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Convention Photography
  How To Get The Shot (and make it look easy!)

  Presented by the Otaku no Podcast Crew
Otaku no Podcast http://otakunopodcast.com/
WRITE THIS
 DOWN!!
http://otakunopodcast.com/photo/
Types of Digital Cameras
The 3 Convention
         Photography Situations
❖   Outdoor cosplay gathering

❖   Indoors

    ❖   Dealers hall

    ❖   Panels

    ❖   Hall cosplay

❖   Theater - Masquerade
Outdoor Photography
❖   Lots of light; casts harsh shadows

❖   Solution: Find a shady spot

    ❖   Under a tree, by a wall in the shade, etc.

❖   Cloudy/overcast is actually better

    ❖   Minimize the sky

❖   Use a reflector

    ❖   The back of a (white) cardboard sign works well

❖   Use fill flash
Indoors
❖   Bad and varied lighting

❖   Often not the best position

❖   Keep the camera steady

❖   Minimize the background

❖   Minimize your expectations

❖   Don’t be “that guy/gal”

❖   Flash may not work (and may be forbidden)
Making Your Subject
              Stand Out

❖   Avoid “busy” backgrounds

❖   Use a backdrop

❖   Blur the background
Blurring the Background
           with a (D)SLR

❖   Relatively easy

❖   Use widest aperture

❖   Stand as close as you can

❖   Make sure background elements are as far away as possible
Blurring the Background
         with a Point and Shoot
❖   Harder, but not impossible

    ❖   Especially hard to do in crowds

❖   Helps to have a large zoom range

❖   Stand back as far as you can

❖   Zoom all the way in
When You’ve Gotta
    Flash...
Get the Flash Off the
      Camera
Soften the Light
Use a Ring Flash
Look for photo shoot areas
Theater
❖   Really bad lighting

    ❖   Bright center spot, dark surroundings

❖   (Usually) poor positioning

❖   Flash is absolutely useless (and often forbidden)

❖   Very hard to do with a point and shoot

❖   Play with exposure and ISO
Keep It Steady

❖   Use your surroundings

    ❖   Posts, railings, seats, people...

❖   “The Death Grip”

❖   Tripods, monopods, etc.

❖   Tripod alternatives
The Death Grip
DIY Tripod Substitutes
Less ghetto tripod
   alternatives
LET’S GET GEEKY!!
The basics of exposure


❖   Shutter speed - Controls motion

❖   Aperture - How much is in focus

❖   ISO - Sensitivity of “film”
Shutter Speed
❖   Expressed as fractions of a second

❖   1/60, 1/250, etc.

❖   Confusingly shown as a non-fraction on most cameras

❖   60 = 1/60, 250 = 1/250, etc.

❖   Larger is shorter

❖   1 second or greater, number followed by a mark
Shutter Speed
❖   Controls motion

❖   Slow shutter speed (1/60 or longer) blurs motion

❖   Fast shutter speeds (1/250 or shorter) freezes motion

❖   The slower the shutter, the more chance for camera shake

❖   Rule of thumb for eliminating camera shake:

    ❖   1/(focal length) (e.g. for 50mm lens, 1/50 or shorter)
Aperture

❖   The “hole” that lets light into the camera

❖   Expressed as “ƒ number” (ƒ stop)

❖   Ratio of diameter to focal length

❖   ƒ/2, ƒ/1.8, etc.

❖   Smaller is bigger
Aperture
❖   Controls depth of field

    ❖   How much is blurred vs. sharply in focus

❖   Scary math ahead!

❖   Use a depth of field calculator

❖   Experiment

❖   In general ƒ/8 and above renders most things in focus
ISO
❖   How “sensitive” the “film” is

❖   Larger ISO number means more sensitivity

❖   Trade off is digital noise

❖   Most DSLRs can go to at least 800

❖   Latest ones up to 3200 ot 6400

❖   Digital noise can be corrected in software so it’s not a deal
    breaker (but requires extra work)
GEAR
Lenses
The Photojournalists’ Special
Straps
Bags/Cases
Memory Cards
Photo Storage Tanks
The Future
Renting Your Gear


❖   Good for those special occasions

❖   Also good to “try before you buy”

❖   Not as expensive as it sounds
Rent!




Use discount code LETUS5
        for 5% off!
 Valid through 7/31/2010
Cell phone cameras
The camera you always have with you...
❖   Steady shot apps

    ❖   Darkroom, Darkroom Pro - iPhone

    ❖   Perfect Camera, SmartCam - Android

❖   Image editors

    ❖   Photoshop Mobile - both platforms

    ❖   PhotoGene, PhotoForge - iPhone

    ❖   Snap FX, PicSay (Pro), Photo Enhance (Pro)- Android
Photography Etiquette
❖   At a convention, anything goes

    ❖   “Expectation of privacy”

    ❖   If you can see it, you can photograph it

    ❖   For personal use only - everything changes if you try and
        make money with your images

❖   Be polite - ask

    ❖   Or not...
Good ideas in general

❖   RTFM

❖   Practice

❖   Don’t forget your gear

❖   Observe no-photo areas (or be ready to face the
    consequences if you intentionally violate them)

    ❖   When in doubt, ask!
Good ideas in general

❖   Don’t be afraid to crop

❖   Take many pictures

    ❖   “The machine pistol methodology”

    ❖   Even many cheaper point and shoots have burst mode

❖   Location, location, location...
In Summary
❖   Point and shoots work well...

    ❖   When you’re free to walk up close to your subject

    ❖   Lighting is good, and you can manage shadows

❖   DSLRs work well...

    ❖   When lighting is low/poor

    ❖   The more extreme condition, the better
Resources
Doll/Model Photography
Bring Your Own Lighting
Any Questions?
Thanks for coming!

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Convention Photography 101

  • 1. Convention Photography How To Get The Shot (and make it look easy!) Presented by the Otaku no Podcast Crew Otaku no Podcast http://otakunopodcast.com/
  • 4.
  • 5. The 3 Convention Photography Situations ❖ Outdoor cosplay gathering ❖ Indoors ❖ Dealers hall ❖ Panels ❖ Hall cosplay ❖ Theater - Masquerade
  • 6. Outdoor Photography ❖ Lots of light; casts harsh shadows ❖ Solution: Find a shady spot ❖ Under a tree, by a wall in the shade, etc. ❖ Cloudy/overcast is actually better ❖ Minimize the sky ❖ Use a reflector ❖ The back of a (white) cardboard sign works well ❖ Use fill flash
  • 7.
  • 8. Indoors ❖ Bad and varied lighting ❖ Often not the best position ❖ Keep the camera steady ❖ Minimize the background ❖ Minimize your expectations ❖ Don’t be “that guy/gal” ❖ Flash may not work (and may be forbidden)
  • 9. Making Your Subject Stand Out ❖ Avoid “busy” backgrounds ❖ Use a backdrop ❖ Blur the background
  • 10. Blurring the Background with a (D)SLR ❖ Relatively easy ❖ Use widest aperture ❖ Stand as close as you can ❖ Make sure background elements are as far away as possible
  • 11. Blurring the Background with a Point and Shoot ❖ Harder, but not impossible ❖ Especially hard to do in crowds ❖ Helps to have a large zoom range ❖ Stand back as far as you can ❖ Zoom all the way in
  • 12.
  • 14. Get the Flash Off the Camera
  • 16. Use a Ring Flash
  • 17. Look for photo shoot areas
  • 18.
  • 19. Theater ❖ Really bad lighting ❖ Bright center spot, dark surroundings ❖ (Usually) poor positioning ❖ Flash is absolutely useless (and often forbidden) ❖ Very hard to do with a point and shoot ❖ Play with exposure and ISO
  • 20. Keep It Steady ❖ Use your surroundings ❖ Posts, railings, seats, people... ❖ “The Death Grip” ❖ Tripods, monopods, etc. ❖ Tripod alternatives
  • 23. Less ghetto tripod alternatives
  • 25.
  • 26. The basics of exposure ❖ Shutter speed - Controls motion ❖ Aperture - How much is in focus ❖ ISO - Sensitivity of “film”
  • 27. Shutter Speed ❖ Expressed as fractions of a second ❖ 1/60, 1/250, etc. ❖ Confusingly shown as a non-fraction on most cameras ❖ 60 = 1/60, 250 = 1/250, etc. ❖ Larger is shorter ❖ 1 second or greater, number followed by a mark
  • 28. Shutter Speed ❖ Controls motion ❖ Slow shutter speed (1/60 or longer) blurs motion ❖ Fast shutter speeds (1/250 or shorter) freezes motion ❖ The slower the shutter, the more chance for camera shake ❖ Rule of thumb for eliminating camera shake: ❖ 1/(focal length) (e.g. for 50mm lens, 1/50 or shorter)
  • 29. Aperture ❖ The “hole” that lets light into the camera ❖ Expressed as “ƒ number” (ƒ stop) ❖ Ratio of diameter to focal length ❖ ƒ/2, ƒ/1.8, etc. ❖ Smaller is bigger
  • 30. Aperture ❖ Controls depth of field ❖ How much is blurred vs. sharply in focus ❖ Scary math ahead! ❖ Use a depth of field calculator ❖ Experiment ❖ In general ƒ/8 and above renders most things in focus
  • 31. ISO ❖ How “sensitive” the “film” is ❖ Larger ISO number means more sensitivity ❖ Trade off is digital noise ❖ Most DSLRs can go to at least 800 ❖ Latest ones up to 3200 ot 6400 ❖ Digital noise can be corrected in software so it’s not a deal breaker (but requires extra work)
  • 32.
  • 33. GEAR
  • 41.
  • 42. Renting Your Gear ❖ Good for those special occasions ❖ Also good to “try before you buy” ❖ Not as expensive as it sounds
  • 43. Rent! Use discount code LETUS5 for 5% off! Valid through 7/31/2010
  • 44.
  • 45. Cell phone cameras The camera you always have with you...
  • 46. Steady shot apps ❖ Darkroom, Darkroom Pro - iPhone ❖ Perfect Camera, SmartCam - Android ❖ Image editors ❖ Photoshop Mobile - both platforms ❖ PhotoGene, PhotoForge - iPhone ❖ Snap FX, PicSay (Pro), Photo Enhance (Pro)- Android
  • 47.
  • 48. Photography Etiquette ❖ At a convention, anything goes ❖ “Expectation of privacy” ❖ If you can see it, you can photograph it ❖ For personal use only - everything changes if you try and make money with your images ❖ Be polite - ask ❖ Or not...
  • 49. Good ideas in general ❖ RTFM ❖ Practice ❖ Don’t forget your gear ❖ Observe no-photo areas (or be ready to face the consequences if you intentionally violate them) ❖ When in doubt, ask!
  • 50. Good ideas in general ❖ Don’t be afraid to crop ❖ Take many pictures ❖ “The machine pistol methodology” ❖ Even many cheaper point and shoots have burst mode ❖ Location, location, location...
  • 51.
  • 52. In Summary ❖ Point and shoots work well... ❖ When you’re free to walk up close to your subject ❖ Lighting is good, and you can manage shadows ❖ DSLRs work well... ❖ When lighting is low/poor ❖ The more extreme condition, the better
  • 53.
  • 55.
  • 56.
  • 57.
  • 59. Bring Your Own Lighting