and monologue, establishing his mischievous character. The title sequence features the Paramount logo and names the cast and crew in a bubbly blue font on a black background, signaling the comedic tone of the film.
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This document provides analysis of key elements in the thriller film Se7en. It summarizes that the film stars Brad Pitt as Detective Mills and Morgan Freeman as Detective Somerset who work together to catch a serial killer played by Kevin Spacey. The killer bases his murders on the seven deadly sins and has already killed three victims as the detectives try to stop him from claiming five more lives. Scenes described show the detectives reviewing evidence at a crime scene and discussing the case in the rain.
Movie trailer
This document summarizes and provides feedback on several movie trailers. It discusses the effective use of dialogue, sound, camera angles, music, captions, and tag lines in trailers for films like Kidualthood, Bullet Boy, and Poetic Justice. Specific shots and sequencing of events are proposed for a hypothetical trailer about a couple that breaks up after high school but reunite years later, with violence ensuing as one tries to reclaim the relationship. Overall themes of love, loss, and danger are highlighted.
Mise En Scene Of Se7en
The mise-en-scene in several shots of the film Se7en are dark and dull, reflecting the main character Morgan Freeman's simple lifestyle and fear of the dark from his job seeing bad things. Freeman is shown putting away objects and listening to music to calm himself and block out noises from outside. The beginning credits include the killer's notes written in red text on a black background, which is meant to convey danger and death through its stark color contrast.
Presentation2
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Seven Opening Scene
The opening scene establishes Detective Somerset as a lonely, organized man who lives alone in a quiet apartment. He meticulously gets ready for work each day. When he arrives at a crime scene, he remains calm and treats his work dispassionately. His colleagues seem to dislike him and he is rejected. Detective Mills then arrives, confident but quick to anger. Their different personalities will cause challenges as they work together on the high murder rate in their town. Loneliness and murder are themes introduced. The title sequence, showing disturbing murder images, further sets up the film as focused on serial killing and murder cases.
V for Vendetta Trailer Analysis
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Analysis Of The Opening To Seven
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This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action footage to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film project involving the use of a scary clown villain and shots hiding the clown in sheets to create an unnerving sense of uncertainty.
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Richard Morrison believed the opening title sequence of "Sweeney Todd: Demon Barber of Fleet Street" was successful because animating the movement of blood was the most crucial and challenging element, requiring building special platforms to film it. This challenge pushed him to make it as good as possible. He also believed the opening title of "Batman" was successful because his novel ideas of a 360-degree view of the Batman logo gave it a timeless feel, as nobody had done anything like it before.
Compare and contrast 4 title sequences
The document compares and contrasts the title sequences of four films from different genres: thriller, comedy/romance, action, and horror. It analyzes how each sequence uses techniques like mise-en-scene, cinematography, editing, sound, and iconography to effectively introduce the film's genre and set the mood. Elements like setting, characters, costumes, props, camera shots, music, and editing style are examined in the sequences to see how subtly or directly they provide context about the story and draw in audiences. The document concludes that title sequences play a vital role in giving audiences a positive first impression and setting expectations for the quality and atmosphere of a film.
M edia blog posts movies.
In the opening scene, two younger girls tell the story of how they let a demon possess a doll named Annabel that begins tormenting them. This seems to be part of the movie "Annabel" which connects the two films. From this introduction, the rest of the film is expected to involve the doll causing problems. However, the story changes from what is expected based on the opening. The opening establishes the film as a horror genre through visuals, sound, and the storyline involving demonic possession. It successfully hooks viewers with tension and suspense.
Frendo film analysis
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, unconventional portrayal of a young couple's life, and what techniques from the film's construction could be applied to the author's own short film.
A textual analysis of frendo final (kym)
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, challenging of genre conventions through the depiction of a young couple living an adult life, and how the camerawork and shots are used to convey the narrative and emotional state of the main character. The document concludes by discussing techniques the author learned
A textual analysis of frendo final
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, challenging of genre conventions through the depiction of a young couple living an adult life, and how the camerawork and shots are used to convey the narrative and emotional state of the main character. The document concludes by discussing techniques the author learned
A textual analysis of frendo
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, unconventional portrayal of a young couple's life, and what techniques from the film's construction could be applied to the author's own short film.
Media studies powerpoint on film titles
The document provides a proposal for the opening title sequence of a crime/thriller film called "Retaliation". The sequence will feature a single character (a journalist) researching a murder case on a laptop in a dimly lit room. Short, fast-paced shots will show the character typing, the laptop screen, and notes being taken to set up the mystery of who the character is and that a murder has occurred, without revealing names. The mood will be dark and tense. Practical challenges will include achieving the proper lighting and finding realistic research documents.
03. research
The document discusses and analyzes four movie trailers:
1) The Blair Witch Project teaser trailer, which uses found footage style and builds tension through disturbing audio and footage.
2) Donnie Darko full trailer, which uses fast cuts, music, and title cards to delve into the mind of the main character and show aspects like time travel.
3) Spiderman: Homecoming sneak peek teaser, which is only 6 seconds but hints at the action and tone through two short scenes.
4) My Friend Dahmer full trailer, which starts casually but turns darker in tone through music and footage, highlighting the unsettling nature of the film.
The document also
Me and my movies
The document analyzes reception theory and how audiences interpret films based on their own backgrounds and experiences. It discusses how the director's background influences what they choose to film and how the audience decodes meaning based on their own age, gender, ethnicity, social class, and culture. It then examines specific films, including how the Batman trilogy satisfied existing fans but also analyzed the audience for films like This is the End and Spinal Tap.
Trailer analysis put up today
1) Downsizing is a comedy about people who voluntarily shrink their bodies to escape overpopulation on Earth. It follows an average American couple who become wealthy after downsizing.
2) The trailer introduces the main characters through dialogue and scenes showing their ordinary lives. It establishes that downsizing allows people to gain wealth and status but also change their world completely.
3) Through one-liners, changes in editing pace, and the use of star power in opening shots, the trailer immerses viewers in the world of downsizing while teasing the transformation of the main characters' lives.
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Props 140117085846-phpapp02
The document discusses props needed for a student film project about a bank heist. It describes borrowing a car from family for filming, as well as using sound effects of cocking guns. Most importantly, it discusses emailing the drama department to borrow masks for the bank robbers, which were crucial to fitting the conventions of the bank heist genre.
Schedule
The document outlines a film production schedule that took place from December 2013 to March 2014. It includes traveling to Africa in December to film landscapes, hosting a film shoot on Christmas Day with actors at the person's house, and additional filming in early January. Throughout the process, the person worked to meet deadlines for pre-production, production uploads, blogging, and evaluations in order to get the best grade possible for their exam.
Costumes
The costumes for the movie opening feature stereotypical bank heist attire. The main characters wear long black coats and masks based on influences from films like Point Break, The Dark Knight, and Reservoir Dogs. Black coats were chosen because they make the actors look inconspicuous and the whole group already owned similar jackets. Masks were included to add effect and emphasize the severity of the characters' actions, inspired by the masks used in The Dark Knight.
Question 3
Sony Pictures would be a suitable distributor for the film "The Final Job" based on three reasons:
1) Sony Pictures has a wide range of film genres that have been distributed, from family films to blockbusters, allowing room for a film like "The Final Job" in their catalog.
2) They previously had success distributing the similar British crime film "Snatch" which grossed over $30 million, indicating another British crime film could also be profitable.
3) While Sony Pictures has a large existing audience, the film could attract new British fans, especially working class Londoners who would relate to the story, expanding their audience.
Equipment list
This document lists the equipment that will be used for filming a final piece, including a Canon 600D camera for its quality, light weight, and quick setup to allow for guerrilla shooting in Africa. A tripod is included for panning shots, stability when moving the camera, and shots of Africa and action scenes. A 16GB SD card will store all footage captured during guerrilla filming in Africa where unpredictable scenes will be shot.
Costumes
The costumes for the movie opening feature stereotypical bank heist attire. The main characters wear long black coats and masks based on influences from films like Point Break, The Dark Knight, and Reservoir Dogs. Black coats were chosen because they make the actors look inconspicuous and the whole group already owned similar jackets. Masks were included to add effect and emphasize the severity of the characters' actions, inspired by the masks used in The Dark Knight.
Props
The key props needed for the filmmaker's bank heist scene included masks from the drama department to portray robbers, a Ford Focus car borrowed from family for the getaway vehicle, and toy guns with added sound effects to represent weapons. The masks and car were essential props secured through permission from others due to the filmmaker's limited budget and age restricting solo driving.
Shot list
This document outlines 13 different shots for a film scene involving a car heist. Shot 1-2 are establishing shots with a voiceover. Shot 3 shows the actor on a plane from a medium distance. Shot 4 is a medium long shot through the car showing both parties. Shots 5 and 9-11 involve dialogue between characters shown through various mediums and side shots. Shots 6-8 involve closeups to introduce characters during a voiceover. Shot 12 shows a character cocking a gun for emphasis.
Schedule
This document lists dates from December 2013 to March 2014 and the film production activities that occurred on each date, including traveling to Africa to film landscapes, returning to England to pick up props, filming for 2 hours at a house with all actors, filming remaining lines alone in a car park, continuing pre-production work at school, completing pre-production work and blogging, uploading all production work and blogging, and answering evaluation questions on a blog.
Locations
Henry Dence filmed establishing shots at Yurie Yoshimi school in Uganda with permission. He chose to start his film there to set up the storyline of an undercover detective returning to Britain from Africa for a final job. Dence also filmed on an empty aeroplane to England to fit with the storyline and provide an interesting location for viewers. Finally, he filmed a scene with gun replicas in a car park on Christmas to avoid police being called and safely shoot the scene away from public areas, since police presence was higher during the holiday.
The final job
Henry has returned from Africa to work as an undercover driver for British agencies. On his first job back, he picks up two criminals, Worried and Eyebrows, from a bank robbery that has gone wrong. Worried is panicking from the north of England and good at shooting but bad at getting away. Eyebrows is the best planner but has unusual eyebrows. Their small bank job has somehow attracted a large police response, making Eyebrows believe they have been set up. Henry now finds himself in the middle of a dangerous situation as the getaway driver for the botched bank robbery.
Risk assessment sheet
Henry Dence wrote a risk assessment sheet for his film "The Final Job" which he is writing, producing, and directing. The major risks included attracting police attention by using replica weapons, not having enough film to complete the project due to actors living out of the area, and actors getting hurt from props. To address these risks, Dence planned to clearly mark that filming was occurring, have contact numbers for emergency services, and film with a responsible adult present.
Production roles
Henry Dence is directing a production titled "The Final Job" and taking on multiple roles such as director, script writer, camera operator, sound, editor, locations manager, costumes, and production manager. He will be responsible for directing shots and actors, writing the script, operating camera with others, handling sound, editing the film, securing three filming locations, coordinating costumes, and ensuring the production runs smoothly and meets deadlines.
Final idea for the movie opening
The document outlines a plan for a movie opening scene involving a heist. It will begin by showing part of the initial heist over about a minute. It will then flash back to show the three members planning the heist to keep it under the two minute time limit. Unlike earlier ideas, it will now include shots filmed in Uganda of an undercover agent returning from a mission in Africa to be called in to stop the heist. Dialogue and flashing between the heist and planning will be used, cut short when the undercover team prevents the getaway.
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Snatch analysis
- 1. Snatch I chose Snatch (Guy Richie) for the first film opening to look at, I chose this film because it is of a similar genre to mine. The film stars Jason Statham, Brad Pitt and other big names. It is a back alley film full of dirty deals and trouble, I picked the film because the first five minutes are very similar, and gave me some guidance to what I would aspire to achieve when my final piece is done. For this extract I am going to look at the sound and the general overview of the characters. During the opening few second of the film you see two men, which is different to mine, however is still a great effect to have as you get a feel for who the first two lead characters are. The shot is followed by a voice over, which is the voice of Statham, this is similar to what I aspire to do as I feel that without introducing a film it can sometimes be a little vague, therefore I have decided to set the scene and let them know what is going on and why I am where I am (in the rural areas in Uganda may not be the simplest place to mark out!) Statham’s voice overviews what the characters sitting at the table are lie, and why their names are like they are, towards the end of the voiceover he mentions diamonds, which then cuts into the next shot of the start of a diamond heist. Statham’s character is perhaps portrayed to be a little rougher than ‘Tommy’ who seems like he is there perhaps not on his own accord. When the diamond heist commenses you start to get a feel for the genre of the film, which again like mine is similar as mine skips from a calm scene straight into the action. I like this idea of a film opening because it really grabs the people’s attention, whereas if you had a slow start, you may lose people if perhaps it was an amateur film! The music that is going on behind the slow heist is also very important, as you may not realise that it is about to happen, with the non diegetic calm music it would be unclear that they are about to hold up a diamond store; however it becomes very apparent as the tension in the music begins to rise. The way that Richie has shown the camera following the security screens as they pass through the building also really emphasises what is about happen and how high security it is. This may also give us an idea that if it were such a high security place, who are they stealing from? Does it set the rest of the film? I also really like the way that they have done the general overview of the characters that have leading roles, I also wish to add this into my production piece, where I will be able to pause on my three main characters and introduce them. All in all this film has been very influential towards my final piece, and is one worth watching! Sound Non-Diegetic: Music over the top Guns cocking Diegetic: Voice over Dialogue Breathing Fighting Performance Statham: sinister but warm, looks out for his friends, doesn’t know what he’s doing out of his comfort zone but still trying ‘Tommy’: nervous looking, perhaps out of place.