The document summarizes the history of research on the Chaukhandi tombs located near Karachi, Pakistan. The tombs date back to the 15th-18th centuries and feature elaborate sandstone carvings. Early researchers in the early 20th century began documenting the tombs and comparing their architectural styles. More recent research has examined the varying theories around the meaning of the word "Chaukhandi" and the origins and traditions of those buried in the cemeteries.
Madurai Meenakshi amman temple with the history and its design......the temple location, plan, history, gopurams, rajagopurams, towers of the swami shrine, sundereshwara temple, meenakshi amman temple, temple tank and thousand pillared hall....
RISE OF ISLAM IN INDIA STARTED WHEN QUTUB-UD-DIN AIBUK THE SLAVE OF MUHAMMAD GHORI WHO CAME TO POWER AFTER HIS MASTERS’ DEATH IN 1206.BEFORE THIS HE WAS JUST THE MIILITARY COMMANDER OF HIS BOSS.HIS EMPIRE EXTENDED FROM LAHORE(PAKISTAN) TO THE YAMUNA AND GANGES PLAINS IN NORTH INDIA. HE RULED FOR FOUR YEARS WHEN HE DIED IN AN ACCIDENT IN 1210.
It is also called as Dravidian architecture
Dravidian architecture (600AD-100AD) is an architectural idiom in Hindu temple architecture that emerged in the southern part of the India
It consists primarily of Hindu temples where the dominating feature is the high gopura or gatehouse
Majority of the existing structures are located in Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana.
A temple consisted of -- Vimanas, Gopurams, Mantapams and Chaultries.
Vimana It is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India
A vast gateway, which led to different parts of the temple with pillars the length of its path, was known as the Mandapam-the porch.
A Gopuram or gopura is a monumental entrance tower, usually ornate, at the entrance.
A gopuram is usually a tapering oblong in form with ground-level wooden doors, often richly decorated, providing access.
Choultry is a resting place for travelers, visitors to a site, typically linked to Buddhist, Jain and Hindu temples.
In Southern India five kingdoms and empires stamped their influence on architecture during different times.
Visit the many heritage sites in and around Chennai during your stay in India. Somerset Greenways Chennai serviced apartment enables the travelers to travel conveniently throughout the city while enjoying the comfort of home.
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
1. Historical Background of Vijayanagar Empire
2. Phases of Vijayanagar Architecture
3. Chief Characteristics of Vijayanagar Architecture
4. Important Centres of Art and Architecture
Madurai Meenakshi amman temple with the history and its design......the temple location, plan, history, gopurams, rajagopurams, towers of the swami shrine, sundereshwara temple, meenakshi amman temple, temple tank and thousand pillared hall....
RISE OF ISLAM IN INDIA STARTED WHEN QUTUB-UD-DIN AIBUK THE SLAVE OF MUHAMMAD GHORI WHO CAME TO POWER AFTER HIS MASTERS’ DEATH IN 1206.BEFORE THIS HE WAS JUST THE MIILITARY COMMANDER OF HIS BOSS.HIS EMPIRE EXTENDED FROM LAHORE(PAKISTAN) TO THE YAMUNA AND GANGES PLAINS IN NORTH INDIA. HE RULED FOR FOUR YEARS WHEN HE DIED IN AN ACCIDENT IN 1210.
It is also called as Dravidian architecture
Dravidian architecture (600AD-100AD) is an architectural idiom in Hindu temple architecture that emerged in the southern part of the India
It consists primarily of Hindu temples where the dominating feature is the high gopura or gatehouse
Majority of the existing structures are located in Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana.
A temple consisted of -- Vimanas, Gopurams, Mantapams and Chaultries.
Vimana It is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India
A vast gateway, which led to different parts of the temple with pillars the length of its path, was known as the Mandapam-the porch.
A Gopuram or gopura is a monumental entrance tower, usually ornate, at the entrance.
A gopuram is usually a tapering oblong in form with ground-level wooden doors, often richly decorated, providing access.
Choultry is a resting place for travelers, visitors to a site, typically linked to Buddhist, Jain and Hindu temples.
In Southern India five kingdoms and empires stamped their influence on architecture during different times.
Visit the many heritage sites in and around Chennai during your stay in India. Somerset Greenways Chennai serviced apartment enables the travelers to travel conveniently throughout the city while enjoying the comfort of home.
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
1. Historical Background of Vijayanagar Empire
2. Phases of Vijayanagar Architecture
3. Chief Characteristics of Vijayanagar Architecture
4. Important Centres of Art and Architecture
Cirrhosis results from different mechanisms of liver injury that lead to necroinflammation and fibrogenesis; Patients
with liver cirrhosis often require liver transplantation but it is affected by many problems, including relative operative
damage, high costs, lack of donors, and risk of rejection. Currently studies are shown the Stem cell therapy has the
potential to provide a valuable adjunct to the management of disease, Stem cell should be the natural candidates to
provide a renewable source of cells for transplantation.
The main mechanism of stem cell therapy is that stem cell capacity to differentiate into any of the hundreds of distinct
cell types that comprise the human body. In addition to their potential in therapeutics can be used to study the earliest
stages of human development and disease modeling using human cells.
Keywords: Cell Therapy; Liver Cirrhosis; Stem Cell; Transplantation. limitlessly, and often play the principal role in
liver regeneration
A study on Ashoka’s inscriptions with the special focus on Maski Rock edictinventionjournals
ABSTRACT : In the modern world there is a big challenge to know our past. While analyzing the Indian history, Ashoka stands first for his social, religious as well as his inscription works through which he spread his Dharma to whole world. Same time most of the part of India historian have been found numerous inscriptions of Ashoka with the name of Devenampriya and priyadarshi. Every inscriptions used tells us about most of religious and welfare measures of Ashoka. For the first time the Maski rock edicts clarified that Devananpriya is none other than Ashoka the great. By studying about this paper we can understand that why Ashoka place first in history by following non-violence after kalinga war.
217Published by the Harvard -Yenching Institu te HJAS 72.2 (.docxfelicidaddinwoodie
217Published by the Harvard -Yenching Institu te HJAS 72.2 (2012): 217–257
“My Tomb Will Be Opened in
Eight Hundred Years”:
A New Way of Seeing the Afterlife in Six
Dynasties China
J i e S h i
University of Chicago
In a large undisturbed sixth-century tomb at Jiajiazhuang 賈家莊 in Shouyang 壽陽 county, Shanxi province, archaeologists dis-
covered an epitaph declaring a belief about tombs different from what
Chinese held before that time.1 This brick tomb, among the largest of
its period, had a single burial chamber, which measured 5.44 by 5.42
meters in area and had a crushed vaulted ceiling about 4.60 meters
high (figs. 1 and 2). Three square epitaph stones, each with a stone
cover, lay side by side on the floor of the tomb chamber. According to
the inscriptions engraved on these stones, the central and largest was
for the major tomb occupant, Prince Shedi Huiluo 厙狄迴洛 (505–
562).2 The flanking two referred to his two wives buried with him.3
I would like to thank Wu Hung, Robert Harrist Jr., Zheng Yan, and the anonymous reviewer
for HJAS, for their valuable insights and critiques of different versions of this essay.
1 Wang Kelin 王克林, “Bei Qi Shedi Huiluo mu” 北齊厙狄回洛墓, Kaogu xuebao 考
古學報 1979.3: 377–99.
2 For Shedi Huiluo’s official biography, see Li Baiyao 李百藥, Bei Qishu 北齊書 (Bei-
jing: Zhonghua shuju, 1972), 19.254; Li Yanshou 李延壽, Beishi 北史 (Beijing: Zhonghua
shuju, 1974), 53.1908. All dates are Common Era unless otherwise noted.
3 Wang Kelin, “Bei Qi Shedi Huiluo mu,” pp. 396–98. For a transcription of their epi-
taphs, see Zhao Chao 趙超, Han Wei Nanbeichao muzhi huibian 漢魏南北朝墓誌彙編
(Tianjin: Tianjin guji chubanshe, 1992) [hereafter HWNM], pp. 407–8, 414.
218 Jie Shi
A contemporaneous reader of the prince’s well-composed epitaph
(see fig. 3, p. 246, and Appendix 1) would come to a statement that
might astonish him or her near the end of the text: “The tomb will col-
lapse and the pond will be filled up, and they will finally be occupied
by foxes and hares. My tomb will be opened in eight hundred years as
heaven orbits.” The first person pronoun “I” (wu 吾) that begins the
last sentence renders unambiguous the tomb occupant’s expectation
that his own tomb is doomed to ruin followed by excavation.
This passage violates the conventional Chinese belief held until
that time: that the tomb was never supposed to be damaged or opened.
According to a second-century dictionary, the basic idea of a tomb was
to “conceal,” and to prevent the exposure of, the deceased’s body.4 The
4 Wu Hung, The Art of the Yellow Springs: Understanding Chinese Tombs (London:
Reaktion Books, 2009), pp. 9–10.
Fig. 1 Shedi Huiluo’s tomb, 562 C.E. Jiajiazhuang, Shouyang, Shanxi province.
Photograph of the excavation from the north, facing entrance at south. Kaogu
xuebao 1979.3, pl. 2.1.
The Afterlife in Six Dyna sties China 219
tomb, the final resting place of one’s ancestor, generated emotions of
empathy and solicitude and uphel ...
“The stupa was one of the most characteristic remains of the Buddhist world; they are not found in Hinduism at all.
In function we may view them as a specialized type of tumulus:
They were circular in shape, with a domed top.
They were built to cover the relics of the Buddha, his earlier followers, or some other essential symbol of the Buddhist religion.
It might be recalled that the Buddha was Śākyamuni (‘Sage of the Śakyas’, i.e. the Sakas)….
To the stupas were carried offerings, often letters, while the devoted performed their rituals, walking around the shrine keeping their right shoulders (pradaksina) toward the stupa.
The stupas spread with Buddhism to China and Japan and linguistically, Sanskrit stūpa gave Prākrit thūpo which the Chinese variously treated as *tabo or *sutab/po, now simplified to tā ‘pagoda.’”
The file contains short notes from the 12th standard textbooks of History(NCERT). Contains 15 chapters of different eras. From ancient history to Framing of Indian Constitution. Suited for competitive examinations and students giving board examination. A quick way to recapitulate.
The Making of Early Medieval India is a collection of essays which together seek to explore the processes and nature of change in Indian society over a period of about six hundred years, approximately between the seventh and the thirteenth centuries. The notion of change articulated in these essays marks a radical departure from what exists in the current historiography of the period. Change here is shown as being represented by processes of progressive transformation, and not - as in the available visions of the period - by the breakdown of an earlier social order. Laying methodological stress on identifying and analysing major historical processes at a pan-Indian level, as well as in relation to different territorial segments, the essays thus provide an alternative perspective on the making of early medieval society in India. The empirical material which is examined in depth in these essays relates to diverse themes: irrigation; urbanization; the formation of a dominant ruling caste and political processes; and the structure of polity in general. The Introductory essay provides an overview of historiography, as well as of the major directions of its change. It makes cross-regional references in order to underline the fact that comparable processes of change were in operation in all parts of the country.
International Journal of Humanities and Social Science Invention (IJHSSI)inventionjournals
International Journal of Humanities and Social Science Invention (IJHSSI) is an international journal intended for professionals and researchers in all fields of Humanities and Social Science. IJHSSI publishes research articles and reviews within the whole field Humanities and Social Science, new teaching methods, assessment, validation and the impact of new technologies and it will continue to provide information on the latest trends and developments in this ever-expanding subject. The publications of papers are selected through double peer reviewed to ensure originality, relevance, and readability. The articles published in our journal can be accessed online
Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
From Stress to Success How Oakland's Corporate Wellness Programs are Cultivat...Kitchen on Fire
Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
What Makes Candle Making The Ultimate Bachelorette CelebrationWick & Pour
The above-discussed factors are the reason behind an increasing number of millennials opting for candle making events to celebrate their bachelorette. If you are in search of any theme for your bachelorette then do opt for a candle making session to make your celebration memorable for everyone involved.
What Makes Candle Making The Ultimate Bachelorette Celebration
Chukandi the.docx ppt
1. Chukandi The Chaukhandi form an early Islamic cemetery situated 29 km
(18 mi) east of Karachi, close to the National Highway near "Fast National University of
Computer and Emerging Sciences" in Sindh province of Pakistan. The tombs are
remarkable for their elaborate sandstone carvings.
The style of architecture is typical to the region of Sindh. Generally, the tombs are
attributed to the Jokhio (also spelt Jokhiya) and known as the family graveyard of the
Jokhio tribe, although other, mainly Baloch, tribes have also been buried here. They
were mainly built during Mughal rule sometime in the 15th and 18th centuries
when Islam became dominant
Meaning of Chaukhandi
There are various opinions as to the meaning of the word Chaukhandi. Shaikh Khurshid
Hasan writes:
Some scholars believed that Chaukhandi is the name of a place. Others take it to be an
architectural term. On the necropolis of 'Chaukhandi' stands the tomb of one Jam Murid
bin Haji, which contains the wordChaukhandi, along with the name of the deceased.
Shaikh Khurshid Hasan therefore considered Chaukhandi to be the name of the place.
More so, when Banerji visited the Chaukhandi graveyard in 1920, he referred [to] it as
"the little village Chaukhandi". According to Mumtaz Hassan, Chaw in Sindhi language
means four and Khundi corner or pillar. Chaukhandi would refer to the four pillars
supporting the umbrella shaped dome over the tomb and would apply to all tombs
having the same construction However, this argument has flaws because all the tombs
covered with umbrella shaped domes or with a rectangular pavilion at Chaukhandi have
more than four pillars or columns.
2. Even at Mangophir, a canopy over similar graves has more than four pillars. As regards
to the suggestion that Chaukhandi is the name of a place, Mumtaz Hassan feels that
such a view derives from the fact that the name Chaukhandi had come to be associated
with the tombs near Landhi. As mentioned above, on one tomb the word Chaukhandi is
engraved. That might signify the location rather than the structural style of the
monument. It is therefore possible that the word Chaukhandi, originally referring to the
style of construction, became associated with one particular site
[Ali Ahmad] Brohi's view on he other hand is that Chaukhandi is used for a domed roof,
a kind of chhattri (umbrella/pavilion) which is supported by four to eight pillars, whiereby
the sides are left open. According to Kaleem Lashari, the word Chaukhandi as inscribed
on the grave of Jam Murid bin Haji is a compound word with Sahib and is to be read as
such Sahib-e-Chaukhandi and not on its own. He compares it to the [Sahib-e-
Jaidad (Owner of a land)]. It clarifies that Jam Murid is the owner of the Chaukhandi or
that the Chaukhandi is erected over his grave. In support of his theory he refers to a
similar inscription on a grave at Got Raj Malik and, therefore, does not agree
that Chaukhandi is the name of a place.
Dr. Baloch has further tried to explain the meaning of the word Chaukhandi. Literally, it
suggests a four walled enclosure open from above. In the cultural tradition of Sindh,
such a walled enclosure is called a Chaukhandi, which is constructed out of respect
around the grave of a revered person. Chaukhandi as such is therefore not a grave or
tomb in itself, but the four walled enclosure in which the person(s) has been buried.
Referring to the burial place, it would be called Chaukhandi
3.
4. Description
This type of graveyard in Sindh and Balochistan is remarkable because of its main
north-south orientation. The more elaborate graves are constructed with a buff-
colored sandstone. Their carved decoration displays expert craftsmanship and has
often kept remarkably well over time. Tombs were constructed either as single graves or
as groups of up to eight graves, raised on a common platform.
A typical sarcophagus consists of six vertical slabs, with two long slabs on each side of
the grave indicating the length of the body and the remaining two vertical slabs on the
head and foot side. These six slabs are covered by a second sarcophagus consisting of
six more similar vertical slabs but smaller in size, giving the grave a pyramid shape. The
upper box is further covered with four or five horizontal slabs and the topmost
construction is set vertically with its northern end often carved into a knob known as a
crown or a turban. The tombs are embellished with geometrical hunting scenes, arms,
and jewel
Discovery and Research
5. The earliest -passing- reference of the Chaukhandi tombs (a.k.a. Jokundee) is in a letter
of J. Macleod, addressed to H. B. E. Frere in 1851 The tombs, however, were given
more serious attention for the first time by H. D. Baskerville, the Assistant Collector
of Thatta in Karachi district in 1917. The tombs near Landhi were included in
the Ancient Monuments Preservation Act, 1904 in 1922[
Dr. Salome Zajadacz-Hastenrath summarizes earlier research on these and similar
tombs in Sindh as follows:
A cemetery of this type was discovered at the turn of the 20th century in Hinidan by
Major M. A. Tighe, Political Agent in southern Balochistan. J. P. Vogel was the first
to investigate this and other cemeteries – including Karpasan (a plateau south of
Hinidan), Gundar (a village near Dinga, south of Hinidan), and Manghopir – and he
drew attention to another cemetery discovered by Captain Showers, Political Agent
6. in Kalat, lying between the Hub River and Sonmiani. Vogel recognized that the tombs
were Islamic, as indicated by the use of the Arabic script and the alignment of the
monuments. According to Islamic custom, the dead are laid to rest in such a way that
they are facing Mecca, resting on their right shoulder. Mecca lies approximately to the
west of Sindh; the longitudinal axis of the tombs accordingly lies more or less in a north-
south direction, with the head always lying in the north.
In (...) 1910, Sir Thomas Holdich described a similar cemetery near Malir and also
referred to several other cemeteries. He stated that local tradition ascribed these to the
'Kalmati' Balochis, and he linked this name to the town of Kalmat on the Makran Coast.
In 1917, H. D. Baskerville discovered a similar cemetery in the vicinity of the village of
Chaukhandi, near Karachi. Baskerville's published report raised the question of a
possible above-ground burial – but he dismissed this after a careful investigation of one
of the stone chambers in the
7. cemetery, which did not contain any remains. A number of tomb inscriptions were found
at the Chaukhandi cemetery, consisting of names and/or sayings from the Quran. Some
of the named dead were said to belong to the Jokhiya
tribe, still resident in the vicinity. Only one of the tombs was dated – the date of death
being inscribed on it with the numbers in reverse order – as AH 1169 (AD 1756). Jokhio,
Jokhia or Jokhiya are said to be descendants of the Samma (tribe) of Sindh.
In 1925, Henry Cousens devoted a chapter of his book on the antiquities of Sindh to
'Baloch tombs'. He studied the tombs in Jarak (now
spelt Jerruck), Sonda and Kharkharo, which were of the same type as Chaukhandi.
Referring to the studies by G. E. L. Carter, he noted that more than twenty such
cemeteries had been identified, and rejected the theory regarding above-ground burials,
pointing to the frequent occurrence of arcade-like perforations in the lower casket.
Cousens was the first to draw comparisons with other architectural monuments in
8. Sindh, and he refers to similarities between the decoration of a tomb in Sonda and the
tombs of Mian Ghulam Shah Kalhoro (Shah Wardi Khan) (d. 1772) in Hyderabad as
well as the tomb of the Samma king, Jam Nizamuddin II (reigned 1461–1509), an
impressive square structure built of sandstone and decorated with floral and geometric
medallions.
9. Comparable is also the mausoleum of Isa Khan Tarkhan the Younger (d. 1644) in the
necropolis of Makli Hill. Regarding the covering of the tombs with chattris (cupola's or
pavilions), he points to similar tombs in the same Makli necropolis and to the tomb
of Mir Masum in Sukkur. He considered the tombs to be of approximately the same date
as the tombs of Mian Ghulam Shah Kalhoro - i.e. the second half of the 18th century.
Cousens pointed out that depictions of riders, as seen on some of the tombs, are also
found on sati (shrine) stones in Kathiawar and Kutch.
Information about a single tomb of this type in the vicinity of the village of Baghwana,
south-west of the Las Bela (princely state), was published in 1931 by Sir Aurel
Stein. According to local tradition the tomb was that of Mai Masura, a saintly beggar
women; legend had it that the stone slabs had miraculously flown through the air
from Kandahar. Stein considered it to date from the end of the 15th century.
In 1934, in a publication concerning monuments of Sindh, Nani Gopala Majumdar
described a funerary enclosure on Tharro Hill near Gujjo. He believed that that
cemetery enclosure dated from the 14th century, being therefore older than the
monuments on Makli Hill; he also found some additional tombs of lesser significance in
the vicinity of the nearby mausoleum of Sheikh Turabi.