This document provides a summary of the plot and structure of a proposed transmedia series titled "Jezabel, the track of a lifetime."
1. The series follows 19-year-old Jezabel, a student who gains online fame after posting a song. She is offered a record deal by a producer but struggles to find her artistic voice amid the demands of the music industry.
2. The series will be told across multiple mediums, including a 12-episode TV season, an interactive blog, social media, a radio show, and a concert livestream. This allows the story to be experienced from different character perspectives.
3. The TV episodes depict Jezabel's rise to fame in
This document analyzes several factors related to CD covers, including:
1) The relationship between the cover and other panels in terms of linking colors, images and themes to create a consistent brand identity.
2) How the choice of images, fonts, colors and layout/design are used to make the cover eye-catching and convey meaning about the genre and artist.
3) Where industry information like the artist, album, label and copyright details are typically displayed.
The document provides questions to consider when analyzing design elements and how they relate to marketing the artist and suggesting the music genre.
The document outlines the production log for a graphic novel project focusing on jazz singer Ella Fitzgerald, including brainstorming different ideas, conducting research through questionnaires and online forums, developing characters and storylines, and carrying out visual research on styles and time periods. Key aspects of pre-production included deciding on the graphic novel format and style, addressing potential copyright issues, and beginning artwork with character sketches and page layout designs.
This document provides details on the planning and research for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key points include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame, focusing on her early struggles.
- Research was conducted through questionnaires, online research on graphic novel preferences and forums, and visits to art galleries and music stores to study the early 1900s era.
- A basic storyline was outlined covering Ella's early life challenges and a fictional element of making a deal with a trickster character for fame.
- Main characters were identified including Ella Fitzgerald and other jazz singers of the time.
- Pre-production details were considered around materials needed
This production log documents the planning and development process for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key details include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame.
- Research was conducted through questionnaires at comic stores and online research on graphic novel genres and sales data.
- Visual research included photographing items from the 1900s at local museums.
- A basic storyline was outlined focusing on Ella's early struggles and potential supernatural elements.
- Main characters were identified and character sketches were developed.
- Considerations around copyright and permissions for using real people were discussed.
- Inspiration was gathered for depicting the "Trickster" character.
This document provides details on the development of a graphic novel project focusing on jazz singer Ella Fitzgerald. It outlines the initial brainstorming process, research conducted, including visiting stores and online forums to understand audience preferences. It discusses settling on the idea of creating a graphic novel about Ella Fitzgerald's rise to fame. The document then provides an outline of the basic storyline, which follows key events in Ella's early life and introduces a fictional element involving a trickster character who offers her fame in exchange for a deal.
This document provides details on the development of a graphic novel project focusing on jazz singer Ella Fitzgerald. It outlines the initial brainstorming process, research conducted, including visiting stores and online forums to understand audience preferences. It discusses settling on the idea of creating a graphic novel about Ella Fitzgerald's rise to fame. The document then provides an outline of the basic storyline, which follows key events in Ella's early life and introduces a fictional element involving a trickster character who offers her fame in exchange for a deal.
This document provides an overview and production log for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key details include:
- The project will tell Ella Fitzgerald's story and rise to fame, incorporating fictional elements like a trickster character.
- Research was conducted through online forums, polls, and visits to art galleries and music stores to study the early 1900s era.
- Character designs and visual research references were created for main characters like Ella Fitzgerald and supporting characters.
- A basic storyline was outlined in bullet points covering Ella's early life challenges and potential dealings with the trickster character.
- Pre-production planning addressed materials needed and copyright considerations for using real people in the story.
This document provides an overview of the process and planning for a graphic novel project focused on jazz singer Ella Fitzgerald. Key details include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame and include other jazz singers as characters.
- Research was conducted through questionnaires at comic stores and online forums to understand audience preferences and the jazz history period.
- Visual research involved photographing artifacts from the 1900s at local museums and music stores to depict the era accurately.
- The storyline and characters are being developed, with the working title "Hollow Queen" exploring a fictional temptation element in Ella's journey to fame.
This document analyzes several factors related to CD covers, including:
1) The relationship between the cover and other panels in terms of linking colors, images and themes to create a consistent brand identity.
2) How the choice of images, fonts, colors and layout/design are used to make the cover eye-catching and convey meaning about the genre and artist.
3) Where industry information like the artist, album, label and copyright details are typically displayed.
The document provides questions to consider when analyzing design elements and how they relate to marketing the artist and suggesting the music genre.
The document outlines the production log for a graphic novel project focusing on jazz singer Ella Fitzgerald, including brainstorming different ideas, conducting research through questionnaires and online forums, developing characters and storylines, and carrying out visual research on styles and time periods. Key aspects of pre-production included deciding on the graphic novel format and style, addressing potential copyright issues, and beginning artwork with character sketches and page layout designs.
This document provides details on the planning and research for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key points include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame, focusing on her early struggles.
- Research was conducted through questionnaires, online research on graphic novel preferences and forums, and visits to art galleries and music stores to study the early 1900s era.
- A basic storyline was outlined covering Ella's early life challenges and a fictional element of making a deal with a trickster character for fame.
- Main characters were identified including Ella Fitzgerald and other jazz singers of the time.
- Pre-production details were considered around materials needed
This production log documents the planning and development process for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key details include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame.
- Research was conducted through questionnaires at comic stores and online research on graphic novel genres and sales data.
- Visual research included photographing items from the 1900s at local museums.
- A basic storyline was outlined focusing on Ella's early struggles and potential supernatural elements.
- Main characters were identified and character sketches were developed.
- Considerations around copyright and permissions for using real people were discussed.
- Inspiration was gathered for depicting the "Trickster" character.
This document provides details on the development of a graphic novel project focusing on jazz singer Ella Fitzgerald. It outlines the initial brainstorming process, research conducted, including visiting stores and online forums to understand audience preferences. It discusses settling on the idea of creating a graphic novel about Ella Fitzgerald's rise to fame. The document then provides an outline of the basic storyline, which follows key events in Ella's early life and introduces a fictional element involving a trickster character who offers her fame in exchange for a deal.
This document provides details on the development of a graphic novel project focusing on jazz singer Ella Fitzgerald. It outlines the initial brainstorming process, research conducted, including visiting stores and online forums to understand audience preferences. It discusses settling on the idea of creating a graphic novel about Ella Fitzgerald's rise to fame. The document then provides an outline of the basic storyline, which follows key events in Ella's early life and introduces a fictional element involving a trickster character who offers her fame in exchange for a deal.
This document provides an overview and production log for a graphic novel project focusing on jazz singer Ella Fitzgerald. Key details include:
- The project will tell Ella Fitzgerald's story and rise to fame, incorporating fictional elements like a trickster character.
- Research was conducted through online forums, polls, and visits to art galleries and music stores to study the early 1900s era.
- Character designs and visual research references were created for main characters like Ella Fitzgerald and supporting characters.
- A basic storyline was outlined in bullet points covering Ella's early life challenges and potential dealings with the trickster character.
- Pre-production planning addressed materials needed and copyright considerations for using real people in the story.
This document provides an overview of the process and planning for a graphic novel project focused on jazz singer Ella Fitzgerald. Key details include:
- The project will be a graphic novel telling the story of Ella Fitzgerald's rise to fame and include other jazz singers as characters.
- Research was conducted through questionnaires at comic stores and online forums to understand audience preferences and the jazz history period.
- Visual research involved photographing artifacts from the 1900s at local museums and music stores to depict the era accurately.
- The storyline and characters are being developed, with the working title "Hollow Queen" exploring a fictional temptation element in Ella's journey to fame.
The document analyzes magazine articles, specifically the cover of NME magazine from September 2009 featuring Dizzee Rascal. It summarizes the main image, color scheme, headlines, captions and background of the cover page spread. It then analyzes the written article, noting it contrasts Dizzee Rascal's troubled past with his current success in the music industry. The article is presented formally in short columns.
The document also analyzes a double page spread featuring Florence from Florence and the Machine. It summarizes the main image, color scheme, headlines and background. It then analyzes the written article about Florence's career progression and increasing fame presented formally in columns of varying size.
This magazine article analyzes Dizzee Rascal's cover photo on NME magazine from September 2009. The photo depicts Dizzee holding a spray can in front of a graffiti wall, portraying a rebellious image. The article contrasts his troubled past involving crime and prison with his current success and award nominations. It describes how his background is reflected in the magazine's color scheme and photo mise-en-scene. The article is presented formally in multiple short columns of text.
The production log documents planning and development for a final major project focused on creating a graphic novel. Ideas considered include comic strips set in medieval times or focusing on a jazz singer. Research was conducted through questionnaires at comic stores and online research on graphic novel preferences and jazz history. The project was settled on a graphic novel telling the story of jazz singer Ella Fitzgerald's rise to fame. Visual research involved visiting art galleries and music stores. Production planning will account for time and budget. Feedback will be gathered through presenting to a focus group, and changes made based on that feedback.
The document analyzes the cover of a Q magazine and a Top of the Pops magazine to inform the design of a new music magazine. Some key points made include:
- The Q magazine effectively uses Florence Welsh's recognizable image and colorful design to attract readers. However, the analysis recommends focusing more exclusively on music content rather than gossip.
- For special editions, freedom to cover different topics beyond current artists is seen as an advantage, as collectors will want exclusive content.
- The Top of the Pops magazine appropriately features currently popular artists like JLS and The Wanted for the target audience but includes a random non-music article that would not fit the planned magazine.
- For bands, showing all
The document provides an exclusive interview with Jessie North, lead singer of the band Bullet From Heaven, on topics ranging from the band's formation to their craziest memories and plans for the future. Jessie discusses how the band started in high school, pranking other bands on tour, and typical nights out involving heavy drinking and looking after bandmates. The interview also addresses rumors about past relationships, musical influences, and their favorite tracks off their new album.
This production log details the planning and research for a graphic novel project focused on jazz singer Ella Fitzgerald. Research included distributing questionnaires at comic shops, online research on popular graphic novel genres and forums, and visual research visiting museums and a music store. The project will be a black hardcover graphic novel created using sketches, Photoshop for coloring, and rulers for layout. The story will follow Ella Fitzgerald's rise to fame.
This document discusses how the media product, a magazine, represents particular social groups through its design elements. The magazine aims to represent both the indie and pop genres by incorporating vintage and modern styles. It uses a jukebox as its masthead to connect to both subcultures. Color schemes of red and purple are used to symbolize the genres. Images and articles portray teenagers having fun and express dominant social norms. Fonts, layouts, and other visual elements aim to appeal to both genres while maintaining a scrapbook style.
The document provides information about designing a digipak for a folk rock album. It discusses the research conducted on digipaks for folk rock music, which was difficult due to the genre being more popular in past decades. The research analyzed album covers from 5 bands - Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. Most of the covers had hand drawn or painted art rather than photos, marketing the artist as having natural talent rather than relying on technology. The covers also commonly depicted the artist in a natural setting or incorporated natural elements.
The document provides details on the cover designs of albums and mixtapes from various hip hop artists including Eminem, Nas, Tupac, and others. It analyzes elements like the photo shots, backgrounds, font styles, colors, and layouts used on the fronts and backs of the covers. Key techniques discussed that help capture audience attention include using contrasting colors, unusual font placements, and images or details that represent the theme or message of the album. The document suggests cover design elements that could be replicated to attract audiences, such as an emphasis on title fonts or backgrounds related to the music's content.
The document provides details about researching and analyzing Digipak album covers from five folk rock bands: Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. It notes that Digipaks allow more creative design than jewel cases and are less likely to crack. Analysis is provided of design elements of the covers, including hand-drawn backgrounds, simple fonts, depictions of the artists, and inclusion of record label details.
This document discusses digipak album packaging for folk rock music. It provides details on what a digipak is and how it offers more creative design options than a jewel case. Research was conducted on the album art of 5 folk rock bands - Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. Most of their album covers featured hand-drawn or painted art rather than photographs, marketing the artist as having natural talent rather than relying on technology. This style of album art matches the folk rock genre's themes of being in touch with nature.
The document provides an analysis of the digipak designs of four hip hop albums:
1) J. Cole's "Cole World: The Sideline Story" depicts the artist sitting on a bench, representing his mindset of waiting for his chance since being signed by Jay-Z. Imagery throughout continues this theme of being "on the sidelines."
2) Chris Brown's "F.A.M.E" uses colorful, graphic imagery of the artist to attract a young audience. Imagery on the back depicts the artist in a metal mask, possibly representing his desire to be obscured from media attention.
3) Jay-Z's "The Black Album" features an obscured image of the
The document provides information about designing a digipak for a folk rock album. It discusses the key characteristics of digipaks, including their book-style design which protects CDs. It also analyzes the album art and designs of five folk rock bands, noting that most album covers in the genre feature hand-drawn or painted art rather than photos. This hand-drawn art markets the artist as having natural talent rather than relying on technology. Overall designs are often simple with an emphasis on connecting the artist to nature.
The document analyzes the front cover and contents page of the rock magazine Kerrang. Some key points:
- The color scheme of black, red, and white is meant to appeal to Kerrang's target rock audience.
- Photos show rock artists in poses that signify rebellion associated with the genre.
- Fonts and writing styles are aggressive to suit the target adult/teenage audience.
- Layouts are coordinated but messy to appeal to fans of alternative rock music.
The document analyzes the cover and contents page of the rock magazine Kerrang. Some key points:
- The color scheme of black, red, and white is meant to appeal to Kerrang's target rock audience.
- Photos feature rock artists in poses associated with rebellion to signify the rock genre.
- Fonts are distressed and aggressive to match the rock aesthetic.
- Layouts are coordinated but messy, appealing to fans of alternative rock music.
- Imagery, language, and topics are aimed at older teenage and adult readers rather than children.
The document analyzes two double page spreads from NME Magazine.
The first spread features artist Dizzee Rascal and analyzes elements like the main image, captions, headings, color scheme, and background. The written article discusses Dizzee Rascal's career over the past year.
The second spread features artist Florence from Florence and the Machine and also analyzes elements such as the main image, captions, headings, color scheme, and background. The written article covers Florence's rising fame and success in the music industry.
Both spreads showcase the artists and provide concise updates on their recent work in a formal journalistic style through images, design elements, and short column articles.
Florence and the Machine magazine advertisement:
1) Florence is featured prominently to grab attention as a recognizable figure
2) Visual references to her album title and release date encourage readers to buy the album
3) Information about popular songs gives a taste of what's on the album to drive sales
Jessie J magazine advertisement:
1) Jessie takes up space to represent her big personality and encourage appreciation of her music
2) Mystery is created around what she has to say on the album to pique interest
3) References to chart success and popularity aim to join fans to the trend of her music
Gwen Stefani magazine advertisement:
1) Mysterious and
Vibe magazine was launched in 1993 by Quincy Jones in partnership with Time Inc. to cover hip hop and R&B artists, actors, and entertainers. Its target audience is youth interested in hip hop culture, aged 16-25. The magazine features interviews, music and tour information, and African American movies. Regularly featured celebrities include T.I., Lil Wayne, Chris Brown, and Nicki Minaj. Vibe uses a casual tone and focuses on imagery from hip hop and R&B like jewelry, cars, and attractive people. It employs a 60:40 image to text ratio with basic black and white colors.
The document summarizes the process of creating a CD cover for a fictional Japop artist named Jess. It discusses choosing an image from a photo shoot, editing the image in Photoshop and PowerPoint, and experimenting with different designs and layouts for the cover. The final design features Jess sitting on a chair in front of a blue backdrop, with a hand-drawn heart placed near her name and the song title. Comparisons are made to CD covers from jazz and pop artists to highlight similarities and differences between the styles.
The document analyzes and compares the album artwork and design of two hip hop artists, J.Cole and Chris Brown. For J.Cole's album, the front cover image depicts him sitting confidently on a bench in a sophisticated outfit, denoting his success. The background of a locker room suggests themes of waiting and the sidelines. Typography and imagery are consistently used across the design. Chris Brown's album features a stern portrait of the artist against a colorful graffiti-style background, focusing on his image over the music itself and appealing to younger audiences. Both album designs utilize consistent typography and imagery that tie into themes and styles of the respective artists.
The document summarizes an upcoming town hall meeting on April 21, 2009 for Open Source Bridge. It discusses that over 70 talks have been selected to be announced the following Thursday. It also mentions that they have a non-profit organization and weekly meetings. The document promotes sponsoring the event and donating as little as $2. It encourages helping to fill a room block at a discounted hotel rate by May 15th and volunteering at an on-site hacker lounge with an open floor plan.
This document proposes creating an open source conference called Open Source Bridge in Portland, Oregon to bring together open source developers locally and showcase Portland's open source community and talents. It outlines high-level organizational areas needed and encourages interested parties to get involved in planning by joining mailing lists. The goal is to reflect Portland's DIY culture and interests through collaborative discussion and community building.
The document analyzes magazine articles, specifically the cover of NME magazine from September 2009 featuring Dizzee Rascal. It summarizes the main image, color scheme, headlines, captions and background of the cover page spread. It then analyzes the written article, noting it contrasts Dizzee Rascal's troubled past with his current success in the music industry. The article is presented formally in short columns.
The document also analyzes a double page spread featuring Florence from Florence and the Machine. It summarizes the main image, color scheme, headlines and background. It then analyzes the written article about Florence's career progression and increasing fame presented formally in columns of varying size.
This magazine article analyzes Dizzee Rascal's cover photo on NME magazine from September 2009. The photo depicts Dizzee holding a spray can in front of a graffiti wall, portraying a rebellious image. The article contrasts his troubled past involving crime and prison with his current success and award nominations. It describes how his background is reflected in the magazine's color scheme and photo mise-en-scene. The article is presented formally in multiple short columns of text.
The production log documents planning and development for a final major project focused on creating a graphic novel. Ideas considered include comic strips set in medieval times or focusing on a jazz singer. Research was conducted through questionnaires at comic stores and online research on graphic novel preferences and jazz history. The project was settled on a graphic novel telling the story of jazz singer Ella Fitzgerald's rise to fame. Visual research involved visiting art galleries and music stores. Production planning will account for time and budget. Feedback will be gathered through presenting to a focus group, and changes made based on that feedback.
The document analyzes the cover of a Q magazine and a Top of the Pops magazine to inform the design of a new music magazine. Some key points made include:
- The Q magazine effectively uses Florence Welsh's recognizable image and colorful design to attract readers. However, the analysis recommends focusing more exclusively on music content rather than gossip.
- For special editions, freedom to cover different topics beyond current artists is seen as an advantage, as collectors will want exclusive content.
- The Top of the Pops magazine appropriately features currently popular artists like JLS and The Wanted for the target audience but includes a random non-music article that would not fit the planned magazine.
- For bands, showing all
The document provides an exclusive interview with Jessie North, lead singer of the band Bullet From Heaven, on topics ranging from the band's formation to their craziest memories and plans for the future. Jessie discusses how the band started in high school, pranking other bands on tour, and typical nights out involving heavy drinking and looking after bandmates. The interview also addresses rumors about past relationships, musical influences, and their favorite tracks off their new album.
This production log details the planning and research for a graphic novel project focused on jazz singer Ella Fitzgerald. Research included distributing questionnaires at comic shops, online research on popular graphic novel genres and forums, and visual research visiting museums and a music store. The project will be a black hardcover graphic novel created using sketches, Photoshop for coloring, and rulers for layout. The story will follow Ella Fitzgerald's rise to fame.
This document discusses how the media product, a magazine, represents particular social groups through its design elements. The magazine aims to represent both the indie and pop genres by incorporating vintage and modern styles. It uses a jukebox as its masthead to connect to both subcultures. Color schemes of red and purple are used to symbolize the genres. Images and articles portray teenagers having fun and express dominant social norms. Fonts, layouts, and other visual elements aim to appeal to both genres while maintaining a scrapbook style.
The document provides information about designing a digipak for a folk rock album. It discusses the research conducted on digipaks for folk rock music, which was difficult due to the genre being more popular in past decades. The research analyzed album covers from 5 bands - Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. Most of the covers had hand drawn or painted art rather than photos, marketing the artist as having natural talent rather than relying on technology. The covers also commonly depicted the artist in a natural setting or incorporated natural elements.
The document provides details on the cover designs of albums and mixtapes from various hip hop artists including Eminem, Nas, Tupac, and others. It analyzes elements like the photo shots, backgrounds, font styles, colors, and layouts used on the fronts and backs of the covers. Key techniques discussed that help capture audience attention include using contrasting colors, unusual font placements, and images or details that represent the theme or message of the album. The document suggests cover design elements that could be replicated to attract audiences, such as an emphasis on title fonts or backgrounds related to the music's content.
The document provides details about researching and analyzing Digipak album covers from five folk rock bands: Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. It notes that Digipaks allow more creative design than jewel cases and are less likely to crack. Analysis is provided of design elements of the covers, including hand-drawn backgrounds, simple fonts, depictions of the artists, and inclusion of record label details.
This document discusses digipak album packaging for folk rock music. It provides details on what a digipak is and how it offers more creative design options than a jewel case. Research was conducted on the album art of 5 folk rock bands - Cat Stevens, Laura Marling, Bon Iver, Mumford & Sons, and Simon & Garfunkel. Most of their album covers featured hand-drawn or painted art rather than photographs, marketing the artist as having natural talent rather than relying on technology. This style of album art matches the folk rock genre's themes of being in touch with nature.
The document provides an analysis of the digipak designs of four hip hop albums:
1) J. Cole's "Cole World: The Sideline Story" depicts the artist sitting on a bench, representing his mindset of waiting for his chance since being signed by Jay-Z. Imagery throughout continues this theme of being "on the sidelines."
2) Chris Brown's "F.A.M.E" uses colorful, graphic imagery of the artist to attract a young audience. Imagery on the back depicts the artist in a metal mask, possibly representing his desire to be obscured from media attention.
3) Jay-Z's "The Black Album" features an obscured image of the
The document provides information about designing a digipak for a folk rock album. It discusses the key characteristics of digipaks, including their book-style design which protects CDs. It also analyzes the album art and designs of five folk rock bands, noting that most album covers in the genre feature hand-drawn or painted art rather than photos. This hand-drawn art markets the artist as having natural talent rather than relying on technology. Overall designs are often simple with an emphasis on connecting the artist to nature.
The document analyzes the front cover and contents page of the rock magazine Kerrang. Some key points:
- The color scheme of black, red, and white is meant to appeal to Kerrang's target rock audience.
- Photos show rock artists in poses that signify rebellion associated with the genre.
- Fonts and writing styles are aggressive to suit the target adult/teenage audience.
- Layouts are coordinated but messy to appeal to fans of alternative rock music.
The document analyzes the cover and contents page of the rock magazine Kerrang. Some key points:
- The color scheme of black, red, and white is meant to appeal to Kerrang's target rock audience.
- Photos feature rock artists in poses associated with rebellion to signify the rock genre.
- Fonts are distressed and aggressive to match the rock aesthetic.
- Layouts are coordinated but messy, appealing to fans of alternative rock music.
- Imagery, language, and topics are aimed at older teenage and adult readers rather than children.
The document analyzes two double page spreads from NME Magazine.
The first spread features artist Dizzee Rascal and analyzes elements like the main image, captions, headings, color scheme, and background. The written article discusses Dizzee Rascal's career over the past year.
The second spread features artist Florence from Florence and the Machine and also analyzes elements such as the main image, captions, headings, color scheme, and background. The written article covers Florence's rising fame and success in the music industry.
Both spreads showcase the artists and provide concise updates on their recent work in a formal journalistic style through images, design elements, and short column articles.
Florence and the Machine magazine advertisement:
1) Florence is featured prominently to grab attention as a recognizable figure
2) Visual references to her album title and release date encourage readers to buy the album
3) Information about popular songs gives a taste of what's on the album to drive sales
Jessie J magazine advertisement:
1) Jessie takes up space to represent her big personality and encourage appreciation of her music
2) Mystery is created around what she has to say on the album to pique interest
3) References to chart success and popularity aim to join fans to the trend of her music
Gwen Stefani magazine advertisement:
1) Mysterious and
Vibe magazine was launched in 1993 by Quincy Jones in partnership with Time Inc. to cover hip hop and R&B artists, actors, and entertainers. Its target audience is youth interested in hip hop culture, aged 16-25. The magazine features interviews, music and tour information, and African American movies. Regularly featured celebrities include T.I., Lil Wayne, Chris Brown, and Nicki Minaj. Vibe uses a casual tone and focuses on imagery from hip hop and R&B like jewelry, cars, and attractive people. It employs a 60:40 image to text ratio with basic black and white colors.
The document summarizes the process of creating a CD cover for a fictional Japop artist named Jess. It discusses choosing an image from a photo shoot, editing the image in Photoshop and PowerPoint, and experimenting with different designs and layouts for the cover. The final design features Jess sitting on a chair in front of a blue backdrop, with a hand-drawn heart placed near her name and the song title. Comparisons are made to CD covers from jazz and pop artists to highlight similarities and differences between the styles.
The document analyzes and compares the album artwork and design of two hip hop artists, J.Cole and Chris Brown. For J.Cole's album, the front cover image depicts him sitting confidently on a bench in a sophisticated outfit, denoting his success. The background of a locker room suggests themes of waiting and the sidelines. Typography and imagery are consistently used across the design. Chris Brown's album features a stern portrait of the artist against a colorful graffiti-style background, focusing on his image over the music itself and appealing to younger audiences. Both album designs utilize consistent typography and imagery that tie into themes and styles of the respective artists.
The document summarizes an upcoming town hall meeting on April 21, 2009 for Open Source Bridge. It discusses that over 70 talks have been selected to be announced the following Thursday. It also mentions that they have a non-profit organization and weekly meetings. The document promotes sponsoring the event and donating as little as $2. It encourages helping to fill a room block at a discounted hotel rate by May 15th and volunteering at an on-site hacker lounge with an open floor plan.
This document proposes creating an open source conference called Open Source Bridge in Portland, Oregon to bring together open source developers locally and showcase Portland's open source community and talents. It outlines high-level organizational areas needed and encourages interested parties to get involved in planning by joining mailing lists. The goal is to reflect Portland's DIY culture and interests through collaborative discussion and community building.
Dia 2008 Hoffman High Performance Teams.V2.0thoffmd
The document discusses developing high performance teams and product development. It provides an overview of a presentation on nurturing team dynamics for success, including defining characteristics of high performance teams, vital signs, obstacles to performance, and requirements of effective team leadership. The presentation addresses differences between work groups and teams, surveys team perceptions, and considers special considerations for scientific teams in research and development.
This document provides a fictionalized biography of Zachary Haldeman, tracing his creative evolution from childhood through college. It describes his early works imitating Pokémon and Dragon Ball Z comics. Key influences included Rumiko Takahashi's manga like Maison Ikkoku, which taught him the value of complex, evolving characters. Though he conceived several comic and TV ideas, none materialized. The document is largely self-indulgent and its point about influences is unclear.
Daughter is an emerging London-based folk duo led by Elena Tonra. She developed a love of acoustic and folk music from her parents' vinyl collections. Tonra writes stories and poems that form the basis for her songs, which tell of unrequited love, lost hope, and death. The music video will portray the themes of escapism, corrupted youth, innocence versus sin, and self-destruction through the narrative of a protagonist who burns a childhood photo and engages in reckless behavior as a teenager to mask her feelings about her absent father. Costumes, locations, and props will further develop motifs of fire, self-destruction, childhood, and loneliness.
Pleasantville is a 1998 film directed by Gary Ross. It tells the story of twin siblings David and Jennifer who get transported into a 1950s black and white television show called Pleasantville. As the siblings interact with the characters and introduce new ideas, color starts appearing in the town representing changes like emotions, knowledge, and individuality. The film examines themes of idealism versus reality and the effects of change on a closed, sheltered society.
1) The document provides a treatment for a film about a young criminal named Joseph who suffers from insomnia.
2) Joseph is promised a cure for his insomnia if he does one last job by a deceiving acquaintance, but the job leads him down a surreal and nightmarish path.
3) The line between reality and Joseph's dreams becomes blurred as the events unfold and his mental state deteriorates due to lack of sleep.
Group Presentation for our Artist and Music Videoaaronpye
- The document describes Izabel Beau, a 19-year-old pop artist based in London. She draws inspiration from artists like Pixie Lott and Ellie Goulding.
- Her target audience is described as females aged 12-25 who enjoy pop music, dancing, and bright colors. A concept for her debut music video is outlined, focusing on a young girl who uses ballet as an escape from her parents' unhappy marriage.
- Details are provided on how the music video will incorporate conventions of the pop genre through its visuals, music, and narrative connections to the song's lyrics. Locations and costumes are also discussed.
- The document describes Izabel Beau, a 19-year-old pop artist based in London. She draws inspiration from artists like Pixie Lott and Ellie Goulding.
- Her target audience is described as females aged 12-25 who enjoy pop music, dancing, and bright colors. A concept for her debut music video is outlined, focusing on a young girl who uses ballet as an escape from her parents' unhappy marriage.
- Details are provided about how the music video will incorporate elements of Goodwin's analysis, including visual references to the song's lyrics and use of conventions like close-ups to promote the pop genre.
The document describes plans for a music video for the song "Loverboy" by the band You Me At Six. It will tell the story of a main character who moves between various derelict locations as he deals with the aftermath of a relationship. The video will feature alternating black-and-white shots of the band's intense performance and scenes showing the character's emotional journey. It aims to portray the song's narrative in a way that leaves interpretation open for the audience.
Zoe is a 15-24 year old female who enjoys socializing with friends, watching films and using social media. She works part-time and enjoys going to parties and clubs on weekends. The film will target this 15-24 demographic, especially females, by marketing the film on social media through character profiles, in locations like cinemas, clubs and gyms where young people spend time, and on TV and in magazines popular with teens. The goal is to build familiarity with the characters and generate buzz and intrigue around the storyline to attract a large audience.
The document proposes two ideas for music videos. The first is for the song "Use Somebody" by Kings of Leon. It tells the story of a boy missing his ex-girlfriend and feeling lonely, while she puts on a happy front but secretly feels the same. In the end, he realizes he needs to get her back and runs to her house. The second idea is for the song "Bad Day" by Daniel Powter. It shows a college boy having a bad day as he sees the girl he likes. The day contrasts with the beginning and end, which bookend him waking up alone and receiving a text from the girl at the end. Both videos would feature young adult protagonists and audiences for the
Lucy Spraggan's "Last Night" music video analyzes three songs: Lily Allen's "Littlest Things", Kate Nash's "Pumpkin Soup", and Lucy Spraggan's "Last Night". It examines the genre, concept, camerawork, sound, editing, and mise-en-scene of each video. The document provides screenshots and descriptions to analyze the technical and creative elements of each music video.
Lana del Rey is an American singer, songwriter and model born in 1986 in New York. She draws musical influences from Elvis Presley, Kurt Cobain, and Frank Sinatra and is known for alternative pop hits like "Video Games", "Born to Die", "Blue Jeans", and "Summertime Sadness". Her music has been described as alternative pop, indie pop, and sadcore.
The music video tells the story of a homeless girl struggling with drug addiction in London. It begins with her appearing to have died and flashes back to show her daily struggles to earn money by selling magazines or her body. Her drug use escalates and she exchanges money for drugs. In the end, she succumbs to her addiction. The black and white footage and lyrics portray her difficult life and sinking into addiction.
Dhanish Bachheta wrote a 985-word response analyzing Avril Lavigne's music video for her song "Hello Kitty". The document summarizes the plot of the music video, which depicts Lavigne in a Japanese setting and includes stereotypical Japanese cultural elements. It then analyzes the strong negative reactions to the video, arguing that much of the criticism stems from sensationalism. The document concludes by stating that the video is not truly racist and meant to celebrate Japanese culture, not mock it.
The document provides an in-depth analysis of the characteristics, themes, and techniques used in an indie music video by Emma Blackery. It examines the relationship between the lyrics, music, and visuals, as well as addressing demands of the record label, notions of looking, intertextual references, and whether the video uses a performance or narrative structure. Key points analyzed include the use of acoustic instruments, mundane locations, retro aesthetics, close-ups, direct address to the audience, and how the video portrays darker themes through its cinematography and story of a struggling young girl.
The video analyses 4 music videos:
1) Lily Allen's "Littlest Things" which uses old movie genre motifs but lyrics don't match the video.
2) Kate Nash's "Pumpkin Soup" tells a quirky love story in a non-typical pop way.
3) Lucy Spraggan's "Last Night" talks about alcohol through images and clips.
4) Analyzes camera shots, sound, editing, and mise-en-scene techniques used in each video.
- Contemporary R&B originated in the late 1970s and was popularized by artists like Michael Jackson, Whitney Houston, and Mariah Carey.
- Throughout the 1990s and 2000s, R&B incorporated more influences from hip hop and became more mainstream and modernized. Artists like Janet Jackson, Beyoncé, Usher, and Alicia Keys influenced the genre during this period.
- Today's R&B fuses electronic elements and machine-made sounds while still retaining elements of R&B's soulful roots. Miguel, Frank Ocean, The Weeknd, and Beyoncé are among the influential contemporary R&B artists.
The protagonist is a young man struggling with depression who wants to discover himself and help his family before leaving his hometown. He meets a girl who is also troubled, and must decide whether to open up to her about his problems or keep them private given their relationship will only be temporary. The film will follow the protagonist's perspective as he deals with alienation from others and seeks to find meaning in his life through his connection with the new girl, ultimately realizing their relationship cannot last. It will draw inspiration from films like Submarine, 500 Days of Summer, and It's Kind of a Funny Story through its unconventional love story and portrayal of mental illness.
The document summarizes the short story "Heart of Summer" by Joey Ayala. It describes the main character as a man who was secretly in love with a close friend from his childhood. Years later, his obsession with her grows worse and he sees her image everywhere. One day at the beach, he believes he sees her and confronts the woman, grabbing her despite her saying she is married. When she kicks him to get away, he sinks beneath the waves and drowns, as he never learned to swim. The story explores themes of unrequited love, obsession, and facing reality.
Bo Burnham and Dan Harmon are masters of meta-comedy and storytelling who both explore existential themes. Burnham's specials each encapsulate a phase: cynicism in Words Words Words, a search for meaning in what., and creating your own meaning in Make Happy. Harmon pays homage to tropes while adding meaning through episodes like Abed's Uncontrollable Christmas and Remedial Chaos Theory. Both argue we must create our own purpose, as Camus said about Sisyphus, rather than despairing over the lack of inherent meaning.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
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The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
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Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
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2. CONTENTS
PITCH
•
JEZABEL
•
TRANSMEDIA SERIES
•
EPISODES
•
PRODUCTION
•
2•
3. PITCH
Within a few weeks, her song her relatives who discover the
Jezabel is a big hit on the web and
she receives an offer from a
career her producer has in mind
for her.
the track of a lifetime producer to re-record her hit
with professional musicians, and But the countdown has started
release a new original title. : Jezabel has very little timeto
One evening, Jezabel, a pretty
compose her new song and
19 year old student, posts on
Jezabel will jump into her adult make the best of this unique
Youtube a song for her childhood
life, show-business in Paris, and opportunity.
friend who has been out of her life
into the Lille student life, with Tests, meetings, exceptional
for years. Instead of the romance
its excess and the deviant skins moments when the heroine tries
she is hoping for, she gets
parties she will discover. She will to compose her music, Jezabel,
celebrity.
face her sudden growing celebrity, The track of a lifetime tells the
a public she doesn’t look like, and story of a few notes which give
Story She is being offered celebrity,
question what is she going to make of it ?
3•
4. A few questions
to Jezabel
Who is your favorite artist? A famous person who inspires
Georges Brassens and James you?
Morrison Bob Dylan.
Which artist do you hate ? A person who gets on you
Michel Sardou nerves?
Fabrice Lucchini (he speaks so
What would you like to see loudly!)
happening in your life?
A moment of grace when If music did not exist, what
everyone lives in the moment. would you do in life?
I would write books.
What don’t you like to see
happening in your life? To which artist, dead or
Drunk guys making heavy alive, would you like to ask a
jokes question and which question
would it be ?
What is your favourite I would ask Baudelaire if he
expression ? finds my texts rock’n roll.
Fuck
What is your favourite insult?
Fuck
4•
5. THE HEROINE
Jezabel is a pretty 19 year old close friend, a pal for derogatory herself, always dreaming of better
blond girl.. A gifted student, she comments and wild dreams, things, obsessed by movement,
is studying literature at University Juliet, whom she has known since she wants to find beauty
in Lille, her hometown. She childhood and has met again by everywhere, and jeers at what she
plays the guitar, and the piano, chance at university. She writes doesn’t like. Our story will force
though not as well. , She has been a blog, without trying too hard her to find and tell her beauty. In
looking for melodies and words to be read, but to force herself order not to become what she
to match them for a long time. to remain creative. Boys notice despises most: an empty cliché.
Being ironical and rather shy, she her immediately, but she keeps
has only had one strong loving a neglected look on purpose,
friendship, with Loïc, whom she goes rock ‘n’ roll, because she
hasn’t seen since he moved to doesn’t want to become a neat
another town a few years ago. cliché.. Quite close to her parents,
Doing her best to create her own without being childish, constantly
world, she is too intelligent not bickering with her brother, whom
to see what is funny, too fragile she accuses of being «a human
not to feel and fear what is heavy, wreck”. Her fragility appears to be
too full of life not to love nightlife clumsiness, followed by bursts of
and holidays. She has a very laughter. Using irony to protect
5•
6.
7. A TRANSMEDIA SERIES (1/2)
Jezabel
the track of a lifetime is a transmedia series which uses
modern screens and classic medias to tell the struggle of a
young woman to recognize herself in her reflection.
The result is :
A television season of twelve episodes of
26 minutes each which let us watch the
ascension of this paradoxical revelation
of her true self. We will follow Jézabel in
two differents worlds: Her show business
dicovery in Paris and her student life
in Lille with her family, her scolarship
and her participation to the decadents
students parties. From her daydream to the On the web : the blog Jezabel, which is the interactive
discovery of the trap, from the moment world of the heroine, where Jezabel gathers photos,
when the masks fall to the time when the videos taken with her cellphone, impressions, comments
microphone is switched on for her voice be that are the raw material on which she works non stop
heard. The quest of an endearing character to create her future song during the weeks of luck and
in the fascinating world of music. work we discovered on television.
During the second half of this season, Jezabel will use the
An example of a TV scene : the moment Internet to upload her own songs. Therefore, the Internet
when the band’s guitarist, a man in his users who will read her blog will listen to theses tracks
forties who has been successful with only before the TV diffusions.
one hit, takes on the role of inspiration Example of a time such as seen on the Internet: Jezabel
and mentor until Jezabel realizes that he takes a film of the guitarist ‘s flat where she spent an
deoesn’t really want her to be successful evening. We discover details of her life which did not
but that he is just trying to mould her so appear on television. together with Jezabel’s comments.
as to bring him the success and glory he Jezabel composes some lyrics which she posts on her
dreams of knowing again. blog. Internet users can complete these words and offer
their songs or their orchestration for the melody that
Jezabel has already outlined.
On the cellphones of the audience involved The mobile audience member: the proposal to convert his
mobile into the one of the guitarist who will become from episode to episode, the rival of Jezabel. The
opportunity to punctuate the history of the heroin by another point-of-view, to know in advance the
dangers threatening her, but also to enrich the emotional complexity of the plot. Applications, text
messages, videos shot from the guitarist ‘s smartphone suggest another development several times
a week. And change Jezabel into a total failure : her success turning into a total lie that she would be
forced to become.
Example of an experience lived via a cell phone : after watching on television the evening spent with the
guitarist and having possibly consulted Jezabel’s blog describing her own impressions, the viewer receives
a text message sent by the guitarist to the producer- whom he repeatedly criticized during the scene - «I
think the girl is becoming as she should be-.
7•
8. On the radio, a partnership with a French
radio station (Le mouv’ or Oui FM) will be
made to create a weekly show: “Jezabel
Selection”. On the social networks, we will form a big
interactivity between the public a Jezabel
In 3 minutes, Jezabel will present a song: creation Team.
First, she will broadcast a song extract
and then, she will explain why this song is Facebook and Twitter will help us to
important for her and how did this song speak about all the series news: Radio or
inspire her for her own creations. TV diffusion, new blog post, newspaper
article…
This show will offer the occasion to listen But it will also be the opportunity to
big hits or confidential tracks! create competitions or to ask users feed
back which can help us to have a better
A Music Artistic Director will make Songs comprehension of our public expectations.
selection and Jezabel performer will
animate the show. We will also create Jezabel Deezer profile
where we will regularly broadcast Jezabel
‘s playlists or the series soundtrack.
An experienced community manager will
gather the community and animate it.
A partnership with a teenager magazine will be created to depict, every
week, Jezabel’s look during the last episode. Jezabel will also make
confidences about the show to the readers.
Teenagers, our principal target, are very interest by fashion of their
favourite fiction heroes because they take them as examples.
One of the last sequence of the first season series will be a Jezabel live in
a famous Parisian concert hall.
This sequence will be shot and broadcasted live on television. The internet
best participants will be invited in the public. In the script, Jezabel is the
support act for a famous singer. Therefore, we imagine the organisation
of the live in a famous concert hall as the Olympia or the Casino de Paris.
A TRANSMEDIA SERIES (2/2)
8•
10. SAISON 1.
1
Episode
— Pilot —
« Something crazy »
Following the release of her song to Loïc, on Youtube , Jezabel receives the offer of a
Parisian producer, David Jandras : reproduce her tube in a professional way and launch a new
composition of the young artist. David Jandras makes available for her a group, with Richard,
the guitarist, Bruno, the drummer and Mich., the bassist. On her cloud, Jezabel writes a first
song which will not convince Jandras. Jezabel understands that it will not be so easy to seize
her chance.
2
Episode
« let yourself go»
Jezabel moves away from her student life and is trying to find matter for her new composition
in all directions.Having trouble, she finds in David, the group guitarist, unexpected support. He
sings for her a moving song. They get together, both artistically and emotionally.
Episode
3
« Take it to the next level, Jezabel »
Jezabel gets closer and closer to Richard. Out of this getting together and her disturbance,
she ends up by composing a song «You are not going to date an old man “which she does
not dare to sing to him. The producer, David Jandras puts his foot down : he needs this
new composition. Jezabel is on the verge of proposing her lyrics but Richard jumps on the
opportunity. He sings the song interpreted by Jezabel in the previous episode to Jandras: a
love story between a young girl and an old man, but from the point of view of the older man.
Jandras seizes the opportunity to surf on the ambiguity of the Lolita Jezabel represents. The
song is adopted, and Jezabel feels the situation is escaping her. She feels betrayed by Richard
10 •
11. SAISON 1.
4
Episode
« Walking towards light »
The launch of the new artist is happening: the two songs are released and Jezabel goes on a television
show. Running from a photo session to an interview, Jezabel sees the course of her life, and her image
escaping her. She runs away to Lille, where Loïc, the boy for whom she wrote the first song, comes to
look for her. He has apparently got the message.
Episode
5
« You have no choice »
Jezabel ‘s Parisian life is getting worse, whilst she understands that Loïc only reappeared because of her
success, and whilst Jandras is trying to take the most out of their gathering and to sell it as a «love story» to
the press. Jezabel realizes she is being trapped into a system that is not like her. After a short trip to Lille, she
decides to tell Jandras that she’s giving up. Explosion. Jandras reminds her of the contract they signed. As she
comes out of this disastrous appointment, Jezabel comes across Bruno, the drummer. He invites her out for
a drink, to comfort her, and he reveals her something : she has a live show on television. She can still make
something great and personal out of it. After this conversation, Jezabel takes a first decision : to get rid of
Loïc.
Episode
6
« Singing out loud »
Jezabel returns to a frenetic activity, writes, composes. Richard comes back, convincing her that he only wishes her
to be successful. It is nothing but normal for him to try and take advantage of this opportunity to make the come-
back he has been dreaming of. On the night of the tv-show, when her lips approach the microphone, it’s time for
her to decide whether she will accept or not the role Richard and Jandras intend to give her. The song begins.
Jezabel ‘s voice is going to come out loud. She has composed her own lyrics on the expected song, but in front of
the cameras, she gives up and sings Jandras and Richard’s song. Intimidated, she hasn’t managed to find enough
self-confidence to sing her song.
11 •
13. SAISON 1.
Episode
7
« Crossing the line »
The first tv-show of Jezabel is a total success from Jandras’ point of view. The videoclip is broadcasted on music-channels,
tabloids get interested in Jezabel, enthusiasm is growing around her. Jezabel gets caught up in the euphoria: perhaps, after all,
she is perhaps beginning to live the life of her dreams. Shows take place in many cities.
Before going on tour, Jezabel goes back to Lille. When considering her new life, her relatives seriously lack of enthusiasm. They
say she will get herself lost. Furious, she leaves and goes to her Lille friends. There she realizes nobody is admiring her music
and people are avoiding her. Very hurt, she is eager to go back to her new life.
Episode
8
« Londonism»
To give her a more popular and rock image, Jandras wants Jezabel to appear in a London festival. She meets the group in the
Eurostar. Richard seems more distant; Jandras is overwhelmed by the organization of the concert. Bruno is the only one who
seems to pay her any attention. It’s a classic, he tells her : they don’t want her to get big-headed. On the train, Jezabel opens
her favourite music magazine, where she is quoted as the «new commercial french dung». Hurt again, she concentrates on her
concert. Arrival in London, preparation, Jezabel gives everything on stage...but only picks up the boos. Bruno suggests they go
for a drink together. The problem is not her, it’s what she sings, he says. After a few drinks and clubs, they end up kissing.
Episode
9
« Everyday celebrity »
Jezabel has returned to France, where she gives one concert after another, in cultural malls or in town. Life with the group
has become complicated, and her relationship with Bruno suffers from the frantic pace of the tour. Jezabel realizes her main
audience is young girls who do not understand much about what she sings, but who get carried away about her clothes or her
show on stage. She begins to feel lost for good. She fails to feel happy with Bruno since they have left London. She records
the song she has written about this situation on her webcam and sends it to him. But Bruno doesn’t answer.
13 •
14. SAISON 1.
Episode
10
« Resistance»
The day after, Bruno tells Jezabel that he was struck by the song. If only she could sing such songs to the public, she would
manage to reach her real audience and make a real carreer. He goes to Richard and Jandras to give them his thaughts, but
ends up humiliated : stay where you belong, behind the drums. The next concert is in Lille, where family and parents come
to hear Jezabel. As usual, Jezabel raises the enthusiasm of young fans, but doesn’t reach her relatives. At the end of her
performance, she tries to read a text addressed to her family about what she feels but is interrupted by Jandras. Convinced
that it is all Bruno’s fault, Jandras fires him. Before leaving, Bruno gives a piece of advice to Jezabel : she should post her
new songs on the internet, without Jandras knowing. He then leaves the tour, whilst the group heads to Belgium.
Episode
11
« Self-hacking»
Concerts continue, with fewer and fewer public. The group has a new drummer, a friend of Richard; Jezabel feels more and
more alone. She goes to parties, flirts with boys, gets lost a bit more. Back to her hotel, she writes, composes and begins a
diary on her blog. One morning, Jandras wakes her up, furious. An article in a famous magazine appreciatively comments her
blog as the «autopiratage of a commercial artist by herself», a first in the history of the internet. The audience of the blog
explodes and a new public seems to believe in Jezabel. For Jandras, it is too much. Jezabel will do the first part of the show
of a star on a famous Parisian scene and then disappear.
Episode
12
« Showtime ! »
The day of the great and last concert of Jezabel has arrived. She receives text messages from her parents and friends: they
will attend the show. The atmosphere within the group is worse than ever. Jandras intends to replace Jezabel by Richard.
Less concentrated on the concert, they are focused on the coming release of Richard’s first song. The star of the concert
goes to see Jezabel backstage and encourages her : he likes what he heard from her on her blog. Bruno passes by to wish
her good luck but Jezabel pushes him back, as he has let her down before. Showtime for Jezabel ! She goes on stage in front
of a strange public made up of a handful of her young fans, some critics intrigued by the phenomenon of the blog and a
mass of fans of the real star performing after her. Jezabel starts singing and hardly manages to get herself heard over the
boos. As the show is live broadcasted, the star goes on stage to calm down his public. He asks his team to come over to
replace Jandras’ musicians, in front of Jandras’ surprised eyes. Bruno replaces the drummer. He’s the one behind all this ! The
star now asks Jezabel to sing with him one of the songs she posted on her blog. The duo begins and carries away the crowd,
ending by being acclaimed the whole public. Backstage, Jezabel meets Bruno and kisses him. Back in her dressing room, she
looks at herself in the mirror and smiles.
14 •
15. THE SONG
This is the song written, composed and posted by Jezabel on Youtube, which made her
famous on the web, at the point where our story starts.
You know, the first time This fucking thing to say ! I couldn’t write it to you
I could not write my name couldn’t make you feel it
I cried when i was told «no», You know, the third time couldn’t moan it
I took the drawing paper, It was the night of my first beer, couldn’t get it out
I took my pencils, We told all our mysteries, This fucking thing to say !
I had my fingers painted, You were talking about Jennifer,
And I draw your name, I told you ‘you’re a great guy’ You know, this time,
Like a sunshine under rays, You leaned on me I just had to write your name,
Something very childish We drank like half a glass To re-hear our song,
I did what I could of my chills And we were packed severe To tell myself we were stupid,
I have come to you You said «you know i could love To feel the old thrill,
And I did not... you», The one that comes from you,
I laughed, I played proud, We grew up, yeah, you’re right,
I couldn’t write it to you And you said ‘let’s go’ We have become adults,
couldn’t make you feel it And I did not... I would like to swank, but yeah,
couldn’t moan it I would cry again if you say no,
couldn’t get it out I couldn’t write it to you If you don’t get me
This fucking thing to say ! couldn’t make you feel it And if you don’t understand...
couldn’t moan it
You know, the second time couldn’t get it out I decided to write it
It was for the dress up afternoon This fucking thing to say ! I chose to make you feel it
You were a policeman Even if i have to groan it,
the suit I had You know, the last time I’ll finally get it out,
was kind of beat-squaw, We had a drink before you left, This fucking thing to say !
I put it on for you, All our frenzy and our projects
You didn’t stop annoying me, Our gossips and our friendship ...
You couldn’t stop bothering me, Ended up in a hangover
Pinching me, mocking me, We promised not to leave each
I whimpered, your eyes said other,
What you didn’t confess, One day to travel together
And I did not.. To always tell each other
everything
I couldn’t write it to you We promised but we knew
couldn’t make you feel it It was a last time,
couldn’t moan it And I did not...
couldn’t get it out
15 •
16. PRODUCTION
Jezabel
the track of a lifetime
Producer: Bridges
Author: Julien Capron
Audience : mostly 11-24 years old, and mothers under
50 .
TV Episodes : 12 * 26 minutes
Web : Blog (Content: texts - lyrics / video / photos /
music / sound + music rights)
Mobile application (content: text / video / photos /
music / sound + music rights)
Radio : 12 3-minutes episodes
Social networks : community management
Live : Olympia / Casino de Paris
TV: 1,2 million € (100 000 € for each episode)
Internet contents : 50 000 €
Mobile Application and videos : 40 000 €
Social Networks : 15 000 €
Radio: 10 000 €
Magazine: 5 000 €
Live: 50 000 €
TOTAL BUDGET: 1,37 million €
Financing Plan: Broadcasters (TV / Web / Mobile) 50% /
CNC 30% / region. 15% / Sponsors & Partners 5%
16 •