This Project Report On Anthropometrics Has Been Created And Developed By Me, During My Study Of Commercial And Residential Spaces, Confirming To NSQF Level 5 And 6 Of NSDC.
While Developing This Project I Have Learned About Various Human Dimensions, Which Made Me Understand The Standard Human Dimensions Required For Designing Public As Well As Residential Spaces Like Retail Stores, Offices, Restaurants, Residential Buildings, Etc.
All The Detail Drawing Showcasing Human Body Dimensions Are Being Prepared Using Auto Cad And Google Sketch And Are Presented In Further Pages.
I Request You To Kindly Go Through My Project Pages.
Sonal Gupta, 1 Year Residential Design Diplomadezyneecole
This Project Has Been Developed By the Student of Dezyne E' cole College Doing Her Interior Design Studies One Year Residential Design Diploma Programm
www.dezyneecole.com
This Project Report On Anthropometrics Has Been Created And Developed By Me, During My Study Of Commercial And Residential Spaces, Confirming To NSQF Level 5 And 6 Of NSDC.
While Developing This Project I Have Learned About Various Human Dimensions, Which Made Me Understand The Standard Human Dimensions Required For Designing Public As Well As Residential Spaces Like Retail Stores, Offices, Restaurants, Residential Buildings, Etc.
All The Detail Drawing Showcasing Human Body Dimensions Are Being Prepared Using Auto Cad And Google Sketch And Are Presented In Further Pages.
I Request You To Kindly Go Through My Project Pages.
Sonal Gupta, 1 Year Residential Design Diplomadezyneecole
This Project Has Been Developed By the Student of Dezyne E' cole College Doing Her Interior Design Studies One Year Residential Design Diploma Programm
www.dezyneecole.com
Portfolio Of Student Of Dezyne E'cole College , Ayushi Jain, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
Hello Everyone !
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This is the desktop study of departmental store ,
Hoping you all would enjoy it and would be helpful to you all .
Thank you !
UGS
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This presentation contains almost all the standards and guidelines required for designing a banquet hall. Hope you find it useful, thank you for reading.
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This Project has been Developed by the Student of Dezyne E'cole College Doing His Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme
www.dezyneecole.com
Portfolio Of Student Of Dezyne E'cole College , Ayushi Jain, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
Hello Everyone !
welcome to our studio space of UGS !
This is the desktop study of departmental store ,
Hoping you all would enjoy it and would be helpful to you all .
Thank you !
UGS
Business hotel design and Planning conceptRADHIKASARDA8
All about business hotel design data from books and web sources .
design methodology , principles , planning , construction , spaces , landscape , engineering , concepts, design standards
This literature study includes basic details and observation from the perspective of interior and exterior design and elements in the banquet hall and lawn.
Mansi Sharma,2nd Year Interior Design (Retail Design Project)dezyneecole
Portfolio Of Student Of Dezyne E'cole College , Mansi Sharma, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
This research discusses all the basics one needs to know before design any residential design. It includes the space planning, rule of thumb and standards as well as a complete detail on Kitchen appliances and accessories. The research also talks about the ventilation system, safety and smart technologies for residential kitchens.
This presentation contains almost all the standards and guidelines required for designing a banquet hall. Hope you find it useful, thank you for reading.
The case study covers the interior details and the material specification along with highlighting the color scheme and lighting used inside the BCOgent office, Noida
This Project has been Developed by the Student of Dezyne E'cole College Doing His Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme
www.dezyneecole.com
Srishti Sharma,,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
This Project has been Developed by the Student of Dezyne E'cole College Doing Her Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme www.dezyneecole.com
Jitesh Thakur ,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
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Jitesh Thakur ,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
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Ashita Laddha,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
This Project has been Developed by the Student of Dezyne E'cole College Doing Her Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme
www.dezyneecole.com
Srishti Sharma,,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
This Project has been Developed by the Student of Dezyne E'cole College Doing Her Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme www.dezyneecole.com
Saloni Chandak ,1 Year Residential Design Diplomadezyneecole
This Project Has Been Developed By the Student of Dezyne E' cole College Doing Her Interior Design Studies One Year Residential Design Diploma Programm
www.dezyneecole.com
This Project Has Been Developed By the Student of Dezyne E' cole College Doing Her Interior Design Studies One Year Residential Design Diploma Programm
www.dezyneecole.com
Pallavi Sharma,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
This Project has been Developed by the Student of Dezyne E'cole College Doing Her Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme www.dezyneecole.com
Jitesh Thakur,B.Sc-ID+ 2 Year Residential & Commercial Design Diplomadezyneecole
This Project has been Developed by the Student of Dezyne E'cole College Doing His Interior Design Studies Bachelor Degree Programme + 2Yr Residential & Commercial Design Diploma Programme www.dezyneecole.com
FIGURE 7.1 In this prefunction area, a contemporary conversation g.docxssuser454af01
FIGURE 7.1 In this prefunction area, a contemporary conversation grouping is placed outside the conference room and break area. Pivoting doors allow overflow space during major company events, or they can be closed off for private meetings. The overhead projector allows for multimedia presentations to groups of all sizes.
· PROGRAMMING INFORMATION FOR SPACE PLANNING
· Economic Concerns
· Function and Human Factors
· Guidelines for Furnishing Dimensions
· SPACE PLANNING FOR SPECIFIC ACTIVITIES
· Conversation Area
· Dining/Conferencing/Lecturing
· Video/DVD/Television Viewing and Presentation
· Clerical, Studying, and Computing
· Sleeping
· Storage
· Food Preparation
· Bathrooms
· SPACE PLANNING FOR SPECIFIC ROOMS
· Reception, Lobby, Entry Hall, or Foyer
· Living Room and Conversation Areas
· Family Room
· Dining and Conference Rooms
· Office
· Bedroom
· MAKING THE MOST OF SPACE WITH FURNITURE
· SUMMARY
To be livable, an interior must meet the needs of its occupants. The goals of interior design, as discussed in Chapter 1, include function and the human factor, aesthetics, and economics and ecology. These goals must be applied to space planning. Economics and function dictate spatial needs and are addressed before fabrics, furnishings, and finishes are specified (Figure 7.1).
PROGRAMMING INFORMATION FOR SPACE PLANNING
Economic Concerns
Whether clients are searching for a new office space or a new home, the building and its furnishings are probably the most expensive investments they will make. They want the best value possible for every dollar spent. The designer should study costs and look carefully at such criteria as available budget, client needs, materials and components required, time limits, building requirements, and codes.
The cost of a structure varies depending on many factors: its size, structure, geographic location, materials specified, cubic footage or volume (the three-dimensional measurement of the height, depth, and width of the space), special construction features (such as raised ceilings, angled or curved spaces, custom windows and doors), and the cost of local labor. Average building costs per square foot, exclusive of the price of the land, depend on the region where the structure will be built. An excellent source for determining construction costs is the Means Cost Estimation series of texts by Robert S. Means.
Costs also relate to the selection of furnishings. A good-quality, low-budget sofa could cost $1,200, whereas the price of an elaborate custom-upholstered sofa could reach into the thousands of dollars. Designers must determine what level of furnishings will work within the client’s budget. The deciding factor is the quality of the product, not necessarily its price. If a client cannot afford a quality product, it is better to wait until the product can be purchased. Placing inexpensive, low-quality furnishings in a space almost always results in an unhappy client and a poor design solution. It is better to ...
Ergonomics & its importance in furniture design pt 2Surashmie Kaalmegh
ergonomics , also known as human factors is very important in many design fields where system-human interface is unavoidable. it is also important for furniture design system as no one size fits all.this is the second part of the lecture
Ergonomics & its importance in furniture design pt 2SurashmieKalmegh
this is the second part of the ergonomics lecture part I by me. in this the emphasis is on examples and how varied environments and mental framework too makes a difference to the experience of a user. although care is talken it may still not work for injuries or age related factors.
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Aashish Jain,2 year commercial design Diploma ,NSQF Level 6
1.
2. Project Report On
Commercial Anthropometrics
Submitted To
Dezyne E’ cole College
Towards The
Partial Fulfillment
Of
Interior Design NSQF Level 6
By
Aashish Jain
Dezyne E’ Cole College
106/10 Civil Lines, Ajmer
www.dezyneecole.com
2016-2017
3. I am Aashish Jain, student of Interior Design Department of Dezyne E’ cole
College would like to express my gratitude to each and every person who
has contributed in stimulating suggestions and encouragement which
really helped me to coordinate my project.
I also thank Dezyne E’ cole College who provided insight and
expertise that greatly assisted the project. Also, A special thanks to my
teachers, parents and colleagues who have supported me at every step.
Not to forget, the Almighty who blessed me with good health because of
which I worked more efficiently and better.
ACKNOWLEDGEMENT
4. Synopsis
This Assignment has been created to learn the Commercial
Anthropometrics. In this I have learnt standard human dimensions
required for designing public spaces like retail shops, office, restaurant
etc. During the tenure of my study of one year commercial design
diploma, I learnt about different commercial spaces like retail,
anthropometric and other spaces. The design of commercial interiors
included important issues – sustainable design, security and safety,
licensing, ethics in the profession, and professional growth. Commercial
design is the design of any facility that serves business purposes. While
studying Anthropometric, We learnt about the standard human body
dimension. I have considered all these points in the anthropometrics and
ergonomics space that was assigned to us.
5. COMMERCIAL ANTHROPOMETRY
The science dealing specially with the measurement of the human body to determine
differences in individuals, groups, etc., is termed Anthropometry. The anthropometry is
viewed mainly as exercises in simple measurement and nothing more, one might
conclude that the dimensional data could be gathered simply and effortlessly. Nothing,
however, could be further from the truth. There are many complicating factors and
difficulties involved. One such factor is that body sizes vary with age, sex, race, and
even occupational group.
Human body dimensions that impact on the design of interior spaces are of two basic
types – Structural and Functional. Structural dimensions, sometimes referred to as
“static” dimensions, include measurements of the head, torso, and limbs in standard
positions. Functional dimensions, also referred to as “dynamic” dimensions, as the term
suggests, include measurements taken in working positions or during the movement
associated with certain tasks.
Appropriateness
It is essential, due to many variables involved, that the data selected be appropriate to
the user of the space or furniture to be designed. It becomes necessary, therefore, for
the intended user population to be properly defined in term of such factors as age, sex,
occupation, and ethnicity.
Reach, clearance, and Adjustability
The selection of appropriate anthropometric data is based on the nature of the
particular design problem under consideration. If the design requires the user to reach
from a seated or standing position, the 5th percentile data should be utilized.
The design clearance is the primary consideration, the larger or 95th percentile data
should be used. If the design will allow adequate clearance for the user with the largest
body size, it would also allow clearance for those users with smaller body size.
It may be desirable to provide the design with a built-in adjustment capability. The
range of adjustment should be based on the anthropometrics of the user, the nature of
the task, and the physical or mechanical limitations involved.
Range of joint motion
The angle formed by two body segments or by one such segment and vertical or
horizontal plane usually defines the range of joint motion at any given time. The total
range is measured by the angle formed between the two most extreme positions
possible.
6. RECEPTION SPACES
The drawings on the following pages examine the relationship of human dimension to
the design of reception spaces. The three key areas of concern include visitor seating,
the reception desk, and location of graphics or corporate identification. In regard to
seating, the clearances around the seating elements to accommodate circulation are
stressed more than the design of the individual seating unit itself. Of particular
importance is the design of the reception desk in terms of its responsiveness to the
anthropometrics requirements of the seated receptionist and the standing visitor
within the context of a high counter-type arrangement and a conventional desk
arrangement.
The depth of the work surface should accommodate the thumb tip reach
measurements of the user of smaller body size so that packages and correspondence
can be exchanged. Of equal importance is eye height sitting to ensure visibility over the
counter and eye contact with the standing visitor. Eye height of both seated and
standing person is also essential in establishing the height and location of corporate
signage or other graphic material to ensure its visibility. Details of such elements of
reception space are included as well as suggested clearances and other dimensions for
use in preliminary design assumptions.
7.
8.
9.
10. CONFERENCE ROOMS
The general approach in establishing conference table sizes is much the
same as that used for dining table. Instead of the place setting used with
dining tables, a work zone to accommodate documents, papers, and other
reference materials should be taken under consideration. The amount of
material to be accommodated, may vary greatly depending upon the
nature of the organization involved and the type of meeting. The amount
of perimeter space allocated to each individual should at the very least be
adequate to accommodate the maximum body breath, allow for the
extension of the elbows away from the body, and provide for documents
and other material. The other factor to be considered in conjunction with
seat spacing is its effect on sight lines directed at either end of the table.
Clearance around the table for circulation should accommodate the
maximum body breath of the user of larger body size and allow for the
space taken up by chair.
11.
12.
13.
14. .
In an interior environment such as a Retail space, where customer
convenience and comfort are a matter of corporate policy, the
responsiveness of the design to human dimensions and body sizes is
extremely critical. The interface between the user and the various types
of sales counter and self displays must be of high quality. Various counter
types for use from both seated and standing positions, indicating the
anthropometric considerations involved and suggested dimensional
clearances for use in making preliminary design assumptions.
Proper visibility of displays both from within and from without is also
crucial to the successful design of a retail space. The eye height of the
small and large viewer and the geometric implications of human vision
must be accommodated. The height of A wrapping counter, the size of A
dressing cubicle, the critical dimensions of A shoe department, and
circulation around and between merchandise displays must all
accommodate users of varying body size. Illustrations of these aspects of
retail spaces are also among the drawings include in this section,
together with suggested clearances
RETAIL SPACES
15.
16.
17.
18.
19.
20.
21. FOOD STORES
When considering the implication of human dimensions in relation to the
design of self-service food stores, the shopping cart should be viewed as
an extension of the human figure and the combined measurements as a
unit to be accommodated for purposes of establishing necessary
clearances. This is more critical in terms of overall length than width
considerations, since the maximum body breath dimension, particularly of
those of larger body size, is also sufficient to accommodate the width of
the chart itself. Height of shelving for display of merchandise should be
responsive to the reach limitations of the smaller shopper, and the display
of merchandise should relate to the eye height of the majority of users.
Depending on store size and economics, width of aisles should include an
activity zone directly adjacent to the merchandise display unit adequate to
accommodate a standing or kneeling user, who is scanning shelves,
selecting goods, or loading a cart, as well as a circulation zone that could
accommodate two lanes of shoppers with carts. Clearances between
checkout booths should be adequate to accommodate a wheelchair-
bound shopper. The situations discussed are included together with
dimensional suggestions for use in making preliminary design assumptions.
22.
23.
24.
25. HAIR STYLING
One of the most important considerations in making hair styling spaces responsive to
human dimension is that of adjustability. Given the tremendous variability in both size,
both in term of the customer and the stylist and the nature of the activity involved, it is
virtually impossible to accommodate the majority of people without some degree of
adjustability to compensate for the great variability In body size. The range of adjustment
possible in most standard chairs on the market is not great enough. The styling
operation, requires the operator to style the hair of the seated customer about the lower
head, neck, and shoulder areas. Not only is it essential that the stylist have a clear view
of the work area, but in many instances he or she must be able to step back and check
for smoothness and level of cut. Even with the chair elevated to its maximum position,
the taller stylist must still stoop to perform his work. Until such time that more chairs
with a greater range of adjustability become available, the interior designer or architect
should explore other ways to make the operation more responsive to the limitations
imposed by human dimension and body size.
26.
27.
28.
29. Bars
The drawing on the following pages illustrate in plan and section the
considerations that should make the design of bars more sensitive to human
body size. Clearance and other dimensional data for use in making
preliminary design as sumptions are also indicated. The anthropometric
measurement of major concern are indicated in the matrix above.
In earlier sections of the book, it was stated that anthropometry can serve
as an extremely helpful tool in the design process if used within the large
perspective of all the other human factors that impact on that process, such
as the many psychological, sociological, and cultural factors that the
designer must also take into account. It seems particularly appropriate while
dealing with the subject of bar design to reiterate the concept that in fitting
the designed environment to the body, clearance and space also have more
sophisticated and subtle implication. However there are many situations
where intense social interaction between patrons is as matter of policy or
personal preference, not a desirable objective, nor would the patrons
frequenting such places necessarily feel at ease under such conditions. The
greater the seating density and the closer the seats, the greater the degree
of social interaction.
30.
31.
32.
33. FOOD COUNTERS
The basic approach to ensuring A proper interface between customer and food counter
is similar to that used for A bar. Maximum body breadth and depth should be taken into
account in establishing clearances for workspace behind the counter. The height of the
shelves and depth of the counters should accommodate the human reach limitations of
those of smaller body size, for such clearances will also accommodate those of larger
body size.
With respect to the public side of the counter, the relationship between seat height
and top of the counter should also accommodate the human body properly. One
common error is the relationship of seat height to footrest in relation to A high counter.
In many instances, the footrest is too low to accommodate the feet. The result is that
customer’s feet simply dangle above the footrest without coming into contact with its
surface. This lack of contact does not provide the body with the stability it requires, so
muscular forces must take over in order to maintain equilibrium, causing general
discomfort, aches, and pains. As if this were not bad enough, the weight of the dangling
foot causes pressure on the underside of the thigh just behind the knee, resulting not
only in irritation to the skin but obstruction of the circulation of blood.
These conditions are included among the drawings on the following pages, and
suggested clearances and other dimensional data for use in making preliminary design
assumptions are indicated. The basic anthropometric body measurements most
frequently considered in the design of food counters.
34.
35.
36.
37. DINING SPACES
Proper clearances for circulation and service aisles, adequate knee and thigh space
between the top of the seat and the underside of the table, accessibility for the
wheelchair bound person, and adequate clearance around the perimeter of the table
are the basic factors to take into account to ensure the proper relationship between
human dimension and dining space. These considerations, all fairly straightforward, can
be accommodated fairly simply. The proper allowance per individual seated diner along
the table perimeter and, by extension, the table size do require additional thought and
in some instances individual research.
All too often, however, the standard table size is simply accepted without question
as being adequate to accommodate the designated number of seated diners. The
design problem is then viewed exclusively in terms of the number of such tables that
can be located within the given space. The fact is that most standard tables used in
public dining spaces are not adequate to comfortably accommodate the user. In most
instances the only factor taken into account in selecting the size of the table is whether
its length can accommodate the width of the chair placed in front of it. The space
necessary to accommodate the individual diner should take into account several
factors: (1) the width of the chair (2)the maximum body breadth of A diner of larger
body size, plus allowance for the extension of the elbows away from the body (3)the
size of the place setting.
Among other considerations examined in the drawings on the following pages is the
development of an incremental unit to be used in allocating the proper space per
diner. Various table sizes are then established, based on optimal and minimal variations
of this individual place-setting zone.
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44.
45. WORK AND CRAFT
The drawing on the following pages illustrate the clearance suggested for use in making
preliminary design assumptions about various types of work and craft spaces. The types
involved are areas designed for painting, drafting, children's art and craft, and general
workbench activities. It should be noted, however that the drawings are not necessarily
intended to show all the work and craft space types possible, an or in the spaces illustrated
are all the tools or equipment normally associated with the activities necessarily indicated.
46.
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48.
49. HORIZONTAL CIRCULATION SPACES
Horizontal Circulation Spaces May Include Typical Corridors Found In Public Buildings
Ranging From 60-144 In Wide, Lobbies, Pedestrian Promenades, Plazas In Enclosed
Shopping Malls, And Large Circulation And Concourse Areas In Transportation Terminals.
Planning These Spaces Can Be A Fairly Sophisticated And Complicated Matter, Involving
Such Factors As Flow Volume, Time And Distance Headways, Walking Speeds, Queue
Height.
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51.
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53.
54. VERTICAL CIRCULATION SPACES
No public space can function without adequate vertical circulation systems. If these
systems are not designed with human body size in mind, however, the efficiency and use
of these systems are diminished. Moreover, the personal safety of the user is endangered.
Nowhere is this more critical than in stair design. Both the width of the stair and the
tread/riser relationship must reflect the human dimension. For stair width, most prevailing
standards and guidelines directly or indirectly employ a unit of measurement of 22 in
which our portably represents the width of a so-called average person.
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56.
57. PUBLIC BATHROOM
The term public toilet facility is to a large degree generic since it is quite possible and
proper to create sub classification depending on the user population it is in tended to
serve. A public facility located in an air, bus, or rail terminal, for example, would serve a
transient user as opposed to a similar facility provided for the convenience of the
workers in a large midtown office building. These facility have much and at the same
time very little in common. To varying may both have peak periods of use. The
anthropometric considerations, particularly during these days peak periods, are also
quite similar.
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59.
60. PUBLIC CONVENIENCE FACILITIES
Public convenience facility must be provided in the design of public spaces. The type and
quantity of such facilities will vary depending on the size and nature of the public space
involved. They may range from a modest but strategically placed ash urn to a battery of
public telephones. It is essential that these facilities be accessible to able-bodied people
as well as a semi ambulant, elderly, and chair-bound people. The quality of interface
between the user and these facilities requires a knowledge of human dimension.
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63.
64. BASICS
The quality of the interface between any visual communication system and the viewer is,
to a very large degree, a function of the extent to which the design of that system and
the interior spaces in which it is housed responds to certain fundamental human
capabilities and constraints. The more important factor for the architect or interior
designer to consider involve the biomechanics of the human body and the geometry of
the visual field. A third factor, the eye heights of seated and standing viewer, will also be
discussed in the following sections.
65.
66. WORKSTATION DISPLAYS
The interior designer or architect is frequently faced with the design of interior spaces and
cabinet work that must incorporate a visual communication system of one type or another
for an individual viewer. The system will inevitably include display material to be viewed
from a sitting or a standing position. The viewing time may vary from a few moments to
situations where the viewing task may well be a full-time activity.
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68.
69. DISPLAY FOR GROUP VIEWING
Visual communication systems for group viewing present somewhat different problems
than those normally associated with system designed for the individual viewer. Ideal
displays for the latter are located so the viewing angle is generally below the horizontal
line of sight. However, due to the size and relationship of a group display, such as a
projection screen in a motion picture theater, to the viewer and the obstruction of the
visual field of one viewer by another, the display is located so that the upper limit of the
optimum viewing angle is situated above the horizontal line of sight.
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74. CONCLUSION
This assignment has made me learnt about the commercial spaces anthropometry and
this will help me in the space planning of commercial zones