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Constellation Keynote - Theo Humphries
- 1. ‘Iron Man’ (lullaby rendition of Black Sabbath, Rockabye Baby, 2010 Tuesday, 13 November 12
- 2. Why Did They Do That?! Understanding Critical Practices in Art & Design Tuesday, 13 November 12
- 3. Key aims... – Explore ‘critical practice’ as a way of identifying and challenging orthodoxies and assumptions in order to evolve art/design, and to enrich, and invite us to question, our experience of the world. Tuesday, 13 November 12
- 4. Key aims... – Explore ‘critical practice’ as a way of identifying and challenging orthodoxies and assumptions... – ...in order to evolve art/design,... – ...and to enrich, and invite us to question, our experience of the world. Tuesday, 13 November 12
- 5. Key aims... – Explore ‘critical practice’ as a way of identifying and challenging orthodoxies and assumptions... – ...in order to evolve art/design,... – ...and to enrich, and invite us to question, our experience of the world. – Consider your practice. Tuesday, 13 November 12
- 6. “Why did they do that?!” Tuesday, 13 November 12
- 7. “Why did they do that?!” Not... “Why do people make art/design?” But... “Why did that person do that, like that, rather than something else, like something else?” Tuesday, 13 November 12
- 8. The world is full of beautiful things... Tuesday, 13 November 12
- 9. Tuesday, 13 November 12
- 10. Fixes temporality freezes time ‘The Kiss’ Rodin, 1889 Tuesday, 13 November 12
- 11. ‘The Lovers of Valdaro’ died: ~4000BCE, discovered: 2007 Tuesday, 13 November 12
- 12. Tuesday, 13 November 12
- 13. Fractures geography Lunar Surface NASA, 1969 Tuesday, 13 November 12
- 14. ‘La Pietà’ Michelangelo, 1499 Tuesday, 13 November 12
- 15. ‘La Pietà’ (detail) Michelangelo, 1499 Tuesday, 13 November 12
- 16. The lecture today is not about BEAUTY (although it is a bit) Tuesday, 13 November 12
- 17. ‘Cosmic Synchromy’ SYNCHRONISM Russell, 1914 Tuesday, 13 November 12
- 18. The lecture today is not about the MATERIALISATION and EXPRESSION of IMAGINATION (although, of course, it is) Tuesday, 13 November 12
- 19. Tuesday, 13 November 12
- 20. The lecture today is not about ‘STYLE’ (but it will have to be) Tuesday, 13 November 12
- 21. The lecture today is not about CRITICAL THEORY (although there is some (deconstruction, appropriation, etc.)) Tuesday, 13 November 12
- 22. Tuesday, 13 November 12
- 23. Pussy Riot 2012 Tuesday, 13 November 12
- 24. The lecture today is not about PROTEST or ‘EXTERNAL’ criticism (although it sometimes is) Tuesday, 13 November 12
- 25. The lecture today IS about art/design being critical OF art/design (an introverted criticism) Tuesday, 13 November 12
- 26. ? Tuesday, 13 November 12
- 27. Portrait of the Artist's Mother 1896 Tuesday, 13 November 12
- 28. Portrait of the Artist's Mother Picasso, 1896 Tuesday, 13 November 12
- 29. ‘Femme en Pleurs’ Picasso, 1937 Tuesday, 13 November 12
- 30. ‘Revival’ DAB Radio Roberts, 2012 Tuesday, 13 November 12
- 31. ‘Radio in a Bag’ Weil, 1982 Tuesday, 13 November 12
- 32. I am going to present a number of art/design works and the hope is that a more contingent and nuanced understanding of ‘criticality’ will emerge... Tuesday, 13 November 12
- 33. I am going to present a number of art/design works and the hope is that a more contingent and nuanced understanding of ‘criticality’ will emerge... – There will likely be more questions than answers today Tuesday, 13 November 12
- 34. I am going to present a number of art/design works and the hope is that a more contingent and nuanced understanding of ‘criticality’ will emerge... – There will likely be more questions than answers today – So why is this useful to you? Tuesday, 13 November 12
- 35. Tuesday, 13 November 12
- 36. Make things look beautiful Tuesday, 13 November 12
- 37. Make things look beautiful vs. Make things use beautiful Tuesday, 13 November 12
- 38. Make things look beautiful vs. Make things use interesting Tuesday, 13 November 12
- 39. Make things look beautiful vs. Make ‘things’ that are ‘interesting’ to use Tuesday, 13 November 12
- 40. ‘Aesthetics of use’* –––––––––––––––––– Visual Aesthetics * (Dunne, 1999) Tuesday, 13 November 12
- 41. Tuesday, 13 November 12
- 42. Tuesday, 13 November 12
- 43. ‘Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Desgn’. Dunne, 1999, pp.14 Tuesday, 13 November 12
- 44. Tuesday, 13 November 12
- 45. Critical design: “It’s design that aims to uncover human ideas rather than shift product” ‘Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Desgn’. Dunne, 1999 Tuesday, 13 November 12
- 46. Collection of Critical Design Objects from ‘Design Noir’ Dunne & Raby, 2005 Tuesday, 13 November 12
- 47. Post-optimality ‘Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Desgn’. Dunne, 1999 Tuesday, 13 November 12
- 48. Post-optimality Chindogu Kawakami, 1985+ Tuesday, 13 November 12
- 49. Chindogu Kawakami, 1985+ Kawakami, 2004 Tuesday, 13 November 12
- 50. Collection of Objects from ‘Accessories for a Lonely Man’ Toran, 2001 Tuesday, 13 November 12
- 51. Criticality as a mode of thought, some ideas... – Deconstruction – Appropriation Tuesday, 13 November 12
- 52. What do I mean by deconstruction...? The word deconstruction has different meanings for different people... Tuesday, 13 November 12
- 53. Deconstructionism (Philosophy) Deconstruction (deconstructing and ‘un-constructing’) Deconstructivism (Architecture) Tuesday, 13 November 12
- 54. ‘South Wind, Clear Sky’ (2nd of ‘36 Views of Mount Fuji’) Hokusai, 1830 Tuesday, 13 November 12
- 56. Ferdinand De Saussure Tuesday, 13 November 12
- 57. Tuesday, 13 November 12
- 58. Jaques Derrida Tuesday, 13 November 12
- 59. Jaques Derrida Tuesday, 13 November 12
- 60. "Deconstruction is not synonymous with ‘destruction’, however. It is in fact much closer to the original meaning of the word 'analysis' itself, which [...] means "to undo" [...] If anything is destroyed in a deconstructive reading, it is not the text, but the claim to unequivocal domination of one mode of signifying over another.” ‘The Critical Difference’. Johnson, 1981 Tuesday, 13 November 12
- 61. Jaques Derrida Tuesday, 13 November 12
- 62. Tuesday, 13 November 12
- 63. ‘Bleu Remix’ Marussich, 2008 Tuesday, 13 November 12
- 64. ‘Bleu Remix’ Marussich, 2008 Tuesday, 13 November 12
- 65. ‘Bleu Remix’ Marussich, 2008 Tuesday, 13 November 12
- 66. ‘Bleu Remix’ Marussich, 2008 Tuesday, 13 November 12
- 67. ‘Bleu Remix’ After 20-mins Marussich, 2008 Tuesday, 13 November 12
- 68. ‘Bleu Remix’ After 40-mins Marussich, 2008 Tuesday, 13 November 12
- 69. ‘Bleu Remix’ After 60-mins Marussich, 2008 Tuesday, 13 November 12
- 70. ‘Bleu Remix’ Marussich, 2008 Tuesday, 13 November 12
- 71. Razzle-dazzle camouflage Tuesday, 13 November 12
- 72. ‘100 Special Moments’ Salavon, 2006 Tuesday, 13 November 12
- 73. ‘Image Fulgurator’ Von Bismark, 2007 Tuesday, 13 November 12
- 74. “The Image Fulgurator is a device for physically manipulating photographs. It intervenes when a photo is being taken, without the photographer being able to detect anything. The manipulation is only visible on the photo afterwards.” ‘Image Fulgurator’ Von Bismark, 2007 Tuesday, 13 November 12
- 75. LENS RECORDING MEDIUM (unexposed) LIGHT APERTURE (closed) Inside a camera Tuesday, 13 November 12
- 76. LENS RECORDING MEDIUM (exposed) LIGHT APERTURE (open) Inside a camera Tuesday, 13 November 12
- 77. ‘NORMAL’ PHOTOGRAPHY View Finder Aperture Closed Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage ONE: ‘looking’ Von Bismark, 2007 Tuesday, 13 November 12
- 78. ‘NORMAL’ PHOTOGRAPHY View Finder Aperture Opens Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage TWO: ‘button pressed...’ Von Bismark, 2007 Tuesday, 13 November 12
- 79. ‘NORMAL’ PHOTOGRAPHY View Finder Aperture Open Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage THREE: ‘camera flash’ Von Bismark, 2007 Tuesday, 13 November 12
- 80. ‘NORMAL’ PHOTOGRAPHY View Finder Aperture Closes Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage FOUR: ‘photograph taken’ Von Bismark, 2007 Tuesday, 13 November 12
- 81. ‘Image Fulgurator’ Final ‘Normal’ Photograph Von Bismark, 2007 Tuesday, 13 November 12
- 82. ‘Image Fulgurator’ Inside the Image Fulgurator Von Bismark, 2007 Tuesday, 13 November 12
- 83. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Closed Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage ONE: ‘looking’ Von Bismark, 2007 Tuesday, 13 November 12
- 84. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Opens Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage TWO: ‘button pressed...’ Von Bismark, 2007 Tuesday, 13 November 12
- 85. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Open Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage THREE: ‘camera flashes’ Von Bismark, 2007 Tuesday, 13 November 12
- 86. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Open Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage FOUR: ‘Fulgurator detects flash’ Von Bismark, 2007 Tuesday, 13 November 12
- 87. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Open Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage FIVE: ‘Fulgurator flashes’ Von Bismark, 2007 Tuesday, 13 November 12
- 88. ‘FULGURATED’ PHOTOGRAPHY View Finder Aperture Closes Projection from Fulgurator Final Photo ‘Image Fulgurator’ stage SIX: ‘photograph taken’ Von Bismark, 2007 Tuesday, 13 November 12
- 89. ‘Image Fulgurator’ Expected ‘Normal’ Photograph Von Bismark, 2007 Tuesday, 13 November 12
- 90. ‘Image Fulgurator’ Actual ‘Fulgurated’ Photograph Von Bismark, 2007 Tuesday, 13 November 12
- 91. ‘L’Homme au Chapeau Melon’ Magritte, 1964 Tuesday, 13 November 12
- 92. Tianamen Square, China Von Bismark, 2007 Tuesday, 13 November 12
- 93. Reichstag, Berlin Von Bismark, 2007 Tuesday, 13 November 12
- 94. Live Fulgarator demo at Ars Electronica, Linz Von Bismark, 2008 Tuesday, 13 November 12
- 95. What do I mean by appropriation...? “...a process by which images, forms or styles from non-art contexts, or differing art & design fields, are taken and assimilated into artistic practice.” Tuesday, 13 November 12
- 96. ‘Photographs of the Burroughs Family’ (Alabama share-croppers) Evans, 1936 Tuesday, 13 November 12
- 97. Photographs of Walker Evan’s photographs Levine, 1979 Tuesday, 13 November 12
- 98. Scans of Sherrie Levine’s photographs Mandiberg, 2001 Tuesday, 13 November 12
- 99. Appropriation ‘Corrupt’ Sukyoung, 2009 Tuesday, 13 November 12
- 100. Appropriation ‘Corrupt’ Sukyoung, 2009 Tuesday, 13 November 12
- 101. Appropriation ‘Corrupt’ Sukyoung, 2009 Tuesday, 13 November 12
- 102. Isn’t all art/design practice appropriation to some extent? These ideas of appropriation are brought to the fore in art, and made tangible/recognisable. Tuesday, 13 November 12
- 103. ‘Great Deeds Against the Dead’ (plate 39 from ‘Disasters of War’) Goya, 1810 Tuesday, 13 November 12
- 104. ‘Great Deeds Against the Dead’ Chapman Bros, 1994 Tuesday, 13 November 12
- 105. ‘Sex’ Chapman Bros, 2003 Tuesday, 13 November 12
- 106. ‘Chapmans’ Dead Guys’ Cake & Neave, 2004 Tuesday, 13 November 12
- 107. ‘Hirst’s Shark Tank (Renovated)’ Cake & Neave, 2008 Tuesday, 13 November 12
- 108. ‘Emin’s Bed’ Cake & Neave, 2004 Tuesday, 13 November 12
- 109. ‘Sunflowers’ Van Gogh, 1889, Tuesday, 13 November 12
- 110. 'Sunflowers From Petrol Station' (part of the‘Crude Oils’ collection) Banksy, 2005, Tuesday, 13 November 12
- 111. Modified Oil Painting ‘#18’ (from the ‘Crude Oils’ collection) Banksy Tuesday, 13 November 12
- 112. objectives Tuesday, 13 November 12
- 113. objectives Tuesday, 13 November 12
- 114. objectives Tuesday, 13 November 12
- 115. objectives Tuesday, 13 November 12
- 116. objectives Tuesday, 13 November 12
- 117. objectives ‘Sunset Barn’ from the ‘War’ collection Tuesday, 13 November 12
- 118. objectives Tuesday, 13 November 12
- 119. ‘Tourists’ from the ‘Tourists’ collection Tuesday, 13 November 12
- 120. ‘Tourists II’ by Duane Hanson, 1988 Tuesday, 13 November 12
- 121. ‘Polar Bear Cub’ from the ‘Polar’ collection Tuesday, 13 November 12
- 122. ‘Paradise’ from the ‘Guerrillas in the Misc.’ collection Tuesday, 13 November 12
- 123. objectives Crapestry.co.uk Tuesday, 13 November 12
- 124. Theo’s final thoughts... Consider your practice. Think about the expected ways that you do things (and everyone else does). Think about changing them. ...this is a core drive of my option and I hope to see you there... Tuesday, 13 November 12
- 125. Tuesday, 13 November 12