The document summarizes the process of creating a CD cover for a fictional Japop artist named Jess. It discusses choosing an image from a photo shoot, editing the image in Photoshop and PowerPoint, and experimenting with different designs and layouts for the cover. The final design features Jess sitting on a chair in front of a blue backdrop, with a hand-drawn heart placed near her name and the song title. Comparisons are made to CD covers from jazz and pop artists to highlight similarities and differences between the styles.
This document discusses potential logo designs for different artists. It analyzes logos for Marina and the Diamonds and Katy Perry, noting how they incorporate handwritten effects and themes that suit each artist. It also describes a logo concept for Nabilla J, saying the quirky vintage font captures the album's playful, old-school theme.
The CD cover features the artist Lily Allen sitting in a large black 'L' against a dull colored background. The 'L' and Allen's name stand out due to their bold fonts and colors. The simple layout focuses all attention on the 'L' and Allen's image, giving it a clean, professional look.
The back cover also features the large 'L' font for branding consistency across the front and back. It clearly lists the album's songs while maintaining the overall simple, cohesive design of the front cover.
The document discusses the album cover design for Mika's album "Life in Cartoon Motion". It summarizes:
1) The album cover uses bright colors, fun designs, and a childlike font to attract Mika's target audience of children and signal the happy, playful genre of his music.
2) Imagery on the front cover relates to Mika's music videos and songs, establishing a connection between the visuals and music.
3) Consistent use of color, imagery and font carry the theme through the front and back covers to easily identify the artist and genre.
The CD cover uses bright colors, fun designs, and a childlike font to attract children as the target audience. Random everyday objects on the cover relate to themes and videos from songs on the album. Both the front and back covers incorporate consistent colors, images, and fonts to clearly identify the artist and genre of upbeat, playful music.
The album cover features a colorful, psychedelic design that captures attention and conveys a fresh, exciting sound compared to the band's previous plain cover. Elements of the cover, like the all-seeing eye symbol, represent changes within the band and their embrace of a more relaxed, spiritual atmosphere. By drawing from symbols of Hindu deities like Ganesh that represent protection and warding off evil, the cover suggests the band has become less chaotic and now takes their role more seriously.
The document provides an analysis of three photos based on their visual language elements, including subject matter, lines, color, shapes, depth of field, lighting, and style.
For the first photo, the analysis describes the subject as a window handle with stained glass in natural colors. It notes the horizontal lines and rich, full colors.
The second photo's subject is light shining through a window onto a painting on a wall. The analysis describes the diagonal lines created by shadows and unsaturated dark colors.
Finally, the third photo's subject is an antique bowl. The analysis discusses its small depth of field, vertical lines, naturalistic lighting, and deep saturated colors with restrained saturation.
Overall,
This document discusses different logo designs and their suitability for representing various musical artists and albums. It analyzes logos for Marina and the Diamonds, Katy Perry, and potential logos for Nabilla J. One logo is deemed too simple and rigid to capture Nabilla J's quirky album theme, while another is praised for incorporating handwritten elements that represent the diary-like nature of Marina's music.
This poster advertises Katy Perry's album "One of the Boys". It features a busy background image that ties into the album cover. Katy is featured prominently in the foreground to draw attention. Key details like the album title, artist name, and release date are included in bold, distinctive fonts to stand out. The color scheme of pink, blue, and white matches the upbeat, fun vibe of the album.
This document discusses potential logo designs for different artists. It analyzes logos for Marina and the Diamonds and Katy Perry, noting how they incorporate handwritten effects and themes that suit each artist. It also describes a logo concept for Nabilla J, saying the quirky vintage font captures the album's playful, old-school theme.
The CD cover features the artist Lily Allen sitting in a large black 'L' against a dull colored background. The 'L' and Allen's name stand out due to their bold fonts and colors. The simple layout focuses all attention on the 'L' and Allen's image, giving it a clean, professional look.
The back cover also features the large 'L' font for branding consistency across the front and back. It clearly lists the album's songs while maintaining the overall simple, cohesive design of the front cover.
The document discusses the album cover design for Mika's album "Life in Cartoon Motion". It summarizes:
1) The album cover uses bright colors, fun designs, and a childlike font to attract Mika's target audience of children and signal the happy, playful genre of his music.
2) Imagery on the front cover relates to Mika's music videos and songs, establishing a connection between the visuals and music.
3) Consistent use of color, imagery and font carry the theme through the front and back covers to easily identify the artist and genre.
The CD cover uses bright colors, fun designs, and a childlike font to attract children as the target audience. Random everyday objects on the cover relate to themes and videos from songs on the album. Both the front and back covers incorporate consistent colors, images, and fonts to clearly identify the artist and genre of upbeat, playful music.
The album cover features a colorful, psychedelic design that captures attention and conveys a fresh, exciting sound compared to the band's previous plain cover. Elements of the cover, like the all-seeing eye symbol, represent changes within the band and their embrace of a more relaxed, spiritual atmosphere. By drawing from symbols of Hindu deities like Ganesh that represent protection and warding off evil, the cover suggests the band has become less chaotic and now takes their role more seriously.
The document provides an analysis of three photos based on their visual language elements, including subject matter, lines, color, shapes, depth of field, lighting, and style.
For the first photo, the analysis describes the subject as a window handle with stained glass in natural colors. It notes the horizontal lines and rich, full colors.
The second photo's subject is light shining through a window onto a painting on a wall. The analysis describes the diagonal lines created by shadows and unsaturated dark colors.
Finally, the third photo's subject is an antique bowl. The analysis discusses its small depth of field, vertical lines, naturalistic lighting, and deep saturated colors with restrained saturation.
Overall,
This document discusses different logo designs and their suitability for representing various musical artists and albums. It analyzes logos for Marina and the Diamonds, Katy Perry, and potential logos for Nabilla J. One logo is deemed too simple and rigid to capture Nabilla J's quirky album theme, while another is praised for incorporating handwritten elements that represent the diary-like nature of Marina's music.
This poster advertises Katy Perry's album "One of the Boys". It features a busy background image that ties into the album cover. Katy is featured prominently in the foreground to draw attention. Key details like the album title, artist name, and release date are included in bold, distinctive fonts to stand out. The color scheme of pink, blue, and white matches the upbeat, fun vibe of the album.
The document discusses options for ancillary products to promote a new music video, including a website, digipak, and magazine advertisement. The author chooses to design the digipak and magazine ad, as they enjoy photography and art. Examples of digipaks and ads are analyzed from the acoustic/indie pop genre. Photos taken of the artist in a woodland setting are presented for audience feedback to select images for the promotional products.
This document discusses potential images for use in a music video and print productions. It analyzes four sets of images in terms of composition, color palette, quality, and suitability for the artist's desired identity and theme of nature. The first set is deemed slightly blunt and lacking depth. The second set is praised for its texture and use of angles to emphasize landscape elements. The third set has beautiful colors but may be too low quality. The fourth set features the actress and location from the music video shoot, with her expression creating a link to the song's emotions. The top left photo of this set is favored for its close-up shot and natural lighting.
This document discusses potential images for a music video and print productions. It analyzes several sets of beach images in terms of composition, color palette, scale, and use of foreground and background. Another set is praised for its natural sunlight, warm glow, and distinct foreground and background. The top left image is favored for its close-up shot, direct address to the camera, and minimalist style that draws attention to the woman's face in the sunlight.
The document outlines Rachel's initial plans to create a music video for her original song "The Wilderness" about overcoming tough times. The song will use nature and animals as metaphors and the video will be inspired by simple, natural videos. Rachel lists the software, equipment, and promotional materials she will need and describes her target audience as 16-25 year olds of ABC1 social status.
Here are some common features the researched products have:
- Visual elements like photos, drawings, or graphics that help tell the story or get the key message across. Nearly all the products utilize visuals.
- Simplistic designs that avoid being overly cluttered or complex. Many have minimal text, bold fonts, and open layouts for readability.
- Vintage or retro aesthetics through filters, camera techniques, or drawing styles that give a nostalgic feel. Several products have this vintage quality.
- Focus on one main subject or idea through techniques like close-up shots, centered compositions, or highlighting certain elements in color. Most center the attention on the key person, thing, or message.
1) The document describes the process of designing a double-page magazine spread about upcoming music tours. Various revisions are made to refine the layout, colors, and content.
2) In initial versions, the spread uses pink and white colors that clash and look washed out. Photos and text are rearranged to fill space better.
3) Later revisions add quotes, change fonts and colors, and adjust spacing to create a cleaner, more visually interesting spread that follows magazine conventions. A introduction is also added for context.
1) The document describes the process of designing a double-page magazine spread about upcoming music tours. Various revisions are made to refine the layout, colors, and content.
2) In initial versions, the spread uses pink and white colors that clash and look washed out. Photos and text are rearranged to fill space better.
3) Later revisions add quotes, change fonts and colors, and adjust spacing to create a cleaner, more visually interesting spread that follows magazine conventions. A gradient background and additional photos improve the final design.
How effective is the combination of your product and ancillary texts?fabihasjcmediastudies
1) The document discusses the creative choices made in designing the packaging, advertising, and visual components for a pop album by artist Madelyniris.
2) Key elements like outfits, locations, and color palettes were chosen to create continuity across the music video, album cover, and additional marketing materials.
3) Photographic styles ranging from close-ups to landscape shots were selected deliberately based on research of successful indie pop artists, with the goal of representing the artist and appealing to their target audience.
Album Cover and Magazine Adverts for Album Releases Analysislelicordell
The album cover features a close-up of Rihanna's face in bold red lipstick and hair against a plain background, drawing attention to her. The font with the album name is barely noticeable against her skin tone. There is no text identifying the artist, but it is implied to be Rihanna based on her image. The simple design allows fans to interpret the music in their own way.
The document provides biographical information about two photographers - Adam Clark Vroman and Tim Parkin. Vroman was known for his black and white photographs of America's West and was committed to the Sierra Club. The document describes and analyzes one of Vroman's most famous photographs titled "Rose and Driftwood". It then provides biographical details about photographer Tim Parkin, who discovered photography later in life, and describes and analyzes one of his photographs titled "Encased".
The print production and music video for Natasha North's album use consistent imagery and themes to reinforce each other. Panel 1 of the print depicts the characters separated on a pier, amplifying the fracture in their relationship. Both productions use muted colors and natural imagery to create an autumnal atmosphere fitting the indie folk genre. Panel 2 shows the lone character in a forest, connecting to lyrics of "gathering and running" and using lens flare conventions. The CD image brings the characters together with sunlight, completing the message of love between the productions.
The document discusses the selection and annotation of photos taken for a music magazine project. The photographer provides reasoning for including and excluding various photos of bands and musicians. Photos were chosen or rejected based on lighting, composition, posing of subjects, background settings, and how well they represented the music genres. The ideal photos captured the essence of the musicians, had striking lighting and angles, and would catch readers' attention on the magazine pages.
The document discusses potential images to use for a contents page of a magazine. It considers several photos of a singer named Lottie, as well as photos of an indie band and a male artist. For the band image, the author feels the third photo works best, as both members are looking at the camera with attitude, portraying their serious musical style. For the male artist, the last image of Luke lying on the floor is preferred, as the concrete background gives it a rough edge fitting his rock music, and his intimidating gaze fits the stereotype of a rock artist.
The document provides biographical information about several photographers and descriptions of some of their photographs. It includes details about Ansel Adams, such as his birthdate and background in Black and White photography of America West. It also provides information about photographers Tim Parkin and his later start in photography, and technical details about a photo titled "Encased" taken by an unnamed photographer.
This document analyzes magazine advertisements for music albums. It discusses the text, imagery, colors and layouts used in ads for albums by Lucy Rose, Ben Howard, Kings of Leon and The Script. Key elements included are the placement of the artist's name, album title and release date, as well as the use of quotes, natural lighting and relaxed poses to convey the music's style and genre. Color palettes and font styles are also examined for how they relate to the implied musical genres. Overall promotional strategies of the ads are considered, such as using positive quotes to draw in audiences.
The combination of the main product with ancillary texts is very effective.
The panel designs and music video share identical themes that depict a fractured relationship. Consistent imagery of the beach and forest, along with similar color schemes and compositional techniques, create coherence across productions.
Generic conventions like natural lighting and landscapes are featured throughout to establish an indie-folk genre aesthetic. The relationship portrayed challenges heterosexual norms. Overall, connecting the ancillary texts to the lyrics and themes strengthens the promotional package.
This CD cover for Rihanna's "Loud" album features her with bright red hair and lips against a white background. Red is used to symbolize energy and sexuality, relating to the album's themes. Rihanna's closed eyes suggest she is lost in the music. The cover is simplistic but her tattoo shows her "bad girl" image.
This black and white cover of Lady Gaga's "Born This Way" album contrasts her usual colorful style, representing her desire to be different. Her wild hair and lack of clothing embody her image while the angle shows her confronting the audience.
The cover of "Playing in the Shadows" uses lighting and shadows across the singer's face
The Smash Hits magazine cover from December 2010 features Lady Gaga with a bold red title and capitalized font to grab attention. The photography of Lady Gaga is studio-set and high contrast to emphasize light and dark. Smaller live images are arranged diagonally. The text is bold and alternating colors.
The Billboard magazine cover from July 2010 features Katy Perry with a bold black title and her name in a slightly smaller font. The bright pink background appeals to females, while varied colors widen the audience. Katy Perry's studio photo has strong flower contrasts. The font styles blend modern and traditional appeals.
The Top of the Pops magazine cover uses pink and yellow colors and a huge title font to
Lady Gaga's "Bad Romance" music video depicts her being kidnapped by supermodels and sold to the Russian mafia as a sex slave. The video uses various camera techniques, lighting effects, costumes, and sound to portray this storyline and show Gaga's journey from victim to empowered. It takes place in a white bathhouse setting and features Gaga in many elaborate and revealing outfits as she is auctioned off and eventually gains control over her situation.
The document discusses editing two photoshoots by removing a green screen background in Photoshop. The editor used the magic eraser tool to delete large areas of green, and the smaller eraser for intricate details. On some areas like clothing, the green screen left a glow that required additional cloning or color balancing tools to modify. Completing the background removal was a long process that required zooming in close and carefully erasing small sections to achieve a professional result.
The document outlines a filming and meeting schedule. It provides details about when filming and meetings will take place. The schedule likely helps coordinate filming logistics and ensure all parties involved are aware of upcoming shoots and conferences.
The document discusses options for ancillary products to promote a new music video, including a website, digipak, and magazine advertisement. The author chooses to design the digipak and magazine ad, as they enjoy photography and art. Examples of digipaks and ads are analyzed from the acoustic/indie pop genre. Photos taken of the artist in a woodland setting are presented for audience feedback to select images for the promotional products.
This document discusses potential images for use in a music video and print productions. It analyzes four sets of images in terms of composition, color palette, quality, and suitability for the artist's desired identity and theme of nature. The first set is deemed slightly blunt and lacking depth. The second set is praised for its texture and use of angles to emphasize landscape elements. The third set has beautiful colors but may be too low quality. The fourth set features the actress and location from the music video shoot, with her expression creating a link to the song's emotions. The top left photo of this set is favored for its close-up shot and natural lighting.
This document discusses potential images for a music video and print productions. It analyzes several sets of beach images in terms of composition, color palette, scale, and use of foreground and background. Another set is praised for its natural sunlight, warm glow, and distinct foreground and background. The top left image is favored for its close-up shot, direct address to the camera, and minimalist style that draws attention to the woman's face in the sunlight.
The document outlines Rachel's initial plans to create a music video for her original song "The Wilderness" about overcoming tough times. The song will use nature and animals as metaphors and the video will be inspired by simple, natural videos. Rachel lists the software, equipment, and promotional materials she will need and describes her target audience as 16-25 year olds of ABC1 social status.
Here are some common features the researched products have:
- Visual elements like photos, drawings, or graphics that help tell the story or get the key message across. Nearly all the products utilize visuals.
- Simplistic designs that avoid being overly cluttered or complex. Many have minimal text, bold fonts, and open layouts for readability.
- Vintage or retro aesthetics through filters, camera techniques, or drawing styles that give a nostalgic feel. Several products have this vintage quality.
- Focus on one main subject or idea through techniques like close-up shots, centered compositions, or highlighting certain elements in color. Most center the attention on the key person, thing, or message.
1) The document describes the process of designing a double-page magazine spread about upcoming music tours. Various revisions are made to refine the layout, colors, and content.
2) In initial versions, the spread uses pink and white colors that clash and look washed out. Photos and text are rearranged to fill space better.
3) Later revisions add quotes, change fonts and colors, and adjust spacing to create a cleaner, more visually interesting spread that follows magazine conventions. A introduction is also added for context.
1) The document describes the process of designing a double-page magazine spread about upcoming music tours. Various revisions are made to refine the layout, colors, and content.
2) In initial versions, the spread uses pink and white colors that clash and look washed out. Photos and text are rearranged to fill space better.
3) Later revisions add quotes, change fonts and colors, and adjust spacing to create a cleaner, more visually interesting spread that follows magazine conventions. A gradient background and additional photos improve the final design.
How effective is the combination of your product and ancillary texts?fabihasjcmediastudies
1) The document discusses the creative choices made in designing the packaging, advertising, and visual components for a pop album by artist Madelyniris.
2) Key elements like outfits, locations, and color palettes were chosen to create continuity across the music video, album cover, and additional marketing materials.
3) Photographic styles ranging from close-ups to landscape shots were selected deliberately based on research of successful indie pop artists, with the goal of representing the artist and appealing to their target audience.
Album Cover and Magazine Adverts for Album Releases Analysislelicordell
The album cover features a close-up of Rihanna's face in bold red lipstick and hair against a plain background, drawing attention to her. The font with the album name is barely noticeable against her skin tone. There is no text identifying the artist, but it is implied to be Rihanna based on her image. The simple design allows fans to interpret the music in their own way.
The document provides biographical information about two photographers - Adam Clark Vroman and Tim Parkin. Vroman was known for his black and white photographs of America's West and was committed to the Sierra Club. The document describes and analyzes one of Vroman's most famous photographs titled "Rose and Driftwood". It then provides biographical details about photographer Tim Parkin, who discovered photography later in life, and describes and analyzes one of his photographs titled "Encased".
The print production and music video for Natasha North's album use consistent imagery and themes to reinforce each other. Panel 1 of the print depicts the characters separated on a pier, amplifying the fracture in their relationship. Both productions use muted colors and natural imagery to create an autumnal atmosphere fitting the indie folk genre. Panel 2 shows the lone character in a forest, connecting to lyrics of "gathering and running" and using lens flare conventions. The CD image brings the characters together with sunlight, completing the message of love between the productions.
The document discusses the selection and annotation of photos taken for a music magazine project. The photographer provides reasoning for including and excluding various photos of bands and musicians. Photos were chosen or rejected based on lighting, composition, posing of subjects, background settings, and how well they represented the music genres. The ideal photos captured the essence of the musicians, had striking lighting and angles, and would catch readers' attention on the magazine pages.
The document discusses potential images to use for a contents page of a magazine. It considers several photos of a singer named Lottie, as well as photos of an indie band and a male artist. For the band image, the author feels the third photo works best, as both members are looking at the camera with attitude, portraying their serious musical style. For the male artist, the last image of Luke lying on the floor is preferred, as the concrete background gives it a rough edge fitting his rock music, and his intimidating gaze fits the stereotype of a rock artist.
The document provides biographical information about several photographers and descriptions of some of their photographs. It includes details about Ansel Adams, such as his birthdate and background in Black and White photography of America West. It also provides information about photographers Tim Parkin and his later start in photography, and technical details about a photo titled "Encased" taken by an unnamed photographer.
This document analyzes magazine advertisements for music albums. It discusses the text, imagery, colors and layouts used in ads for albums by Lucy Rose, Ben Howard, Kings of Leon and The Script. Key elements included are the placement of the artist's name, album title and release date, as well as the use of quotes, natural lighting and relaxed poses to convey the music's style and genre. Color palettes and font styles are also examined for how they relate to the implied musical genres. Overall promotional strategies of the ads are considered, such as using positive quotes to draw in audiences.
The combination of the main product with ancillary texts is very effective.
The panel designs and music video share identical themes that depict a fractured relationship. Consistent imagery of the beach and forest, along with similar color schemes and compositional techniques, create coherence across productions.
Generic conventions like natural lighting and landscapes are featured throughout to establish an indie-folk genre aesthetic. The relationship portrayed challenges heterosexual norms. Overall, connecting the ancillary texts to the lyrics and themes strengthens the promotional package.
This CD cover for Rihanna's "Loud" album features her with bright red hair and lips against a white background. Red is used to symbolize energy and sexuality, relating to the album's themes. Rihanna's closed eyes suggest she is lost in the music. The cover is simplistic but her tattoo shows her "bad girl" image.
This black and white cover of Lady Gaga's "Born This Way" album contrasts her usual colorful style, representing her desire to be different. Her wild hair and lack of clothing embody her image while the angle shows her confronting the audience.
The cover of "Playing in the Shadows" uses lighting and shadows across the singer's face
The Smash Hits magazine cover from December 2010 features Lady Gaga with a bold red title and capitalized font to grab attention. The photography of Lady Gaga is studio-set and high contrast to emphasize light and dark. Smaller live images are arranged diagonally. The text is bold and alternating colors.
The Billboard magazine cover from July 2010 features Katy Perry with a bold black title and her name in a slightly smaller font. The bright pink background appeals to females, while varied colors widen the audience. Katy Perry's studio photo has strong flower contrasts. The font styles blend modern and traditional appeals.
The Top of the Pops magazine cover uses pink and yellow colors and a huge title font to
Lady Gaga's "Bad Romance" music video depicts her being kidnapped by supermodels and sold to the Russian mafia as a sex slave. The video uses various camera techniques, lighting effects, costumes, and sound to portray this storyline and show Gaga's journey from victim to empowered. It takes place in a white bathhouse setting and features Gaga in many elaborate and revealing outfits as she is auctioned off and eventually gains control over her situation.
The document discusses editing two photoshoots by removing a green screen background in Photoshop. The editor used the magic eraser tool to delete large areas of green, and the smaller eraser for intricate details. On some areas like clothing, the green screen left a glow that required additional cloning or color balancing tools to modify. Completing the background removal was a long process that required zooming in close and carefully erasing small sections to achieve a professional result.
The document outlines a filming and meeting schedule. It provides details about when filming and meetings will take place. The schedule likely helps coordinate filming logistics and ensure all parties involved are aware of upcoming shoots and conferences.
We have two items on our editing list: Our Editing List and Our Storyboards. Both items relate to editing work that needs to be done, with Our Editing List potentially being a list of edits that need to be made and Our Storyboards involving draft storyboards or scripts that require review.
The document discusses a music magazine project focusing on the genres of jazz and pop. It analyzes the conventions used in real music magazines and how the author's magazine represents and blends the genres. The author uses similar conventions like bold titles, images, and colors but mixes elements to represent the hybrid "Japop" genre. The magazine targets younger, aspirational audiences in lower socioeconomic classes who follow music trends.
This course provides an overview of creating graphic art for CD covers and the music industry. It discusses the role of graphic artists in designing CD covers to please the artist and suit the music. Cover art is important for promoting the artist and making them easily recognizable. Artists may include logos or trademarks in their cover art to give a first impression of their music and style.
This document discusses various potential edits and filters that could be applied to an image of Katy Perry for use as an album cover. It examines edits using vintage filters, cartoon effects, cyanotype and rainbow color filters, applying paint textures, and testing different fonts. The author considers how each edit represents themes like fun, versatility, and energy while still keeping Katy Perry as the central focus and engaging the audience.
The document provides details on the process of designing a magazine cover for a reggae music magazine. It discusses testing different background images, layouts, and design elements like the masthead, cover lines, and main image. The final design incorporates feedback and uses colors, patterns and images that represent reggae music and Caribbean culture. This includes a large main image of the designer's father holding a guitar, a bright green and yellow masthead, and cover lines discussing a reggae artist along the left side.
This digipak design is for an unsigned artist named Carly Jones. The front cover features Carly's photo with the album title "Reason to Smile", which is also the title of one of her songs and the music video produced for her. The back contains the track list in black and white. Inside spreads contain additional photos of Carly to connect the viewer to the artist and music throughout opening the digipak. Colors and design elements were chosen to tie the front and back covers together cohesively.
The document provides a log of the production process for the front cover of a reggae music magazine. It details the various design elements considered and tested, including backgrounds, images, layouts, and fonts. Backgrounds, images, and layouts were tested and refined based on feedback. Elements like the masthead, cover lines, and main image were produced in Photoshop and refined over multiple iterations. The final design incorporated elements like a cannabis leaf in the masthead, varied font sizes for cover lines, and a large main image to appeal to the target reggae music audience.
This document provides a log of Tesfah Watkins-Scott's process of designing the front cover for a reggae music magazine. It describes testing different background images and settling on one with circular patterns in red, gold, and green. A main image of the author's father holding a guitar was selected and refined. The masthead was designed using the font JF ROCK and replacing the letter "a" with a cannabis leaf. Cover lines of varying sizes were added to draw attention and provide information. The final design incorporated these refined elements along with a crowd layer to create an eye-catching cover appealing to the target audience.
This document summarizes the process of designing the front cover of a reggae music magazine. It discusses several background images and layouts considered before settling on the final design. Key points include:
- The designer tested different background images before choosing one with red, gold, and green patterns representing reggae culture.
- Crowd and main image layers were added and adjusted for opacity. The main image features the designer's father holding a guitar to represent reggae music.
- Early drafts did not effectively represent reggae or have balanced layout/colors. The final cover features the main image playing to an implied crowd against the chosen background.
The document analyzes the cover design of Katy Perry's "Teenage Dream" album and The Script's album in terms of genre conventions. For Katy Perry's pop album, the bright colors, cloud imagery relating to the album title of "Teenage Dream", and candy-shaped letters replacing O's in song titles conform to pop conventions. The Script's album has a darker color scheme fitting for rock but also includes a golden glow, balancing the dark and light sides of being a pop/rock band. Typeface, imagery, and editing choices are discussed as contributing to the "house style" of each album.
The digipak features Rihanna as the sole character. On the cover, she is shown in close-up with red lips and hair against a blue backdrop, suggesting contrasting emotions of sadness and passion. Inside, she wears a white wedding dress while sleeping among red and white roses, symbolic of love. The narrative portrays a story of love through the use of symbolic imagery and settings, suggesting the album's themes of love and loss. Technically, studio lighting was likely used to highlight Rihanna's glowing skin and contrasting colors like red lips against white dress among the roses in a garden setting. Overall, the digipak tells a linear narrative of the character's experience with love through its symbolic use of
The document analyzes various concert posters from different genres to inform the design of a music poster. It summarizes the key design elements of posters for artists like Jason Mraz, The Script, Taylor Swift, Katy Perry, Coldplay, Rhianna, Basshunter and Snoop Dogg. The analysis focuses on color schemes, illustrations, poses, use of space and information inclusion. It concludes that Jason Mraz and Katy Perry's posters are most inspiring due to their unique illustrations, while Basshunter and Snoop Dogg's are too dark. The Script's natural pose and color scheme are also favored aspects to consider.
The document analyzes and summarizes four different album covers. For the Mount Kimbie album cover, it notes the simple layout with text at the bottom, natural casual pose of the photo, and use of selective focus and saturation to make the image eye-catching. For the Yeah Yeah Yeahs cover, it comments on the photo filling the background, surreal image matching their style, and vibrant colors tying the image and font together. It analyzes the OFWGKTA cover's well-spaced layout, close-up face photo paired with minimal font, and vintage photo contrasting with cartoon fonts. Finally, it discusses the bright colors, clashing fonts and photo effects on the Tyler the Creator album fitting its uncon
The document summarizes the design process for a CD cover for a band called Miss-Match. The cover features a collage made by cutting out each band member from a photo and rearranging them on a new background. The name Miss-Match was inspired by words related to collage and represents how the diverse band members wouldn't normally be together. The target audience is middle school children and the design aims to portray the band as relaxed and natural rather than manufactured or stereotypical.
The document discusses conventions in music videos and how the student's media product compares to examples from Green Day and Paramore. The student analyzes technical, symbolic, and audiovisual conventions as well as relationships between visuals and lyrics/music. Their music video uses some conventions like a red coat symbolizing love and danger but struggles to clearly portray the male character as imaginary. Feedback would help the student improve clarity and matching visuals to lyrics/music.
The document provides an analysis of the album cover for Beyoncé's "I'm Sasha Fierce" album. It summarizes the strengths as the powerful pose and bold font, but notes the weaknesses as lack of noticeability and eye-catching elements on the shelf. It also analyzes the color scheme, positioning of the artist name, and improvements that could be made such as adding a bright color and moving the name higher. The analysis then compares it to album covers by Kelly Rowland and Ms. Kelly, noting similarities and differences in poses, fonts, color schemes, and use of space.
The document discusses potential ideas for an album cover based on existing covers. It considers using lens flare effects, a head tilted back pose, black and white with one person in color, holding a significant object like a flower, shadows to convey a split narrative, and using a door with a note to suggest lost togetherness. Overall the document explores visual techniques and compositions from other album covers that could work for conveying the narrative of the author's music and video.
The document analyzes the digipak for Jess Glynne's album "I Cry When I Laugh". It discusses several key elements of the digipak design and their intended meanings. The vertical text on the cover is meant to represent crying and show that Jess is unique. Her makeup is slightly smudged to seem natural but also mysterious. The close-up shot helps connect with the audience and feels intimate. The ripped magazine pages on the cover suggest Jess has layers to hide who she is. The CD design and layout of information is meant to show Jess focusing on her music rather than other elements.
The document discusses designing an album cover. The designer wanted to make the image brighter to give it a summery feel. They chose the album name "Reminisce" because it means enjoyable recollection of the past, fitting the theme of thinking back to childhood. Different fonts and layouts were tested to find the most effective design. Feedback was received that the top font needed to be brighter, so blue and red options were tried and blue was selected as it did not clash with the background as much as red.
The document describes the process of designing a magazine cover and contents pages for a magazine focused on the genre of Japop (a hybrid of Japanese pop and jazz music). Key details include:
- Choosing a black background color and Elegante font for the title to help images and text stand out and relate to both jazz and pop genres.
- Deciding on purple shadows behind titles to associate with both genres while allowing for individuality in separate magazine issues.
- Filling the cover with images, captions, and details like the barcode to attract the target audience visually while providing necessary information.
- Iteratively testing font styles, colors, and layouts to balance representing both jazz and pop equally and
The document describes Jack Renshaw completing a task to create a mock album cover from random elements. It involves generating a random artist name ("WHIE"), album title ("Half Of Them Are True") from quotes, and selecting a random photo from Flickr to use. Jack then uses PowerPoint to experiment with combining the elements with different fonts and filters on the photo to represent different possible music genres for the imaginary album. He provides analysis for each cover concept in terms of the genres implied by the visual design elements.
The document analyzes the digipak for Jess Glynne's album "I Cry When I Laugh". It discusses various design elements of the digipak cover, CD, back cover, and insert booklet. Key points analyzed include the font choice, Jess Glynne's makeup and hair on the cover representing her natural style, and the color scheme and layout being focused on the music over other details. The document aims to understand how each design element is effective in order to create high quality digipaks that fit different genres.
This document summarizes the process of designing a double page spread (DPS) for a magazine article about a band. The designer chose colors like green, black, red, and yellow that matched the tones and themes of the band's music. Images of the band were added to make the spread more appealing. Feedback noted the spread used too many colors, so the designer simplified it to yellow, red, and white to be more consistent with the front cover and contents.
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This presentation is a curated compilation of PowerPoint diagrams and templates designed to illustrate 20 different digital transformation frameworks and models. These frameworks are based on recent industry trends and best practices, ensuring that the content remains relevant and up-to-date.
Key highlights include Microsoft's Digital Transformation Framework, which focuses on driving innovation and efficiency, and McKinsey's Ten Guiding Principles, which provide strategic insights for successful digital transformation. Additionally, Forrester's framework emphasizes enhancing customer experiences and modernizing IT infrastructure, while IDC's MaturityScape helps assess and develop organizational digital maturity. MIT's framework explores cutting-edge strategies for achieving digital success.
These materials are perfect for enhancing your business or classroom presentations, offering visual aids to supplement your insights. Please note that while comprehensive, these slides are intended as supplementary resources and may not be complete for standalone instructional purposes.
Frameworks/Models included:
Microsoft’s Digital Transformation Framework
McKinsey’s Ten Guiding Principles of Digital Transformation
Forrester’s Digital Transformation Framework
IDC’s Digital Transformation MaturityScape
MIT’s Digital Transformation Framework
Gartner’s Digital Transformation Framework
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PwC’s Digital Transformation Framework
Cisco’s Digital Transformation Framework
Cognizant’s Digital Transformation Framework
DXC Technology’s Digital Transformation Framework
The BCG Strategy Palette
McKinsey’s Digital Transformation Framework
Digital Transformation Compass
Four Levels of Digital Maturity
Design Thinking Framework
Business Model Canvas
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2. Choosing my image Altogether there were three Jess photo shoots, the first one of Jess upon a stage, the second of Jess in front of the green screen with a back up guitarist and finally the shoot resulting in the images which I eventually used of Jess, on her own in front of a green screen. The reason I chose to use the images from the last photo shoot for my CD cover is due to the better range of angles and poses in comparison to the earlier photographs. Once I had decided from which selection of images to use I had to deduct which of the images I wanted to be featured upon my CD cover...
3. I really liked the idea of using this image as it portrayed a good use of levels and has a very interesting stance about it and appears to be more unique. Plus it could cause intrigue due to the fact that she isn’t smiling very much and appears to be thinking about something, but what? As I wanted to change the colour of the curtains which means changing the colour of all sections coloured similarly (in green as the chair is) it would have appeared very strange, as if her chair was camouflaged into the backdrop looking unprofessional and out of place. Jess is sitting on a chair which is stationed upon a curtain, it appears to be a bit random and unsophisticated. If, for example she was sat upon a stage surrounded by curtain it wouldn’t have looked quite as bad but the way it is being seen here makes it look strange and out of place. However, the fact that she isn’t smiling could perhaps suggest that she isn’t very happy about the topic of her song. As it is a Valentines song Jess should look happy and pleased to be in a romantic situation but as she looks more stern is presents mixed messages.
4. This image is the one which I eventually chose, the reasons were: I like the way that you can see the round glow of light around Jess and the shadow due to the spotlight which was used. I think this links very well to the modern stage lighting and the traditional portrayal of Jazz and stage features. I think that the look upon her face fits to the genres and the topic of the song she sings. As its a Valentines song, she should appear happy, hopeful as if she is waiting in anticipation. Therefore the reflective look upon her face fits the topic perfectly. I think the fact that she isn’t looking directly at the camera also adds to the idea of reflection and serenity. Jess looks very sophisticated and mature for her age therefore relating to Jazz. Her age would probably target a younger audience who are around the same age. In this image you can see the whole of her dress which can link to both Jazz and Pop due to the pink top (pop) and the black coloured skirt (Jazz).
5. This image is a close up of the other, so the facial expression and stance would also have been a good image to use. This image is so small that there wouldn’t have been much room to place the text required. You cannot see the use of light quite as well in this image, making it darker and more dingy.
6. I first began by opening the image on Microsoft Picture Manager
7. Then I tried the saturation effect to find out how it would appear in this old fashioned mono toned colour scheme. Altering the contrast and brightness to experiment and see how different versions of the image would appear with these effects on it. I decided not to chose generic and obvious choice of a greyscale on the CD and to veer towards something different.
8. After deciding against a greyscale I decided to try the original colour scheme however with a different contrast balance therefore making the pink and Jess’ skin tone stand out and her hair and skirt colour appear darker in shade and more distinguished.
9. On Photoshop I changed the colour of the backdrop curtain, I did this by selecting the green and altering the colour balance, the Hue/Saturation. The reason that I picked this shade blue was because it can be referenced to the Blues, a genre commonly associated with Jazz, as well as creating a good link to certain colours associated with modern Pop. This colour contrasts very well with the shades of Jess’ attire and features. Once I had changed the colour, I altered the contrast so that the outline of the spotlight would be more defined plus Jess would stand out better.
10. I decided that I wanted a heart to be featured, but wanted it to be different to the generic perfectly shaped one, so instead I drew one in a deep pink linking to Pop and Valentines day. I did this using the paint brush tool on Photoshop This heart was the one which originally drew but I decided to change it eventually as it was too perfectly rounded and I wanted for it to be more adventurous and stylish.
11. I copied the CD cover so far, onto Power Point in order to experiment with the necessary writing. Plus I had to reshape the image into a square like all other CD covers. I wasn’t sure about the positioning of the heart as I knew that I wanted it colliding with some of the lettering however putting it in it’s current position seemed to be too near Jess’ head to include the writing.
12. This was one of the many hearts I drew with the paintbrush on Photoshop for my CD cover.
13. I was very happy with how this heart turned out, as if it was hand drawn, giving Japop a fun and refreshing vibe. Those were my reasons for eventually choosing to use this heart. Another position I tried for the heart was just in front of Jess’ skirt. I was hoping that the text would look good against the heart however it didn’t work as the text just overlapped the heart, so much that it just looked really messy and too crowded. When I had completed the effects of the eventual contrast, curtain colour and sizes of features, I began trying out different positions and sizes for the heart I wished to add in correlation to the text. I continued to resize the writing and try to fit it around the image so that it wouldn’t cover up too many features.
14. Eventually I decided that the heart should be placed here, as it is a less crowded place with room for possible text.
15. On Microsoft Power Point I was using different colours for my text to find out which would look the best, I tried first putting Jess’ name in a deep pink rather than it merely being outlined in pink, but I didn’t think it a) Matched the appearance on the song’s title and b) thought that it concentrated too much on the pop colours, not using the white to link to Jazz.
16. I used Lucida Handwriting on the text the reason being that it looks more fun, at the same time appearing mature, posh and sophisticated like Jazz itself, complimented by the pink and white. Pink being the colour of Pop and easily related to the heart and Valentines Day, while the white adds a Jazzy and simplistic appearance. I tried positioning the heart by the name of the artist in a symbolic way of saying that this romantic song is sung by her, relating it back to her character.
17. The Pink in the writing, heart and top of Jess’ dress can relate to Pop, while the deep background and shade of her skirt can link to Jazz. This was the eventuality of my CD cover, the heart was positioned very well and the writing complemented the image and genre.
18. This was the original unedited image from my first photo shoot, that I was going to use for the CD cover. I thought it gave a traditional appearance accompanied by a modern twist withthe electric guitar.
19. I changed the colour balance on picture manager to purple as I thought that the effect would look different the colour linking to Jazz and Pop. This was originally what I was going to use for my CD cover, this image was from my first photo shoot. But I felt that it appeared too ordinary and didn’t show off what is supposed to be, this exciting new genre! The heart, as I mentioned was too perfect though and I didn’t like the ideas for the font and colour in the end.
20. However, I didn’t like the fact that the curtain takes up so much room and shows the carpet as much as it does. I could have edited it out on Photoshop, but I didn’t really want to edit a new background behind the image as that can sometimes appear fake and too over the top in certain instances. Plus it would have been difficult to decide upon a background which would look, unique, and not too corny as Valentines posters e.t.c. are classed as sometimes. This was another image that I was going to use from my second photo shoot. I liked the fact that it featured an instrument linking to the music genre.
23. This comparison between my Japop CD cover and this CD of Julie London (artist known for her work with the genre of Jazz) presents a great deal of similarities and differences. In both CD covers the image of the artist is seen through a mid/long shot portraying certain features of their attire and overall appearance. These angles are very well used as they are not only presenting a good view and show casing their poses, but also by informing potential buyers of a) what genre they are a part of, b) the fashions they are associated with, therefore producing trends and appearances and finally, c) the age group of the singers, and the ages of the listeners of that genre.
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28. Both of the CD’s feature blue backing, this relating to the maturity and deep colours of Jazz, these similar features could also reinforce the fact that these CDs are similar in appearance, attracting a similar audience.
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31. This is concentrating on the Pop factors present in Japop. They happen to be different from each other in many cases, such as the fact that there are differences in appearance and style, Madonna's hair style in much more fun, adventurous and flamboyant, a characteristic which Pop is famous for, to be more daring and less uniform in its features and colours. The type of Pop Madonna was associated with at this point in the 1980s was much more, rebellious and unique, therefore, (in terms of psycho dynamics, might attract non-conformists. Those people whodon’t wish to fit in with the generic appearance and in this case, those who are conservative in their fashion choices. Due to her appearance and age group, it is evident that she would most likely target a younger audience perhaps aged 16 and above, as wanting to stand out and find your own identity is a common quest entered, by people of that age.) However, especially in this case there is most likely to be an age restriction, people over a certain age being less attracted to this type of genre. Perhaps the age of 35-40 years.
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33. A factor which is alike between the two CD covers is that the background colour are similar. The light blue and the deeper purple stage lights in the background of Madonna’s CD can be joined in with both Pop and Jazz. The blue curtains behind Jess are deeper in shade relating to Jazz and even though the backgrounds are actually of the same colour the shades send out different messages, this light blue associates with Pop, while the deep purple relates to Jazz. These factors showing that she is on a stage linking both to Jazz and Pop.
34. Their tops are similar in style, both with the appearance of vests, the similar styles, accompanied by the drastic colour differences, send out completely different messages. The black vest Madonna is wearing, can be related to both the deep colours of Jazz as well as, the non conformist approach of Pop. However, the pink in Jess top relates solely to the teeny pop genre.
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37. Pixie’s appearance is very much modern and more laid back, relaxing. As she is non chalantly leaning against that mirror, it seems both physically and mentally as if she is reflecting upon something. Her top with it’s striped combination of white and pink/red refers to both Jazz and Pop. The deep blue of her leggings can be linked to the colours associated with Jazz, reinforcing the idea of Jazz and the Blues, however this fashion statement is quite a modern style although it is a trend that has popped up in different periods of time such as the 1980s and 1950s (similar to peddle pushers). This constant reference between the two genres of music depict how certain trends are repetitive and have been through different eras and genres of music. These associated styles, consequently targeting different age groups.
38. Pixie and Jess both have their hair down, giving a fun and less traditional vibe, like the one that comes with Jazz. Once again targeting a younger audience.
39. The lettering on this CD cover is alike to Norah Jones’, to clarify, the title of the song, ‘Cry Me Out’ is in a very uniform and plain font. Whereas her name is portrayed in a font which, (similar to the Jess CD and Norah Jones’) looks handwritten. Joining together the characteristics of Pop and Jazz CDs and representations. The handwritten style is much more free styled, attracting a younger audience.
40. The sparse, deeply coloured jewellery Pixie Lott is wearing, which is similar to Jess’ bracelet can be linked to the traditional representation of Jazz being simplistic. In many ways, Jazz and Pop can be linked and cross referenced via the characteristics portrayed by the artists.