Cinematography sarita chander
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This document discusses cinematography techniques used in the 2001 horror film Jeepers Creepers, directed by Victor Salva. It provides examples of different shot types from the movie, including extreme long shots, full shots, long shots, mid shots, close ups, and extreme close ups. Each example image is analyzed to describe what type of shot it is and how it helps convey information about characters, settings, and story. Key cinematography concepts like camera angles, the rules of thirds, and how shot types reveal character emotions are also examined using stills from Jeepers Creepers.
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Cinematography powerpoint - Sarita Chander
This document discusses cinematography techniques used in the 2001 horror film Jeepers Creepers, directed by Victor Salva. It provides examples of different shot types from the movie, including extreme long shots, full shots, long shots, mid shots, close ups, and extreme close ups. Each example image is analyzed to describe what type of shot it is and how it helps convey information about characters, settings, and story. Key cinematography concepts like camera angles, the rules of thirds, and how shot types reveal character emotions are also examined using stills from the film.
Types of camera shots, media a-level
This document defines and describes different types of camera shots used in filmmaking. It discusses establishing shots which provide a wide view of the setting, wide shots which show more of the scene, close-ups which focus on a character's face, point-of-view shots which see through a character's eyes, over the shoulder shots which include both characters, two shots which frame two characters together, and high angle and low angle shots which manipulate a character's perceived power through camera placement above or below them. The different shot types allow filmmakers to selectively focus attention and convey specific information, emotions, or perspectives.
Location shots
This document discusses 7 potential location shots for scenes in a film trailer and movie. Location Shot 1 shows the attacker fleeing after wounding the main character Daniel. Location Shot 2 takes place in Daniel's house as he wakes up surrounded by alcohol bottles left by his mother, using close-up and angle shots. Location Shot 3 includes a POV shot of Daniel's bloody hands and a close-up of Daniel that will be used on a magazine cover. Location Shot 4 continues scenes 5 and 6, following Daniel crawling after an attack and being given a dealer's card. Location Shots 5-7 depict additional scenes, though some locations may be changed for authenticity in the final versions.
Taken screen shots
The document analyzes different shots from a film scene to convey meaning and emotion. A wide shot establishes the surroundings and builds suspense by showing villains from a distance. Close-ups show a character's terror and emotions as she hides in fear and vulnerability. Mid shots provide more context of the character's surroundings while revealing her feelings of anger, fear, and determination. Low angle shots from below can give a character authority but in this scene show a character's panic and running away. Shots where the background is dark help a character's emotions like fear and unknown "pop". Low angle shots of only part of a villain's body create mystery, tension, and anxiety. A low angle wide shot intensifies fear and tension as the
Nine frame analysis
This document analyzes 9 frames from 3 movies: Baby Driver, John Wick, and 21 Bridges. Frames 1-3 from Baby Driver show an establishing shot of cars driving by a bank, a character listening to music in their car, and 3 masked characters exiting a car and walking toward the bank with bags, indicating they will rob it. Frames 4-6 from John Wick depict a highly injured character's bloody hands, a car that crashed into a wall with the character in pain next to it. Frames 7-9 from 21 Bridges include a funeral in a church full of people, a crying child surrounded by sad people to set an emotional crime tone, and an extreme close-up of a
Types of camera shots, Media A-level
This document describes different types of camera shots used in filmmaking. It defines establishing shots, wide/long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, shot-reverse-shots, high angle shots, and low angle shots. Each shot type provides a different perspective and level of detail about the scene, characters, and story. The shots allow filmmakers to control what information the audience sees and how they perceive characters.
Hot Fuzz
This document describes 10 establishing shots from the opening scene of a film. Shot 1 is an extreme long shot that introduces the setting. Shot 2 transitions to a close up of the main character on a horse. Shot 3 is a mid shot showing interaction. Shot 4 shows school children looking up at the superior main character on a horse. Shot 5 transitions to a low angle shot from the character's point of view on the horse. Shot 6 again shows the importance of the character on a horse, with shocked children looking at him. Shot 7 transitions with a quick wipe. Shot 8 shows the children's reactions. Shot 9 is a fast transition as the character throws a bag to the children. Shot 10 zooms in on the children opening
Micro elements
The document analyzes the film opening of the horror film "Case 39" by examining the micro elements used. It discusses how different shot types like extreme close-up, close-up, and medium shots are used to convey emotion and build tension. It also analyzes the use of pans, tilts, diegetic and non-diegetic sounds. By studying these micro elements, the document aims to provide insight on how to effectively craft a film opening, particularly for a horror genre film, through the use of various shots and sounds.
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Cinematography powerpoint - Sarita Chander
This document discusses cinematography techniques used in the 2001 horror film Jeepers Creepers, directed by Victor Salva. It provides examples of different shot types from the movie, including extreme long shots, full shots, long shots, mid shots, close ups, and extreme close ups. Each example image is analyzed to describe what type of shot it is and how it helps convey information about characters, settings, and story. Key cinematography concepts like camera angles, the rules of thirds, and how shot types reveal character emotions are also examined using stills from the film.
Types of camera shots, media a-level
This document defines and describes different types of camera shots used in filmmaking. It discusses establishing shots which provide a wide view of the setting, wide shots which show more of the scene, close-ups which focus on a character's face, point-of-view shots which see through a character's eyes, over the shoulder shots which include both characters, two shots which frame two characters together, and high angle and low angle shots which manipulate a character's perceived power through camera placement above or below them. The different shot types allow filmmakers to selectively focus attention and convey specific information, emotions, or perspectives.
Location shots
This document discusses 7 potential location shots for scenes in a film trailer and movie. Location Shot 1 shows the attacker fleeing after wounding the main character Daniel. Location Shot 2 takes place in Daniel's house as he wakes up surrounded by alcohol bottles left by his mother, using close-up and angle shots. Location Shot 3 includes a POV shot of Daniel's bloody hands and a close-up of Daniel that will be used on a magazine cover. Location Shot 4 continues scenes 5 and 6, following Daniel crawling after an attack and being given a dealer's card. Location Shots 5-7 depict additional scenes, though some locations may be changed for authenticity in the final versions.
Taken screen shots
The document analyzes different shots from a film scene to convey meaning and emotion. A wide shot establishes the surroundings and builds suspense by showing villains from a distance. Close-ups show a character's terror and emotions as she hides in fear and vulnerability. Mid shots provide more context of the character's surroundings while revealing her feelings of anger, fear, and determination. Low angle shots from below can give a character authority but in this scene show a character's panic and running away. Shots where the background is dark help a character's emotions like fear and unknown "pop". Low angle shots of only part of a villain's body create mystery, tension, and anxiety. A low angle wide shot intensifies fear and tension as the
Nine frame analysis
This document analyzes 9 frames from 3 movies: Baby Driver, John Wick, and 21 Bridges. Frames 1-3 from Baby Driver show an establishing shot of cars driving by a bank, a character listening to music in their car, and 3 masked characters exiting a car and walking toward the bank with bags, indicating they will rob it. Frames 4-6 from John Wick depict a highly injured character's bloody hands, a car that crashed into a wall with the character in pain next to it. Frames 7-9 from 21 Bridges include a funeral in a church full of people, a crying child surrounded by sad people to set an emotional crime tone, and an extreme close-up of a
Types of camera shots, Media A-level
This document describes different types of camera shots used in filmmaking. It defines establishing shots, wide/long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point-of-view shots, over-the-shoulder shots, two shots, shot-reverse-shots, high angle shots, and low angle shots. Each shot type provides a different perspective and level of detail about the scene, characters, and story. The shots allow filmmakers to control what information the audience sees and how they perceive characters.
Hot Fuzz
This document describes 10 establishing shots from the opening scene of a film. Shot 1 is an extreme long shot that introduces the setting. Shot 2 transitions to a close up of the main character on a horse. Shot 3 is a mid shot showing interaction. Shot 4 shows school children looking up at the superior main character on a horse. Shot 5 transitions to a low angle shot from the character's point of view on the horse. Shot 6 again shows the importance of the character on a horse, with shocked children looking at him. Shot 7 transitions with a quick wipe. Shot 8 shows the children's reactions. Shot 9 is a fast transition as the character throws a bag to the children. Shot 10 zooms in on the children opening
Micro elements
The document analyzes the film opening of the horror film "Case 39" by examining the micro elements used. It discusses how different shot types like extreme close-up, close-up, and medium shots are used to convey emotion and build tension. It also analyzes the use of pans, tilts, diegetic and non-diegetic sounds. By studying these micro elements, the document aims to provide insight on how to effectively craft a film opening, particularly for a horror genre film, through the use of various shots and sounds.
Evaluation send
This document provides an evaluation of 9 frames from a trailer:
1. The first frame shows a classroom setting to immediately identify the school setting and associate it with the protagonist.
2. The second frame shows a man in a suit to indicate he is receiving disciplinary action, establishing a shift in mood.
3. The third frame shows a character hiding a stick, creating danger and showing he received disciplinary action and his intentions are not good.
4. The fourth frame uses a point-of-view shot to create enigma about who is running and where, while darkening the setting to show isolation with an added heartbeat.
5. The opening frame does not immediately reveal the horror genre
Taken research
The document analyzes different elements of an action film trailer and movie:
- Action shots in the trailer are mostly medium or long range to clearly show fast-paced scenes, while conversations use close-ups.
- Cinematography focuses lighting on the main protagonist to highlight him.
- Editing uses fast cuts during action and long close-ups during narratives to convey intensity and thoughtfulness.
- The protagonist is mostly alone except for one family member he tries to save from threats.
Characters positions
Positioning of characters and objects within a frame can be used to draw attention and indicate relationships. It can reveal if two characters had an argument by showing them sitting apart with crossed arms, or if one character is less important by being positioned further back. Shared positioning like holding a gun next to each other in the same mirrored pose can suggest characters are good friends of equal hierarchy. Having a character positioned on top of others can mean they are a key character or stronger than the rest.
Death note teaser trailer analysis
The document analyzes several shots from the Death Note teaser trailer. It summarizes each shot, explaining things like camera angles, lighting, and what can be inferred about characters and the plot based on each shot. An establishing shot introduces the main character sitting alone. An over-the-shoulder shot shows him finding an intriguing book. A medium shot features a masked character under low-key lighting, implying they are bad. A long shot depicts people committing suicide, raising questions. A medium two-shot teases a romantic subplot. The final shot leaves the main character with a blurred but clearly inhuman figure, stoking curiosity.
Hot fuzz film opening analysis
This document analyzes the cinematography techniques used in the opening sequence of the film Hot Fuzz. It discusses how various shots like extreme long shots, medium shots, and close-ups are used to build suspense around the main character and establish him as a serious and accomplished police officer, despite hints that the film will have comedic elements. Transitions between shots use flashes or match cuts to keep the sequence intense as the character's backstory and achievements are laid out. The cinematography and narration work together to present the main character as a perfect officer before the absurd comedy of the film is revealed.
Camera angles
There are many camera techniques that can be used to engage audiences in films, including different shot types and camera angles. Close-up shots allow audiences to see characters' facial expressions and emotions clearly. Over-the-shoulder shots make it obvious who is speaking to whom. Long shots provide wide establishing views, while medium shots capture characters from the waist up. Aerial shots provide high views from above, and high and low camera angles change the audience's perspective. All of these techniques help audiences understand scenes and engage with characters.
Shot types
The document discusses different shot types that will be used in a thriller movie trailer, including close-up shots to convey characters' emotions, over-the-shoulder shots to establish power dynamics, cutaways to hint at danger, dolly shots for expositional dialogue, mid shots and long shots to show action and character details, tilting shots for tension, and omitting establishing shots to maintain mystery. Close-ups, cutaways, tilting shots, and dialogue will be used to create tension, suspense, and relatable characters.
Love and basketball analysis
The opening sequence of Love and Basketball establishes the setting, introduces the main characters, hints at the narrative, and uses suspense to engage the audience. It is divided into four "quarters" like a basketball game. Extreme long shots show where the story takes place and a character moving in. Clever camera angles make the viewers feel like they are watching unseen. Costume and reactions effectively reveal a main character is a girl in a surprising way. Catchy music and shots of the basketball hoop and players build suspense throughout the sequence.
5 shots that i like
This document summarizes and analyzes still shots from 5 horror movies: Cabin in the Woods, American Horror Story, Paranormal Activity, You're Next, and Goodnight Mommy. For each movie, the author discusses what makes the shot effective, such as setting the scene, focusing attention on the main character, creating intrigue about the monster's appearance, or using everyday objects to reveal part of a creature without showing it fully. The shots are meant to inspire the author's own horror film by establishing mood, characters, and mysteries.
Production day 1
The filmmaker reviewed footage from the first day of production and selected the best takes for two scenes. For the first scene, a handheld shot introduces the character and establishes the "found footage" genre. The second take pans across the chapel, revealing an important criminal character. For the fourth scene, two shots were filmed among gravestones to set a theme of death and suspense. Movement and focus bring tension as the character watches the criminal pass by. The second shot pauses on a gravestone before revealing the villain, associating them with death. Both scenes will require audio editing to reduce ambient sounds.
Shot types
1. An establishing shot is used to set the scene and location at the beginning of the film.
2. Medium shots and close-ups are used to show the characters' body language and facial expressions to understand their emotions.
3. Wide shots provide context by showing the surrounding environment and other details about where the characters are.
Thriller trailers
The document summarizes trailers for two thriller films, Phone Booth and Taken 2. For Phone Booth, the summary highlights that camera movements and shots from above the main character in the phone booth help create the impression that someone is watching him. For Taken 2, the summary notes that editing techniques like flashbacks and black screens build tension, and a shot of a man watching the main character from across the room establishes that he is "wanted," without revealing why. Overall, the document discusses how elements like camera work, editing, and mise-en-scene in the trailers help immerse viewers in the films' tensions and mysteries.
Mise-en-scene for Thriller
Thriller films use aspects of mise-en-scene to create tension and develop characters. They often use dim lighting and props like weapons to add shock and suspense. Costumes and makeup also provide clues about characters - villains may wear dark colors while heroes wear lighter colors. Body language and positioning within the frame further reveal traits, such as whether a character is in control or waiting for something to happen. Mise-en-scene effectively enhances the thriller genre through these visual storytelling techniques.
Final Photos used for Titles
The document discusses selecting five photos of the lead character, Daphne Watt, to feature in the title images for a film about her. The photos were chosen to represent her personality through poses, costumes, and facial expressions that hint at being clumsy, ditzy, and vulnerable. Each photo provides foreshadowing for different elements of the story and themes through the character's appearance and body language. The photos will be edited onto title screens pairing each image with one of the five rules of survival for the film.
Camera work
The document discusses different camera shot techniques used in horror film trailers. It describes how establishing shots are used at the beginning to show the isolated house setting. Close-up shots of characters' distressed facial expressions are used to show their emotions and make the audience feel anxious. Over-the-shoulder shots add suspense by showing characters interacting while high angle shots portray characters as vulnerable against antagonists. These techniques reveal important details and manipulate the audience's emotions.
The chosen photos
The document discusses two photos chosen to represent a war film. The first photo shows the main character George in profile holding his medals with a shadow over his eyes, suggesting he has another side and is dreaming of something unknown. The second photo shows the character in a strong, focused pose looking ahead while in uniform, with lighting making him seem powerful and suggesting victory is coming. Both photos are meant to intrigue viewers and contrast with each other to make them think differently about what the photos represent.
Mise en scene powerpoint
The document discusses various film techniques including mise-en-scene, setting, props, lighting, sound, costume/makeup, facial expressions, body language, positioning/space, and visual effects. It analyzes how each technique is used in specific horror, drama, and superhero films to enhance the storytelling and audience experience. Examples are provided from movies like Jeepers Creepers, Grease, Confessions of a Shopaholic, Karthik Calling Karthik, Maniac, and Avengers to illustrate how various techniques can manipulate audience expectations and draw attention to important characters, locations, and emotions.
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William Shakespeare, the greatest English playwright, was born in 1564 in Stratford-on-Avon in England. Stratford is a small country town in a farming district near the centre of England. Very little is known about Shakespeare's early life. He went to school in Stratford and then moved to London in 1586 where he began writing plays for the theatre company he acted with. Shakespeare bought a large house in his hometown in 1597 but spent his last years mostly in Stratford, dying there in 1616.
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Evaluation send
This document provides an evaluation of 9 frames from a trailer:
1. The first frame shows a classroom setting to immediately identify the school setting and associate it with the protagonist.
2. The second frame shows a man in a suit to indicate he is receiving disciplinary action, establishing a shift in mood.
3. The third frame shows a character hiding a stick, creating danger and showing he received disciplinary action and his intentions are not good.
4. The fourth frame uses a point-of-view shot to create enigma about who is running and where, while darkening the setting to show isolation with an added heartbeat.
5. The opening frame does not immediately reveal the horror genre
Taken research
The document analyzes different elements of an action film trailer and movie:
- Action shots in the trailer are mostly medium or long range to clearly show fast-paced scenes, while conversations use close-ups.
- Cinematography focuses lighting on the main protagonist to highlight him.
- Editing uses fast cuts during action and long close-ups during narratives to convey intensity and thoughtfulness.
- The protagonist is mostly alone except for one family member he tries to save from threats.
Characters positions
Positioning of characters and objects within a frame can be used to draw attention and indicate relationships. It can reveal if two characters had an argument by showing them sitting apart with crossed arms, or if one character is less important by being positioned further back. Shared positioning like holding a gun next to each other in the same mirrored pose can suggest characters are good friends of equal hierarchy. Having a character positioned on top of others can mean they are a key character or stronger than the rest.
Death note teaser trailer analysis
The document analyzes several shots from the Death Note teaser trailer. It summarizes each shot, explaining things like camera angles, lighting, and what can be inferred about characters and the plot based on each shot. An establishing shot introduces the main character sitting alone. An over-the-shoulder shot shows him finding an intriguing book. A medium shot features a masked character under low-key lighting, implying they are bad. A long shot depicts people committing suicide, raising questions. A medium two-shot teases a romantic subplot. The final shot leaves the main character with a blurred but clearly inhuman figure, stoking curiosity.
Hot fuzz film opening analysis
This document analyzes the cinematography techniques used in the opening sequence of the film Hot Fuzz. It discusses how various shots like extreme long shots, medium shots, and close-ups are used to build suspense around the main character and establish him as a serious and accomplished police officer, despite hints that the film will have comedic elements. Transitions between shots use flashes or match cuts to keep the sequence intense as the character's backstory and achievements are laid out. The cinematography and narration work together to present the main character as a perfect officer before the absurd comedy of the film is revealed.
Camera angles
There are many camera techniques that can be used to engage audiences in films, including different shot types and camera angles. Close-up shots allow audiences to see characters' facial expressions and emotions clearly. Over-the-shoulder shots make it obvious who is speaking to whom. Long shots provide wide establishing views, while medium shots capture characters from the waist up. Aerial shots provide high views from above, and high and low camera angles change the audience's perspective. All of these techniques help audiences understand scenes and engage with characters.
Shot types
The document discusses different shot types that will be used in a thriller movie trailer, including close-up shots to convey characters' emotions, over-the-shoulder shots to establish power dynamics, cutaways to hint at danger, dolly shots for expositional dialogue, mid shots and long shots to show action and character details, tilting shots for tension, and omitting establishing shots to maintain mystery. Close-ups, cutaways, tilting shots, and dialogue will be used to create tension, suspense, and relatable characters.
Love and basketball analysis
The opening sequence of Love and Basketball establishes the setting, introduces the main characters, hints at the narrative, and uses suspense to engage the audience. It is divided into four "quarters" like a basketball game. Extreme long shots show where the story takes place and a character moving in. Clever camera angles make the viewers feel like they are watching unseen. Costume and reactions effectively reveal a main character is a girl in a surprising way. Catchy music and shots of the basketball hoop and players build suspense throughout the sequence.
5 shots that i like
This document summarizes and analyzes still shots from 5 horror movies: Cabin in the Woods, American Horror Story, Paranormal Activity, You're Next, and Goodnight Mommy. For each movie, the author discusses what makes the shot effective, such as setting the scene, focusing attention on the main character, creating intrigue about the monster's appearance, or using everyday objects to reveal part of a creature without showing it fully. The shots are meant to inspire the author's own horror film by establishing mood, characters, and mysteries.
Production day 1
The filmmaker reviewed footage from the first day of production and selected the best takes for two scenes. For the first scene, a handheld shot introduces the character and establishes the "found footage" genre. The second take pans across the chapel, revealing an important criminal character. For the fourth scene, two shots were filmed among gravestones to set a theme of death and suspense. Movement and focus bring tension as the character watches the criminal pass by. The second shot pauses on a gravestone before revealing the villain, associating them with death. Both scenes will require audio editing to reduce ambient sounds.
Shot types
1. An establishing shot is used to set the scene and location at the beginning of the film.
2. Medium shots and close-ups are used to show the characters' body language and facial expressions to understand their emotions.
3. Wide shots provide context by showing the surrounding environment and other details about where the characters are.
Thriller trailers
The document summarizes trailers for two thriller films, Phone Booth and Taken 2. For Phone Booth, the summary highlights that camera movements and shots from above the main character in the phone booth help create the impression that someone is watching him. For Taken 2, the summary notes that editing techniques like flashbacks and black screens build tension, and a shot of a man watching the main character from across the room establishes that he is "wanted," without revealing why. Overall, the document discusses how elements like camera work, editing, and mise-en-scene in the trailers help immerse viewers in the films' tensions and mysteries.
Mise-en-scene for Thriller
Thriller films use aspects of mise-en-scene to create tension and develop characters. They often use dim lighting and props like weapons to add shock and suspense. Costumes and makeup also provide clues about characters - villains may wear dark colors while heroes wear lighter colors. Body language and positioning within the frame further reveal traits, such as whether a character is in control or waiting for something to happen. Mise-en-scene effectively enhances the thriller genre through these visual storytelling techniques.
Final Photos used for Titles
The document discusses selecting five photos of the lead character, Daphne Watt, to feature in the title images for a film about her. The photos were chosen to represent her personality through poses, costumes, and facial expressions that hint at being clumsy, ditzy, and vulnerable. Each photo provides foreshadowing for different elements of the story and themes through the character's appearance and body language. The photos will be edited onto title screens pairing each image with one of the five rules of survival for the film.
Camera work
The document discusses different camera shot techniques used in horror film trailers. It describes how establishing shots are used at the beginning to show the isolated house setting. Close-up shots of characters' distressed facial expressions are used to show their emotions and make the audience feel anxious. Over-the-shoulder shots add suspense by showing characters interacting while high angle shots portray characters as vulnerable against antagonists. These techniques reveal important details and manipulate the audience's emotions.
The chosen photos
The document discusses two photos chosen to represent a war film. The first photo shows the main character George in profile holding his medals with a shadow over his eyes, suggesting he has another side and is dreaming of something unknown. The second photo shows the character in a strong, focused pose looking ahead while in uniform, with lighting making him seem powerful and suggesting victory is coming. Both photos are meant to intrigue viewers and contrast with each other to make them think differently about what the photos represent.
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The document discusses various film techniques including mise-en-scene, setting, props, lighting, sound, costume/makeup, facial expressions, body language, positioning/space, and visual effects. It analyzes how each technique is used in specific horror, drama, and superhero films to enhance the storytelling and audience experience. Examples are provided from movies like Jeepers Creepers, Grease, Confessions of a Shopaholic, Karthik Calling Karthik, Maniac, and Avengers to illustrate how various techniques can manipulate audience expectations and draw attention to important characters, locations, and emotions.
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William Shakespeare, the greatest English playwright, was born in 1564 in Stratford-on-Avon in England. Stratford is a small country town in a farming district near the centre of England. Very little is known about Shakespeare's early life. He went to school in Stratford and then moved to London in 1586 where he began writing plays for the theatre company he acted with. Shakespeare bought a large house in his hometown in 1597 but spent his last years mostly in Stratford, dying there in 1616.
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Facebook allows users to share photos, videos, and thoughts on their timeline. Twitter also lets users share photos, videos, and thoughts through tweets. Instagram differs by only allowing photos and videos to be shared and posted to users' profiles. While all three social media platforms enable connection and sharing, they vary in their technical functions like the names used for posts and the types of content that can be uploaded.
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We are happy to announce the release of our new plan we called IntelliBoard.Schools.
Features include:
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Cinematography in Jeepers Creepers
This document discusses cinematography techniques used in the 2001 horror film Jeepers Creepers, directed by Victor Salva. It provides examples of different shot types from the movie, including extreme long shots, full shots, long shots, mid shots, close ups, and extreme close ups. Each example image is analyzed to determine the shot type and how it contributes to showing characters, relationships, emotions, and setting the scene. Shot types like birds eye view, high level, eye level, and low angle shots are also defined.
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A.P.J. Abdul Kalam was an Indian scientist and politician who served as the 11th President of India. He was born in 1931 in Rameswaram, Tamil Nadu to a humble family. Despite facing rejection from his dream of becoming a fighter pilot, he went on to play a key role in India's civilian space program and military missile development efforts. He was widely respected for his work and became known as the "Missile Man of India." Later in his career, he served as President of India from 2002 to 2007. Kalam remained a devoted teacher and inspiration to many through his books, stressing virtues like perseverance, focusing on one's work without worrying about rewards, and putting country above all
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This document discusses various cinematography techniques used in the 2001 horror film Jeepers Creepers, directed by Victor Salva. It provides examples of different shot types from the movie, including extreme long shots, full shots, long shots, mid shots, close ups, and extreme close ups. It also discusses camera angles such as bird's eye view, high angles, eye level, and low angles. Finally, it notes an example of how the "rule of thirds" composition technique is applied in one of the film's shots.
Mise En Scene POWERPOINT
The document discusses various film techniques including mise-en-scene, setting, props, lighting, sound, costume/makeup, facial expressions, body language, positioning/space, and visual effects. It provides examples from horror movies like Jeepers Creepers analyzing how different techniques like isolated settings, crow sounds as props, dark lighting create atmosphere. Costuming in Grease and facial expressions in Confessions of a Shopaholic are also examined. Positioning uses examples from Karthik Calling Karthik and Avengers to demonstrate depth of space and frontality.
Presentation1
The document analyzes various movie posters and scenes, describing what can be inferred about the themes, characters, and plots based on visual elements like costumes, props, facial expressions, and lighting. Key details that indicate a movie will involve manly action, wealth, danger, violence, and criminal activity are muscles, tattoos, expensive vehicles, low lighting, angry facial expressions, and weapons. Character personalities shown through appearance include athletic, casual, serious, and carefree. The overall themes seem to involve wealth, patriotism, and morally ambiguous crime-related plots.
Presentation1
The document analyzes various movie posters and scenes, describing what can be inferred about the themes, characters, and plots based on visual elements like costumes, props, facial expressions, and lighting. Key details that indicate a movie will involve action, violence, wealthy lifestyles, nighttime intrigue, and patriotic or criminal themes are identified. Character personalities are assessed as serious, happy-go-lucky, athletic or having violent intentions based on their clothing and poses. The level of analysis suggests the document is discussing film techniques for visual storytelling.
Cinematography presentation roshan&tiann
The short film Elefante uses various cinematography techniques to emphasize the narrative and elicit sympathy from the audience. Camera movements like pans, tilts, and tracking shots are used to set the scene and show the progression of events. Shot types like over-the-shoulder and medium shots portray the main character's distant relationships with his family. Camera angles like high and low angles provide insight into the character's emotions. Lighting and shadow are employed to symbolize impending negative events. Together, these cinematography elements immerse the audience in the character's perspective and unfolding personal turmoil.
Mediapresentation Almost Done2
1) Psychological horror film opening titles commonly appear over establishing shots to set the atmosphere and location. They are usually in capital letters to stand out.
2) Tracking shots are often used to introduce key characters and establish settings, while also creating mystery through obscuring characters.
3) Common shots include close-ups of characters' fearful expressions, medium shots, and extreme long shots establishing isolated, remote settings.
Mediapresentation Almost Done2
The document analyzes common cinematography techniques used in opening titles and shots of psychological horror films. It provides examples from films like The Shining, The Butterfly Effect, and The Others. Common techniques identified include establishing the setting through long shots before introducing titles over images. Titles are often in capital letters and centered to stand out. Tracking and zooming shots are used to introduce important characters in an obscured way, building mystery. Close-ups of characters show emotions like fear. Medium shots build suspense by showing characters' reactions. Point-of-view shots put the viewer in the character's perspective. Extreme long shots establish remote settings on journeys.
How camera shots![1]
The document analyzes the opening scene of the film Saw II through various film techniques used by the director. It discusses how the dark lighting, background, and trap worn by the character establish the horror genre. Extreme close-ups on the character's eye and knife suggest danger and vulnerability. Medium shots provide context of the dark background and trap worn. Tilted shots create a sense of inferiority while zooms emphasize facial expressions. The pacing increases as the character panics. Diegetic sounds include a TV and doll speaking; non-diegetic sounds build atmosphere and relate to the character's feelings and increasing heart rate.
Inception 2
In Inception, various camera angles are used to convey information to the audience about characters and the type of film. Close ups are used to show that Leo's character is under pressure and a criminal. A close up of stolen papers establishes his character as a thief. Medium shots show a character has a gun and power over others, and a criminal surrendering. Additional close ups reveal a hostage in pain and an angry character. Long shots display falling glass indicating violence and rushing water for action. Extreme close ups and shots of technology place the story in the future or as psychological science fiction. A medium close up presents a scared, anxious character.
Inception Camera Angles
In Inception, various camera angles are used to convey information to the audience about characters and the type of film. Close ups are used to show that Leo's character is under pressure and a criminal. A close up of stolen papers establishes his character as a thief. Medium shots show a character has a gun and power over others, and a criminal surrendering. Additional close ups reveal a hostage in pain and an angry character. Long shots display falling glass indicating violence and rushing water for action. Extreme close ups and shots of technology place the story in the future or as psychological science fiction. A medium close up presents a scared, anxious character.
Inception 2
In Inception, various camera angles are used to convey information to the audience about characters and the type of film. Close ups are used to show that Leo's character is under pressure and a criminal. A close up of stolen papers establishes his character as a thief. A medium shot of a character with a gun shows she has power and a strong personality. Extreme close ups reveal a character has just woken after being shot, indicating this is a psychological/science fiction film.
Micro elements
This document discusses various film techniques including extreme close-up, close-up, medium shot, pan, high angle shot, tilt, diegetic sound, and non-diegetic sound. An extreme close-up focuses intensely on a character's facial expressions to convey their emotions. A close-up also shows emotion through the face. A medium shot provides context of the character's surroundings while still showing facial expressions. A pan or tilt can set the scene and track character movement. Diegetic sound is audible to characters while non-diegetic sound, like music, creates suspense but is not heard by characters.
Micro Technical Analysis and Comparison to Focal Films
The document discusses various cinematography techniques used in the filmmaker's short film and Terrence Malick films. It describes how extreme close-ups, close-ups, medium shots, and long shots were used to focus attention and provide context. It also discusses the use of natural lighting, shadows, and camera angles. The filmmaker aimed to reflect Malick's style through the use of wide-angle lenses, locations representing freedom and nature, and montage editing sequences. Only diegetic sound from a song was used to reflect the influences of silent films.
Mediaaaa
The document discusses how different camera shots and techniques are used in film openings to set tone and provide meaning, focusing on the techniques of mise-en-scene, close-ups, medium shots, long shots, pans, tilts, zooms, and cuts. It analyzes several example shots from movie openings, examining how elements like setting, costumes, expressions, and props are used to convey information about characters and the story.
Camera angles
The document describes different types of camera shots including: extreme close-up, close-up, medium shot, long shot, and establishing shot. It explains that extreme close-ups focus on a small detail, close-ups show a person's head and shoulders, medium shots capture a person from the waist up, long shots show a larger scene from farther away, and establishing shots orient the viewer by showing the exterior of a location. The document also discusses how shot types like low angles, high angles, and point-of-view shots can influence the audience's perspective.
Camera Work Analysis
This document analyzes the use of different shot types in the trailers for the movies Gone Girl, The Resident, and Prisoners. It discusses how each shot type, including medium shots, close-ups, extreme close-ups, over-the-shoulder shots, establishing shots, long shots, and low angle shots, are used to convey meaning, emotion, and information about the plot and characters. Examples are provided from screenshots in the trailers to illustrate the analysis for each type of shot.
Sophia micro elements
The opening sequence of the film Memento uses micro elements like setting, costume, facial expressions, and props to immerse viewers and set the mood. Three distinct settings are shown that appear secretive and run-down, intriguing audiences to learn more. The main character wears worn, comfortable clothes that suggest a difficult past and transient lifestyle. His serious facial expressions and focused posture establish him as the driven protagonist. Prominent props like a bloody photo, bullet, and glasses provide clues about the theme of death and revenge without revealing too much. These micro elements effectively orient viewers and encourage them to continue watching to understand the story.
Part Two: My Thriller Opening
The document summarizes the key elements of a psychological thriller film opening that the author has created, including:
1) The simple yet mysterious title "UnAttached" that does not reveal too much about the plot.
2) The setting of a normal-looking house that could unexpectedly be the site of suspicious activity.
3) Important props like a telescope and photographs that suggest an unhealthy obsession with the person in the pictures.
4) Precise camerawork and editing that draw the audience into observing the main character's activities like a thriller.
5) A cracked and glowing title font along with unusual title introductions that create an unsettling tone fitting for the thriller genre.
Angles and movements challenge mackenzie media
1. Close ups are used to show a character's emotions by exaggerating their facial expressions.
2. Establishing shots set the location and context for a scene to indicate where it will take place.
3. Medium shots can show characters and their surroundings to provide context for the action.
Kick ass analysis
The document analyzes several shots from a movie trailer, focusing on how elements of mise-en-scene, composition, lighting and shot types are used to convey information and engage the audience. Specific shots are broken down to show how character placement, facial expressions, use of light and dark, and shot perspective are curated to subtly provide context and generate interpretations. The analysis provides insight into how visual storytelling techniques are employed to immerse viewers and build intrigue without dialogue.
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Cinematography sarita chander
- 1. Cinematography… Movie: Jeepers Creepers (2001) Directed by: Victor Salva
- 2. What is cinematography? Cinematography is the act of capturing photographic images in space through the use of a number of controllable elements. These include the quality of the film stock, the manipulation of the camera lens, framing, scale and movement.
- 3. This image is the opening scene of the movie Jeepers Creepers that was out in the year of 2001. This shot is definitely an extreme long shot as it contains such a large amount of landscape and it sets the scene nicely showing you that they are on an long running, abandoned road.
- 4. This is an image still from one of the scenes of Jeepers Creepers and I would class this scene image as being a full shot. It is a full shot because you have a good view of the background as well as the main subject and it shows you what place the scene is in also the other thing is you have other objects in subject too which of course is the villain who is standing there with a weapon in the right corner.
- 5. This still is a long shot and I know this because you can see the characters fully, with the background showing as well . This shot is to show us audience what the characters are wearing as well as there relationship with each other. From this shot you get the sense of characters feelings and looking at this I feel as though the character Darry is quite disappointed or upset where as you have Trish who seems more shocked and not as disappointed.
- 6. This image still is a mid shot of the two main characters in the movie and the characters names are Trish and Darry Jenner. They are both in the main view of the camera so that the audience watching the movie can have a good look of what they look like. You can only see the waist above and that is what a mid shot is. You can also get a good feel of their personality too and how they seem as individuals. You can even see the clothing that they are wearing quite clearly, I also think that this image still shows you can the relationship between the two characters as you have the girl Trish in the front and by looking at her she seems like a very bossy and demanding character and in the image you can clearly see that because of her body language and the way she comes across, however you have her brother Darry behind her and by looking at him he seems as though he is a quiet and scared character who is quite intimated by his sister so that’s why he is at the back.
- 7. This shot is a close up of one of the characters in the movie and this photo clearly shows you what the character is feeling because by looking at his face you can see the actors emotions, and this allows us to feel what they are feeling. In this image you can tell very clearly that the character is happy as he is smiling and seems very pleased.
- 8. This image is a perfect example of a extreme close up as it contains just one characters face, this image will definitely help you understand the actors emotions and feelings as it is clearly written on the face. In tis scene you can see that the character seems very in shock as his eyes are very wide open and his nostrils have even flared out showing he is in shock as well as he is scared.
- 9. This shot is known as a birds eye angle and it is named that because the angle looks directly below the scene showing you the view from if you was looking above it.
- 10. This is a high level shot as the camera angle looks down onto the subject and the subject is the body that is wrapped around inn the white sheet.
- 11. This is an eye level shot as it puts the audience on the same level as the characters.
- 12. This still is a low angle and it is a low angle as the camera looks up to the character.
- 13. This image shows the rules of thirds because of the fact that you have a character who is nicely on the left and the character who is nicely on the right and then you have a space in the middle so this is showing rule of thirds.