Chinese Art, 14th-18th Century
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This document provides an overview of Chinese art from the 14th to 18th centuries, covering various dynasties and styles. It highlights prominent artists such as Wu Zhen from the Yuan Dynasty and his bamboo paintings. It also mentions Ming Dynasty artists like Shen Zhou and his landscape paintings, as well as Qing Dynasty artists Shi Tao and Zhu Da known for their ink paintings of landscapes and animals. Finally, it briefly discusses Chinese ceramics from the 14th to 17th centuries like blue-and-white porcelain and polychrome enamel works.
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The document provides background information on John Keats and analyzes his poem "Ode on a Grecian Urn". It discusses Keats' concept of "negative capability" and how the urn symbolizes eternal beauty and truth. The document then analyzes each stanza of the poem, describing the scenes depicted on the urn and how they represent immortalized art over mortal human experiences. It concludes that the urn's enduring message to mankind is Keats' famous line "Beauty is truth, truth beauty".
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The document provides a critical analysis of the poem "The Darkling Thrush" by Thomas Hardy. It summarizes that the poem reflects the sorrow and hopelessness of the Victorian Era as industrialization depleted the rural agricultural society and its customs. The poet expresses despair over this deterioration. Additionally, the analysis states that the poem uses symbols of death and gloom to convey the speaker's lack of hope or enthusiasm for the future as industrialization changed society.
Alfred ,lord tennyson
Alfred Tennyson was a popular Victorian era British poet who served as Poet Laureate of the UK for much of Queen Victoria's reign. Some of his most famous works included "In Memoriam", "The Lady of Shalott", "Ulysses", and "Crossing the Bar". His poetry reflected on themes of death, loss, faith, and the advances in science that challenged traditional beliefs during his time.
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Chinese Art, 14th-18th Century
- 1. Chinese Art 14th-18th c.
- 2. Ink Tablet with Peach Tree, Ming Dynasty
- 3. Ink Tablet with Birds, Ming Dynasty
- 4. Brush Container, Qing Dynasty
- 6. Hand Scroll
- 7. Album
- 8. Fan
- 9. Fan
- 10. Yuan Dynasty 1271-1368
- 12. Bamboo, c. 1350
- 13. Lofty Virtue Reaching the Sky, 1338
- 14. Tall stalks pierce the clouds. Perhaps you find it strange, Not recognizing the wings of a phoenix. A pure sound enters the realm of the soundless, Do not let Zhonglang blow his long-necked flute.
- 19. Red leaves west of the village reflect evening rays, Yellow reeds on a sandy bank cast early moon shadows. Lightly stirring his oar, Thinking of returning home, He puts aside his fishing pole and will catch no more.
- 20. Fishing Alone
- 22. Shadows, Mountains, Mist and Trees
- 23. Ming Dynasty 1368-1644
- 25. Silent Angler in an Autumn Wood, 1475
- 26. Landscape with Pavilion and Willows
- 27. Poet on a Mountaintop, c. 1500
- 29. Parting at the Jing River
- 31. Turtle Dove Calling for Rain
- 33. Dong Qichang 1555-1636
- 34. Invitation to Reclusion at Jingxi, 1611
- 37. Shaded Dwelling Among Streams and Mountains, c. 1622
- 39. Landscape
- 40. Qing Dynasty 1644-1911
- 42. Ten Thousand Ugly Ink Blots, 1685
- 43. Reminiscences of the Qin-Huai River, 1704
- 44. Riverbank of Peach Blossoms
- 45. On the Lotus Pond
- 47. Waterfall on Mt. Lu
- 48. Zhu Da 1626-1705
- 49. Birds in a Lotus Pond, c. 1690
- 50. Fish and Rocks, 1699
- 51. Two Eagles, 1702
- 54. Landscape
- 55. Bamboo, Rocks, and Mandarin Ducks
- 57. Wild Lotus
- 58. Lotus
- 59. Double Fish
- 62. Fish Plate, Mid-14th c.
- 63. Jar with Peanut Plant, Late 15th c.
- 65. Mount Fuji with Horses and Deer, 1620s
- 67. Jar with Fish, Ming Dynasty