This document discusses techniques of post-perspective art including: 1) The multiplication of views and viewpoints using examples from artists like Clive Head and Franz Ackermann; 2) Adopting a non-human viewpoint shown in works by Therese Oulton and Andreas Gefeller; 3) Doubling and repetition exemplified by Gerhard Richter and Vija Celmins; and 4) Historical perspectives or perspectives on perspective seen in the portraits of Hiroshi Sugimoto that reference earlier works like Rembrandt's self-portrait.

1. Post‐Perspective

2. Albrecht Dürer, Draughtsman Drawing a Recumbent Woman, from The Art of
Measurement, Nuremberg, 1538

3. Albrecht Dürer, Perspective Machine, 1525

4. Hans Holbein, The
Ambassadors, 1533

5. Eadweard Muybridge, A Woman Getting into a Bed, 1887

6. Etienne‐Jules Marey, Study of an Acrobat Jumping over an Obstacle, 1884

7. Etienne‐Jules Marey, Analysis of the Flight of a Seagull, 1887

8. Giacomo Balla, Dynamism of a Dog on a Leash, 1912

9. Marcel Duchamp, Nude Descending a Staircase, 1912

10. Picasso, Le Torero, 1912
Marcel Duchamp, Nude Descending a Staircase, 1912

11. Marcel Duchamp,
Rotorelief No. 1
Corolles, 1935
http://
www.youtube.com/
watch?
v=G7y20VFOuY0&fea
ture=related

12. Techniques of post‐perspective:
• the multiplication of views and viewpoints
• the adoption of a non‐human viewpoint
• doubling and repetition
• historical perspective, or perspectives on
perspective

13. 1. The multiplication of views and viewpoints
Clive Head, Rebekah, 2008

14. Clive Head, Rebekah, 2008

15. Clive Head, Leicester Square Tube Station, 2011

16. Clive Head, Leicester Square Tube Station, 2011

17. Franz Ackermann, City Planning 4, 2006

18. Franz Ackermann, Transit:
Again/Always/Forever, 2008

19. Je Baak, We Laughed Together, 2009

20. Therese Oulton, Untitled 8, 2008
2. Adopting a non‐human viewpoint

21. Therese Oulton, Untitled 14, 2008

22. Therese Oulton, Untitled 17, 2009

23. Therese Oulton, Untitled 19, 2009

24. John Constable, Flatford Mill, 1817

25. Andreas Gefeller, Panel Building, 2004

26. Andreas Gefeller, Panel Building, 2004

27. Andreas Gefeller, Panel Building, 2004

28. Marilene Oliver, Family Portrait, 2003
and detail (right)

29. J M W Turner, Cross Sections of the Human Body, Lecture diagram c.1810

30. Marilene Oliver, Iceman
Scanned and Plotted, 2007

31. Angela Palmer, Cow’s Head, 2003

32. Angela Palmer, Cow’s Head, 2003 Leonardo da Vinci, Study for the
Virgin and St. Anne, 1503‐10

33. Angela Palmer, Self Portrait,
2004
http://www.youtube.com/
watch?v=exQGtnRV7ro

34. Angela Palmer, Self Portrait laser cut sections, 2007

35. Andrea
Mantegna,
Dead
Christ,
c.1480

36. 3. Doubling and
repetition
Gerhard Richter, Sea
Sea, 1970

37. Charles Avery, Eternal Forest, 2008

38. Hiroshi Sugimoto, Hall of the 33 Bays, 1995

39. Statues of Thousand Armed Kannon from temple of Sanjusangen‐dō, 12th‐13 centuries

40. Vija Celmins, To fix the image in memory I‐XI, 1977‐82

41. Vija Celmins, To fix the image in memory XIII, 1977‐82

42. 4. Historical
perspectives
Hiroshi Sugimoto, From the
Portraits series: Diana,
Princess of Wales, 1999

43. Hiroshi Sugimoto, from the Portraits series: Rembrandt, Self‐Portrait, 1661
Rembrandt, 1999

44. Ernst Van Alphen, Art in Mind, 701.15 ALP Hans Belting, Looking through Duchamp’s
Door, 701.82 BEL