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Curriculum Design
Design
 the arrangement of the
elements of a curriculum into a
substantive entity
Elements of Curriculum
Design
 Aims, Goals, and Objectives
 Subject Matter
 Learning Experiences
 Evaluation Approaches
Sources for Curriculum
Design
 Science
 Society
 Eternal and Divine Sources
 Knowledge
 Learner
Science as a Source
 Scientific method provides meaning
for the curriculum design
 Designs that stress learning how to
learn or “thinking” curricula
emphasize scientific procedures
 Coincides with the scientific and
rational world of Western culture
Society as a Source
 School is an agent of society, thus
the school should draw its ideas for
the curriculum from the analysis of
the social situation
 Curriculum design can only be
completely understood if it is
contextualized socially,
economically, and politically
Eternal and Divine
Sources
 Draw on the past for guidance
as to what is appropriate
content
 Related to eternal truth
revealed through such sources
as the Bible or other religious
documents
Knowledge as a Source
 Disciplined Knowledge
• has a particular method or
methods by which scholars extend
its boundaries
 Undisciplined Knowledge
• does not have unique content, but
has content that is clustered
according to the focus of the
investigation
The Learner as a Source
 Curriculum should be derived
from what we know about the
learner---how he learns. Forms
attitudes, generates interests,
and develops values
Conceptual Framework
 Horizontal organization
• scope and integration
• side by side arrangement of
curriculum elements
• sequence and continuity
• longitudinal placement of curriculum
elements
Design Dimension
Considerations
 Scope
 Sequence
 Continuity
 Integration
 Articulation
 Balance
Scope
 breath and depth of curriculum
content
Sequence
 vertical relationship among
curricular areas
 the occurrence and
reoccurrence of content and
experiences so that students
will have opportunities to
connect and enrich their
understanding of the curriculum
presented or experienced
Continuity
 vertical manipulation or
repetition of curriculum
components
Integration
 linking of all types of knowledge
and experiences contained
within the curriculum plan
 enables the individual to
comprehend knowledge as
unified
Articulation
 Vertical Articulation
• depicts the relationships of certain
aspects in the curriculum sequence to
lessons, topics, or courses appearing
later in the program’s sequence
 Horizontal Articulation
• refers to the association between or
among elements occurring
simultaneously
Balance
 giving appropriate weight to
each aspect of the design so
that distortions do not occur
Representative
Curriculum Designs
 Subject-Centered Designs
 Learner-Centered Designs
 Problem-Centered Designs
Subject-Centered
Designs
 Subject Design
 Discipline Design
 Broad Fields Design
 Correlation Design
 Process Design
Subject Design
 Based on the belief that what
makes humans unique and
distinctive is their intellect and
the searching for and
attainment of knowledge are
the natural fulfillment of that
intellect
 Curriculum is organized
according to how essential
Subject Design-Strengths
& Weaknesses
 Emphasis on verbal
activities
 Introduces
students to the
essential
knowledge of
society
 Easy to deliver
 Traditional
 Prevents
individualization
 Disempowers students
 Fails to foster social,
psychological, and
physical development
 Compartmentalizes
learning
 Neglects students’
needs, interests,
experiences
 Fosters passivity
Discipline Design
 Based on the inherent
organization of content
 The manner in which content is
learned is suggested by the
methods scholars employ to
study the content of their fields.
Discipline Design-
Strengths &
Weaknesses
 Students attain
mastery of
content and
independent
learning
 Subjects to be
taught to any
child at any
stage of
development
 Ignores information
that cannot be
classified as
disciplined
knowledge
 Addresses only the
interests of the
college bound
 Students must
adapt to the
curriculum
Broad Fields Design
(Interdisciplinary)
 Attempts to integrate content that
appears to fit together logically
 Allows students to discern
relationships among the various
aspects of the curriculum content,
as well as wholeness of meaning
 Students are invited to participate
through the construction of meaning
in grasping the meaning or meanings
of the whole
Broad Fields- Strengths
& Weaknesses
 Allows students
to discern
relationships
among various
aspects of
curriculum
content
 Students
participate in
the construction
 Issue of breadth
vs depth
Correlation Design
 Allows for some linkage of
separate subjects in order to
reduce fragmentation of the
curricular content
Correlation- Strengths &
Weaknesses
 Allows linkage
of some
subjects to
reduce
fragmentation
 Requires
alternative
forms of
scheduling
 Requires
teachers to plan
differently
(cooperatively)
Process Design
 Gives attention to the procedures
and processes by which individuals
advance knowledge, either in
specific disciplines or in general
 Emphasizes those procedures and
dispositions to act that enable
students to analyze their realities
and create frameworks by which the
knowledge derived can be arranged
Process- Strengths &
Weaknesses
 Teaches how to
learn and think
critically
 Lacks emphasis
on content
Learner-Centered
Designs
 Child Centered Designs
 Experience-Centered Designs
 Romantic (Radical) Designs
 Humanistic Designs
Child Centered Designs
 Students must be active in their
environments if we are to
optimize learning
 Curriculum should be based on
students’ lives, needs, and
interests
Child-Centered
Strengths &
Weaknesses
 Empowers
students
through
ownership of
knowledge
 Allows for
constructivist
learning
 Content not
specific
Experience Centered
Designs
 Everything has to be done “on
the spot”---we cannot anticipate
the interests and needs of
children
Experience Centered
Strengths &
Weaknesses
 Based on
natural
experiences of
children
 Not specific
Romantic (Radical)
Designs
 Emancipation is the goal of education
 Individuals should gain those
awarenesses, competencies, and attitudes
to enable them to take control of their
lives
 Learning results from the interaction
among people; by challenging content and
permitting different views about the
content, as well as from critiquing the
purposes of the information presented
Romantic Strengths &
Weaknesses
 Emancipates the
learner
 Threatens
status quo
Humanistic Designs
 The focus of attention should be on
the subject nature of human
existence; there is a relationship
between learning and feeling
 Empowering individuals
 Stress the development of positive
self-concept and interpersonal skills
Humanistic Strengths
&Weaknesses
 Promotes self esteem
 Empowers individuals
 Inadequate consideration
of methods in light of
consequences for
learners
 Inconsistent emphasis on
uniqueness of individuals
and activities that all
students experience
 Too much emphasis on
the needs of the
individual over the overall
society
 Does not integrate what
is known about human
learning and development
Problem-Centered
Designs
 Life-Situations Design
 Core Design
 Social problems and
Reconstructionist Designs
 Persistent life situations are crucial to a society’s
successful functioning; it makes sense to organize
a curriculum around them
 Students will see direct relevance to what they are
studying if the content is organized around aspects
of community life
 By having students study social or life situations,
they not only study ways to improve society but
become directly involved in that improvement
Life Situation Design
Life Situations Strengths &
Weaknesses
 Presents subject
matter in an
integrated
manner
 Encourages
students to
learn and apply
problem solving
procedures
 Relevant
 How to
determine scope
and sequence of
essential areas
of learning
 Does not expose
student
adequately to
their cultural
heritage
 Centers on general education
and is based on problems
arising out of common human
activities
Core Design
Core Strengths &
Weaknesses
 Unifies content
 Provides relevant
subject matter
 Encourages active
processing of
information
 Fosters democratic
processes in the
classroom
 Nontraditional
 Ignores the
fundamentals
 Materials are
hard to find
 Requires an
exceptional
teacher
Social Problems and
Reconstructionist
Design
 Curriculum should address
contemporary social problems
and social action projects
aimed at reconstructing society
 Educators will effect social
change and create a more just
society
Strengths &
Weaknesses

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1604952728-curriculum-design of education.ppt

  • 2. Design  the arrangement of the elements of a curriculum into a substantive entity
  • 3. Elements of Curriculum Design  Aims, Goals, and Objectives  Subject Matter  Learning Experiences  Evaluation Approaches
  • 4. Sources for Curriculum Design  Science  Society  Eternal and Divine Sources  Knowledge  Learner
  • 5. Science as a Source  Scientific method provides meaning for the curriculum design  Designs that stress learning how to learn or “thinking” curricula emphasize scientific procedures  Coincides with the scientific and rational world of Western culture
  • 6. Society as a Source  School is an agent of society, thus the school should draw its ideas for the curriculum from the analysis of the social situation  Curriculum design can only be completely understood if it is contextualized socially, economically, and politically
  • 7. Eternal and Divine Sources  Draw on the past for guidance as to what is appropriate content  Related to eternal truth revealed through such sources as the Bible or other religious documents
  • 8. Knowledge as a Source  Disciplined Knowledge • has a particular method or methods by which scholars extend its boundaries  Undisciplined Knowledge • does not have unique content, but has content that is clustered according to the focus of the investigation
  • 9. The Learner as a Source  Curriculum should be derived from what we know about the learner---how he learns. Forms attitudes, generates interests, and develops values
  • 10. Conceptual Framework  Horizontal organization • scope and integration • side by side arrangement of curriculum elements • sequence and continuity • longitudinal placement of curriculum elements
  • 11. Design Dimension Considerations  Scope  Sequence  Continuity  Integration  Articulation  Balance
  • 12. Scope  breath and depth of curriculum content
  • 13. Sequence  vertical relationship among curricular areas  the occurrence and reoccurrence of content and experiences so that students will have opportunities to connect and enrich their understanding of the curriculum presented or experienced
  • 14. Continuity  vertical manipulation or repetition of curriculum components
  • 15. Integration  linking of all types of knowledge and experiences contained within the curriculum plan  enables the individual to comprehend knowledge as unified
  • 16. Articulation  Vertical Articulation • depicts the relationships of certain aspects in the curriculum sequence to lessons, topics, or courses appearing later in the program’s sequence  Horizontal Articulation • refers to the association between or among elements occurring simultaneously
  • 17. Balance  giving appropriate weight to each aspect of the design so that distortions do not occur
  • 18. Representative Curriculum Designs  Subject-Centered Designs  Learner-Centered Designs  Problem-Centered Designs
  • 19. Subject-Centered Designs  Subject Design  Discipline Design  Broad Fields Design  Correlation Design  Process Design
  • 20. Subject Design  Based on the belief that what makes humans unique and distinctive is their intellect and the searching for and attainment of knowledge are the natural fulfillment of that intellect  Curriculum is organized according to how essential
  • 21. Subject Design-Strengths & Weaknesses  Emphasis on verbal activities  Introduces students to the essential knowledge of society  Easy to deliver  Traditional  Prevents individualization  Disempowers students  Fails to foster social, psychological, and physical development  Compartmentalizes learning  Neglects students’ needs, interests, experiences  Fosters passivity
  • 22. Discipline Design  Based on the inherent organization of content  The manner in which content is learned is suggested by the methods scholars employ to study the content of their fields.
  • 23. Discipline Design- Strengths & Weaknesses  Students attain mastery of content and independent learning  Subjects to be taught to any child at any stage of development  Ignores information that cannot be classified as disciplined knowledge  Addresses only the interests of the college bound  Students must adapt to the curriculum
  • 24. Broad Fields Design (Interdisciplinary)  Attempts to integrate content that appears to fit together logically  Allows students to discern relationships among the various aspects of the curriculum content, as well as wholeness of meaning  Students are invited to participate through the construction of meaning in grasping the meaning or meanings of the whole
  • 25. Broad Fields- Strengths & Weaknesses  Allows students to discern relationships among various aspects of curriculum content  Students participate in the construction  Issue of breadth vs depth
  • 26. Correlation Design  Allows for some linkage of separate subjects in order to reduce fragmentation of the curricular content
  • 27. Correlation- Strengths & Weaknesses  Allows linkage of some subjects to reduce fragmentation  Requires alternative forms of scheduling  Requires teachers to plan differently (cooperatively)
  • 28. Process Design  Gives attention to the procedures and processes by which individuals advance knowledge, either in specific disciplines or in general  Emphasizes those procedures and dispositions to act that enable students to analyze their realities and create frameworks by which the knowledge derived can be arranged
  • 29. Process- Strengths & Weaknesses  Teaches how to learn and think critically  Lacks emphasis on content
  • 30. Learner-Centered Designs  Child Centered Designs  Experience-Centered Designs  Romantic (Radical) Designs  Humanistic Designs
  • 31. Child Centered Designs  Students must be active in their environments if we are to optimize learning  Curriculum should be based on students’ lives, needs, and interests
  • 32. Child-Centered Strengths & Weaknesses  Empowers students through ownership of knowledge  Allows for constructivist learning  Content not specific
  • 33. Experience Centered Designs  Everything has to be done “on the spot”---we cannot anticipate the interests and needs of children
  • 34. Experience Centered Strengths & Weaknesses  Based on natural experiences of children  Not specific
  • 35. Romantic (Radical) Designs  Emancipation is the goal of education  Individuals should gain those awarenesses, competencies, and attitudes to enable them to take control of their lives  Learning results from the interaction among people; by challenging content and permitting different views about the content, as well as from critiquing the purposes of the information presented
  • 36. Romantic Strengths & Weaknesses  Emancipates the learner  Threatens status quo
  • 37. Humanistic Designs  The focus of attention should be on the subject nature of human existence; there is a relationship between learning and feeling  Empowering individuals  Stress the development of positive self-concept and interpersonal skills
  • 38. Humanistic Strengths &Weaknesses  Promotes self esteem  Empowers individuals  Inadequate consideration of methods in light of consequences for learners  Inconsistent emphasis on uniqueness of individuals and activities that all students experience  Too much emphasis on the needs of the individual over the overall society  Does not integrate what is known about human learning and development
  • 39. Problem-Centered Designs  Life-Situations Design  Core Design  Social problems and Reconstructionist Designs
  • 40.  Persistent life situations are crucial to a society’s successful functioning; it makes sense to organize a curriculum around them  Students will see direct relevance to what they are studying if the content is organized around aspects of community life  By having students study social or life situations, they not only study ways to improve society but become directly involved in that improvement Life Situation Design
  • 41. Life Situations Strengths & Weaknesses  Presents subject matter in an integrated manner  Encourages students to learn and apply problem solving procedures  Relevant  How to determine scope and sequence of essential areas of learning  Does not expose student adequately to their cultural heritage
  • 42.  Centers on general education and is based on problems arising out of common human activities Core Design
  • 43. Core Strengths & Weaknesses  Unifies content  Provides relevant subject matter  Encourages active processing of information  Fosters democratic processes in the classroom  Nontraditional  Ignores the fundamentals  Materials are hard to find  Requires an exceptional teacher
  • 44. Social Problems and Reconstructionist Design  Curriculum should address contemporary social problems and social action projects aimed at reconstructing society  Educators will effect social change and create a more just society