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The film begins with the main character Alex getting ready for a party where he is later attacked and killed. The film then rewinds to show the events leading up to the party that caused Alex's death. In the middle, suspicious events involving Alex are revealed. By the end, the reasons for Alex's killing are understood as the opening scene is replayed with more details and perspectives. The soundtrack was created by Bobby Abedi to be cinematic and set the dark mood for the film's dramatic events.
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OTS analysis
The document analyzes and compares the opening title sequences of 8 films. It summarizes key elements of each sequence such as music, imagery, pacing and tone. The analysts note similarities and differences between the sequences in creating narrative enigmas, establishing tone, introducing characters and settings, and use of credits, music and editing techniques. Overall, the sequences are found to set very different tones from light-hearted to serious, through their use of various cinematic elements.
Lesson 4 sound in tv drama
Diegetic sounds originate from within the scene and can be heard by the characters, while non-diegetic sounds are added in post-production and can only be heard by the audience. Sound is important to drama because it helps viewers understand the plot and suggests what is happening, even without visuals. Different genres of TV drama call for specific types of non-diegetic music, such as hospital dramas using somber music or police dramas employing suspenseful music.
Pitch for Trapped
The film genre is horror and will aim to scare viewers. In the opening two minutes, there will be elements of blood, death, and a killer at an abandoned school where two teenage boys break in. One boy gets killed while trying to hide from the mysterious killer, while the other survives. The short introduces the killer and sets up the horror plot through dark imagery and minimal dialogue between the two boys.
Sound
This document discusses sound design plans for opening sequences in a film. It recommends using diegetic police radio and walkie-talkie sounds, as well as footsteps, to set the scene. Non-diegetic music selections from Free Play Music aim to portray suspense and drama through bass sounds representing threat versus higher piano representing innocence. Additional diegetic sounds include breathing and footsteps in the woods. Non-diegetic drums and children's laughter represent flashbacks and contrast between past and present.
Analysis of Hulk and The Avengers film opening
The opening of The Avengers shows close-ups of various heroic characters in different costumes, revealing it will feature a diverse group of heroes with unique powers. The bold, grey/silver text fits the action genre by conveying bravery. The music starts tense but builds to a heroic theme that grows louder as more images appear, establishing the courageous and fearless traits of the characters. The music plays throughout the opening until the first scene begins.
Mediaaa
The document provides information about the cast, production details, plot, and analysis of elements in the trailer for the film X-Men: Days of Future Past. It discusses the cast members Hugh Jackman, James McAvoy, Micheal Fassbender, Jenifer Lawerence, and others. It notes the film combines characters from the original X-Men trilogy with those from X-Men: First Class, and explores a plot involving time travel to change the past in order to save the future. Analysis of the trailer highlights how it reveals some but not all of the narrative and leaves questions unanswered to encourage viewership.
Question 1
This document discusses conventions of title sequences and opening credits in films and television. It notes that title sequences typically include the production companies, editors, director, actors and other important crew members. It also often includes action footage or shots of the protagonist and antagonist. The document then discusses how the author's opening sequence for a thriller genre film challenged some conventions by having a less graphic opening action scene to build suspense rather than desensitize the audience. It also discusses how the author challenged the genre convention of only having female hostages by making the protagonist a male hostage to surprise the audience.
Coraline nine shot analysis
The opening credits of the film Coraline feature an eerie, suspenseful musical score that mimics the events of the film. A button shown in the second shot is significant to the plot. The sixth shot depicts a doll having its button eyes removed, foreshadowing an important element of the story. The credits conclude with a peculiar musical atmosphere and mention that the film was written for the screen and directed by Henry Selick.
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OTS analysis
The document analyzes and compares the opening title sequences of 8 films. It summarizes key elements of each sequence such as music, imagery, pacing and tone. The analysts note similarities and differences between the sequences in creating narrative enigmas, establishing tone, introducing characters and settings, and use of credits, music and editing techniques. Overall, the sequences are found to set very different tones from light-hearted to serious, through their use of various cinematic elements.
Lesson 4 sound in tv drama
Diegetic sounds originate from within the scene and can be heard by the characters, while non-diegetic sounds are added in post-production and can only be heard by the audience. Sound is important to drama because it helps viewers understand the plot and suggests what is happening, even without visuals. Different genres of TV drama call for specific types of non-diegetic music, such as hospital dramas using somber music or police dramas employing suspenseful music.
Pitch for Trapped
The film genre is horror and will aim to scare viewers. In the opening two minutes, there will be elements of blood, death, and a killer at an abandoned school where two teenage boys break in. One boy gets killed while trying to hide from the mysterious killer, while the other survives. The short introduces the killer and sets up the horror plot through dark imagery and minimal dialogue between the two boys.
Sound
This document discusses sound design plans for opening sequences in a film. It recommends using diegetic police radio and walkie-talkie sounds, as well as footsteps, to set the scene. Non-diegetic music selections from Free Play Music aim to portray suspense and drama through bass sounds representing threat versus higher piano representing innocence. Additional diegetic sounds include breathing and footsteps in the woods. Non-diegetic drums and children's laughter represent flashbacks and contrast between past and present.
Analysis of Hulk and The Avengers film opening
The opening of The Avengers shows close-ups of various heroic characters in different costumes, revealing it will feature a diverse group of heroes with unique powers. The bold, grey/silver text fits the action genre by conveying bravery. The music starts tense but builds to a heroic theme that grows louder as more images appear, establishing the courageous and fearless traits of the characters. The music plays throughout the opening until the first scene begins.
Mediaaa
The document provides information about the cast, production details, plot, and analysis of elements in the trailer for the film X-Men: Days of Future Past. It discusses the cast members Hugh Jackman, James McAvoy, Micheal Fassbender, Jenifer Lawerence, and others. It notes the film combines characters from the original X-Men trilogy with those from X-Men: First Class, and explores a plot involving time travel to change the past in order to save the future. Analysis of the trailer highlights how it reveals some but not all of the narrative and leaves questions unanswered to encourage viewership.
Question 1
This document discusses conventions of title sequences and opening credits in films and television. It notes that title sequences typically include the production companies, editors, director, actors and other important crew members. It also often includes action footage or shots of the protagonist and antagonist. The document then discusses how the author's opening sequence for a thriller genre film challenged some conventions by having a less graphic opening action scene to build suspense rather than desensitize the audience. It also discusses how the author challenged the genre convention of only having female hostages by making the protagonist a male hostage to surprise the audience.
Coraline nine shot analysis
The opening credits of the film Coraline feature an eerie, suspenseful musical score that mimics the events of the film. A button shown in the second shot is significant to the plot. The sixth shot depicts a doll having its button eyes removed, foreshadowing an important element of the story. The credits conclude with a peculiar musical atmosphere and mention that the film was written for the screen and directed by Henry Selick.
Effective film trailers
The document discusses trailers for several films and what techniques they use to intrigue audiences. It notes that the Alien trailer establishes the sci-fi genre and uses sound and shots of an animal to create a sense of unease. The Shining trailer builds tension with a long shot and then a jarring image of blood. Cloverfield uses found footage style and interviews to make the events feel real while leaving the threat ambiguous. A Serious Man establishes the main character's depression through sound and imagery. The Black Swan uses heavy breathing and self-harm imagery to suggest psychological turmoil. The Hand That Rocks the Cradle builds ordinary scenes then hints at a dark secret about the new nanny.
Title Sequence Formal Conventions Research Task
The title sequence introduces the main characters and themes of the film through visuals and sound. It typically lasts 2-5 minutes and establishes the tone and setting. The Spectre sequence shows glimpses of action and elegant visuals, accompanied by the film's theme song. Catch Me If You Can uses silhouettes that transition between settings and a changing soundtrack. Dark Shadows slowly introduces the main character Victoria and her journey to a castle, with a dramatic score that fades out for dialogue.
Three timeline analysis
The document analyzes the opening title sequences and credits of three films: Kick Ass, Mean Girls, and Furious 7. For Kick Ass, it notes the timing of the distribution logo, production logo, opening credits, establishing shot of the city, main character dialogue, genre introduction, and title. For Mean Girls, it outlines the timing of the distribution logo, production logo, actor names, producer/director credits, character introduction, and title. For Furious 7, it mentions the timing of the location introduction, character introduction, music start, actor names, genre indication through fire/destruction, continued credits, and additional credits.
Title sequence conv presentation (1)
Title sequences present a film or television program's title and key production members, often using visuals and music. They typically display names in this order: production companies, director, producer, executive producer, top actors, and title. Though order can vary, title sequences aim to introduce viewers to the film's subject and genre through moving imagery and clues about characters. For example, "The Silence of the Lambs" features dying moths in silence, reflecting the title, while "The Pink Panther" begins with Peter Seller's name to signal a mystery. Though different in content, both sequences reveal essential details to set expectations before the story begins.
Anji Ray Acting Resume 2015
Anji Ray provides her contact information and acting resume. She lists her height, weight, hair and eye colors. She has had background roles in films such as Nothing in Los Angeles and The Fighting Temptations. Her television roles include appearances on shows such as America's Court with Judge Ross. She trained at the American Musical and Dramatic Academy and has taken numerous acting classes covering areas like improvisation, voice, and stage combat. She completed levels one and two at The Groundlings and is currently in their intermediate program.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Diegetic and non diegetic sounds
Diegetic and non-diegetic sounds refer to sounds that are either part of the natural world of the film (diegetic) or added for effect after filming (non-diegetic). Diegetic sounds include natural voices and sounds picked up on screen, while non-diegetic sounds are added effects, music, or narration. For a thriller teaser trailer, the document discusses using diegetic footsteps during a murder scene but no visual of the murder. Non-diegetic string music and recorded dialogue would then be added to scenes of a funeral and brothers seeking revenge, with drum beats symbolizing a heartbeat in subsequent shots.
Film trailer conventions ant
The document outlines common elements found in film trailers, including dramatic scenes to generate interest, references to the genre to set expectations, and inclusion of the film name, release date, actor names, and production company logos. Trailers typically employ techniques like narration, intertitles, clips of the narrative and main characters, genre music, and cliffhangers to preview the film and entice viewers to watch it.
Script langley vale
This document contains the script for a television production titled "Langley Vale". It introduces the main characters and establishes the setting of a small town called Langley Vale where a kidnapping has occurred. The script is divided into 22 scenes that follow different characters like Jo, Tracey, Paige, Norman, Mike, and Kane in the aftermath of the kidnapping as suspicion rises between them. Musical cues from "Love Interruption" by Jack White are included to set the mood. The script ends by teasing the airing of "Langley Vale" on BBC2.
Ig1 task 2 analysis work sheet
This document provides an analysis of the soundtrack from the video game "The Last of Us". It describes a scene where the characters Joel and Ellie have an argument which threatens their storyline. The setting has a tense mood shown through footsteps and silence. When an acoustic guitar plays, it sets a sad tone that matches the changing voices expressing anger and sorrow. The genre is a third-person survival horror game.
Storyboard - Sean Wayne
1. The storyboard document outlines 22 shots for a TV show episode taking place in Langley Vale. It includes character names, shot types, camera positions, transitions, timing, and music cues.
2. The shots establish the setting, introduce characters, and follow the movements of Norman, Mike, and Kane around the town as tension rises.
3. The final shot focuses on someone's hand holding a red ribbon, matching an item previously seen, before cutting to the show's title cards.
Small scale research
Quentin Tarantino is an American filmmaker known for his violent, nonlinear films that reference popular culture. Some of his most successful films include Pulp Fiction and Django Unchained. Tarantino's films are characterized by their use of music from the 1960s-1980s to set tone and violence, though he has been criticized for excessive violence. Samuel L. Jackson has appeared in more Tarantino films than any other actor.
Research
Harry is conducting research into audience preferences to inform his music video. He plans to survey teenagers aged 13+ about the types of music and video elements they like. The survey will ask about music genres, preferences for storytelling vs. action, and slapstick comedy. Harry has analyzed the "Shine" music video by Years and Years. It uses a dark, mysterious tone and leaves things unexplained to generate suspense. Shots are filmed from different angles to depict the same person in different roles. Depressing backgrounds and lighting emphasize the emotions conveyed. Harry is analyzing techniques to incorporate suspense and effectively depict mood in his own video.
Ourstage about moodys music.txt
Jeremy Swaner is trying to obtain music files from his late friend and artist Cory Walters Jr's account on OurStage.com in order to compile a discography. OurStage requests proof of rights to distribute the songs, as Jeremy does not own the account. Jeremy explains they did not have formal agreements but wants the songs to honor his friend. OurStage suggests purchasing the songs is the fastest way, as they cannot provide tracks without ownership rights.
Production schedule
This production schedule outlines the filming of a short film over various dates in December at the filmmaker's house. It details what shots need to be filmed each day, the actors involved, and the required equipment. Editing of the footage will take place from January 7th to 15th at Ringwood School, using a computer and Adobe Premier Pro software.
Character analysis
This document contains character profiles for a story. It describes Benji "Homicide Hero" as a serial killer who uses a method of killing from over 100 years ago. It also profiles Lieutenant Gyllenhaal as a 34-year-old whose family died in childbirth and who acts as a mentor to 24-year-old Derick Jackman, whose father was a crooked police officer.
Timeline of a film opening
This document discusses conventions of film openings and horror film openings specifically. It notes that film openings often include close-ups, background music to set the mood, credits, and specific lighting. Horror film openings commonly use fast panning shots and editing, small town settings, supernatural elements, victims, killers, and creepy non-diegetic sounds and music. The document also analyzes the opening sequence of the film "Dead Silence," noting it includes 25 titles in the first 3 minutes and 10 seconds to introduce characters, companies, and emphasize certain phrases through repetition.
Frame analysis of a trailer
This document provides a frame-by-frame analysis of a trailer. It summarizes the purpose and effect of shots that: 1) establish conflict between humans and native species on Pandora; 2) show the authority dynamic between Jake in a wheelchair and his boss; and 3) challenge gender stereotypes by depicting a woman operating machinery and the commander addressing "ladies and gentlemen". Background music is used to build suspense, action, and motivation across various scenes analyzed in the trailer.
Walid ali work (W.A)
The document defines key terms related to understanding movie trailers including: narrative, age rating, actor's names, music, cliff hangers, references, narration, narrative exposition, genre, release date, exciting scenes, reviews, movie production details, genre-appropriate music, other works by the director, and institutional accolades/references. It also notes that trailers typically include the cast at the end.
As media pitch
The film begins with the main character Alex getting ready for a party where he is later attacked and killed. The film then rewinds to show the events leading up to the party that caused Alex's death. In the middle, suspicious events involving Alex are revealed. By the end, the reasons for Alex's killing are understood as the opening scene is replayed with more details and perspectives. The soundtrack was created by Bobby Abedi to be cinematic and set the dark mood for the film's dramatic events.
Diapositivas
La Unión Europea ha propuesto un nuevo paquete de sanciones contra Rusia que incluye un embargo al petróleo. El embargo prohibiría las importaciones de petróleo ruso por mar y por oleoducto, aunque se concederían exenciones temporales a Hungría y Eslovaquia. Este sexto paquete de sanciones de la UE pretende aumentar la presión económica sobre Rusia para que ponga fin a su invasión de Ucrania.
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Effective film trailers
The document discusses trailers for several films and what techniques they use to intrigue audiences. It notes that the Alien trailer establishes the sci-fi genre and uses sound and shots of an animal to create a sense of unease. The Shining trailer builds tension with a long shot and then a jarring image of blood. Cloverfield uses found footage style and interviews to make the events feel real while leaving the threat ambiguous. A Serious Man establishes the main character's depression through sound and imagery. The Black Swan uses heavy breathing and self-harm imagery to suggest psychological turmoil. The Hand That Rocks the Cradle builds ordinary scenes then hints at a dark secret about the new nanny.
Title Sequence Formal Conventions Research Task
The title sequence introduces the main characters and themes of the film through visuals and sound. It typically lasts 2-5 minutes and establishes the tone and setting. The Spectre sequence shows glimpses of action and elegant visuals, accompanied by the film's theme song. Catch Me If You Can uses silhouettes that transition between settings and a changing soundtrack. Dark Shadows slowly introduces the main character Victoria and her journey to a castle, with a dramatic score that fades out for dialogue.
Three timeline analysis
The document analyzes the opening title sequences and credits of three films: Kick Ass, Mean Girls, and Furious 7. For Kick Ass, it notes the timing of the distribution logo, production logo, opening credits, establishing shot of the city, main character dialogue, genre introduction, and title. For Mean Girls, it outlines the timing of the distribution logo, production logo, actor names, producer/director credits, character introduction, and title. For Furious 7, it mentions the timing of the location introduction, character introduction, music start, actor names, genre indication through fire/destruction, continued credits, and additional credits.
Title sequence conv presentation (1)
Title sequences present a film or television program's title and key production members, often using visuals and music. They typically display names in this order: production companies, director, producer, executive producer, top actors, and title. Though order can vary, title sequences aim to introduce viewers to the film's subject and genre through moving imagery and clues about characters. For example, "The Silence of the Lambs" features dying moths in silence, reflecting the title, while "The Pink Panther" begins with Peter Seller's name to signal a mystery. Though different in content, both sequences reveal essential details to set expectations before the story begins.
Anji Ray Acting Resume 2015
Anji Ray provides her contact information and acting resume. She lists her height, weight, hair and eye colors. She has had background roles in films such as Nothing in Los Angeles and The Fighting Temptations. Her television roles include appearances on shows such as America's Court with Judge Ross. She trained at the American Musical and Dramatic Academy and has taken numerous acting classes covering areas like improvisation, voice, and stage combat. She completed levels one and two at The Groundlings and is currently in their intermediate program.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Diegetic and non diegetic sounds
Diegetic and non-diegetic sounds refer to sounds that are either part of the natural world of the film (diegetic) or added for effect after filming (non-diegetic). Diegetic sounds include natural voices and sounds picked up on screen, while non-diegetic sounds are added effects, music, or narration. For a thriller teaser trailer, the document discusses using diegetic footsteps during a murder scene but no visual of the murder. Non-diegetic string music and recorded dialogue would then be added to scenes of a funeral and brothers seeking revenge, with drum beats symbolizing a heartbeat in subsequent shots.
Film trailer conventions ant
The document outlines common elements found in film trailers, including dramatic scenes to generate interest, references to the genre to set expectations, and inclusion of the film name, release date, actor names, and production company logos. Trailers typically employ techniques like narration, intertitles, clips of the narrative and main characters, genre music, and cliffhangers to preview the film and entice viewers to watch it.
Script langley vale
This document contains the script for a television production titled "Langley Vale". It introduces the main characters and establishes the setting of a small town called Langley Vale where a kidnapping has occurred. The script is divided into 22 scenes that follow different characters like Jo, Tracey, Paige, Norman, Mike, and Kane in the aftermath of the kidnapping as suspicion rises between them. Musical cues from "Love Interruption" by Jack White are included to set the mood. The script ends by teasing the airing of "Langley Vale" on BBC2.
Ig1 task 2 analysis work sheet
This document provides an analysis of the soundtrack from the video game "The Last of Us". It describes a scene where the characters Joel and Ellie have an argument which threatens their storyline. The setting has a tense mood shown through footsteps and silence. When an acoustic guitar plays, it sets a sad tone that matches the changing voices expressing anger and sorrow. The genre is a third-person survival horror game.
Storyboard - Sean Wayne
1. The storyboard document outlines 22 shots for a TV show episode taking place in Langley Vale. It includes character names, shot types, camera positions, transitions, timing, and music cues.
2. The shots establish the setting, introduce characters, and follow the movements of Norman, Mike, and Kane around the town as tension rises.
3. The final shot focuses on someone's hand holding a red ribbon, matching an item previously seen, before cutting to the show's title cards.
Small scale research
Quentin Tarantino is an American filmmaker known for his violent, nonlinear films that reference popular culture. Some of his most successful films include Pulp Fiction and Django Unchained. Tarantino's films are characterized by their use of music from the 1960s-1980s to set tone and violence, though he has been criticized for excessive violence. Samuel L. Jackson has appeared in more Tarantino films than any other actor.
Research
Harry is conducting research into audience preferences to inform his music video. He plans to survey teenagers aged 13+ about the types of music and video elements they like. The survey will ask about music genres, preferences for storytelling vs. action, and slapstick comedy. Harry has analyzed the "Shine" music video by Years and Years. It uses a dark, mysterious tone and leaves things unexplained to generate suspense. Shots are filmed from different angles to depict the same person in different roles. Depressing backgrounds and lighting emphasize the emotions conveyed. Harry is analyzing techniques to incorporate suspense and effectively depict mood in his own video.
Ourstage about moodys music.txt
Jeremy Swaner is trying to obtain music files from his late friend and artist Cory Walters Jr's account on OurStage.com in order to compile a discography. OurStage requests proof of rights to distribute the songs, as Jeremy does not own the account. Jeremy explains they did not have formal agreements but wants the songs to honor his friend. OurStage suggests purchasing the songs is the fastest way, as they cannot provide tracks without ownership rights.
Production schedule
This production schedule outlines the filming of a short film over various dates in December at the filmmaker's house. It details what shots need to be filmed each day, the actors involved, and the required equipment. Editing of the footage will take place from January 7th to 15th at Ringwood School, using a computer and Adobe Premier Pro software.
Character analysis
This document contains character profiles for a story. It describes Benji "Homicide Hero" as a serial killer who uses a method of killing from over 100 years ago. It also profiles Lieutenant Gyllenhaal as a 34-year-old whose family died in childbirth and who acts as a mentor to 24-year-old Derick Jackman, whose father was a crooked police officer.
Timeline of a film opening
This document discusses conventions of film openings and horror film openings specifically. It notes that film openings often include close-ups, background music to set the mood, credits, and specific lighting. Horror film openings commonly use fast panning shots and editing, small town settings, supernatural elements, victims, killers, and creepy non-diegetic sounds and music. The document also analyzes the opening sequence of the film "Dead Silence," noting it includes 25 titles in the first 3 minutes and 10 seconds to introduce characters, companies, and emphasize certain phrases through repetition.
Frame analysis of a trailer
This document provides a frame-by-frame analysis of a trailer. It summarizes the purpose and effect of shots that: 1) establish conflict between humans and native species on Pandora; 2) show the authority dynamic between Jake in a wheelchair and his boss; and 3) challenge gender stereotypes by depicting a woman operating machinery and the commander addressing "ladies and gentlemen". Background music is used to build suspense, action, and motivation across various scenes analyzed in the trailer.
Walid ali work (W.A)
The document defines key terms related to understanding movie trailers including: narrative, age rating, actor's names, music, cliff hangers, references, narration, narrative exposition, genre, release date, exciting scenes, reviews, movie production details, genre-appropriate music, other works by the director, and institutional accolades/references. It also notes that trailers typically include the cast at the end.
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As media pitch
The film begins with the main character Alex getting ready for a party where he is later attacked and killed. The film then rewinds to show the events leading up to the party that caused Alex's death. In the middle, suspicious events involving Alex are revealed. By the end, the reasons for Alex's killing are understood as the opening scene is replayed with more details and perspectives. The soundtrack was created by Bobby Abedi to be cinematic and set the dark mood for the film's dramatic events.
Diapositivas
La Unión Europea ha propuesto un nuevo paquete de sanciones contra Rusia que incluye un embargo al petróleo. El embargo prohibiría las importaciones de petróleo ruso por mar y por oleoducto, aunque se concederían exenciones temporales a Hungría y Eslovaquia. Este sexto paquete de sanciones de la UE pretende aumentar la presión económica sobre Rusia para que ponga fin a su invasión de Ucrania.
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The trailer sets an intense and unsettling tone through flashing images, violent transitions and atmospheric music. Characters are introduced briefly alongside descriptions of the antagonist. Though some plot details are revealed, the trailer aims to intrigue audiences by revealing little about the killer's identity or how the story resolves, encouraging viewers to learn more. It stands out from typical horror trailers through its disjointed, cryptic style and leaves audiences wanting to discover what makes this film unique.
Powerpoint for eden lake codes and conventions
The trailer for the 2008 slasher horror film Eden Lake summarizes the plot where a young couple's romantic weekend is disrupted by a gang of youths who brutally torture them. The trailer uses fast-paced editing with quick cuts between shots to build tension, showing various scenes of violence from the film over upbeat modern music. While the trailer effectively conveys the film's premise and tone, it may have given away too many key plot details and events.
Memento PowerPoint
The opening scene of the movie Memento uses various cinematography and editing techniques to create suspense and mystery. Close-up shots are used throughout to avoid showing the surroundings and build tension. The narrative becomes clear that a murder has occurred through a reverse editing technique showing the murder being committed. Sound is also used to build suspense, from the slow opening music to ambient noises and a final scream.
Textual Analysis of 'Se7en'
The document analyzes the opening sequence of the film "Se7en" and discusses techniques used that the author hopes to emulate in their own opening sequence. The "Se7en" opening uses a montage of disturbing images and sounds without showing characters' faces to create intrigue. Iconography of blades and gore set the horror/thriller tone. Unusual camera angles and fast editing with music and screams build tension and confusion to grab the audience.
Top 3 trailers
The trailer for Whiplash summarizes that it is about a drummer in a jazz band who attends a prestigious music conservatory. It shows the main character enduring intense pressure from his demanding instructor, played by J.K. Simmons. The trailer uses intense music, shifts in pace, and intertitles highlighting positive reviews to draw interest in the film's storyline and build anticipation for its portrayal of the competitive world of music.
Titles & opening sequences
The document discusses several conventions that are commonly seen in the opening sequences of murder mystery films. These include depicting a murder, murderer, or detective; using tense music to build suspense; including clues; and developing characters. However, the murderer is unlikely to be revealed at the very start of the film to maintain suspense. It also provides the example of the titles seen at the beginning of the film Seven, and notes that title sequences generally follow the structure of showing more important credits first, then less important, and ending with the director.
Real media research
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The scene cuts quickly between vibrant colors shots of different global locations to set the fast-paced, action-thriller tone of the film.
Real media research
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the natural landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The opening uses bright colors and a long shot to set the scene before the fast-paced action of the film. Production logos are shown prior to the animated opening sequence featuring Lucy.
Film Trailer Analysis
The trailer for the crime thriller film Nine Dead establishes the genre through its use of slow pacing at the beginning to build suspense, dark colors associated with danger, and shots of guns and a masked kidnapper. Throughout the trailer, the pacing increases alongside the growing threat and tension faced by the kidnapped victims. Elements like the soundtrack, voiceover, intertitles, and editing help further immerse the viewer in the thriller plot and leave them wanting to know how the story ends. The trailer effectively conveys the key elements of the film's crime thriller genre to attract fans of that genre.
Analysis of tv show and film openings copy
The Deadpool film opening establishes the narrative through the Marvel title sequence and logo. It starts with a black screen and accelerating Marvel logo, then reveals the logo which slowly shrinks. The opening scene features calm jazz music and a pullback shot from a lighter to show the faces of characters, possibly the main character. Extreme close-up and wide shots are used to set the atmosphere and outline the scene. The lighting looks natural and falls on objects and characters. While many characters are shown, the focus is not immediately on Deadpool but other random characters to open the film. The characters' scared facial expressions and outfits matching the action theme, along with makeup and blood, help create a dangerous ambience. The opening will
Analysis of tv show and film openings copy
The Deadpool film opening establishes the narrative through the Marvel title sequence and logo. It starts with a black screen and accelerating Marvel logo, then reveals the logo which slowly shrinks. The opening scene features calm jazz music and a pullback shot from a lighter to show the faces of characters, possibly the main character. Extreme close-up and wide shots are used to set the atmosphere and outline the scene. The lighting looks natural and falls on objects and characters. While many characters are shown, the focus is not immediately on Deadpool but other random characters to open the film. The characters' scared facial expressions and outfits matching the action theme, along with makeup and blood, help create a dangerous ambience. The opening will
Media( thriler opening ) coursework
Seven is a 1995 thriller film directed by David Fincher about two detectives, Mills and Somerset, investigating a serial killer murdering people based on the seven deadly sins. The opening sequence uses close-up shots and montage editing to hint at religious themes and build tension, with unsettling sounds like heartbeats and screams. Titles are shown in a jagged, scratched font to relate to the killer and imply lives end quickly. Overall the atmosphere is creepy through the visuals and sounds used.
Choice of trailer and synopsis
A highlights trailer contains the most exciting parts of a film without significant plot details in order to generate initial buzz, while a scene trailer provides more information about plot and characters. The document discusses different types of trailers and how they are used. It then explains that the group has chosen to create a highlights trailer for their film to build excitement through multiple scenes rather than focusing on one, without revealing major plot points.
The moving image presentation jason moynihan
The document discusses the film Pain and Gain and analyzes the trailer's use of sound. It notes that the trailer is segmented into an introduction, subject introduction, subject explanation, and ending. Each segment uses different music and sound effects. For example, the introduction is soft while the subject introduction increases in tempo. Overall, the trailer effectively uses elements like pathos, foley, and changes in atmosphere and tempo to engage the viewer and set the tone for the film.
Opening sequence analysis
The document summarizes and analyzes the opening scenes of two films:
The Girl with the Dragon Tattoo uses dark colors and quick flashes of images to set the tone as an action/thriller. The graphics and layers provide details about the film in an effective way.
Fast Five starts in a courtroom with calm music as the main character is sentenced to prison. The music then builds tension as the scene changes to a prison bus. The opening introduces the characters through close-up shots as they plan a rescue, setting up the crime and piquing audience interest.
Analysis of four film openers
The document analyzes and compares the opening title sequences of five films: The Girl With The Dragon Tattoo, James Bond: Quantum of Solace, Divergent, Frozen, and an unnamed film. It discusses visual and audio elements of each sequence, such as imagery, camera work, colors, music, and sounds. The purpose is to establish tone, genre, and set expectations for the narrative to follow through direct and indirect cues in the opening titles.
Grace massey trailer analysis
This document analyzes and summarizes three movie trailers - Run Fat Boy Run, White House Down, and The Vow. For Run Fat Boy Run, it notes the comedy genre is evident from the voiceover and images. It also highlights the inclusion of big stars Simon Pegg and Thandie Newton. For White House Down, it describes how the intense, dramatic music builds along with the unfolding action scenes. For The Vow, it explains the romantic storyline shown through many shots of the love interests and how the voiceover from the main actor draws the audience in.
Sound analysis
The document analyzes the opening sequences of the films Submarine and The Graduate. In Submarine, ambient sounds of the sea and seagulls are used to establish the seaside setting. Voiceover from the main character Oliver Tate is used to introduce him as an introspective narrator. In The Graduate, dramatic sound effects play during the opening credits to draw attention, and plane ambient sounds set the scene of the main character arriving in Los Angeles. Both films establish setting and character through simple, slow-paced ambient sounds and music in line with the comedy-drama genre.
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As media pitch
- 1. FILM PITCH
- 2. FILM NAME
- 3. TYPE OF FILM
- 4. PLOT Beginning … The film starts with a party and also the main character (Alex) getting ready then the main character makes his way to the party and gets attacked by a pair of boys. (Alex) is then killed and the party continues and then the film goes back in time to the previous event that lead up to the event. Middle … The middle of the film is showing the dodgy occurrences that (Alex) was involved in and is also showing the setup to the party. End … The reasons for the killing are understood by the viewer and then the starting scene is played again in more detail and from a few other views.
- 5. ACTOR’S Alex Tannatt Cook Micheal Jones Lucy Camacho Katie Woodgate Extra’s Sal Graham Mason Halliday Tommy Ash Harvey Young Sean Sturrock Ruthie Barsby Katie Major Chloe Owen Abbie Shape Erin Jones
- 6. SOUND TRACK The sound track was created by Bobby Abedi on Logic. The sound track is very cinematic. This suits our opening sequence because it is all audio and it helps set the mood for the film and the events that you are about to see. The beat is also in time with the titles.