Sam Donvil introduces Public Domain Day Belgium 2019 and the uploads that were realised with donations of data and reproductions from Belgian heritage institutions to the Wikimedia Platforms.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
The Partage Plus project aims to digitize over 75,000 Art Nouveau objects from 23 partners in 17 European countries to make them available through Europeana. The two-year project will significantly increase the number of Art Nouveau collections available online. Content will include paintings, drawings, furniture, sculpture, ceramics and architecture. The project website and Europeana will provide access to information on European cultural heritage from the Art Nouveau period.
Europeana Network Association AGM 2017 - 6 December - Pitch your project - Dr...Europeana
Square Museum is a proposed network of interactive art installations in public spaces across six or more European cities. The installations would present content from partner museums, libraries, and archives in an accessible way to broad audiences. The project aims to create a larger outreach for cultural institutions and encourage public participation through presenting collections on the street. It would also involve student editorial teams and an exchange of content between locations. The proposal is seeking additional partners to apply for funding from the Creative Europe program by January 20th, 2018.
The document discusses the impact of reusing cultural heritage collections. It summarizes several initiatives that Europeana has undertaken to promote reuse, including partnerships with creative industries, challenges, crowdfunding, education programs, and thematic collections. The initiatives have seen success in areas like fashion and education. Going forward, Europeana aims to build on past successes, promote existing projects, and increase cooperation through thematic collaborations.
This document provides an overview of a workshop on using the Europeana digital library for education. It introduces Europeana as a collection of over 53 million digitized items from over 3,500 cultural institutions across 36 European countries. The workshop covers how Europeana can be used for educational purposes, including resources for different subjects, search tips, and licensing information. It also includes an exercise where teachers work in groups to create presentations using different types of materials from Europeana related to World War 1.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
The Partage Plus project aims to digitize over 75,000 Art Nouveau objects from 23 partners in 17 European countries to make them available through Europeana. The two-year project will significantly increase the number of Art Nouveau collections available online. Content will include paintings, drawings, furniture, sculpture, ceramics and architecture. The project website and Europeana will provide access to information on European cultural heritage from the Art Nouveau period.
Europeana Network Association AGM 2017 - 6 December - Pitch your project - Dr...Europeana
Square Museum is a proposed network of interactive art installations in public spaces across six or more European cities. The installations would present content from partner museums, libraries, and archives in an accessible way to broad audiences. The project aims to create a larger outreach for cultural institutions and encourage public participation through presenting collections on the street. It would also involve student editorial teams and an exchange of content between locations. The proposal is seeking additional partners to apply for funding from the Creative Europe program by January 20th, 2018.
The document discusses the impact of reusing cultural heritage collections. It summarizes several initiatives that Europeana has undertaken to promote reuse, including partnerships with creative industries, challenges, crowdfunding, education programs, and thematic collections. The initiatives have seen success in areas like fashion and education. Going forward, Europeana aims to build on past successes, promote existing projects, and increase cooperation through thematic collaborations.
This document provides an overview of a workshop on using the Europeana digital library for education. It introduces Europeana as a collection of over 53 million digitized items from over 3,500 cultural institutions across 36 European countries. The workshop covers how Europeana can be used for educational purposes, including resources for different subjects, search tips, and licensing information. It also includes an exercise where teachers work in groups to create presentations using different types of materials from Europeana related to World War 1.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
Transforming Collection Data: From 1572 to the Present and BeyondAxiell ALM
Wilhelm Lagercrantz, Digital Strategy / Chief Digital Officer, National Historical Museums Sweden
National Historical Museums is a government agency which includes the Swedish History Museum and the Royal Coin Cabinet plus the museum operations at Tumba Papermill Museum. The agency also performs archaeology services.
The coin collection can trace its roots back to 1572 when Rasmus Ludvigsson, a secretary to the King Johan III started a collection of old Swedish coins.
From the start, there has always been a need to somehow keep track of the collection. In the early days using quill pen and paper, then gradually moving into more modern technology.
In the 1990s parts of the collection information became digital. Today the Swedish History Museum and the Royal Coin Cabinet use different solutions for the collections management and are ready to take the next step by moving in to Adlib. Our expectations are to enhance our work processes even more and reach out globally.
Positive Exposure – Connecting Culture with EuropeanaDouglas McCarthy
- Europeana is an open online platform that provides access to over 50 million digital objects from cultural heritage institutions across Europe.
- It aims to make Europe's cultural heritage accessible and usable for various purposes such as education, work, and leisure.
- The presentation highlighted Europeana's collections, thematic exhibitions, partner networks, and opportunities to promote Swiss cultural heritage on the platform.
Carve is a design studio that creates playable, multifunctional, and adaptable public spaces. They designed two skate parks - one in Hoofddorp that was influential but is now gone, and one in Utrecht. They also designed a community garden in Amsterdam inspired by self-reliance and social interaction between users. Their most recent project, Dream Hamar, aimed to create an immaterialized public space through minimal intervention.
Presentation to Coding Dürer, a five-day international and interdisciplinary hackathon for Art History and Information Science, held in Munich, Germany, 13-17 March 2017.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Europeana is a digital platform funded by the European Commission that provides access to over 50 million digitized cultural heritage items like photographs, videos, text documents and more. The document discusses Europeana's offerings for education, including curated content and tools to access materials. It outlines Europeana's work with teachers to understand barriers to using the content and shares new resources in development like collections on fashion, WWI and a transcription tool. The presentation concludes by discussing Europeana's ambitions to further develop educational resources and partnerships.
Europe’s cultural heritage: From digitisation to creative re-useLizzy Komen
Presentation at Citex 2014 conference (http://www.bilisim.org.tr/) in Ankara, Turkey on 7 November 2014. Titel: 'Europe’s cultural heritage:
From digitisation to creative re-use'. Presentation includes highlights of the Netherlands Institute for Sound and Vision digitisation project, Europeana, Digital Agenda for Europe and Europeana Creative
1) The document summarizes a meeting of the Daguerreobase Project Group in September 2013 in Den Hague to discuss standards and best practices for aggregating daguerreotype photographs and metadata from European collections.
2) Over 25,000 daguerreotype descriptions and 6,945 pages of related documents from 18 participating institutions across Europe have been digitized and added to the Daguerreobase database.
3) The goals of the project include developing standards for describing and digitizing daguerreotypes, renewing the Daguerreobase portal to make the collection more accessible, and engaging the photography community around preserving this important early photographic media.
The document discusses the new digital strategy and website of the Rijksmuseum in Amsterdam. Key points:
1) The Rijksmuseum launched a new website and Rijksstudio initiative on April 13, 2013 to make its collection of 125,000 digitized artworks accessible online.
2) Rijksstudio allows users to zoom in on high resolution images, save, share and get creative with artworks. Over 71,000 Rijksstudios have been created and 110,000 personal sets made so far.
3) The new website was designed like an app, prioritizing large images over text. It has been highly successful, increasing visitors by 100% and time spent on
Amsterdam Museum, strategies and plans for the coming five yearsMarijke Oosterbroek
The Amsterdam Museum outlines its strategy and plans for the next five years. Its mission is to bring the history of Amsterdam to life for a wide and diverse audience by challenging visitors to deepen their relationship with the city. It aims to be an innovative, inviting, narrative, and interactive institution that binds residents to the city and each other. By 2016, the museum wants to function as a meeting point in the city through more exhibitions, activities, and events for different groups both inside and outside its walls. It will also serve as the entry point to the city for tourists by providing tourism information. The museum plans to engage people around the story of Amsterdam through its collection, multiple platforms, and long-term community building.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
The document discusses La Nuit Blanche, an annual overnight art event held in Paris and other major cities. On this night, museums, cultural institutions, and other public and private spaces open their doors free of charge to host art shows, exhibitions, videos, installations, and performances. Since 2002, La Nuit Blanche in Paris has featured contemporary artists displaying their work in non-traditional locations like pools, subways, streets, and parks. The goal is to make art accessible to all and transform the urban environment into a space for modern creation, bringing the citizens of Paris together and establishing the city as a cultural destination where residents can participate in the festivities well into the night.
DH2013: Ad Pollé – Europeana 1914-18 & Europeana 1989dhlab
This document summarizes a presentation given by Ad Pollé at the Digital Heritage 2013 conference about Europeana's strategies for engaging end users and crowdsourcing content. Europeana is a digital platform that aggregates over 26 million objects from over 3,000 cultural heritage institutions across Europe. It aims to make cultural heritage openly accessible online. Pollé discussed Europeana's initiatives to collect user-generated content (UGC) through projects like Europeana 1914-1918 and Europeana 1989, which collect personal stories and artifacts related to World War I and the fall of communism in Eastern Europe, respectively. These projects combine UGC with content from institutional partners and involve public engagement activities like collection days. Pollé outlined the benefits and challenges of collecting U
From Slovakia to Norway: Art, collections and data across borderslab_SNG
The document discusses a collaboration between the Slovak National Gallery and Norway's National Museum to share art collections and data across borders. The project included workshops in Bratislava and Oslo to share skills in online collections and content management systems. It also held a hackathon in Bratislava where teams developed apps like one tracking climate data and another providing virtual access to the Slovak National Gallery's collection. The goal was to enable technology and skills sharing between the institutions.
Europeana is a digital platform providing access to over 53 million digitized cultural heritage items from across Europe. It aims to make these resources available for educational purposes through partnerships with organizations in the formal and informal education sectors. These distribution partners help integrate Europeana's content into their own systems and environments to strengthen the relationship between education and culture. Europeana also facilitates greater promotion and reuse of cultural heritage through policy work and by highlighting open initiatives that utilize its collection. A variety of resources are available on Europeana, including items that can be freely reused, collections in different languages, and tools to search for openly licensed content.
Luisa hutton - M9 or the museum as urban catalystOECD CFE
This year the Forum will focus on creativity, jobs and local development. We will examine how localities can support culture and creative industries as a source of knowledge and job creation and how the creative industry can act as a powerful driving force areas such as tourism, urban regeneration, and social inclusion.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations by Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, Communia, ODIS, Kadoc, KU Leuven, Passchendaele Museum, Agency of Built Heritage, Europeana, Gent Gemapt, Ghent Center of Digital Humanities and Wikimedia Belgium
Public Domain Day in Belgium celebrated works that entered the public domain in 2023. Several institutions showcased how they uploaded public domain collections in 2022 and 2023, including the Passchendaele Museum which shared experiences from an upload workshop and the Agentschap Onroerend Erfgoed which highlighted architectural drawings. Other showcases were from the KBR on their Public Domain Day uploads and Europeana's findings from five years of their Open GLAM survey on sharing cultural heritage collections. The event advocated for better sharing of cultural heritage in the public domain.
Transforming Collection Data: From 1572 to the Present and BeyondAxiell ALM
Wilhelm Lagercrantz, Digital Strategy / Chief Digital Officer, National Historical Museums Sweden
National Historical Museums is a government agency which includes the Swedish History Museum and the Royal Coin Cabinet plus the museum operations at Tumba Papermill Museum. The agency also performs archaeology services.
The coin collection can trace its roots back to 1572 when Rasmus Ludvigsson, a secretary to the King Johan III started a collection of old Swedish coins.
From the start, there has always been a need to somehow keep track of the collection. In the early days using quill pen and paper, then gradually moving into more modern technology.
In the 1990s parts of the collection information became digital. Today the Swedish History Museum and the Royal Coin Cabinet use different solutions for the collections management and are ready to take the next step by moving in to Adlib. Our expectations are to enhance our work processes even more and reach out globally.
Positive Exposure – Connecting Culture with EuropeanaDouglas McCarthy
- Europeana is an open online platform that provides access to over 50 million digital objects from cultural heritage institutions across Europe.
- It aims to make Europe's cultural heritage accessible and usable for various purposes such as education, work, and leisure.
- The presentation highlighted Europeana's collections, thematic exhibitions, partner networks, and opportunities to promote Swiss cultural heritage on the platform.
Carve is a design studio that creates playable, multifunctional, and adaptable public spaces. They designed two skate parks - one in Hoofddorp that was influential but is now gone, and one in Utrecht. They also designed a community garden in Amsterdam inspired by self-reliance and social interaction between users. Their most recent project, Dream Hamar, aimed to create an immaterialized public space through minimal intervention.
Presentation to Coding Dürer, a five-day international and interdisciplinary hackathon for Art History and Information Science, held in Munich, Germany, 13-17 March 2017.
Culture Untapped: inspirational content & fresh ideas for your gamesMilena Popova
Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages.
This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Europeana is a digital platform funded by the European Commission that provides access to over 50 million digitized cultural heritage items like photographs, videos, text documents and more. The document discusses Europeana's offerings for education, including curated content and tools to access materials. It outlines Europeana's work with teachers to understand barriers to using the content and shares new resources in development like collections on fashion, WWI and a transcription tool. The presentation concludes by discussing Europeana's ambitions to further develop educational resources and partnerships.
Europe’s cultural heritage: From digitisation to creative re-useLizzy Komen
Presentation at Citex 2014 conference (http://www.bilisim.org.tr/) in Ankara, Turkey on 7 November 2014. Titel: 'Europe’s cultural heritage:
From digitisation to creative re-use'. Presentation includes highlights of the Netherlands Institute for Sound and Vision digitisation project, Europeana, Digital Agenda for Europe and Europeana Creative
1) The document summarizes a meeting of the Daguerreobase Project Group in September 2013 in Den Hague to discuss standards and best practices for aggregating daguerreotype photographs and metadata from European collections.
2) Over 25,000 daguerreotype descriptions and 6,945 pages of related documents from 18 participating institutions across Europe have been digitized and added to the Daguerreobase database.
3) The goals of the project include developing standards for describing and digitizing daguerreotypes, renewing the Daguerreobase portal to make the collection more accessible, and engaging the photography community around preserving this important early photographic media.
The document discusses the new digital strategy and website of the Rijksmuseum in Amsterdam. Key points:
1) The Rijksmuseum launched a new website and Rijksstudio initiative on April 13, 2013 to make its collection of 125,000 digitized artworks accessible online.
2) Rijksstudio allows users to zoom in on high resolution images, save, share and get creative with artworks. Over 71,000 Rijksstudios have been created and 110,000 personal sets made so far.
3) The new website was designed like an app, prioritizing large images over text. It has been highly successful, increasing visitors by 100% and time spent on
Amsterdam Museum, strategies and plans for the coming five yearsMarijke Oosterbroek
The Amsterdam Museum outlines its strategy and plans for the next five years. Its mission is to bring the history of Amsterdam to life for a wide and diverse audience by challenging visitors to deepen their relationship with the city. It aims to be an innovative, inviting, narrative, and interactive institution that binds residents to the city and each other. By 2016, the museum wants to function as a meeting point in the city through more exhibitions, activities, and events for different groups both inside and outside its walls. It will also serve as the entry point to the city for tourists by providing tourism information. The museum plans to engage people around the story of Amsterdam through its collection, multiple platforms, and long-term community building.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
The document discusses La Nuit Blanche, an annual overnight art event held in Paris and other major cities. On this night, museums, cultural institutions, and other public and private spaces open their doors free of charge to host art shows, exhibitions, videos, installations, and performances. Since 2002, La Nuit Blanche in Paris has featured contemporary artists displaying their work in non-traditional locations like pools, subways, streets, and parks. The goal is to make art accessible to all and transform the urban environment into a space for modern creation, bringing the citizens of Paris together and establishing the city as a cultural destination where residents can participate in the festivities well into the night.
DH2013: Ad Pollé – Europeana 1914-18 & Europeana 1989dhlab
This document summarizes a presentation given by Ad Pollé at the Digital Heritage 2013 conference about Europeana's strategies for engaging end users and crowdsourcing content. Europeana is a digital platform that aggregates over 26 million objects from over 3,000 cultural heritage institutions across Europe. It aims to make cultural heritage openly accessible online. Pollé discussed Europeana's initiatives to collect user-generated content (UGC) through projects like Europeana 1914-1918 and Europeana 1989, which collect personal stories and artifacts related to World War I and the fall of communism in Eastern Europe, respectively. These projects combine UGC with content from institutional partners and involve public engagement activities like collection days. Pollé outlined the benefits and challenges of collecting U
From Slovakia to Norway: Art, collections and data across borderslab_SNG
The document discusses a collaboration between the Slovak National Gallery and Norway's National Museum to share art collections and data across borders. The project included workshops in Bratislava and Oslo to share skills in online collections and content management systems. It also held a hackathon in Bratislava where teams developed apps like one tracking climate data and another providing virtual access to the Slovak National Gallery's collection. The goal was to enable technology and skills sharing between the institutions.
Europeana is a digital platform providing access to over 53 million digitized cultural heritage items from across Europe. It aims to make these resources available for educational purposes through partnerships with organizations in the formal and informal education sectors. These distribution partners help integrate Europeana's content into their own systems and environments to strengthen the relationship between education and culture. Europeana also facilitates greater promotion and reuse of cultural heritage through policy work and by highlighting open initiatives that utilize its collection. A variety of resources are available on Europeana, including items that can be freely reused, collections in different languages, and tools to search for openly licensed content.
Luisa hutton - M9 or the museum as urban catalystOECD CFE
This year the Forum will focus on creativity, jobs and local development. We will examine how localities can support culture and creative industries as a source of knowledge and job creation and how the creative industry can act as a powerful driving force areas such as tourism, urban regeneration, and social inclusion.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations by Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, Communia, ODIS, Kadoc, KU Leuven, Passchendaele Museum, Agency of Built Heritage, Europeana, Gent Gemapt, Ghent Center of Digital Humanities and Wikimedia Belgium
Public Domain Day in Belgium celebrated works that entered the public domain in 2023. Several institutions showcased how they uploaded public domain collections in 2022 and 2023, including the Passchendaele Museum which shared experiences from an upload workshop and the Agentschap Onroerend Erfgoed which highlighted architectural drawings. Other showcases were from the KBR on their Public Domain Day uploads and Europeana's findings from five years of their Open GLAM survey on sharing cultural heritage collections. The event advocated for better sharing of cultural heritage in the public domain.
Europeana Network Association Members Council Meeting, The Hague by Jill CousinsEuropeana
This document discusses Europeana's involvement in the upcoming European Year of Cultural Heritage. It outlines some of Europeana's main objectives which include participating in the launch event, website design, and potentially running a flagship project or conference. Two proposed flagship projects are described in detail: one focused on World War 1 and the birth of modern Europe, and the other on migration in the arts and sciences. Both would involve citizen contributions to digital collections and events in communities across Europe.
Every year we organise Public Domain Day together with Ghent University Library, the Royal Library of Belgium and Wikimedia Belgium. This year the event to highlight the public domain will be taking place on 10 February. In this presentation you will find out about initiatives that various cultural heritage organisations have run to make their public domain collections accessible in 2021.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations include Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, KOERS museum, MoMu Antwerp Fashion Museum,
The OpenGLAM community: promoting free & open access to digital cultural heritage | Lieke Ploeger, Open Knowledge Foundation at http://books2ebooks.eu/eod2014
The More You Give, the More You Get - Jill CousinsRCAHMW
The More You Give, the More You Get
Jill Cousins: Executive Director, Europeana
Europeana constructed a Publishing Framework (video) together with its contributing cultural heritage institutions to be more explicit about the possible returns of opening up data and delivering better quality. This framework has been translated and implemented across Europe to help institutions understand the benefits of being able to open up their data. A couple of case studies from the museum, archive and library world will used to illustrate the results of adopting a more open approach, covering both the positive and the negative.
Europeana at Ten: insights from our first decadeDouglas McCarthy
Presentation to Open GLAM México, 6 September 2018, Mexico City. This event linked numerous institutions to encourage dialogue around the Open GLAM movement and was jointly organised by the Ministry of Culture, the National Institute of Fine Arts, the Cultural Center of Spain in Mexico and Wikimedia México.
The aims of Open GLAM México were:
• Socialise good practices and policies generated by GLAM institutions to distribute data and digital objects, in national and international context.
• Promote the opening of digital collections in public and private institutions in Mexico.
• Establish an open dialogue on copyright issues focused on the use, reuse and appropriation of digital collections of cultural heritage.
This document outlines a digital campaign created for the reopening of the Jean-Jacques Henner museum in France. The campaign had several steps: creating a blog and social media profiles to promote the museum and artist; generating exclusive online content to engage different audiences; organizing online and real-world events to build buzz; and launching collaborative initiatives like a Twitter campaign to further connect the museum to its online community. A similar multifaceted strategy was then employed for the museum's involvement in the annual European Night of Museums event.
This document summarizes a presentation about how opening up museum collections digitally can inspire creativity and new learning. It discusses two case studies: Cool Constructions, a collaboration between citizens and SMK to beautify public spaces; and Wiki Labs, where people collaborate to enrich Wikipedia art entries using SMK images. The presentation argues that today learning happens everywhere, not just in institutions, and that open collections can support "maker culture" where people engage in hands-on creative learning. It describes an event called "Mix it up!" held at SMK to celebrate open collections, featuring a remix exhibition and workshops. Feedback showed the value of open collections in empowering new forms of learning and art, while also surfacing challenges in integrating
The document discusses several projects and organizations in Pecs, Hungary focused on culture and international cooperation, including the Zsolnay Cultural Quarter, Europa Cantat music festival, 2WARDS Europe cultural exchange project, and Creative Cities and Creative Incubators projects aimed at cultural development and networking.
This document summarizes the cultural policy project of four students - Erica, Silke, Robine, and Anke - focused on street art in Leuven, Belgium. [1] The group created an online platform and social media presence to promote street artists and guide tours of street art around Leuven. [2] They partnered with local organizations for events, but faced budget issues that delayed their planned exhibition. [3] Going forward, the group aims to continue developing their online platform and social media, hold the exhibition later in 2012, restore an exterior wall mural in 2013, and support other street art initiatives in Leuven.
Between Public Domain and Private Funding. Public Private Partnerships for C...Max Kaiser
This document discusses public-private partnerships (PPPs) for digitizing cultural heritage collections. It outlines the objectives of both public and private partners in such partnerships. Public partners seek funding for digitization projects and ways to enhance access and engage new audiences. Private partners pursue commercial objectives like accessing new markets or building their brand through association with public cultural institutions. The document examines different models of PPPs and principles for ensuring they are balanced and maximize public access. It presents a case study of a large PPP between the Austrian National Library and Google to digitize the library's historical book collection in the public domain.
The document discusses the challenge of curating large amounts of digital content from Galleries, Libraries, Archives and Museums (GLAM) institutions to make it more useful and meaningful for various audiences. It provides examples of how Europeana has curated content for digital humanists studying newspapers, teachers exploring World War I sources, citizens on Wikipedia, art lovers on Wikidata and Wikipedia, and art professionals viewing high-resolution altarpieces. The key takeaways are to be open, generous, humble, aware of users, and repackage large datasets into smaller, contextualized and segmented datasets for specific user groups.
Beyond Open Access: Creating Culture By, With, and For the PublicMerete Sanderhoff
This document discusses how opening up access to cultural works and allowing public participation can help museums fulfill their mission. It provides examples from the Statens Museum for Kunst in Denmark of how they engaged the public by having artists remix works from their collection and contribute to Wikipedia. The museum found that members of the public were highly engaged and creative when given open access to digitized works. The document advocates for measuring cultural institutions' success by their impact on learning and happiness rather than control over collections.
Similar to 20190121 public domain day be 2019 introduction sam donvil (20)
Hoe bepaal je welke delen van je collectie niet auteursrechtelijk beschermd zijn, en dus tot publiek domein behoren? Wat zijn mogelijke uitdagingen bij de bepaling van de publiekdomeinstatus? Wat kun je doen met collecties die zich in het publieke domein bevinden? Hoe kun je ze toegankelijk en herbruikbaar maken en wat levert dat op? Deze en nog veel meer vragen beantwoordden we tijdens deze sessie.
Presentatie van de namiddagsessie "Bevindingen uit het vooronderzoek naar een uitwisselplatform" tijdens meemoo's partnerevent op 30 november 2023.
Een professioneel uitwisselplatform zou het hergebruik van jouw archiefmateriaal extra kunnen stimuleren bij professionals uit de erfgoed-, media- en creatieve sector en de valorisatie ervan bevorderen over instellingen en sectoren heen. Je kwam er al even mee in aanraking door de bevraging aan contentpartners vorige zomer. Aangezien die bevraging maar een klein onderdeel was van een veel breder vooronderzoek, was het tijd om de belangrijkste resultaten en inzichten met jou te delen.
Presentatie van de namiddagsessie "Deep dive in hetarchief.be" tijdens meemoo's partnerevent op 30 november 2023.
Op zoek naar manieren om vlot audiovisueel archiefmateriaal te ontsluiten? Tijdens deze sessie doken we diep in hetarchief.be: o.a. publieke ontsluiting, de sleutelgebruikerrol en de bezoekertoolfunctionaliteit kwamen aan bod. Een contentpartner deelde bovendien de ervaringen en inzichten van de eigen organisatie over het gebruik van hetarchief.be.
Presentatie van de namiddagessie "GIVE or take: het nut van kwaliteitscontrole bij digitalisering" tijdens meemoo's partnerevent op 30 november 2023.
Een van de grootste uitdagingen in een digitaliseringsproject is het bepalen en controleren van de kwaliteit van je resultaten. Wanneer en hoe bouw je dit in? Doet de Metamorfoze-richtlijn misschien een belletje rinkelen? Hoorde je al over RIPT, QM-tool en ‘targets’? Tijdens deze sessie kwam je te weten wat deze richtlijnen, standaarden en tools voor jouw digitaliseringsproces kunnen betekenen! We deelden graag onze ervaring met kwaliteitscontrole in de GIVE-projecten én gaven plaats voor het uitwisselen van eigen ervaringen en ideeën.
Presentatie namiddagsessie "GIVE-metadata: over verrijking via artificiële intelligentie" tijdens meemoo's partnerevent op 30 november 2023.
Op 160.000 uur audio en video pasten we in het GIVE-metadataproject spraakherkenning en entiteitsherkenning toe. Op 120.000 uur video ook nog eens gezichtsherkenning. Goed voor een heleboel nieuwe metadata! In anderhalf uur ontdekte je hoe die metadataverrijking via AI juist verliep en welke resultaten dat opleverde.
Presentaties van de sectordag voor museale contentpartners georganiseerd door meemoo, Vlaams instituut voor het archief, in het FOMU in Antwerpen op 10 november 2022.
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
UN WOD 2024 will take us on a journey of discovery through the ocean's vastness, tapping into the wisdom and expertise of global policy-makers, scientists, managers, thought leaders, and artists to awaken new depths of understanding, compassion, collaboration and commitment for the ocean and all it sustains. The program will expand our perspectives and appreciation for our blue planet, build new foundations for our relationship to the ocean, and ignite a wave of action toward necessary change.
RFP for Reno's Community Assistance CenterThis Is Reno
Property appraisals completed in May for downtown Reno’s Community Assistance and Triage Centers (CAC) reveal that repairing the buildings to bring them back into service would cost an estimated $10.1 million—nearly four times the amount previously reported by city staff.
Contributi dei parlamentari del PD - Contributi L. 3/2019Partito democratico
DI SEGUITO SONO PUBBLICATI, AI SENSI DELL'ART. 11 DELLA LEGGE N. 3/2019, GLI IMPORTI RICEVUTI DALL'ENTRATA IN VIGORE DELLA SUDDETTA NORMA (31/01/2019) E FINO AL MESE SOLARE ANTECEDENTE QUELLO DELLA PUBBLICAZIONE SUL PRESENTE SITO
Combined Illegal, Unregulated and Unreported (IUU) Vessel List.Christina Parmionova
The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
Commission for the Conservation of Antarctic Marine Living Resources (CCAMLR)
Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
International Commission for the Conservation of Atlantic Tunas (ICCAT)
Indian Ocean Tuna Commission (IOTC)
Northwest Atlantic Fisheries Organisation (NAFO)
North East Atlantic Fisheries Commission (NEAFC)
North Pacific Fisheries Commission (NPFC)
South East Atlantic Fisheries Organisation (SEAFO)
South Pacific Regional Fisheries Management Organisation (SPRFMO)
Southern Indian Ocean Fisheries Agreement (SIOFA)
Western and Central Pacific Fisheries Commission (WCPFC)
The Combined IUU Fishing Vessel List merges all these sources into one list that provides a single reference point to identify whether a vessel is currently IUU listed. Vessels that have been IUU listed in the past and subsequently delisted (for example because of a change in ownership, or because the vessel is no longer in service) are also retained on the site, so that the site contains a full historic record of IUU listed fishing vessels.
Unlike the IUU lists published on individual RFMO websites, which may update vessel details infrequently or not at all, the Combined IUU Fishing Vessel List is kept up to date with the best available information regarding changes to vessel identity, flag state, ownership, location, and operations.
Indira awas yojana housing scheme renamed as PMAYnarinav14
Indira Awas Yojana (IAY) played a significant role in addressing rural housing needs in India. It emerged as a comprehensive program for affordable housing solutions in rural areas, predating the government’s broader focus on mass housing initiatives.
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
2. • 2006 - 2010: Platform for Archiving and Conservation of Art on Electronic
and Digital Media
• 2011 - present: Centre of Expertise Digital Heritage
• Flemish, Belgian and European projects
• Mission: support for ICT-processes at heritage and arts organisations
(o.a. creating, storage, cataloguing, online access, exchange and reuse)
and policy thereof
• 2019: Merger PACKED vzw with VIAA and LUKAS
www.packed.be | www.projectcest.be | www.scart.be | www.projecttracks.be | www.scoremodel.org ...
4. Public Domain is…
...all the creative works to which no exclusive intellectual
property rights apply. Those rights may have:
● expired
● been forfeited
● expressly waived
● be inapplicable.
Logo’s: PD mark ≠ license!
Other rights may apply:
● neighboring rights
● privacy rights
● etc.
Important to convey this information clearly and correctly > rights
statements instead of limiting access or reuse by claiming
copyright
5. Public Domain Day: What?
International day to celebrate work of artists that enter
the public domain in a given year, as well as highlight
issues in access to these works
Low-threshold context for institutions to:
● learn about copyright
● exchange experiences
● start opening up digital collections
Public Domain Day BE 2019:
● Royal Library of Belgium
● Constant vzw
● Plus-tôt Te laat
● Cinema Nova
6. Public Domain Day: Why?
● Highlight work of known and lesser known artists
● Copyright protection not necessarily in the interest of
advancing goals of publicly funded heritage organisation
● Copyright and Creative Commons licenses not necessarily
used correctly
● Getting heritage institutions to identify with the wider
OpenGlam movement
7. Royal Museum for Fine Arts Antwerp
● Daken in Perugia, Alberto Tutino, 1933,
Koninklijk Museum voor Schone Kunsten
Antwerpen, 2360
● Aan de haven, Oscar Verpoorten,
Koninklijk Museum voor Schone Kunsten
Antwerpen, 243
8. Library University of Antwerp
Henry Harris Brown (1864-1948):
● painter and printmaker
● 2 prints
9. Royal Library
Louise Danse (1867 – 1948):
● mentioned in his Women Painters of the
World - Walter Shaw Sparrow
● KBR: 28 etchings by Louise Danse:
13. Museum Plantin-Moretus
Louise Danse (1867 – 1948):
● De Lezende Vrouw, ets, Museum Plantin-
Moretus
● Portret van een vrouw, ets, Museum
Plantin-Moretus
● Les Lys de Morteraine, ets, Museum
Plantin-Moretus
14. MSK Gent
● Maurice Brocas: painter, 1 work
● Eugène Dopchie: graphic artist, 5 works
● François Steyaert: painter, 1 work
● Frédéric De Smet: painter, 13 works
● Olivier Piette: sculptor, 5 works
● Gustave Van de Woestijne, painter, graphic artist
(PDMD 2018)
15. Uploads later this year:
● Cinematek: archive Jacques Feyder
● Jakob Smits Museum
● Museum M
● … always open to suggestions
16. Other uploads
● Public Domain Day uploads 2018:
○ Royal Library
○ Letterenhuis
○ Royal Museum of Fine Arts Antwerp
○ Horta museum
○ Fondation CIVA
○ Groeningemuseum
● Groeningemuseum/LUKAS: 842 images from core collection
● Royal Museum of Fine Arts Antwerp/LUKAS: 116 images from
core collection
● Centrum voor Agrarische Geschiedenis: 56 images
● Gruuthuuse Museum: 29 images + tutorials
● Library of the University of Antwerp: 1.039 images
● Library of the University of Ghent 40 images
● etc.
20. Why Wikimedia platforms?
PACKED vzw has been encouraging
institutions to open up collections on
Wikimedia Platforms for various reasons:
● visibility
● engagement
● serendipity
● niche interests vs. curating most famous
works
> however not the only option:
● Proprietary platforms / aggregators
● Github
● etc.
21. Program
● 14:15 : Rony Vissers, PACKED vzw / VIAA - overall introduction to ground rules of copyright
law, the public domain, privacy rights, etc.
● 14:45 : Davy Hanegreefs, CINEMATEK - Copyright in film
● 15:05 : Peter Catrie, Royal Library - The Orphan works in libraries
● 15:25 : Coffee break
● 15:40 : Astrid Fobelets & Olivier D’Huynslaeger - KBS: Opening up data and reproductions at
the King Baudouin Foundation
● 15:55 : Tobias Hendrickx & Dieter Suls - MOMU: Opening up collections, resources and open
source tools
● 16:10 : Loraine Furter - Speaking Volumes & Just for the Record:: The public domain from the
artist and researcher’s perspective
● 16:25 : Eric Schrijver - Copy This Book: The relationship between heritage institutions and
artists looking to re-use public domain materials.
● 16:40: Dimitar Dimitrov - Wikimedia Movement: Copyright reform
● 16:55 - …: Wrap-up and drinks!
23. Public Domain Day
2019: Wrap up
Sam Donvil
sam@packed.be
@PACKEDvzw
#PublicDomainDay
#openGLAM
#PACKEDvzw
24. Other Public Domain Day activities
● Thu 24/01: Death will not tear us apart @ Constant vzw : vernissage vitrine-tentoonstelling,
register on Facebook
● Sat 26/01: Wikipedia writing session / editathon @ Royal Library register on Facebook
Wikimedia Belgium
● Later in 2019: Screenings Jacques Feyder @ Cinema Nova and possibly Cinematek
25. More documentation
More information:
○ https://nl.wikipedia.org/wiki/Publiekdomeindag
○ https://en.wikipedia.org/wiki/Public_Domain_Day
○ https://nl.wikipedia.org/wiki/Wikipedia:Wikiproject/Publiek_Domein_Werkgroep/intro
Queries:
○ http://tinyurl.com/yaqprptd - all Belgians who died in 1948 + occupation
○ http://tinyurl.com/y7rkv3u5 - list of artists for specific collection + date of death +
artworks
○ http://tinyurl.com/y7xt5no3 - list of artists worldwide who died in 1948 + list of works in
specific collections
26. How to get involved?
PACKED focus towards trainings:
● Post-summer training camp
● Wikidata b-day training
● Editathons: students, your staff, etc.
Use queries!
2020: James Ensor!
Workflow to get involved:
● Testset
● Upload into Wikidata, Wikimedia
Commons
● Evaluation
● Reuse in Wikipedia articles
More Belgian institutions on this list!