Camerawork and Editing
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The document discusses various camera shots and editing techniques that will be used to film a music video. It plans to use high angle shots to make the subject seem small and vulnerable. Aerial and wide shots will help establish the isolated setting and lonely mood. Close-ups will show emotion and intimacy, while tracking shots follow the subject to create a feeling of being followed. Fast cutting montages and digital effects like split screens will be used to portray fragments of the story and link different characters. Speeding up or slowing down footage will help set the tone and allow the audience to reflect on the story.
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Story Board for Music Video
The document outlines the purpose and use of a storyboard for planning a music video. It provides examples of 7 slides from the storyboard, each describing a different shot or scene needed for the video, such as lip syncing from different camera angles, showing an argument from multiple shots, and depicting the feelings of characters after the argument. The storyboard is a preliminary plan to help ensure all necessary footage is captured and different shots and scenes are filmed as envisioned before editing the final video.
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The video uses various cinematography techniques like lighting, camera angles, and editing. Lighting includes black and white, color, and sepia tones. Camera shots include long shots, medium shots, close ups, and low angles. Editing combines all the scenes and shots together to tell a story. The target audience is fans of The Script who enjoy their style of music.
Purpose of editing task 4
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This document discusses and provides examples of several film editing techniques used in movies, including:
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2) Montages are used in "Rocky 3" and "Team America" to summarize training routines or spoof other films, speeding up scenes while informing audiences.
3) The "Odessa Steps Sequence" uses shots between a mother and dying child to make audiences sympathize with characters during a terrifying situation.
Analysis of real music video
The document analyzes an existing music video for the song "When The Sun Goes Down" by Arctic Monkeys. It notes several effective techniques used in the video, including close-up and mid shots of the protagonist's face that reinforce her as the main character and show her emotions. Shots from a dashboard camera giving the effect of streaming lights are used during upbeat sections. The video also uses varied locations, lighting conditions, and camera movements like tilts and pans to keep it interesting. Specific scenes provide opportunities for visual effects or different shot styles.
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1) Early film editing involved cutting shots together to progress a story or please an audience. Pioneers like the Lumiere Brothers and George Melies experimented with combining shots in early cinema.
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2) Montages are used in "Rocky 3" and "Team America" to summarize training routines or spoof other films, speeding up scenes while informing audiences.
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The document provides information on various film editing techniques, including:
1) Early film editing involved cutting shots together to progress a story or please an audience. Pioneers like the Lumiere Brothers and George Melies experimented with combining shots in early cinema.
2) Montage and juxtaposition involve placing unrelated shots together to allow the audience to derive new meaning, as experimented with by Eisenstein and Kuleshov.
3) Continuity editing became prevalent in Hollywood to provide spatial and temporal continuity between shots through techniques like the 180 degree rule and shot reverse shot.
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Bordwell and thompson
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The document provides a floor plan and overview of the camera shots planned for different locations in a video project. The first part will be filmed on a beach and involve establishing shots from various angles and distances using a steadicam as the camera will be moving. In a forested area, fixed camera positions will be used but some shots will involve camera movement. Further distances will be utilized in the forest to add variation. A shed will be used for interior shots, panning between a table and puppeteer to maintain mystery. Close-ups and over-the-shoulder shots are also planned. The performance room will feature close-up, fast cuts between instruments and performers to maintain pace, largely focusing on the singer.
Bordwell + thompson
Bordwell and Thompson identified four types of relationships between shots in editing: graphic, spatial, temporal, and rhythmic. Graphic editing links shots through common colors, shapes, or objects. Spatial editing concerns the manipulation of space and location. Temporal editing involves the ordering and duration of story events. Rhythmic editing cuts shots in time with the music's beat or rhythm. Music videos commonly demonstrate these editing techniques through graphic matches, establishing shots, cutaways, and syncing shots with the song's rhythm.
Bordwell and thompson
Continuity editing refers to linking shots together smoothly to flow without jumps. It has four parts: spatial editing manipulates space and location to influence viewer assumptions; rhythmic editing cuts shots to the beat of music; graphic matching links shots with similar graphics while discontinuity contrasts them; and temporal editing manipulates story time through shot order, duration and frequency like flashbacks.
Editing
This document discusses various editing techniques used in filmmaking. It defines continuity as uninterrupted flow between cuts, with D.W. Griffith cited as the first to break continuity. Montage is described as assembling shots to convey meaning greater than their individual parts, with Kuleshov using it to show emotion through juxtaposition. The editing pace, cuts such as jump cuts and cross cuts, reaction shots, and the 180 degree rule are also overviewed.
Analysing the hot fuzz intro
1) The opening titles of Hot Fuzz use changing sound effects to show the evolution of the police force from air raid sirens to modern police sirens, indicating the film is set in present day.
2) The introduction focuses on Constable Nicholas Angel, showing him through a montage sequence that establishes his importance, competence, and intensity as a police officer through shots that keep him centered.
3) Throughout the montage, Angel's voiceover describes his training and experience in various police procedures in a way that presents him as exceptionally skilled and driven compared to other officers. This establishes him as the hero and main focus of the film.
Analysing the introduction to se7en
The opening scene shows the main protagonist Somerset in bed, unable to sleep due to noise from the next room. Shots show his frustration and attempts to focus on a metronome to block out the noise. This microcosm represents his desire to escape the noise and disruption of city life. The transition to the opening titles is abrupt, leaving the viewer feeling something is missing. The titles use an uneasy, flickering font and fast editing to set an unsettling tone and prepare viewers for disturbing visuals and an exciting thriller.
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The video contrasts happy daytime events with unhappy nighttime events, showing different scenarios happening to the same person wearing the same clothes. It uses different editing layers to tell a story through the camera following the person in the same way. The lyrics help tell the story of something changing between day and night events.
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This document contains summaries of three video clips:
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2) A short Coronation Street scene where characters Nick and Peter have a Christmas Day fight in the street.
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Development of editing styles
The document discusses the development of editing styles in film over time. It describes how early filmmakers like the Lumiere Brothers did not edit footage at all and showed original recordings, while Sergei Eisenstein pioneered montage sequences to convey specific messages. Modern directors like David Fincher are known for their precise editing of lighting and styles to create dark, moody thrillers. Overall, film editing has become more technical and focused on camera angles versus early popular fast-paced montage films.
What is editing?
Editing is a technique used in film and television to manipulate people or objects on screen, alter appearances, and make settings seem ideal. There are many categories of editing, including censorship to make content socially acceptable. Censorship can involve bleeping out swear words, blurring offensive images, or cutting inappropriate content. The order and timing of scene changes through techniques like fades and blackouts can convey emotion and importance. Final editing ensures continuity of motion between shots and proper sequencing before a film's release.
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This document analyzes editing techniques used in several film clips, including continuity editing, non-continuity editing, montages, and parallel editing. It provides examples of how each technique is used in the Odessa Steps scene from Battleship Potemkin, a scene from Way Down East, and scenes from The Silence of the Lambs and Rocky III. It also analyzes a spoof montage from Team America that parodies the training montage from Rocky III.
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The document discusses various techniques used in film editing to manipulate tempo, timing, and narrative sequencing. It provides examples of how editing can rapidly cut between shots, use different shot transitions like fades or cuts, condense or expand time through montages, and draw attention to specific details with close-ups or shot reverse shots. Pioneer filmmaker Alfred Hitchcock was an early innovator of editing techniques in his films like Psycho.
District 9
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The document provides an analysis of shots included in a music video. It summarizes each shot and explains how it advances the narrative or theme. Key shots include an opening shot that grabs attention, a "student-teacher" shot that involves the viewer, and shots depicting an "alternate universe" theme including a character watching real life on TV. Towards the end are shots of the artist interacting with the audience and concluding shots including a close-up of an eye representing awakening and an ending shot of the artist's shadow. The video uses various shots, angles, and effects to immerse viewers in the story and leave them wondering what happened.
Location research
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This document discusses different camera techniques used in film and television, including single camera setups versus multiple camera setups. It provides examples of scenes from 1917 and the music video for "Fluorescent Adolescent" to illustrate the use of shots like steadicam, close-ups, handheld camera, and point-of-view shots. It also analyzes the opening scene of Game of Thrones and how it uses rules of thirds and long shots to draw attention and create anticipation for the audience.
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The document discusses camera techniques, shots, angles, and editing used in the filmmaker's music video project. It compares techniques like follow shots, tracking shots, tilts, pans, and angles to those used in other music videos, particularly singer-songwriter videos. It analyzes the mise-en-scene elements of setting, lighting, costumes, and special effects. Codes and conventions of the genre are also examined, such as emotional close-ups, body language, and cutting to the beat. The goal is to develop and challenge conventions to tell the narrative story in a way that fits the genre.
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The document provides information on research and experiments for a music video production. It discusses researching production techniques from 3 related music videos and assessing their applicability. It also details experiments with lip syncing, quick costume changes through cuts, and smooth walking-in/out transitions. The goal is to practice editing skills and identify techniques to use in depicting a story of being chased to the pacing of a progressive rock song. Bizarre imagery, suspense, and not taking itself too seriously will match the genre's conventions.
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This document provides a treatment for a music video for the Blur song "Badhead." It consists of a narrative portion and performance portion by the band. The narrative follows a character named Sam who is feeling empty and directionless. Scenes show him lying in bed and bored in his living room. The performance portions feature the band lip syncing with close-ups of their instruments and scruffy clothing to match the downbeat mood. Shots alternate between the narrative and performance to contrast the emptiness of the story with the band's livelier performance. The video aims to represent the song's genuine lyrics through a claustrophobic and dimly lit style while also entertaining viewers with the band's performance.
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The document discusses various cinematography techniques used in a music video, including medium shots, medium close ups, close ups, and long shots. It explains how each shot type was used to convey emotion, focus on key elements, and establish relationships. Costuming, props, editing techniques like cross dissolves and rhythmic cutting, and sound design choices are also summarized. The overall goal was to use conventional techniques to tell a narrative of heartbreak through visuals and connect it to the song.
Micro elements
This document defines and provides examples of different types of camera shots and techniques used in filmmaking, including extreme close-ups, close-ups, medium shots, long shots, extreme long shots, tracking, panning, tilting, zooming, cutting, pace, performance, diegetic and non-diegetic sound, and mise-en-scene. Each technique is used to convey different information to the viewer and help tell the story in a visual way. Together, these elements allow filmmakers to effectively set the scene and engage audiences.
Unit 21
This document discusses and analyzes various editing techniques seen in films. It begins by explaining continuity and non-continuity editing. It then analyzes scenes from several films that showcase techniques like montages, parallel editing, and establishing shots. Specific examples discussed include scenes from Battleship Potemkin, Way Down East, The Silence of the Lambs, Rocky III, and Team America. The document analyzes how different techniques like parallel editing, music, and shot composition create tension, drama, and character impressions for the audience.
4. final pre production mv 2018 (1)
The document provides planning details for the visual elements of a music video, including shot lists, storyboards, and pre-visualization. It outlines the key moments in the song that will be visualized and describes the look and feel as having a dark, grunge aesthetic inspired by indie rock music videos. Scenes include a character getting ready for a night out and depictions of hangovers, exes, and arguments. Shots include establishing shots, close-ups, and silhouettes. The planning breakdown structures the video into sections that synchronize with the song and specifies the shots, scenes, and technical aspects needed.
Task 4
Editing is the process of modifying raw footage to create a narrative for the final product. It involves techniques like chronological and non-chronological ordering, establishing shot continuity, and using transitions. The 180-degree rule and shot-reverse-shot are important principles for smooth editing. Digital editing software has made the process simpler compared to analogue editing. Smartphone apps now allow amateur editors to create professional-looking videos using their mobile devices.
I'll Show You
The music video features Justin Bieber exploring an isolated urban location surrounded by hills, mountains, and rivers. Throughout the video, the camera follows Justin from behind as he walks around the setting. Shots emphasize the natural surroundings over Justin. While the video lacks a clear narrative, it depicts Justin enjoying the freedom of being alone in nature and seems to focus on conveying an abstract concept or inner thoughts through its surreal imagery and changing pace.
4. pre production mv 2018
This document provides a plan and breakdown for Jack Scott's music video. It will have a lo-fi, retro aesthetic to match the dark tone of the song. Visual effects like distortion and a green screen will be used. The video will be shot mostly in medium and close shots in low light conditions like forests and bridges to create an isolated feel. It provides a three-part structural breakdown detailing how the video will sync with the song, with edits during verses and references incorporated in the rap portions. Jack and one other person will film guerilla-style using a phone in rural locations without needing permissions.
Similar to Camerawork and Editing (20)
Camera angle, shots, composititons and movements [autosaved] [autosaved] real...
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Q3) What have you learned from your audience feedback?
The document summarizes feedback received on a music video project. It discusses:
1. Previous feedback from pitching the video idea which led to changes like adding more locations.
2. How feedback helped identify the video as narrative rather than performance-based.
3. Further changes made in response to feedback, such as using more props and adapting tone.
4. Methods used to gather feedback on the final video from target audiences, including showcasing, online surveys, and social media posting.
5. Examples of feedback received which was positive about elements like genre matching visuals and successful editing.
The Making of Front Panel of CD Cover
The document provides steps for creating a digital album cover design:
1. The artist photos were enlarged and split down the middle to create a split-face effect with aligned features.
2. The photos were converted to black and white by decreasing saturation while the microphone graphic remained in color.
3. Additional color elements like the eyes were selectively desaturated.
4. Text for the artist and album names was added with effects like drop shadows.
5. Final tweaks included making the band name bolder and adding another dominant color.
The making of how front panel of digipak
The document describes the steps taken to design the cover of a digipak for an album by Panda Police called "Still Alive". This included enlarging and cropping images of the band members' faces to feature their eyes and a microphone in color against a black and white background. Text was added for the band and album names and styled with effects like shadows and outlines. Colors and positioning were adjusted to make the band name stand out boldly.
The Making of Front Panel of Digipak
The document describes the steps taken to design the cover of a digipak, including enlarging and cropping images, adjusting colors, adding effects like shadows and outlines, positioning graphic elements like a microphone and eyes in color against a black and white background, and formatting text for the band and album names. Key elements were lined up, grouped, and layered to create a split-faced cover design with emphasized graphics and text.
Filming Schedule
The document outlines a shooting schedule that takes place over multiple days in October. It lists 92 shots that involve different props like clocks, calendars, microphones being used in various outdoor and indoor locations. The shots involve 1-2 people, most frequently Kieran and Ellie.
Camerawork and editing notes
Close-ups should be used frequently to fill the screen and create intimacy between the viewer and artist. Camera angles like high and low shots can represent power dynamics between characters. Aerial and tracking shots can follow artists' movements while isolated field shots portray characters as alone. The editing should include fast cut montages that are difficult to grasp initially, ensuring repeat viewings, and transitions that establish mood through pacing. Edits should match the music through rhythm and lyrics, and can employ split screens, colorization, and other digital effects. Faces and body parts can be fragmented and combined in montages at a rapid pace.
Promotion through CD Covers
This document analyzes and summarizes the key elements and intended messages communicated through the CD cover designs of four different artists: Ke$ha, Spice Girls, Sex Pistols, and Jack Penate. For each cover, it identifies visual cues that indicate the artist/album name, genre of music, and themes or qualities the artist aims to represent through the cover design. Overall, the document examines how CD cover art can clearly identify the artist and aim to promote recognition, while also conveying messages about the music through symbolic colors, imagery and design elements.
Subsidiaries
UMG uses smaller subsidiary labels like Island Records and Fascination Records to focus on developing and promoting artists within specific genres. These labels have expertise in genres like reggae or pop and can provide artists with more individualized attention and genre-specific resources. They also allow UMG to target audiences geographically and take advantage of existing artists' fanbases to introduce new ones.
Question 1
The document discusses how the media product develops and challenges conventions of real music magazines. Some ways it does this include using brighter colors on the covers and contents page than traditional magazines, centrally aligning the title on the features page rather than at the top, and enlarging text sizes throughout to make the magazine easier to read. The goal of these developments is to catch readers' attention, make the magazine stand out, and overcome barriers some readers have to large blocks of text. Developments like these aim to attract new readers and increase readership of the magazine compared to more traditional magazine designs.
Front Cover Screen-Shots
This document appears to be a draft cover letter or proposal. It does not provide many details about its purpose or contents. In summary, the document is labeled "Cover draft" but no other contextual information is given to understand its intent or subject matter.
Front Cover Screen-Shots
This document appears to be a draft cover for another document. It does not provide much context or details about the contents being covered. In summary, the document is simply titled "Cover draft" and does not give any other informative context about what is being drafted or summarized.
Other Possible Images For Magazine
These pictures were taken by the author at concerts featuring Paramore, B.O.B., and Green Day. The author attended these concerts and was able to take photos of the performing artists. The photos are being offered as possible images to include in a magazine.
Photoshoot Images
The document is titled "Skies Of Until Photoshoot" and appears to be about a photoshoot for something called "Skies Of Until" conducted by a photographer named Jamie Ellis.
Contents Page Analysis - Kerrang
The contents page is divided evenly between an article on My Chemical Romance and listings of other articles. Over half the page contains images, including a large one of My Chemical Romance to promote their article. Smaller images throughout entice readers to learn more. Columns of text clearly list page numbers for articles. Additional elements like the editor's note and logo/color scheme create coherence and appeal to the magazine's target audience. The layout and use of images effectively serves the same purpose as the front cover in promoting key articles.
Article Research - Kerrang
The magazine Kerrang! is used by the author for research on layout and style, as it is similar to the magazine "The Mix" they are creating. Kerrang! has an informal style that "The Mix" wants to emulate. The front cover features the band Good Charlotte, who may also be featured on "The Mix". The cover uses large text and images to draw the reader in, along with a quote and the band's name in big fonts. The article on Good Charlotte has images of the brothers and discusses their struggles but comeback with a new album and tour. It employs a color scheme, pull quotes, and column layout to engage the reader throughout.
Music magazine questionnaire
The document contains a 10 question survey about music preferences and magazine purchasing habits. Respondents are asked to select their favorite music genre, how frequently they purchase music magazines and CDs, what devices they use to listen to music, and how much they would be willing to pay for a weekly music magazine. The questions seek to understand readership interests to help inform magazine content and pricing strategies.
Feedback about first draft of school magazine
The other students provided feedback on the first draft of a cover design. They noted that the masthead stood out too much from the cover picture. While they liked the bottom strip, some felt it overpowered the rest of the cover. The cover picture was appropriate but could be higher quality. Additional pictures were suggested to accompany the other stories. The pricing and informal style were suitable to attract students, but another story for younger readers or more pictures could increase interest across ages. This feedback will help improve aspects that need changing and keep elements the students responded positively to.
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Q3) What have you learned from your audience feedback?
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