AH Ch 16
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The document discusses the High Renaissance period in Italy from the late 15th to early 16th century. It focuses on major artists like Leonardo da Vinci, Michelangelo, Raphael, and emerging artists from Venice. Architecture changes with innovations like centralized planning and dome construction. The High Renaissance is most established in Florence and Rome, where artists created masterworks that showcase the human form and realistic rendering at a new level of aesthetic excellence. Venetian artists like Bellini, Giorgione, and Titian distinguished themselves with their colorful and poetic style.
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AH Ch 16
- 1. Chapter 16 High Renaissance What way does architecture change in the High Renaissance? Where is the high Renaissance most established in Italy? Who are some of the main artists of this period of the late 15th and early 16th century? What distinguishes the art of this era as being so influential and admirable? What is different about the artists of Venice compared to Florence?
- 2. 16.1 Leonardo da Vinci, Vitruvian Man , c. 1485–90.
- 3. 16.2 Donato Bramante, Tempietto, San Pietro in Montorio, Rome, c. 1502–3
- 4. 16.4 Anonymous, Painting of an Ideal City , mid-15th century
- 5. 16.8 St. Peter's, Vatican, Rome, view from the south flank
- 6. Bramante’s Floor plan for St. Peter’s Basilica
- 7. 16.9 Leonardo da Vinci, Embryo in the Womb , c. 1510
- 8. 16.10 Leonardo da Vinci, Last Supper, refectory of Santa Maria delle Grazie, Milan, c. 1495–98
- 12. 16.12 Leonardo da Vinci, Madonna and Child with Saint Anne , 1503–6
- 13. 16.13 Leonardo da Vinci, Mona Lisa , c. 1503–5.
- 14. 16.14 Michelangelo, Pietà , 1498–1500
- 18. 16.15 Michelangelo, David , 1501–4.
- 19. 16.17 Michelangelo, ceiling of the Sistine Chapel (after cleaning), Vatican, Rome, 1508–12. http://www.vatican.va/various/cappelle/sistina_vr/index.html
- 21. 16.18 Michelangelo, Creation of Adam (after cleaning, 1989) , c. 1510.
- 23. 16.19 Michelangelo, Last Judgment (after cleaning, 1990–94), altar wall of the Sistine Chapel, Vatican, Rome, 1534–41
- 24. 16.20 Michelangelo, Saint Bartholomew with flayed skin (detail of fig. 16.19), after cleaning
- 25. 16.21 Raphael, Madonna of the Meadow , 1505
- 26. 16.22 Raphael, Portrait of Pope Julius II , 1511–12.
- 27. 16.23 Raphael, School of Athens , 1509–11, Stanza della Segnatura, Vatican, Rome.
- 30. 16.24 Raphael's self-portrait (detail of fig. 16.23).
- 32. 16.25 Gentile Bellini, Sultan Mehmet II , c. 1480.
- 33. 16.26 Giovanni Bellini, San Giobbe Altarpiece , 1480s
- 36. 16.27 Giovanni Bellini, Doge Leonardo Loredan , after 1501
- 37. 16.28 Giorgione , Tempest , c. 1505–10.
- 38. 16.29 Giorgione, Sleeping Venus , c. 1509.
- 39. 16.30 Giorgione, Fête Champêtre , (aka Pastoral Concert) c. 1510.
- 40. 16.31 Titian , Pesaro Madonna , 1519–26
- 41. 16.32 Titian, Venus of Urbino , c. 1538.
- 42. 16.33 Titian, Rape of Europa , 1559–62.