This lecture begins with the Midway Plaisance of the World's Columbian Exposition in Chicago, which we didn't get to finish last time, and then turns to factory communities of Pullman IL and Fordlandia.
2. Kristina Hill
"Future Shores: Hybrid Urban
Edges and Sea Level Rise"
Today 5:30 P.M. â Lecture,
Lawrence J. Plym Auditorium,
Temple Hoyne Buell Hall
3. agenda 3.9.15
World's Columbian Exposition: Midway Plaisance
George M. Pullman and Pullman, IL
Henry Ford
Highland Park
River Rouge
4.
5. Daniel Burnham
Was named "Director of Works" for the Fair along with his
partner John W. Root
Root, however, died suddenly in 1891, leaving Burnham to
finish the project alone.
Fair did not actually open until 1893. All buildings were
temporary, finished in a combination of jute and plaster
and painted white. (This material is called "staff.")
11. The buildings of the White City were quite vulnerable to fire. Most had burned by January
1894. The aftermath of the fair was rather grim, with mass unemployment and
economic depression taking hold. The Pullman Strike was legendary for its violence.
12. The exhibits
Director-General George Davis and his team of directors
had to select millions of exhibits.
Smithsonian Institution's G. Brown Goode conceptualized
the fair as a veritable encyclopedia of civilization.
Idea borrowed from Paris Fair of 1889 which included
anthropological displays from French colonies around the
world.
13. The Midway
Frederic Ward Putnam of Harvard was already in charge
of the Anthropology Building; he was then put in charge of
the Midway. Putnam envisioned the Midway as a living
outdoor museum of âprimitiveâ humanity.
Attractions on the Midway were commercial ventures
organized by entrepreneurs who obtained concessions
through the Ways and Means Committee of the World's
Columbian Commission.
The Midway had an African village, Eskimo Village , and
"Streets of Cairo" area along with many other attractions.
42. George M. Pullman (1831-1897)
Son of a carpenter who worked on the Erie Canal east of
Buffalo, NY.
Father developed a method for jacking up buildings
initially working on the canal.
George joined his father in this business which he brought
to Chicago.
Went to Colorado during Gold Rush and provided
dormitories, cafeterias for miners and workers.
Returned to Chicago and founded Pullman Palace Car
Company.
43. George M. Pullman (1831-1897)
Legend: idea came to Pullman while traveling from Buffalo
to Westfield in 1854 and spending an uncomfortable night
slouched in his seat.
At first, he altered existing railroad cars, the first being in
September 1858 on the Chicago and Alton Railroad.
Later began to build his own cars.
Two businesses: manufacturing these cars and operating
them.
45. Lincoln and Pullman
1862: President Lincoln signed The Pacific Railroad Act,
authorizing the Union Pacific and the Central Pacific railroads
to build what was to become the first transcontinental
railroad.
1864: A private Pullman car was built for the president but he
did not like the ornate style of the car.
1865: This became his funeral vehicle, carrying his body
from Washington, DC to Springfield, IL for burial.
46. Funeral car of President Lincoln, 1865
Pullman Palace Car provided by the company
47. dimensions
Oversize: two and a half feet higher and a foot wider than
any other car.
existing tracks did not provide sufficient clearance for use
of this car.
to accommodate the wider car for the funeral train, all
clearances between Washington D.C. and Springfield
Illinois were quickly modified.
Within a few years, all railroads were adapting to the ten-
foot wide and fourteen-foot high railroad car Pullman built
in 1865
remains the standard in the United States today.
50. The Lincoln Connection
Robert Todd Lincoln, the only son of Lincoln's to live to
adulthood, was a lawyer who had corporate clients
including the Pullman Company.
After George Pullman's death in 1897, The Pullman
Company operated for two years before electing Lincoln
to the position of company president.
Robert Todd Lincoln was president of the Pullman
Company from 1897-1911.
51. Pullman, IL
1880: Pullman bought 4,000 acres
⢠near Lake Calumet
⢠14 miles south of Chicago
⢠on the Illinois Central Railroad
⢠cost $800,000
Solon Spencer Beman was hired to design 1300 structures:
⢠the new factory
⢠and the town next door:
⢠housing
⢠stores
⢠parks, churches, theaters, hotel and library
Nathan Barrett was hired to do the landscape design.
68. "Pullman Hell"
âWe are born in a Pullman house, fed from the Pullman
shops, taught in the Pullman school, catechized in the
Pullman Church, and when we die we shall go to the Pullman
Hell."
⢠no independent newspapers, public speeches, town
meetings
⢠inspectors regularly entered homes to inspect for
cleanliness and could terminate leases on ten days notice
⢠the church stood empty since no approved denomination
would pay rent and no other congregation was allowed.
⢠private charitable organizations were prohibited.
69. Pullman, IL
1893 depression
by 1894, Pullman had slashed jobs, wages and working
hours, but rents and prices in his town remained the
same. His failure to lower rents, utility charges and cost of
groceries led his workers to launch the Pullman Strike.
70. Pullman Strike
Very violent labor dispute.
Illinois Governor John P. Altgeld wanted Pullman to
negotiate.
Pullman wanted to play his trump card: powerful friends in
Washington
President Grover Cleveland sent in the National Guard.
National commission formed 1894 to study the strike
found Pullmanâs paternalism partly to blame and
Pullmanâs company town to be âun-American.â
1898, Illinois Supreme Court forced the Pullman Company
to divest ownership in the town, which was then annexed
to Chicago.
74. Henry Ford
"inventor" of automobile and assembly-line production
also built a model worker's town that ended in disaster
(actually he built two of them, the first called Fordlandia
and the second called Belterra)
84. Henry Ford (1863-1947)
born on farm in Greenfield Township, MI (now Dearborn)
early proclivity for engineering, building waterwheels and
steam engines
in 1879 he left the farm to work at the Michigan Car
Company, a manufacturer of railroad cars in Detroit.
1891-9 works for Edison Illuminating Company.
1899-1900 Detroit Car Company (out of business)
1901-2 Henry Ford Company (he leaves in a dispute)
85. Driving his first automobile through the streets of Detroit.
He called it the "quadricycle."
1896
86. Henry Ford (1863-1947)
1903 incorporates Ford Motor Company and begins
production of the Model A
1908 Model T goes into production
1910 Highland Park Factory opens
1913 Highland Park begins assembly line production
1914 "Five Dollar Day" for 8 hours of work
1917 begins construction on River Rouge plant
1941 Ford signs contract with UAW
87. The Model T had no substantial
modifications over its 19-year run, but
there were countless small changes.
The 1913 model substituted steel for
brass in the windshield frame,
steering wheel and side lamps; and
leatherette lined its inner door panels
instead of genuine cowhide.
89. 1,000 Ford Model T Chassis outside the Highland Park Plant, 1913
90. 12,000 Ford Motor Company Employees outside Highland Park Plant, 1913
91. Highland Park 1910
Huge new plant in Highland Park, Michigan, just north of
Detroit.
Ford and his team borrowed ideas from makers of
watches, guns, and bicycles (and the meat packers!) and
by late 1913 they had developed a moving assembly line
for automobiles.
Ford workers didn't like the new line. Turnover was so
high that the company had to hire 53,000 people a year to
keep 14,000 jobs filled.
January 1914 he almost doubled wages to $5 per day.
Model T sales rose steadily as the price dropped. By 1922
half the cars in America were Model Ts and the cheapest
was only $269.
92. Aerial View of Ford Motor Company Highland Park Plant, 1923, Albert Kahn
93. River Rouge
The new car would not be produced at Highland Park. In
1917 Ford had started construction on an even larger
factory complex on the Rouge River in Dearborn,
Michigan.
Iron ore and coal were brought in on Great Lakes
steamers and by railroad.
By 1927, all steps in the manufacturing process from
refining raw materials to final assembly of the car took
place in one location. 90,000 workers employed there at
its height.
94.
95.
96. William McDonough at
River Rouge
"Buildings Like Trees, Factories Like Forests: Ford and
the Next Industrial Revolution"
http://www.princetonindependent.com/issue01.03/item7.ht
ml
Please read the article at this link.
98. Taylorism
problems: waste, disorder, lack of control
solution: time motion studies will optimize motion
analysis of specific tasks
conception and execution separated; division of labor,
specialization
human engineering
99. what is modern architecture?
http://www.unknown.nu/futurism/architecture.html
"âŚjust as the ancients drew inspiration for their art from the
elements of nature, weâwho are materially and spiritually
artificialâmust find that inspiration in the elements of the
utterly new mechanical world we have createdâŚ"
âAntonio Sant'Elia, Manifesto of Futurist Architecture, 1911
Title: Chicago: World's Columbian Exposition, 1893: Agriculture Building: distant view
Location: Chicago (Ill.)
Description: Grand Plaza Grandstand with Chicago Day crowds in foreground
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Agriculture Building
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: administration buildings
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893 Ref.: "Portrait Types of the Midway Plaisance" brochure cover
Date: 1894
Location: Chicago (Ill.)
Subject: Chicago (Ill.)
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Reference
Subject: brochures
Subject: world fairs
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: King Bull's Tipee Hut
Location: Chicago (Ill.)
Description: Part of the Native American Show that housed nine Sioux
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Indians of North America
Subject: Reference
Subject: Tipis
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: Inuit Tribe members
Location: Chicago (Ill.)
Description: Photograph by C.D. Arnold
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Inuit
Subject: Reference
Subject: Arnold, C. D
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Creator: FARNY Henry F. (1847--1916)., artist
Title: Drawing. Dance of the Dahomans in the Midway Plaisance, Columbian Exposition.
Work Type: Drawing / Identified Artist
Date: Ca. 1893.
Material: Black and white gouache.
Measurements: Height: 25.7 cm. (10 1/8 in.).
Measurements: Width: 39.4 cm. (15 1/2 in.).
Description: (Black Africans play musical instruments, others dance with weapons under a pavillion. Visitors to the exposition observe outside. Three large, thatched huts are in the background. The man in the audience at the rear center is a self-portrait of the artist.)
Description: Exhibited at the Columbian Exhibition of the Chicago World's Fair, 1893.
Description: Inscriptions: Signed lower right: "-Farney / O.''
Description: Signed: Yes.
Description: Biography: FARNY Henry François (FRANCE) 1847--1916. Illustrator, printmaker. Farny produced many scenes of Native American life.
Description: Photographer: Helga Photo Studio,
Description: Photo source: Kennedy Galleries, New York,
Repository: NEW YORK (NY)., Comm.: Berry-Hill Galleries (1978).
Repository: Ref. no.: C/5869.
Subject: Blacks, Genre (Dance)
Subject: Blacks, Genre (Music)
Subject: History, Great Voyages, Africa (Dahomey)
Collection: Image of the Black in Western Art (Harvard University)
ID Number: 15937
Source: The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University
Rights: For permissions information, please contact: The Image of the Black in Western Art Project and Photo Archive W.E.B. Du Bois Institute, 104 Mt. Auburn St., 3R, Cambridge, MA 02138, Tel.: 617 495-1875, Fax: 617 495-8511, e-mail: scheek@fas.harvard.edu, kcdalton@fas.harvard.edu, BlackImage@harvard.edu, web site: http://www.dubois.fas.harvard.edu
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Chicago: World's Columbian Exposition, 1893: Ref.: Javanese woman in exhibit
Location: Chicago (Ill.)
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Javanese (Indonesian people)
Subject: Reference
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: visitors watch Samoan Villagers
Location: Chicago (Ill.)
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Reference
Subject: Samoans
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: parody of Eskimo & African clothing
Location: Chicago (Ill.)
Description: Cartoon from World's Fair Puck
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Caricature
Subject: Exhibitions
Subject: Parody
Subject: Reference
Subject: Stereotype (Psychology)
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ferris wheel
Location: Chicago (Ill.)
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Ferris wheel
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Ferris wheels
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: aerial view of the Midway
Location: Chicago (Ill.)
Description: Seen from the Ferris Wheel
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Midway
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibition buildings
Subject: Exhibitions
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: French Colonies
Location: Chicago (Ill.)
Description: Windmills in background
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--French Colonies
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibition buildings
Subject: Exhibitions
Subject: Windmills
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition 1893: Swedish Building
Location: Chicago (Ill.)
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Swedish Building
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibition buildings
Subject: Exhibitions
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Midway
Location: Chicago (Ill.)
Description: Photograph by C.D. Arnold
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Midway
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Arnold, C. D
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Creator: Shobert & Carqueville
Title: Hagenbeck's Trained Animals: Midway Plaisance World's Fair
Work Type: Prints
Material: Ink on paper
Measurements: 1 sheet H; 27 1/2 x 42 inches
Repository: The John and Mable Ringling Museum of Art, the State Art Museum of Florida, a division of Florida State University
Accession Number: ht2000749
Collection: The John and Mable Ringling Museum of Art: Circus Collection
Collection: http://www.ringling.org/CircusMuseums.aspx
Rights: Contact information: Rights and Reproduction, 5401 Bay Shore Road, Sarasota, FL, 34243, Tel No: 941-359-5700 x1502; Fax No: 941-359-7716; rights_repro@ringling.org
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Frances Benjamin Johnston
Title: World's Columbian Exposition
Date: 1893
Description: The World's Columbian Exposition of 1893
Subject: Frances Benjamin Johnston
Collection: Eyes of the Nation: A Visual History of the United States (Library of Congress)
ID Number: LC-USZ62-100326
ID Number: 5T15R08
Source: Image and original data from: Virga, Vincent, and Curators of the Library of Congress, with commentary by Alan Brinkley (2004). Eyes of the Nation: A Visual History of the United States. Charlestown, MA: Bunker Hill Publishing.
Rights: For more information about this publication, please visit: http://www.loc.gov/shop/index.php?action=cCatalog.showItem&cid=46&scid=351&iid=2907&PHPSESSID=f499f5f56dc5326ee4e12b5f3cebf790.
Title: Chicago: World's Columbian Exposition, 1893: Ref.: Cairo Street Waltz
Location: Chicago (Ill.)
Description: Sheet music cover published by Signor Guglielmo Ricci
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Music
Subject: Music title pages
Subject: Reference
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: Kodak camera loaned to fairgoers
Location: Chicago (Ill.)
Description: Kodak "C" Camera was loaned for one-day's use at the fair
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Cameras
Subject: Exhibitions
Subject: Reference
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Kodak fiend in action on the Midway
Location: Chicago (Ill.)
Description: Photograph from Glimpses of the World's Fair, published by Laird & Lee, Chicago
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893--Midway
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Photographers
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Title: Chicago: World's Columbian Exposition, 1893: Ref.: stereoscope viewer & cards
Location: Chicago (Ill.)
Subject: Chicago (Ill.)--World's Columbian Exposition, 1893
Subject: Architecture:Site--United States: Illinois--19th C. A.D
Subject: Exhibitions
Subject: Reference
Subject: Stereoscopes
Subject: Stereoscopic photography
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego