This document provides an overview of Chapter 28 from an Art History textbook on art and Pacific cultures. It begins with learning objectives for the chapter focused on identifying visual hallmarks of Pacific art, interpreting meanings and themes, and relating art to cultural contexts. It then provides summaries of the art and cultures of major Pacific regions, including Australia, Melanesia, Micronesia, Polynesia, and specific areas like New Guinea and New Ireland/New Britain. For each region, it highlights characteristics of art forms, materials, and cultural practices, providing examples of artworks with descriptions and images.
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of Chinese and Korean art after 1279. It discusses the Mongol invasions and establishment of the Yuan dynasty in China, and the development of literati painting during this period. Notable artists from the Yuan dynasty discussed include Zhao Mengfu and Ni Zan. The document also covers the founding of the Ming dynasty, characteristics of Ming painting and porcelain, and important artistic centers like the Forbidden City. Key Ming artists mentioned are Yin Hong, Dai Jin, Qiu Ying, and Shen Zhou. The styles of literati, court, and landscape painting during this time period are also summarized.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
This document provides an overview of modern art in Europe and the Americas from 1900-1950. It begins with learning objectives focused on identifying styles, interpreting meaning, and relating works to their contexts. Key events that influenced the period are described, such as World War I and the Great Depression. Several major art movements are then discussed in detail, including the Fauves and their expressive use of color, Picasso's development of Cubism including its analytic and synthetic phases, and the Bridge movement in Germany inspired by Nietzsche. Major artists and their groundbreaking works from this revolutionary period in art history are analyzed.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of Chinese and Korean art after 1279. It discusses the Mongol invasions and establishment of the Yuan dynasty in China, and the development of literati painting during this period. Notable artists from the Yuan dynasty discussed include Zhao Mengfu and Ni Zan. The document also covers the founding of the Ming dynasty, characteristics of Ming painting and porcelain, and important artistic centers like the Forbidden City. Key Ming artists mentioned are Yin Hong, Dai Jin, Qiu Ying, and Shen Zhou. The styles of literati, court, and landscape painting during this time period are also summarized.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
This document provides an overview of modern art in Europe and the Americas from 1900-1950. It begins with learning objectives focused on identifying styles, interpreting meaning, and relating works to their contexts. Key events that influenced the period are described, such as World War I and the Great Depression. Several major art movements are then discussed in detail, including the Fauves and their expressive use of color, Picasso's development of Cubism including its analytic and synthetic phases, and the Bridge movement in Germany inspired by Nietzsche. Major artists and their groundbreaking works from this revolutionary period in art history are analyzed.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
This document provides an overview of art in 16th century Italy. It discusses major Italian Renaissance artists such as Leonardo da Vinci, Raphael, and Michelangelo. For Leonardo, it summarizes key works like the Mona Lisa and Last Supper. For Raphael, it describes Madonna paintings and his famous School of Athens fresco. For Michelangelo, it mentions his early Pietà sculpture and famous David statue. The document also provides context on trends, patrons, and the development of oil painting during this influential period of Italian Renaissance art.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
This document provides an overview of 14th century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic style. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-14th century Italy.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
This document provides an overview of ancient Egyptian art and architecture from the Predynastic period through the Old Kingdom. It begins with a summary of the importance of the Nile River to early Egyptian civilization and the emergence of chiefdoms. Key developments included the unification of Upper and Lower Egypt, the rise of pharaonic kingship, and the establishment of artistic conventions like composite figures. Early royal tombs took the form of mastabas and pyramids grew more elaborate, like the stepped pyramid of Djoser. The peak of Egyptian art and architecture was seen in Old Kingdom sites like the three great pyramids of Giza.
This document provides an overview of Romanesque art and architecture in Europe between the 11th and 12th centuries. It discusses the political, economic, and social contexts, including the growing power of the Church. Major architectural developments are outlined, including the first all-masonry churches, pilgrimage churches like Santiago de Compostela, and influential monasteries like Cluny and the Cistercian monastery of Fontenay. Reliquaries and the importance of relics are also mentioned. The document aims to identify the key characteristics and developments of Romanesque art through both text and images.
This document provides an overview of Byzantine art during the Early Byzantine period under Emperor Justinian I's rule. It discusses major architectural works like the Hagia Sophia and Church of San Vitale, highlighting their use of domes, pendentives, and mosaic artwork. Luxury goods produced in Constantinople included illuminated manuscripts, ivory panels, and silver plates depicting biblical scenes. Icons on walls and panels depicted saints and Mary to venerate holy figures without idolatry.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
This document provides an overview of Chapter 9 from the textbook "Art History" which covers Islamic art. It includes learning objectives, summaries of key topics like the origins and spread of Islam, important architectural structures like the Dome of the Rock and Great Mosque of Cordoba, as well as artistic elements like calligraphy, ceramics, and ornamentation. Images and captions are provided to illustrate different architectural features, works of art, and artistic techniques discussed in the chapter summaries.
AP Art History - Pacific Art (Content Area 9) amityapah
Nan Madol is an ancient ruined city located on Pohnpei Island in Micronesia. It consists of 92 artificial islands built from basalt rocks in a lagoon connected by canals. It served as the royal capital and ceremonial center for the Sau Deleur dynasty from 1100-1628 CE. The islands were arranged in a strategic pattern to take advantage of prevailing winds and separated social classes. Nan Madol had no fresh water or food supply on site, so residents relied on resources brought by boat from the mainland, which eventually led to its decline. The city showcases impressive stonework and engineering skills for its time.
This document provides an overview of early medieval art in Europe between the 5th and 8th centuries CE. It discusses the migration of groups like the Huns, Goths, and Vandals throughout Europe after the fall of the Roman Empire. Artistic traditions developed among these groups as well as the Franks, Anglo-Saxons, and Celts in places like France, Britain, Ireland, and Scandinavia. Important artworks included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as metalwork and jewelry. Stylistic influences incorporated remnants of classical styles with new abstract, geometric, and knot patterns that characterized Insular art of the British Isles.
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
This document provides an overview of art in 16th century Italy. It discusses major Italian Renaissance artists such as Leonardo da Vinci, Raphael, and Michelangelo. For Leonardo, it summarizes key works like the Mona Lisa and Last Supper. For Raphael, it describes Madonna paintings and his famous School of Athens fresco. For Michelangelo, it mentions his early Pietà sculpture and famous David statue. The document also provides context on trends, patrons, and the development of oil painting during this influential period of Italian Renaissance art.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
This document provides an overview of 14th century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic style. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-14th century Italy.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
This document provides an overview of ancient Egyptian art and architecture from the Predynastic period through the Old Kingdom. It begins with a summary of the importance of the Nile River to early Egyptian civilization and the emergence of chiefdoms. Key developments included the unification of Upper and Lower Egypt, the rise of pharaonic kingship, and the establishment of artistic conventions like composite figures. Early royal tombs took the form of mastabas and pyramids grew more elaborate, like the stepped pyramid of Djoser. The peak of Egyptian art and architecture was seen in Old Kingdom sites like the three great pyramids of Giza.
This document provides an overview of Romanesque art and architecture in Europe between the 11th and 12th centuries. It discusses the political, economic, and social contexts, including the growing power of the Church. Major architectural developments are outlined, including the first all-masonry churches, pilgrimage churches like Santiago de Compostela, and influential monasteries like Cluny and the Cistercian monastery of Fontenay. Reliquaries and the importance of relics are also mentioned. The document aims to identify the key characteristics and developments of Romanesque art through both text and images.
This document provides an overview of Byzantine art during the Early Byzantine period under Emperor Justinian I's rule. It discusses major architectural works like the Hagia Sophia and Church of San Vitale, highlighting their use of domes, pendentives, and mosaic artwork. Luxury goods produced in Constantinople included illuminated manuscripts, ivory panels, and silver plates depicting biblical scenes. Icons on walls and panels depicted saints and Mary to venerate holy figures without idolatry.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
This document provides an overview of Chapter 9 from the textbook "Art History" which covers Islamic art. It includes learning objectives, summaries of key topics like the origins and spread of Islam, important architectural structures like the Dome of the Rock and Great Mosque of Cordoba, as well as artistic elements like calligraphy, ceramics, and ornamentation. Images and captions are provided to illustrate different architectural features, works of art, and artistic techniques discussed in the chapter summaries.
AP Art History - Pacific Art (Content Area 9) amityapah
Nan Madol is an ancient ruined city located on Pohnpei Island in Micronesia. It consists of 92 artificial islands built from basalt rocks in a lagoon connected by canals. It served as the royal capital and ceremonial center for the Sau Deleur dynasty from 1100-1628 CE. The islands were arranged in a strategic pattern to take advantage of prevailing winds and separated social classes. Nan Madol had no fresh water or food supply on site, so residents relied on resources brought by boat from the mainland, which eventually led to its decline. The city showcases impressive stonework and engineering skills for its time.
This document provides an overview of early medieval art in Europe between the 5th and 8th centuries CE. It discusses the migration of groups like the Huns, Goths, and Vandals throughout Europe after the fall of the Roman Empire. Artistic traditions developed among these groups as well as the Franks, Anglo-Saxons, and Celts in places like France, Britain, Ireland, and Scandinavia. Important artworks included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as metalwork and jewelry. Stylistic influences incorporated remnants of classical styles with new abstract, geometric, and knot patterns that characterized Insular art of the British Isles.
This document provides an overview of the art and cultures of Oceania, specifically focusing on Melanesia, Micronesia, and Polynesia. It describes some of the key characteristics of each region. In Melanesia, it discusses bis poles from Asmat and yam masks from Abelam that relate to spiritual beliefs and subsistence. For Micronesia, it notes the stratified societies and importance of seafaring. Polynesian cultures had complex political organizations, and the document discusses staff gods from Raratonga, beaten barkcloth from Tonga, and tattooing and hair ornaments from the Marquesas Islands.
1. The arts of Oceania encompass decorated skin and body art across Polynesia, Melanesia, and Australia.
2. In Polynesia, tattooing (moko) and bark cloth (tapa) were important art forms with cultural and symbolic meanings.
3. The massive stone moai figures on Easter Island represented ancestors and were carved beginning around 1000 CE.
This document provides an overview of early African art from prehistoric times to the 16th century CE. It discusses rock art traditions in Namibia and South Africa dating back 25,000 years. Ancient civilizations like Nubia and Ethiopia produced monumental sculptures and architecture influenced by Egyptian and Byzantine styles. Islamic influences are seen in the Great Mosque of Djenné in Mali and the Great Mosque of Kairouan in Tunisia. The document examines artistic traditions across the diverse regions of Africa and how they reflected cultural and political influences.
This document provides an overview of Chapter 2 from the textbook "Art History" which covers art of the Ancient Near East. It begins with learning objectives for the chapter and then provides summaries of early Mesopotamian cultures like Sumer, Akkad, Ur and Lagash, Babylon, Assyrians and Neo-Babylonians. Key points include the development of writing, temples, royal tombs, cylinder seals and votive figures in Sumer as well as Hammurabi's Code of Laws and Assurnasirpal II's lion hunt relief from Assyria. Images are included to illustrate important works discussed.
The exhibition titled "LAPITA, Oceanic Ancestors" showcases Lapita pottery and other artifacts that shed light on the Austronesian settlers who inhabited parts of Oceania approximately 3,000 years ago. It features an exceptional collection of well-preserved Lapita vessels and objects on loan mainly from New Caledonia and Vanuatu. The exhibition seeks to position Lapita ceramics in their proper historical and archaeological context and trace the legacy of Lapita artistic traditions in contemporary Oceanic cultures.
Aboriginal rock art in Australia dates back over 30,000 years and can be found across the continent. The paintings and engravings were traditionally created for cultural and spiritual reasons to tell stories and myths. A variety of natural pigments like ochre were used along with binders like plant juices and applied using twigs, leaves or fingers. Some of the most famous examples include Wandjina spirits from Arnhem Land and rock art found at Kakadu National Park depicting animals and ancestral beings.
This document provides an excerpt from a research proposal by Tania Ryan to study rock art, intaglio, ceramics, textiles, and tattoos on the island of Raivavae in French Polynesia. The proposal aims to explore how symbols from rock art changed forms through ceramics, textiles, and tattoos over time, while examining how status and power influenced these changes. The methodology would involve dating and analyzing the rock art and artifacts, as well as conducting interviews to understand the cultural context and history of symbol usage on the island. If successful, the research could provide valuable insights into the culture and settlement patterns of Raivavae and the wider Austral Islands region.
Skopelos is a Greek island in the northern Aegean Sea known for its natural beauty and as the filming location for the movie Mamma Mia. The island has lush green forests, beaches, and picturesque towns. It has a population of around 5,700 people living in villages including the main town of Skopelos. The island's economy was traditionally based around shipping and woodcrafts but now also relies on tourism, especially in the summer months.
This document provides an introduction to an exhibition about Aboriginal stone tools from across Australia. It discusses how stone tools were used by Aboriginal peoples for over 60,000 years, adapting to different environments. The tools reveal patterns of land use and trade networks. They also embodied cultural knowledge through craftsmanship and were used for tasks like cutting as well as having spiritual/philosophical roles. Ochre pigments applied to tools and bodies were an important form of cultural expression. The tools provide insights into how Aboriginal peoples historically lived and adapted to their changing environments over thousands of years.
The document provides an overview of Pacific art cultures including Australia, Melanesia, Micronesia, and Polynesia. It discusses early settlers like the Lapita people and describes art forms across the regions. Key artworks mentioned include rock paintings from Australia depicting the Dreamtime, ceremonial poles from Irian Jaya honoring the dead, and woodcarvings from Easter Island of human figures called moai. The document also notes the modern reemergence of Pacific art traditions.
Michael Nelson Tjakamarra is an Indigenous Australian artist born in 1945 who creates paintings representing Dreamtime stories and ancestral sites from the Central Desert region. He learned painting techniques from observing older artists in Papunya, where he began painting regularly in 1983. Tjakamarra's paintings depict simplified images like snakes, dots, and circles that represent Dreamtime stories and sites, with colors drawn from the earth. He creates his paintings on the ground to feel connected to the land and ancestral energies. Aboriginal art shares beliefs and maps ancestral lands through signs and symbols, though specific meanings require community permission due to sacred stories. Tjakamarra's art is displayed nationally in significant places like Parliament House to preserve Aboriginal culture.
Michael Nelson Tjakamarra is an Indigenous Australian artist born in 1945 who creates paintings representing Dreamtime stories and ancestral sites from the Central Desert region. He learned painting techniques from observing older artists in Papunya, where he began painting regularly in 1983. Tjakamarra's paintings depict simplified symbols like snakes, dots, and circles that tell Dreamtime stories and represent sacred sites, with colors drawn from the earth. He creates his paintings on the ground to feel connected to the land's energy. Aboriginal art shares beliefs and maps ancestral lands and sites through signs and symbols for future generations.
This document discusses water as an essential resource for life, human needs, and the environment. It notes that water is vital for homes, gardens, agriculture, industry, and the environment. It also discusses how water is important for Australia as the driest inhabited continent and stresses the importance of protecting this precious resource to ensure a sustainable water future. The document provides context on water-themed artworks in the gallery and various themes they may connect to like the environment, transportation, industry, and leisure. It also provides background on freshwater sources in Australia.
A Century of Kenyan Herpetology by Stephen SpawlsBio-Ken
This document summarizes the history of herpetology and reptile conservation in Kenya over the past 100 years. It describes how Arthur Loveridge established the first museum in Nairobi in 1914 and helped start formal herpetological study. It outlines major milestones like the creation of national parks beginning in 1946 and establishment of the snake park at the National Museum in 1959. While progress has been made with field guides, atlases and increased species records, the document calls for more fieldwork to improve knowledge of distributions, new species discoveries, and conservation of rare endemic species found outside protected areas.
1. Africa produced early art forms like the terracotta figures from the Nok culture in Nigeria from around 500 BCE. Later cultures like the Yoruba and Benin in Nigeria created naturalistic bronze sculptures honoring kings and queens.
2. Art in Oceania reflected shared beliefs across islands like the importance of ancestors and nature spirits. Sculptures from places like the Solomon Islands and Easter Island served protective spiritual functions.
3. Indigenous groups across the Americas created art tied to religious ceremonies and traditions, including totem poles by Northwest Coast peoples, kachina dolls of the Southwest US, and monumental architecture by Pre-Columbian civilizations in Mesoamerica and South America like
This document provides an overview of humanities and social sciences for quarter 1 of the 2022-2023 school year. It covers several time periods of Philippine art history, including contemporary arts, pre-colonial/ethnic arts, the Islamic era, Spanish era, American era, and Japanese era. For each period, it describes characteristics of the arts, significant events, and examples of famous artists and their works. The document aims to educate students on the evolution of Philippine arts and culture over time under different influences.
The National Museum of Australia's First Australians Gallery aims to tell the stories and experiences of Australia's Indigenous peoples. It explores how the gallery presents information and ideas to help visitors appreciate and understand this important part of Australian history and culture. The unit provides learning outcomes related to time, continuity, change and culture for students to achieve by exploring the gallery's exhibits, images and concepts.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
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How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
4. THE BARUNGA STATEMENT
Various artists from Arnhem Land and central Australia. 1988. Ochers on composition
board with collage of printed text on paper, 48" × 47-1/4" (122 × 120 cm).
Reproduced with permission of the Northern and Central Land Councils. Reproduced
with the permission of the Northern and Central Land Councils. Gifts Collection, courtesy
of Parliament House Art Collection, Canberra ACT. [Fig. 28-01]
8. FRAGMENTS OF A LARGE LAPITA JAR
From Venumbo Reef, Santa Cruz Island, Solomon Islands. c. 1200–1100 BCE.
Clay, height of human face motif approx. 1-1/2" (4 cm).
Courtesy of the Anthropology Photographic Archive, Department of Anthropology, The
University of Auckland. [Fig. 28-02]
15. EXTERIOR OF KORAMBO (HAUS TAMBARAN)
Kinbangwa village, Sepik River, Papua New Guinea.
Abelam, 20th century. Mandeville Special Collections Library Geisel Library, University of
California, San Diego. Photo: Anthony Forge, 1962. [Fig. 28-04]
23. TUBUAN MASK BEING DANCED
Tolai people, Duke of York Islands, New Britain, Papua New Guinea. c. 1990.
Cloth, paint, fiber, and feathers.
Photo: Caroline Yacoe. [Fig. 28-08]
32. Raharuhi Rukupo, master carver TE-HAU-KI-TURANGA (MAORI MEETING HOUSE)
Gisborne/Turanga, New Zealand; built and owned by the Rongowhakaata people of
Turanga. 1842–1843, restored in 1935. Wood, shell, grass, flax, and pigments.
Museum of New Zealand/Te Papa Tongarewa, Wellington. (Neg. B18358). Museum of
New Zealand Te Papa Tongarewa. [Fig. 28-11]
34. CARVED FIGURE FROM STOREHOUSE DOORWAY
Ngäti Päoa, Hauraki Gulf, New Zealand. 1500–1800.
Wood, height 33-7/8" (86 cm). Museum of New Zealand/Te Papa Tongarewa, Wellington.
Museum of New Zealand Te Papa Tongarewa/Michael Hall. [Fig. 28-12]
36. POUPOU (PANEL)
From Te-Hau-ki-Turanga. Wood and red pigment, height 4'7" (140 cm).
Museum of New Zealand/Te Papa Tongarewa, Wellington. Museum of New Zealand Te
Papa Tongarewa. [Fig. 28-13]
41. DANCER FROM THE MARQUESAS ART AND CULTURE FESTIVAL
2013. Ua Huka, Marquesas.
Photographer Lionel Gouverneur. Photo: Lionel Gouverneur. [Fig. 28-15]
43. FEATHER CLOAK (KNOWN AS THE KEARNY CLOAK)
Hawaii. c. 1843.
Red, yellow, and black feathers, olona cordage, and netting, length 55-3/4" (143 cm).
Bishop Museum, Honolulu. [Fig. 28-16]
THE BARUNGA STATEMENTVarious artists from Arnhem Land and central Australia. 1988. Ochers on composition board with collage of printed text on paper, 48" × 47-1/4" (122 × 120 cm).Reproduced with permission of the Northern and Central Land Councils. Reproduced with the permission of the Northern and Central Land Councils. Gifts Collection, courtesy of Parliament House Art Collection, Canberra ACT. [Fig. 28-01]
PACIFIC CULTURAL-GEOGRAPHIC REGIONSThe Pacific cultures are spread over four vast areas: Australia, Melanesia, Micronesia, and Polynesia. [Map 28-01]
FRAGMENTS OF A LARGE LAPITA JARFrom Venumbo Reef, Santa Cruz Island, Solomon Islands. c. 1200–1100 BCE.Clay, height of human face motif approx. 1-1/2" (4 cm).Courtesy of the Anthropology Photographic Archive, Department of Anthropology, The University of Auckland. [Fig. 28-02]
EXTERIOR OF KORAMBO (HAUS TAMBARAN)Kinbangwa village, Sepik River, Papua New Guinea.Abelam, 20th century. Mandeville Special Collections Library Geisel Library, University of California, San Diego. Photo: Anthony Forge, 1962. [Fig. 28-04]
WOMEN WEARING NET BAGS (BILUM)Wahgi Valley, Western Highlands Province, Papua New Guinea.1990.Michael O'Hanlon. [Fig. 28-05]
TUBUAN MASK BEING DANCEDTolai people, Duke of York Islands, New Britain, Papua New Guinea. c. 1990.Cloth, paint, fiber, and feathers.Photo: Caroline Yacoe. [Fig. 28-08]
Raharuhi Rukupo, master carver TE-HAU-KI-TURANGA (MAORI MEETING HOUSE)Gisborne/Turanga, New Zealand; built and owned by the Rongowhakaata people of Turanga. 1842–1843, restored in 1935. Wood, shell, grass, flax, and pigments.Museum of New Zealand/Te Papa Tongarewa, Wellington. (Neg. B18358). Museum of New Zealand Te Papa Tongarewa. [Fig. 28-11]
CARVED FIGURE FROM STOREHOUSE DOORWAYNgäti Päoa, Hauraki Gulf, New Zealand. 1500–1800.Wood, height 33-7/8" (86 cm). Museum of New Zealand/Te Papa Tongarewa, Wellington. Museum of New Zealand Te Papa Tongarewa/Michael Hall. [Fig. 28-12]
POUPOU (PANEL)From Te-Hau-ki-Turanga. Wood and red pigment, height 4'7" (140 cm).Museum of New Zealand/Te Papa Tongarewa, Wellington. Museum of New Zealand Te Papa Tongarewa. [Fig. 28-13]
DANCER FROM THE MARQUESAS ART AND CULTURE FESTIVAL2013. Ua Huka, Marquesas.Photographer Lionel Gouverneur. Photo: Lionel Gouverneur. [Fig. 28-15]
FEATHER CLOAK (KNOWN AS THE KEARNY CLOAK)Hawaii. c. 1843.Red, yellow, and black feathers, olona cordage, and netting, length 55-3/4" (143 cm).Bishop Museum, Honolulu. [Fig. 28-16]