SlideShare a Scribd company logo
http://s3.amazonaws.com/everystockphoto/fspid30/10/08/43/58/streetart-grafitti-paperplane-10084358-o.jpg




                         Bildstreuung
                          Pinnen und Teilen.
                          Immaterielle Formen des Bildsammelns und -gebrauchs
                          jeanna.nikolov@gmail.com



                                                    24. Nov. 2012, Wien (MUSA)
                                        ESHPh Tagung: Materialität/Immaterialität in der Fotografie
http://oliverlaric.com/versions.htm"Versions," Oliver Laric
Pressebilder   http://www.flickr.com/photos/de-rock/2774669696/sizes/l/in/photostream/
http://thelede.blogs.nytimes.com/2008/07/10/in-an-iranian-image-a-missile-too-many/
http://futurezone.at/digitallife/10397-bildmanipulation-krone-ist-kein-einzelfall.php#vor
http://futurezone.at/digitallife/10397-bildmanipulation-krone-ist-kein-einzelfall.php#vor
http://futurezone.at/digitallife/10397-bildmanipulation-krone-ist-kein-einzelfall.php#vor
Hurricane Sandy
http://www.theatlantic.com/technology/archive/2012/10/instasnopes-sorting-the-real-sandy-photos-from-the-fakes/264243/
http://www.theatlantic.com/technology/archive/2012/10/instasnopes-sorting-the-real-sandy-photos-from-the-fakes/264243/
http://www.theatlantic.com/technology/archive/2012/10/instasnopes-sorting-the-real-sandy-photos-from-the-fakes/264243/
http://www.theatlantic.com/technology/archive/2012/10/instasnopes-sorting-the-real-sandy-photos-from-the-fakes/264243/
Getty: Paper airplane




Corbis: Paper airplane




Waldhaeusl: Papierflugzeug

                                   "Stock images are dependent upon
                                   the Internet for accumulation,
                                   circulation, distribution,
                                   remuneration and regulation."
Mauritius Images: Papierflugzeug
                                   I. Harbison, Frieze Issue 145, March 2012
Airbrushed bodies, places and
                                                                       things are continually sifted and
                                                                       stocked online only to reappear
                                                                       on billboards, websites, product
                                                                       labels and television screens in
                                                                       a seemingly endless feedback
                                                                       loop. The material distinction
                                                                       between the physical thing and
                                                                       its digital counterpart is subtly
                                                                       skewed.




http://www.flickr.com/photos/sesh00/515961023/
http://blog.internetcases.com/2009/01/22/no-personal-
jurisdiction-over-australian-defendant-in-flickr-right-of-publicity-
case/
Crowdsourcing
   E.S. Goodwin




http://www.flickr.com/photos/smithsonian/3397805195/sizes/l/
http://www.flickr.com/photos/davidturney/4673263632/in/photostream/



  Made to be Shared? - Private Bilder
7645 Photo Apps im Apple App Store
Der Akt des Bildsammelns
Social Media als Kanal




                         Feb 2012, Business Insider
                         http://www.businessinsider.com/6-
                         charts-that-reveal-the-truth-about-
                         pinterests-crazy-growth-2012-2#etsy-
                         gets-the-most-pins-and-repins-of-
                         any-other-site-on-the-web-it-still-only-
                         accounts-for-3-of-all-pins-1
http://www.flickr.com/photos/fischerfotos/7454618344/sizes/l/in/photostream/




      Dokumentation und Sammlung
Europeana Prototyp seit 20. Nov.2008, 24 Mio. Objekte
Google Art Project seit Feb. 2011, 35.000+ Objekte
Art.sy Launch 8. Okt. 2012, 20.000 Objekte
Wird exklusive Online Plattform für Design Miami/, 5.-9. Dez. 2012 und
The Armory Show, 7.–10. März 2013.
Image Atlas Taryn Simon/Aaron Swartz, 2012
Bildökonomie

Ansel Adams                                    Rudolf Koppitz               Man Ray




                             9%                                       19%             20%

  http://artphotographyfund.com/files/pages/46/apf_infobrochure.pdf
VIP art Jan. 2011 erste Auflage
http://old.likeyou.com/archives/richard_misrach_pace_07.htm
                                                              Most viewed artwork in VIP 2.0, Feb 2012
"The definition of artistic activity
occurs, first of all, in the field of
distribution."
Marcel Broodthaers


Danke.
jeanna.nikolov@gmail.com
http://oliverlaric.com/versions.htm
"Versions," Oliver Laric

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Bildstreuung

Editor's Notes

  1. Das Bildmaterial in meiner Praesentation ist durchwegs copyrightfreies Material. Es sind Bilder, die auf Freestock Seiten gefunden wurden, so nicht anders angefuehrt.
  2. 2008, herausgegeben von Sepah News, dem Medienteil der Iran ’ s Revolutionary Guard Bilder sind allgegenwaertig in Werbung, Medien, auf unseren Mobiltelefonen. Sie informieren, wecken Aufmerksamkeit, binden Emotionen und helfen zu veranschaulichen. Die Ablösung des Bildes vom Trägermaterial hat zu einer rasanten Verbreitung visueller Manifestationen geführt. Ungeahnte Formen des Sammelns und Teilens von Fotografie mit Hilfe sozialer Medien, wie Pinterest, werden möglich. Aber das Potential der Bilder Emotionen zu wecken, wird gerne gesteuert.
  3. Die Presse ist einer der Kanaele ueber die Bilder wahrgenommen und verbreitet werden werden. “ Though we all spent hours each day scanning screens for information, what on the internet did we actually read ? ” [2] Ask the editors of Triple Canopy , whose (much repeated) mantra is to “ slow down the internet. ”
  4. Bilder in Medien dienen oft der Dramatisierung
  5. Bayrischer Rundfunk, Sommer 2005, Schweissflecken "entmenschlicte Kanzlerin"
  6. schweizer Boulevard-Blatt "Blick" veröffentlichte ein Foto zum Massaker von Luxor 1997
  7. Aber es ist nicht nur das Bild, das taeuscht - oft liegt die Fehlannahme im Kontext begreundet. Die Kronen Zeitung veröffentlichte 2009 ein Foto und schreibt im Bildtext, dass ein vermummter Student die Fassade der Uni Wien besprüht.
  8. Zusehends mehren sich die Kanaele ueber die Information bezogen werden kann. Neben den etablierten Medien verfolgt das Publikum Ereignisse nun auch mittels Blogs, Social Media und Twitter.
  9. Realitaeten werden zuweilen gemischt. Und so wie bei dem Spiel "Stille Post" kann auch der Social Media Realitaet jeweils eine Ausschmueckung hinzugefuegt werden, die die Botschaft einfaerbt oder der Dramatisierung dient. Das kann sehr dreist passieren. Sehr beliebt waehrend Sandy war die Verbreitung der "Urban Legend" von Haien, die in New Jersey das Gewaesser vor Wohnhaeusern unsicher machen.
  10. Diese stellten sich spaeter als Montagen heraus.
  11. Aber es kann auch subtiler erfolgen. Soldatenfoto stammte aus September, Times Square aus 2011 und die abgebildete Bruecke ist gar ein Stockfoto.
  12. " Stock images are dependent upon the Internet for accumulation, circulation, distribution, remuneration and regulation." I. Harbison, Friezem Issue 145 , March 2012 " Stock images are dependent upon the Internet for accumulation, circulation, distribution, remuneration and regulation." I. Harbison, Friezem Issue 145 , March 2012 Stockfotos sind ein Phaenomen. Es sind Bilder, die fuer die Verbreitung und Mehrfachverwendung gedacht sind und deshalb besonders generell sein muessen. Waehrend Fotografie fuer spezifische Sujets angeheurt wird, sind Stock Fotos nunmehr auf das Internet angewiesen: Macrostock und Microstock, Image patroling programs
  13. Susan Sontag: “ In the form of a photograph the explosion of an A-bomb can be used to advertise a safe. ” For clarification, this is an advertising campaign being ran by Virgin Mobile in Australia. There have been sightings of these billboards containing photos from Flickr in both Melbourne (Victoria, Australia) and Adelaide (South Australia, Australia). There is a post in the FlickrCentral group about this photo - www.flickr.com/groups/central/discuss/72157600541608353/ The case vs. Creative Commons was dropped in November, 2007. The case against Virgin was dismissed for lack of jurisdiction in 2009.
  14. Maerz 2009 auf Flickr, The use of social media led to identification of a photograph that had been on the Smithsonian “ Portraits of Scientists ” since 2003. The Smithsonian added the image to its photo-sharing Web site, . Flickr users began contributing clues, like a wedding announcement, to pinpoint the woman in the picture as 21-year-old Ida Elizabeth Sabin Goodwin, an artist hired in the 1920s at a science news service. Her granddaughter, Linda Sabin Eisenstadt, recognized the Flickr photo and contributed details of her grandmother ’ s life and some of her drawings — noting that she had found two unknown cousins as a result.
  15. Demokratisierung des Bildes, jeder als Kurator, the infinite scroll, global audiences forming around niche interests.
  16. kommerzielle Interessen verfolgt?
  17. Bilddepots, Social Media im Kunstmarkt
  18. Launched Oct 8th 2012, 275 galleries and 50 museums and institutions as partners, Art.sy has already digitized 20,000 images into its reference system Art.sy, whose mission is to make all the world ’ s art accessible to anyone with an Internet connection, is a free platform where users can discover, learn about, or collect art. The site now includes more than 20,000 works of art from leading art galleries, museums, foundations, photo archives, and private collections. Prior to public launch, Art.sy had 60,000 registered users, 100,000 invitation requests, 2,600,000 page views, and 50,000,000 artwork impressions in over 170 countries.
  19. mage Atlas investigates cultural differences and similarities by indexing top image results for given search terms across local search engines throughout the world. Visitors can refine or expand their comparisons from the sixty countries currently available and sort by Gross Domestic Product (GDP) or alphabetical order. Through an incredibly simple interface, the Image Atlas raises profound questions related to language, international culture, and systems of information. Questions such as: What does popularity (i.e., the top result) reveal? How neutral is the statistical data? How is visual language transforming due to digital technology? How does translation affect meaning?
  20. Ökonomie der Aufmerksamkeit intan-invest.net, Starke Verbreitung steigt der soziale Wert, aber auch der oekonomische? OECD http://www.intan-invest.net/ INTAN-Invest provides market sector data on intangible assets for 27 EU countries plus Norway and the US. OECD erkennt den Wert und benennt ihn mit intangible assets
  21. 20.000 visitors per month, 14.800 unique visitors, 85.000 page views aus 119 Laendern, Gallery subscriptions $350-$600/month, 135 exhibitors from 35 countries, Online Art Commerce, kuerzlich Modell geaendert, jede Galerie kann 25 Werke listen, 10-20 pro virtuellem "Stand", 75.000 Subskribienten, neues Plattform modelle seit 18. Sept. 2012. In den ersten 4 Wochen 26.000 Besucher aus 126 Laendern
  22. Richard Misrach photograph Cloud #232