CHAPTER ONE
AUDIENCE RELATIONSHIP
AUDIENCE RELATIONSHIP
“Theatre is human beings coming together at a
particular time and place for no other reason
than to practice being human, perhaps with a
shared but unspoken hope that someday we
will get it right!”
WHAT IS THEATRE?
•A place of performance. “Theater”
•Process where actors perform live for an
audience in the same place at the same time.
“Theatre”
ENTERTAINMENT
•Theatre that is meant strictly for entertainment
will not likely seek to challenge the norms of
society.
•It serves as a means of escape from reality.
•This type of theatre will not push audience
members beyond their comfort zone.
EXAMPLES
Mama Mia The Odd Couple Spamalot
THEATRE AS ART
•Confronts uncomfortable truths about
society’s norms, mores and folkways.
•Entertaining but challenging
•Provides a more focused venue in which to
explore the human condition.
•Meant to be life altering and will invoke a state
of deeper thought.
THOUGH IT IS PRESENTED IN MANY VARIATIONS,
CHALLENGING CONVENTION IS NOT AN ORIGINAL
THOUGHT. IN FACT, THE ANCIENT GREEKS LOVED TO
DISARM AND CHALLENGE AUDIENCES.
Oedipus Rex (the King) Hamlet
THEATRE IN RELIGION
•The earliest known theatrical practices are
thought to have evolved from religious ritual
and dance.
•Performance was often rooted in
impersonations, song, dance and spiritual
response.
EARLIEST THEATRE
COLLABORATION
. . .MAYBE?
Historians hold the belief
that western theatre has
evolved from ancient
Greek festivals celebrating
the god Dionysus.
Dionysus is known to be the
god of Food and Wine
also associated with, fertility, madness and ecstasy
DIONYSIA
•The central event was the pompe. (parade)
•Followed by Dithyramb competition
(an ancient Greek hymn sung and danced in
honor of Dionysus) Think music festival.
•A second procession, the kōmos, occurred
afterwards, which was most likely a
drunken revelry through the streets.
•Finally Tragedy and Comedy competitions.
THESPIS
•Was recorded as the first to
stage a tragedy.
•Thespis was the first to use tragic
dialogue when he exchanged
words with the leader of the
chorus.
•First “Actor” as he played a
character other than himself.
THESPIS
•This is where the term Thespian
comes from.
•Adjective: of or relating to
drama and the theater.
"thespian talents"
•Noun: an actor or actress.
THEATRE AND SOCIOLOGY
The Roman poet Horace explained that the
main functions are to teach and to
please. What are some reasons theatre is
necessary to society.
THEATRE AND SOCIOLOGY
•Education
•The passing down of tradition between
generations
•Preserving a society’s value structure
•To reinforce or challenge the structure roles
among a people (i.e. gender, class, race etc.)
EXAMPLES
• The Lion King • Avenue Q
THE POLITICAL STAGE
•Support the status quo, build support for the
ruling government.
• Contain specific propaganda which is
designed to advocate for a specific point of
view.
• May also seek to challenge leadership.
• Examples: Mother Courage, The Sound of
Music, The Accidental Death of an Anarchist.
THEATRE AS COERCION
•Recognizing the powerful nature of theatre,
many governments have sought to control it.
•Natzi Germany - 1930’s
•China during the Cultural Revolution - 1966-
80’S (and today with internet)
•The Soviet Union
•America during the period of McCarthyism
HEALING POWER OF THEATRE
•Empowerment
•Self expression
•Drama Therapy
•Psychodrama
•Experimentation and exploration onstage
CULTURAL EXPLORATION
•Dramatic practice allows both those involved
with a production, as well as the audience
member to explore various cultural elements in
depth.
•Whether it is a new culture entirely or a
subculture, the participant is afforded a
glimpse into undiscovered territory.
KABUKI THEATRE - JAPAN
BREAKING THE CONVENTION
•The art of theatre is known for pushing the
envelope in certain areas. Some instances
include:
•Nontraditional or Color Blind Casting
•Gender role reversal
•Alteration of setting to more accurately reflect
the current social circumstance.
NON TRADITIONAL CASTING
•Role reversal (Female in Male role)
•Color Blind Casting (Casting a role with an
actor of different ethnicity than the character)
•When is this O.K. and when is it not?
FEMALE ODD COUPLE
FEMALE ODD COUPLE
CAT ON A HOT TIN ROOF
CAT ON A HOT TIN ROOF
BLACK FACE
BLACK FACE
BLACK FACE
Previewed and Okayed by
N.A.A.C.P.
WHITE CHICKS
WHITE CHICKS
STORM TROOPER
STORM TROOPER
JANGO FETT
New Zealand actor
Temuera Morrison
TODAYS NORTH AMERICAN
THEATRE
•While we often associate theatre with the well
known, Broadway, there are a variety of
theatre types in North America today.
•This assortment makes the art of theatre more
accessible to a wide public and serves a vast
array of functions among today’s society.
THEATRE TYPES
1. Professional Theatre
2. Commercial Theatre
3. Nonprofit Theatre
4. Not For Profit theatre
5. Regional Theatre
6. Amateur Theatre
7. Educational Theatre
8. Community Theatre
THEATRE TYPES - PROFESSIONAL
1. Commercial theatre: meant to earn $ for
investors.
A. Broadway: particular area of New York
and the size of the house (1,800)
B. Off Broadway (500) and in Manhattan
but not the Broadway district.
C. Touring shows
THEATRE TYPES – NON PROFIT
2. Non profit: any money taken in is used for the arts organization.
A. Most resident or regional theatres: maintain a constant
presence in a community and produce a season of plays.
B. Amateur theatre: residents don’t rely on theatre to make
money.
1. Educational theatre: used in any stage of education.
2. Community theatre: community members come
together to create theatre.
THEATRE TYPES - HYBRID
3. Hybrid theatres: theatres that don’t fit just
one scenario.
A. Resident theatre that has a contract with
actors equity.
B. Off Off Broadway: experimental and
rejected the establishment. Low budget
(100)

Chapter 1 complete

  • 1.
  • 2.
  • 3.
    AUDIENCE RELATIONSHIP “Theatre ishuman beings coming together at a particular time and place for no other reason than to practice being human, perhaps with a shared but unspoken hope that someday we will get it right!”
  • 4.
    WHAT IS THEATRE? •Aplace of performance. “Theater” •Process where actors perform live for an audience in the same place at the same time. “Theatre”
  • 5.
    ENTERTAINMENT •Theatre that ismeant strictly for entertainment will not likely seek to challenge the norms of society. •It serves as a means of escape from reality. •This type of theatre will not push audience members beyond their comfort zone.
  • 6.
    EXAMPLES Mama Mia TheOdd Couple Spamalot
  • 7.
    THEATRE AS ART •Confrontsuncomfortable truths about society’s norms, mores and folkways. •Entertaining but challenging •Provides a more focused venue in which to explore the human condition. •Meant to be life altering and will invoke a state of deeper thought.
  • 8.
    THOUGH IT ISPRESENTED IN MANY VARIATIONS, CHALLENGING CONVENTION IS NOT AN ORIGINAL THOUGHT. IN FACT, THE ANCIENT GREEKS LOVED TO DISARM AND CHALLENGE AUDIENCES. Oedipus Rex (the King) Hamlet
  • 9.
    THEATRE IN RELIGION •Theearliest known theatrical practices are thought to have evolved from religious ritual and dance. •Performance was often rooted in impersonations, song, dance and spiritual response.
  • 10.
  • 11.
    Historians hold thebelief that western theatre has evolved from ancient Greek festivals celebrating the god Dionysus.
  • 12.
    Dionysus is knownto be the god of Food and Wine
  • 13.
    also associated with,fertility, madness and ecstasy
  • 14.
    DIONYSIA •The central eventwas the pompe. (parade) •Followed by Dithyramb competition (an ancient Greek hymn sung and danced in honor of Dionysus) Think music festival. •A second procession, the kōmos, occurred afterwards, which was most likely a drunken revelry through the streets.
  • 15.
    •Finally Tragedy andComedy competitions.
  • 16.
    THESPIS •Was recorded asthe first to stage a tragedy. •Thespis was the first to use tragic dialogue when he exchanged words with the leader of the chorus. •First “Actor” as he played a character other than himself.
  • 17.
    THESPIS •This is wherethe term Thespian comes from. •Adjective: of or relating to drama and the theater. "thespian talents" •Noun: an actor or actress.
  • 18.
    THEATRE AND SOCIOLOGY TheRoman poet Horace explained that the main functions are to teach and to please. What are some reasons theatre is necessary to society.
  • 19.
    THEATRE AND SOCIOLOGY •Education •Thepassing down of tradition between generations •Preserving a society’s value structure •To reinforce or challenge the structure roles among a people (i.e. gender, class, race etc.)
  • 20.
    EXAMPLES • The LionKing • Avenue Q
  • 21.
    THE POLITICAL STAGE •Supportthe status quo, build support for the ruling government. • Contain specific propaganda which is designed to advocate for a specific point of view. • May also seek to challenge leadership. • Examples: Mother Courage, The Sound of Music, The Accidental Death of an Anarchist.
  • 22.
    THEATRE AS COERCION •Recognizingthe powerful nature of theatre, many governments have sought to control it. •Natzi Germany - 1930’s •China during the Cultural Revolution - 1966- 80’S (and today with internet) •The Soviet Union •America during the period of McCarthyism
  • 23.
    HEALING POWER OFTHEATRE •Empowerment •Self expression •Drama Therapy •Psychodrama •Experimentation and exploration onstage
  • 24.
    CULTURAL EXPLORATION •Dramatic practiceallows both those involved with a production, as well as the audience member to explore various cultural elements in depth. •Whether it is a new culture entirely or a subculture, the participant is afforded a glimpse into undiscovered territory.
  • 25.
  • 26.
    BREAKING THE CONVENTION •Theart of theatre is known for pushing the envelope in certain areas. Some instances include: •Nontraditional or Color Blind Casting •Gender role reversal •Alteration of setting to more accurately reflect the current social circumstance.
  • 27.
    NON TRADITIONAL CASTING •Rolereversal (Female in Male role) •Color Blind Casting (Casting a role with an actor of different ethnicity than the character) •When is this O.K. and when is it not?
  • 28.
  • 29.
  • 30.
    CAT ON AHOT TIN ROOF
  • 31.
    CAT ON AHOT TIN ROOF
  • 32.
  • 33.
  • 34.
    BLACK FACE Previewed andOkayed by N.A.A.C.P.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
    JANGO FETT New Zealandactor Temuera Morrison
  • 40.
    TODAYS NORTH AMERICAN THEATRE •Whilewe often associate theatre with the well known, Broadway, there are a variety of theatre types in North America today. •This assortment makes the art of theatre more accessible to a wide public and serves a vast array of functions among today’s society.
  • 41.
    THEATRE TYPES 1. ProfessionalTheatre 2. Commercial Theatre 3. Nonprofit Theatre 4. Not For Profit theatre 5. Regional Theatre 6. Amateur Theatre 7. Educational Theatre 8. Community Theatre
  • 42.
    THEATRE TYPES -PROFESSIONAL 1. Commercial theatre: meant to earn $ for investors. A. Broadway: particular area of New York and the size of the house (1,800) B. Off Broadway (500) and in Manhattan but not the Broadway district. C. Touring shows
  • 43.
    THEATRE TYPES –NON PROFIT 2. Non profit: any money taken in is used for the arts organization. A. Most resident or regional theatres: maintain a constant presence in a community and produce a season of plays. B. Amateur theatre: residents don’t rely on theatre to make money. 1. Educational theatre: used in any stage of education. 2. Community theatre: community members come together to create theatre.
  • 44.
    THEATRE TYPES -HYBRID 3. Hybrid theatres: theatres that don’t fit just one scenario. A. Resident theatre that has a contract with actors equity. B. Off Off Broadway: experimental and rejected the establishment. Low budget (100)