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IES Calderón – Gijón
Dpto. de dibujo

3º ESO ART
Bilingual Program

UNIT 2: TEXTURE (and PATTERN)
THEORY
“Texture is something we want to touch.”
Texture is the surface quality of an object.
It is one of elements of Art, contributes to enrich our esthetic experience.
Textures range from the smoothest polished mirror to the roughest mountain rock. The term is often
misused to refer only to rough surfaces but this is not correct. All surfaces have texture.
Using different textures can increase interest in a composition by adding variety without changing
color or value relationships.
There are two kinds of textures:
TACTILE TEXTURES (3D, touch)
Tactile means touch. Tactile texture is the actual (3D) feel of a surface.
The actual surface texture needs to either be felt, or seen with light raking across its surface to make
the texture visible. Painters are most likely to take advantage of this to give their painting's surface a
lively look. Paint can be built up into rough peaks in a technique called impasto. Vincent Van Gogh
is famous for this. Some painters add sand to their paint to make more tactile texture.
Collages can use textured paper and other three-dimensional materials (like string, cardboard,
sandpaper, etc.) to make a tactile surface.
VISUAL TEXTURES (2D, illusion)
Visual texture refers to the illusion of the surface's texture. It is what tactile texture looks like (on a
2D surface). The textures you see in a photograph or in a screen are visual textures. No matter how
rough objects in the photograph look, the surface of the photograph or the screen is smooth and flat.
Visual texture is also used in ceramics and furniture surfaces.
PATTERN
A recognizable motif regularly repeated produces a pattern. Pattern requires repetition -- in design
as in life (a pattern of behaviour). The more regular the repetition, the stronger the pattern (think of
a chess board).
Texture and pattern are related. When you look closely at a tree you can see the pattern of leaves
that make its surface. When you back away you loose awareness of the leaves and notice the texture
the leaves make on the tree. Farther away still and you can see the pattern of the trees making up the
forest and finally the texture of the forest. In this way pattern changes to texture as you loose sight
of the individual motifs.
1
EXAMPLES OF TEXTURES
Geometric.

Organic.

EXAMPLES OF PATTERN

Note that sometimes if the pattern is small and
repeated many times is hard to say if it is a
pattern or a texture. In fact, a pattern very
repeated becames texture.

TECHNIQUES TO OBTAIN TEXTURES:
- PRINTING different materials (cloth, wrapped papers, etc...).
- HOME-MADE STAMPS (cork, potatoe, rubber, etc...).
- DRAWING and PAINTING (impasto)
- SCRAPING. (verb: to scrape)
- DRIPPING and SPRAYING with a brush.
- FROTAGGE putting the paper upon a rough surface.
- COLLAGE glueing papers and different things.
2

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3º unit 2 textures

  • 1. IES Calderón – Gijón Dpto. de dibujo 3º ESO ART Bilingual Program UNIT 2: TEXTURE (and PATTERN) THEORY “Texture is something we want to touch.” Texture is the surface quality of an object. It is one of elements of Art, contributes to enrich our esthetic experience. Textures range from the smoothest polished mirror to the roughest mountain rock. The term is often misused to refer only to rough surfaces but this is not correct. All surfaces have texture. Using different textures can increase interest in a composition by adding variety without changing color or value relationships. There are two kinds of textures: TACTILE TEXTURES (3D, touch) Tactile means touch. Tactile texture is the actual (3D) feel of a surface. The actual surface texture needs to either be felt, or seen with light raking across its surface to make the texture visible. Painters are most likely to take advantage of this to give their painting's surface a lively look. Paint can be built up into rough peaks in a technique called impasto. Vincent Van Gogh is famous for this. Some painters add sand to their paint to make more tactile texture. Collages can use textured paper and other three-dimensional materials (like string, cardboard, sandpaper, etc.) to make a tactile surface. VISUAL TEXTURES (2D, illusion) Visual texture refers to the illusion of the surface's texture. It is what tactile texture looks like (on a 2D surface). The textures you see in a photograph or in a screen are visual textures. No matter how rough objects in the photograph look, the surface of the photograph or the screen is smooth and flat. Visual texture is also used in ceramics and furniture surfaces. PATTERN A recognizable motif regularly repeated produces a pattern. Pattern requires repetition -- in design as in life (a pattern of behaviour). The more regular the repetition, the stronger the pattern (think of a chess board). Texture and pattern are related. When you look closely at a tree you can see the pattern of leaves that make its surface. When you back away you loose awareness of the leaves and notice the texture the leaves make on the tree. Farther away still and you can see the pattern of the trees making up the forest and finally the texture of the forest. In this way pattern changes to texture as you loose sight of the individual motifs. 1
  • 2. EXAMPLES OF TEXTURES Geometric. Organic. EXAMPLES OF PATTERN Note that sometimes if the pattern is small and repeated many times is hard to say if it is a pattern or a texture. In fact, a pattern very repeated becames texture. TECHNIQUES TO OBTAIN TEXTURES: - PRINTING different materials (cloth, wrapped papers, etc...). - HOME-MADE STAMPS (cork, potatoe, rubber, etc...). - DRAWING and PAINTING (impasto) - SCRAPING. (verb: to scrape) - DRIPPING and SPRAYING with a brush. - FROTAGGE putting the paper upon a rough surface. - COLLAGE glueing papers and different things. 2