This document provides context and analysis of Ebenezer Scrooge's character in Charles Dickens' "A Christmas Carol". It examines several key passages that reveal Scrooge's initially cold and miserly nature through his tight-fistedness with money. However, as Scrooge experiences visions of Christmas past, present and future, he begins to show signs of empathy, regret for past mistakes, and a desire to reform his ways and treat others with more kindness. By the end of the novel, Scrooge undergoes a profound transformation in character from an isolated misanthrope to a generous and charitable man.
A deconstruction of a holiday. A very special holiday PowerPoint Presentation of Charles Dickens' immortal (but now made slightly less so) "A Christmas Carol."
A deconstruction of a holiday. A very special holiday PowerPoint Presentation of Charles Dickens' immortal (but now made slightly less so) "A Christmas Carol."
A Christmas Carol - Analysis on Setting and ToneBagus Purnawan
A basic analysis of Charles Dicken's "A Christmas Carol" on its setting and tone. Written by the students of English Literature in Brawijaya University, typically on the fourth semester.
Trabajo sobre el libro "A Christmas Carol" de Charles Dickens realizado por Martina González, alumna de 3º ESO del IES Mediterráneo para la asignatura de Inglés
A Christmas Carol - Analysis on Setting and ToneBagus Purnawan
A basic analysis of Charles Dicken's "A Christmas Carol" on its setting and tone. Written by the students of English Literature in Brawijaya University, typically on the fourth semester.
Trabajo sobre el libro "A Christmas Carol" de Charles Dickens realizado por Martina González, alumna de 3º ESO del IES Mediterráneo para la asignatura de Inglés
Lissa Dragomir is a Moroi princess: a mortal vampire with an unbreakable bond to the earth's magic. She must be protected at all times from Strigoi; the fiercest and most dangerous vampires--the ones who never die.
The powerful blend of human and vampire blood that flows through Rose Hathaway, Lissa's best friend, makes her a Dhampir. Rose is dedicated to a dangerous life of protecting Lissa from the Strigoi, who are hell-bent on making her one of them.
After two years of illicit freedom, Rose and Lissa are caught and dragged back to St. Vladimir's Academy, hidden in the deep forests of Montana. Rose will continue her Dhampir education. Lissa will go back to being Queen of the elite Moroi social scene. And both girls will resume breaking hearts.
Fear made Lissa and Rose run away from St. Vladimir's – inside the Academy’s iron gates, their world is even more fraught with danger. Here, the cutthroat ranks of the Moroi perform unspeakable rituals and their secretive nature and love of the night creates an enigmatic world full of social complexities. Rose and Lissa must navigate through this dangerous world, confront the temptation of forbidden romance, and never once let their guard down, lest the Strigoi make Lissa one of them forever...
Ethnobotany and Ethnopharmacology:
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
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The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
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8. Scrooge’s Character
“Oh! but he was a tight-fisted hand at the
grindstone, Scrooge! A squeezing, wrenching,
grasping, scraping, clutching, covetous old sinner!”
9. Activity
What impressions does the reader get of Scrooge’s
character from this quotation?
• Think about the connotations of some of the words
Dickens has chosen. How do they add to our
understanding?
10.
11. Starter
KEY QUOTES FOR SCROOGE:
• What is a phrase Scrooge always repeats?
• In what way is he mean to his secretary? [Clerk]
• What are his thoughts on Christmas?
• What is he obsessed with? [keeps mentioning it]
12. Focus for this Unit
How does Scrooge’s character change over the
course of the novel?
13. “Up Scrooge went, not caring a button for that: darkness is cheap, and Scrooge
liked it. But before that he shut his heavy door, he walked through his rooms to
see that all was right. He had just enough recollection of the face to desire to do that.
Sitting room, bed-room, lumber-room. All as they should be. Nobody under the table,
nobody under the sofa; a small fire in the grate; spoon and basin ready; and the little
saucepan of gruel (Scrooge had a cold in his head) upon the hob. Nobody under the
bed; nobody in the closet; nobody in his dressing-gown, which was hanging up in a
suspicious attitude against the wall. Lumber-room as usual. Old fire-guard, old shoes,
two fish-baskets, washing-stand on three legs, and a poker.
Quite satisfied, he closed his door, and locked himself in; double-locked himself in,
which was not his custom.” (page 12)
14. Activity
“darkness is cheap, and Scrooge liked it.”
• How do these words add to the reader’s understanding of
Scrooge’s character?
15. Language Analysis
“Nobody under the table, nobody under the sofa; ...
Nobody under the bed; nobody in the closet; nobody in his
dressing-gown, ...”
16. Activity
What does the reader learn about Scrooge from his
reaction to seeing Marley’s face in his door knocker?
17. Homework – Close Reading Activity
Re-read page 13-14, where Dickens
describes Marley’s ghost.
• Using information from the text, draw
Marley’s ghost and label your picture
with quotations from the text.
Due: Monday
19. “Then, with a rapidity of transition very foreign to his usual
character, he said, in pity for his former self, ‘Poor boy!’ and cried
again.
‘I wish,’ Scrooge muttered, putting his hand in his pocket, and
looking about him, after drying his eyes with his cuff: ‘but it’s too
late now.’
‘What’s the matter?’ asked the Spirit.
‘Nothing,’ said Scrooge. ‘Nothing. There was a boy singing a
Christmas Carol at my door last night. I should have like to have
given him something: that’s all.’ ”
(Page 28)
21. Scrooge’s Character
‘Nothing. There was a boy singing a Christmas Carol at my
door last night. I should have like to have given him
something: that’s all.’
22. He felt the Spirit’s glance, and stopped.
‘What is the matter?’ asked the Ghost.
‘Nothing particular,’ said Scrooge.
‘Something, I think?’ the Ghost insisted.
‘No,’ said Scrooge, ‘No. I should like to be able to say a word or
two to my clerk just now! That’s all.’
(Page 34)
23. Scrooge’s Character
‘No,’ said Scrooge, ‘No. I should like to be able to say a
word or two to my clerk just now! That’s all.’
24. Activity
What does the reader learn about Scrooge by his reaction
to the vision of Fezziwig’s party?
27. “ ‘Spirit,’ said Scrooge submissively, ‘conduct me where you will. I
went forth last night on compulsion, and I learnt a lesson which is
working now. To-night, if you have aught to teach me, let me profit
by it.’ ”
(Page 43)
29. ‘Spirit,’ said Scrooge, with an interest he had never
felt before, ‘tell me if Tiny Tim will live.’
‘I see a vacant seat,’ replied the Ghost, ‘…the
child will die.’
‘No, no,’ said Scrooge. ‘Oh no, kind Spirit! Say he
will be spared.’
…returned the Ghost, ‘…If he be like to die, he
had better do it, and decrease the surplus
population.’
Scrooge hung his head to hear his own words
quoted by the spirit, and was overcome with
penitence and grief. (Pg 52)
30. Scrooge’s Character
Scrooge hung his head to hear his own words quoted by
the spirit, and was overcome with penitence and grief.
32. Activity: PEE
P: Scrooge begins to show a change toward being a more
empathetic character.
E: This is implied/revealed/portrayed/suggested when
Dickens describes Scrooge as……..
E: This shows us that Scrooge is beginning to change as
he feels….
E+: The word ‘penitence’ tells us that……
34. Activity
In your reading of Stave 4, what evidence can you find
to suggest a change in Scrooge’s character?
• In your English book, write down the quotations and
page numbers of your evidence.
35. Point to Ponder...
In Stave 4, Scrooge sees how the news of
his death would be greeted by others and
how they would behave.
• What effect does this have on Scrooge’s
character?