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Artificial intelligence and Music
The document discusses the intersection of artificial intelligence (AI) and music, highlighting its historical development, key research areas, and various applications in music composition and performance. It covers significant milestones in AI's evolution and its capabilities, including tools used for music creation and the contributions of various software programs. Additionally, it addresses the potential of AI to enhance musical creativity and education through innovative technologies.
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Artificial intelligence and Music
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- 3. Introduction Research in artificialintelligence (AI) is known to have impacted medical diagnosis, stock trading, robot control, and several other fields. Perhaps less popular is the contributionofAIinthefieldofmusic.Nevertheless,Artificial intelligence and music (AIM) has, for a long time, been a common subject in several conferences and workshops, including the International Computer Music Conference, the Computing Society Conference and the International Joint ConferenceonArtificialIntelligence.
- 4. Today’sRoadMap • DefinitionofArtificialIntelligence • HistoryofArtificialIntelligence •ArtificialIntelligenceResearchgoals • ArtificialIntelligenceApproaches • ArtificialIntelligenceTools • DefinitionofMusic • ArtificialIntelligenceandMusic(AIM) • HistoryOfArtificialIntelligenceandMusic(AIM) • ApplicationofAIinMusic • SoftwareApplication(DEMO) • Conclusion
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- 7. • Bythemid2010s, successfulmachinelearning applicationswerebeingusedwidelythroughout theworld.Programsthatincorporatedthese techniquesbegantoaccomplishthingsthathad seemedimpossibleinthemid-80s •InMarch2016, AlphaGowon4outof5gamesof GoinamatchwithGochampionLeeSedol, becomingthefirstcomputerGo-playingsystem tobeataprofessionalhumanGoplayerwithout handicaps
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- 9. Thetraitslistedbelowhavereceivedthemost attention • Deduction,reasoning,problemsolving • Knowledgerepresentation •Planning • Learning • Naturallanguageprocessing(communication) • Perception • Motionandmanipulation
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- 12. Tools• Searchandoptimization • Logic •Probabilisticmethodsforuncertainreasoning • Classifiersandstatisticallearningmethods • Neuralnetworks • Deepfeedforwardneuralnetworks • Deeprecurrentneuralnetworks • Controltheory • Languages
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- 15. History • In 1960,Russian researcher R.Kh.Zaripov published worldwide first paper on algorithmic musiccomposingusingthe"Ural-1"computer. • In 1965, inventor Ray Kurzweil premiered a piano piece created by a computer that was capable of pattern recognition in various compositions
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- 17. Softwareapplications • Emi • OrchExtra •ComputerAccompaniment(CarnegieMellonUniversity) • SmartMusic • StarPlayIt • ChucK • Impromptu • REAPER'sTabEditor • Ludwig • OMax • Melomics
- 18. Emi A program developed byDavid Cope which composes classical music.
- 19. OrchExtra This program wasdesigned to provide small-budget productions with instrumentation for all instruments usually present in the full-fledged orchestra. If there is a small orchestra playing, the program can play thepart for missinginstruments.
- 20. ComputerAccompaniment (CarnegieMellonUniversity) The Computer MusicProject at CMU develops computer music and interactive performance technology to enhance human musical experienceandcreativity. One of their project provides accompaniment for the chosen piece follows the soloist (user) despitetempochangesand/ormistakes.
- 21. SmartMusic This is aninteractive, computer- based practice tool for musicians. It offers exercises, instant feedback tools, and accompaniments meant to aid musicians.
- 22. StarPlayIt StarPlay is alsoa music education software that allows the user to practice by performing with professional musicians, bands and orchestras. They canchoosetheir spotandwatchthevideofromthat spot. They can hear the other musicians playing. Again, the program listens to the user's performance and helps them improve their performance by providing constructive feedback as theyrehearse.
- 23. ChucK Developed at PrincetonUniversity by Ge Wang and Perry Cook, ChucK is a text-based, cross-platform language that allows real- time synthesis, composition, performance and analysis of music. It is used by SLOrk (Stanford Laptop Orchestra)and PLOrk (PrincetonLaptopOrchestra).
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- 25. Impromptu The Impromptu mediaprogramming environment was developed by Andrew Sorensen for exploring 'intelligent' interactive music and visual systems. Impromptu is used for live coding performances and research including generative orchestral music and computationalmodelsofmusicperception.
- 26. REAPER'sTabEditorMIDI to stringinstrument (guitar, violin, dombra, etc.) tablature conversion is nontrivial task, as the same note can reside on different stringsofinstrument. So in TabEditor (the tiny plugin for REAPER DAW) was used the AI which solves this puzzle same way as musician would do: trying to keep all notes closetoeachother(tobepossibletoplay)whileatthesametimetryingto fit all piano notes into range of notes that instrument allows to play simultaneously. And when situation is impossible (piano party has more notes than guitar can play) the AI tries to find less destructive solution, removing from composition as few notes as possible. Prolog programming language was usedtocreatethisAI.
- 27. Ludwig Ludwig is anautomated composition software based on tree search algorithms. Ludwig generates melodies according to principles of classical music theory. The software arranges its melodies with pop-automation patterns or in four-part choral writing. Ludwig can react in real-time on an eight-bar theme played on a keyboard. The theme will be analysed for key, harmonic content and rhythm while it is being performed by a human. The program then without delay repeats the theme arranged e.g. for orchestra. It subsequently varies the melody to create a little piece as interactiveanswertothehumaninput.
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- 29. MelomicsMelomics is aproprietary computational system for the automatic (without human intervention) composition of music, based on bioinspired methods and produced by Melomics Media. Composing a wide variety of genres, all music composed by Melomics algorithms are available in MP3, MIDI, MusicXML, and PDF (of sheet music), after purchase. Music composed by this algorithm was organized into an album named Iamus (album), which was hailed by New Scientist as "The first complete album to be composed solely by a computer and recorded by human musicians."
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