This document provides an overview of Chinese and Korean art after 1279. It discusses the Mongol invasions and establishment of the Yuan dynasty in China, and the development of literati painting during this period. Notable artists from the Yuan dynasty discussed include Zhao Mengfu and Ni Zan. The document also covers the founding of the Ming dynasty, characteristics of Ming painting and porcelain, and important artistic centers like the Forbidden City. Key Ming artists mentioned are Yin Hong, Dai Jin, Qiu Ying, and Shen Zhou. The styles of literati, court, and landscape painting during this time period are also summarized.
This document provides an overview of Chapter 28 from an Art History textbook on art and Pacific cultures. It begins with learning objectives for the chapter focused on identifying visual hallmarks of Pacific art, interpreting meanings and themes, and relating art to cultural contexts. It then provides summaries of the art and cultures of major Pacific regions, including Australia, Melanesia, Micronesia, Polynesia, and specific areas like New Guinea and New Ireland/New Britain. For each region, it highlights characteristics of art forms, materials, and cultural practices, providing examples of artworks with descriptions and images.
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of modern art in Europe and the Americas from 1900-1950. It begins with learning objectives focused on identifying styles, interpreting meaning, and relating works to their contexts. Key events that influenced the period are described, such as World War I and the Great Depression. Several major art movements are then discussed in detail, including the Fauves and their expressive use of color, Picasso's development of Cubism including its analytic and synthetic phases, and the Bridge movement in Germany inspired by Nietzsche. Major artists and their groundbreaking works from this revolutionary period in art history are analyzed.
This document provides an overview of Chapter 28 from an Art History textbook on art and Pacific cultures. It begins with learning objectives for the chapter focused on identifying visual hallmarks of Pacific art, interpreting meanings and themes, and relating art to cultural contexts. It then provides summaries of the art and cultures of major Pacific regions, including Australia, Melanesia, Micronesia, Polynesia, and specific areas like New Guinea and New Ireland/New Britain. For each region, it highlights characteristics of art forms, materials, and cultural practices, providing examples of artworks with descriptions and images.
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of modern art in Europe and the Americas from 1900-1950. It begins with learning objectives focused on identifying styles, interpreting meaning, and relating works to their contexts. Key events that influenced the period are described, such as World War I and the Great Depression. Several major art movements are then discussed in detail, including the Fauves and their expressive use of color, Picasso's development of Cubism including its analytic and synthetic phases, and the Bridge movement in Germany inspired by Nietzsche. Major artists and their groundbreaking works from this revolutionary period in art history are analyzed.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
The document summarizes changes in the Ottoman Empire and Qing Dynasty between 1750 and 1900. Both empires declined during this period due to weakening economies, political rebellions, and pressure from European nations. The Ottoman Empire lost territory in the Balkans and North Africa and became known as the "sick man of Europe". The Qing Dynasty in China initially maintained a favorable trade balance but faced economic challenges and the Opium Wars with European powers. By the early 20th century, both the 600-year Ottoman Empire and 4000-year cycle of Chinese dynasties had fallen.
Chinese And Korean Art After 1279 Emily Andrew Sambassmanb
1. The document summarizes periods of Chinese and Korean art from 1279 to the present day, focusing on the Yuan, Ming, and Qing Dynasties in China and the Joseon Dynasty in Korea.
2. During the Yuan Dynasty, literati painting emerged as a new style that emphasized simplicity, subtlety, and conveying personal meaning. The Ming Dynasty saw the flourishing of porcelain, architecture like the Forbidden City, and landscape painting.
3. In Korea, the Joseon Dynasty modeled itself after China's Ming Dynasty and was a period of invention, ceramics like buncheong ware, and painting that incorporated Chinese styles.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
Rococo & Neoclassicism In Early 18th CenturyAndrea Fuentes
The document provides an overview of Rococo and Neoclassicism in 18th century Europe. It discusses the political context and shifts in power from French royalty to aristocrats. Rococo began as an architectural style featuring undulating forms and spread to painting and sculpture. Neoclassicism emerged in response to Enlightenment ideals and was inspired by the ruins of Pompeii. It featured simpler, more structured compositions with references to Greek and Roman antiquity. The document summarizes key works of Rococo artists like Fragonard and Boucher and Neoclassical artists like David, West, and Ingres.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
El documento resume los principales movimientos artísticos y sociales entre los siglos XVIII y XIX en Europa, incluyendo la Ilustración, el Neoclasicismo, el Liberalismo y el Romanticismo. El Romanticismo surgió como reacción al riguroso academicismo Neoclásico, enfatizando la subjetividad y las emociones. Se desarrolló un eclecticismo histórico en la arquitectura, literatura, música y pintura de la época.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
Romanticism emerged in the late 18th and early 19th centuries as a reaction against Enlightenment ideals that emphasized reason and science. It valued emotion, imagination, individualism, and nature. Key aspects included:
1) A desire for freedom in politics, expression, thought, and other areas, with the belief that freedom came through imagination rather than reason.
2) An interest in the medieval, fantastic, and sublime - including dark emotions like horror. This was seen in works depicting nightmares and terrifying scenes.
3) Landscape painting that used nature allegorically to comment on spiritual, moral, and philosophical issues of the time. Artists expressed a unity of the soul with nature.
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
Art Nouveau was a design style between 1890-1910 that featured organic, flowing forms inspired by Japanese woodblock prints. It emphasized visual quality over functionality. The Tassel House by Belgian architect Baron Victor Horta exemplified Art Nouveau's use of curving lines and nature motifs. Japanese Ukiyo-e prints by artists like Katsushika Hokusai and Ando Hiroshige influenced both French Art Nouveau designers like Jules Chéret and Alphonse Mucha as well as the English artist Aubrey Beardsley and American designer Louis Rhead.
Origin of Ancient Chinese Imperial Treasure Wilson Orta
It Concerns Chinese Heritage , and All Chinese has a right to vote in future where the treasue should go to .
http://www.slideshare.net/technikvista/imperial-masterpieces-from-taipei-national-palace-museum
The document provides an overview of Chinese art history from ancient to modern times. It discusses major dynasties like Ming and Qing and the art they produced, including porcelain, lacquerware, painting, and sculpture. Art was often commissioned by the imperial court and wealthy patrons to depict nature, mythology, and imperial power. Styles and tastes fluctuated over time between courtly traditions and more individualistic styles. Trade also exposed Chinese artists to foreign influences. The philosophy and preservation of Chinese art forms a complex but illuminating counterpart to Western art histories.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
The document summarizes changes in the Ottoman Empire and Qing Dynasty between 1750 and 1900. Both empires declined during this period due to weakening economies, political rebellions, and pressure from European nations. The Ottoman Empire lost territory in the Balkans and North Africa and became known as the "sick man of Europe". The Qing Dynasty in China initially maintained a favorable trade balance but faced economic challenges and the Opium Wars with European powers. By the early 20th century, both the 600-year Ottoman Empire and 4000-year cycle of Chinese dynasties had fallen.
Chinese And Korean Art After 1279 Emily Andrew Sambassmanb
1. The document summarizes periods of Chinese and Korean art from 1279 to the present day, focusing on the Yuan, Ming, and Qing Dynasties in China and the Joseon Dynasty in Korea.
2. During the Yuan Dynasty, literati painting emerged as a new style that emphasized simplicity, subtlety, and conveying personal meaning. The Ming Dynasty saw the flourishing of porcelain, architecture like the Forbidden City, and landscape painting.
3. In Korea, the Joseon Dynasty modeled itself after China's Ming Dynasty and was a period of invention, ceramics like buncheong ware, and painting that incorporated Chinese styles.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
Rococo & Neoclassicism In Early 18th CenturyAndrea Fuentes
The document provides an overview of Rococo and Neoclassicism in 18th century Europe. It discusses the political context and shifts in power from French royalty to aristocrats. Rococo began as an architectural style featuring undulating forms and spread to painting and sculpture. Neoclassicism emerged in response to Enlightenment ideals and was inspired by the ruins of Pompeii. It featured simpler, more structured compositions with references to Greek and Roman antiquity. The document summarizes key works of Rococo artists like Fragonard and Boucher and Neoclassical artists like David, West, and Ingres.
The document discusses the Protestant Reformation that began in the 1500s as people grew dissatisfied with corruption in the Catholic Church. Martin Luther was particularly troubled by the selling of indulgences and wrote his 95 Theses calling for church reform. This sparked the Protestant Reformation and religious conflicts like the Thirty Years' War. The Counter Reformation was the Catholic Church's response to try to stem Protestantism. The Baroque period saw dramatic artistic works used by both Protestants and Catholics to persuade people. Key artists discussed include Bernini, Caravaggio, and their highly dramatic works capturing decisive moments.
El documento resume los principales movimientos artísticos y sociales entre los siglos XVIII y XIX en Europa, incluyendo la Ilustración, el Neoclasicismo, el Liberalismo y el Romanticismo. El Romanticismo surgió como reacción al riguroso academicismo Neoclásico, enfatizando la subjetividad y las emociones. Se desarrolló un eclecticismo histórico en la arquitectura, literatura, música y pintura de la época.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
Romanticism emerged in the late 18th and early 19th centuries as a reaction against Enlightenment ideals that emphasized reason and science. It valued emotion, imagination, individualism, and nature. Key aspects included:
1) A desire for freedom in politics, expression, thought, and other areas, with the belief that freedom came through imagination rather than reason.
2) An interest in the medieval, fantastic, and sublime - including dark emotions like horror. This was seen in works depicting nightmares and terrifying scenes.
3) Landscape painting that used nature allegorically to comment on spiritual, moral, and philosophical issues of the time. Artists expressed a unity of the soul with nature.
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
Art Nouveau was a design style between 1890-1910 that featured organic, flowing forms inspired by Japanese woodblock prints. It emphasized visual quality over functionality. The Tassel House by Belgian architect Baron Victor Horta exemplified Art Nouveau's use of curving lines and nature motifs. Japanese Ukiyo-e prints by artists like Katsushika Hokusai and Ando Hiroshige influenced both French Art Nouveau designers like Jules Chéret and Alphonse Mucha as well as the English artist Aubrey Beardsley and American designer Louis Rhead.
Origin of Ancient Chinese Imperial Treasure Wilson Orta
It Concerns Chinese Heritage , and All Chinese has a right to vote in future where the treasue should go to .
http://www.slideshare.net/technikvista/imperial-masterpieces-from-taipei-national-palace-museum
The document provides an overview of Chinese art history from ancient to modern times. It discusses major dynasties like Ming and Qing and the art they produced, including porcelain, lacquerware, painting, and sculpture. Art was often commissioned by the imperial court and wealthy patrons to depict nature, mythology, and imperial power. Styles and tastes fluctuated over time between courtly traditions and more individualistic styles. Trade also exposed Chinese artists to foreign influences. The philosophy and preservation of Chinese art forms a complex but illuminating counterpart to Western art histories.
This document provides an overview of ancient Egyptian art and architecture from the Predynastic period through the Old Kingdom. It begins with a summary of the importance of the Nile River to early Egyptian civilization and the emergence of chiefdoms. Key developments included the unification of Upper and Lower Egypt, the rise of pharaonic kingship, and the establishment of artistic conventions like composite figures. Early royal tombs took the form of mastabas and pyramids grew more elaborate, like the stepped pyramid of Djoser. The peak of Egyptian art and architecture was seen in Old Kingdom sites like the three great pyramids of Giza.
This document summarizes Chinese art from the Six Dynasties period through the Yuan dynasty. It describes developments in painting, calligraphy, ceramics, and other art forms. Key points include the popularity of landscape painting during Song dynasty reflecting Daoist and Chan Buddhist ideals, the refined painting style of Tang dynasty, and Yuan dynasty art commission by Mongol rulers after they conquered China. Major artists from each period like Gu Kaizhi, Fan Kuan, and Ma Yuan are also mentioned.
This document provides an overview of aspects of culture in Japan, China, and Korea. In Japan, kimonos and Nagoya Castle reflect history in their designs. Chinese art like bird and flower paintings and landscapes show historical traditions and emotions. Peking opera combines dance, music and acrobatics in performances. In Korea, monuments like the Tower of Juche Idea glorify historical ideas, and celadon vessels feature traditional floral designs. Similarities between these East Asian countries include expressing emotions through art and using certain colors.
The document summarizes the history and evolution of art in India, China, and Japan from ancient times to the modern era. It traces how Buddhism spread and influenced styles across Asia, and how political rulers like the Mughals in India and dynasties in China impacted art. Key periods and artistic genres are described for each culture, such as Mughal miniatures in India, landscape painting and calligraphy in China, and Ukiyo-e woodblock prints in Japan. The document also notes how contemporary art has developed with globalization in each country.
Challenges of Developing Terminology in Two Different CulturesAAT Taiwan
Chen Cheng Po was a famous modern painter in Taiwan. Academia Sinica received his archival collection, which includes artworks, letters, diaries, photos and more. The initial project idea is to apply controlled vocabularies like the AAT to showcase Taiwanese digital art history. Chen studied in Tokyo and taught in Shanghai. He had many classmates, friends and coworkers who were also artists. The collection can provide insights into Chen's influences, exhibitions, and the development of modern art in Taiwan.
This document provides an overview of art from India, China, and Japan from ancient times to the modern era. It summarizes that: Buddhism spread from India to China and Japan through the Silk Road opening in the 6th century BC, influencing the serene, meditative styles. Indian art developed over millennia and intertwined with cultural and religious histories. Chinese art spanned all media and dynasties, with painting, calligraphy, and porcelain emphasized. Japanese art ranged from ancient pottery to ukiyo-e woodblock prints to manga comics, and was influenced by Buddhism starting in the 7th century.
The document summarizes Chinese and Korean art after 1279, including the Yuan, Ming, and Qing dynasties in China and the Joseon dynasty in Korea. It discusses major artistic developments such as the literati style in China under Mongol rule and the orthodox and individualist styles that emerged in China under the Qing dynasty. Key artists from each period like Zhao Mengfu, Shen Zhou, and Shitao are mentioned along with examples of their work. The document also notes the transition to modern Chinese art in the early 20th century.
This document discusses the art and architecture of China and Korea from early dynastic periods through modern times, highlighting the influence of philosophies like Confucianism and Daoism, the development of calligraphy, painting styles like scrolls and albums, the introduction of Buddhism, architectural forms like courtyard houses and pagodas, and the different styles of imperial court painters versus literati painters over the dynastic periods. Major artistic periods covered include the Tang and Song Dynasties, the Mongol Yuan Dynasty, Ming Dynasty imperial art, and 20th century art in the People's Republic of China.
This document provides an overview of ancient Chinese civilization. It covers topics such as the major dynasties that ruled (Shang, Zhou, Qin, Han), geography (rivers, mountains), cities and architecture (Forbidden City, pagodas), art forms (calligraphy, silk, porcelain), inventions (paper, printing, gunpowder), and the economy (silk road trade). It also discusses the social hierarchy, religious beliefs, and the eventual decline of ancient Chinese civilization after the fall of the Han dynasty due to internal turmoil and external invasions.
Xi'an, the capital of Shaanxi Province in China, has over 3,100 years of history and was an important stop on the Silk Road. Notable landmarks include the Terracotta Army, which features thousands of life-sized sculptures built to protect the first emperor in the afterlife, and Xi'an's well preserved 14th century city walls that can now be cycled along. The city has a population of over 7 million people and is a popular tourist destination known for its historical and cultural significance.
Minhwa, or Korean folk art paintings, convey Korean mythology, religion, and culture. They were traditionally created anonymously to decorate homes and celebrate occasions. Two major categories are paintings that wish for good luck and repel evil spirits. Common symbols include the sun, moon, pine trees, and animals believed to bring good fortune and longevity. One famous example is the royal folding screen depicting the sun, moon, and five peaks, representing the monarchy's governance. Minhwa provide insights into traditional Korean agrarian life, values, and spirituality.
The document provides background information on the Hall of Supreme Harmony, which is located within the Forbidden City in Beijing, China. Some key details include:
- The Hall of Supreme Harmony is the first of three halls where emperors would meet with subjects.
- It was first built in 1427 by the Ming Emperor Yongle and has undergone several reconstructions due to fires.
- As part of the inner palace area, it symbolized the emperor's power and was used for important ceremonies like enthronements of the 24 emperors of the Ming and Qing dynasties.
- The current building is not the original structure but retains important architectural elements from previous versions on
Chinese and korean art before 1279 boundless pptRoxanne Farrar
The document provides an overview of Chinese and Korean art before 1279 CE, covering major periods and artistic developments. It discusses Neolithic painted pottery and jade from the Yangshao and Liangzhu cultures. Bronze casting advanced under the Shang Dynasty, while the Zhou Dynasty saw the zenith of bronze-ware making. Under the Qin Dynasty, the Terracotta Army was constructed to accompany Qin Shihuang's tomb. Philosophy and tomb goods evolved during China's Han Dynasty, while architecture used timber construction.
This document provides an overview of early African art from prehistoric times to the 16th century CE. It discusses rock art traditions in Namibia and South Africa dating back 25,000 years. Ancient civilizations like Nubia and Ethiopia produced monumental sculptures and architecture influenced by Egyptian and Byzantine styles. Islamic influences are seen in the Great Mosque of Djenné in Mali and the Great Mosque of Kairouan in Tunisia. The document examines artistic traditions across the diverse regions of Africa and how they reflected cultural and political influences.
The document provides an overview of Chinese culture, history, and architecture from ancient dynasties to modern times. It describes key details about the flags and dynasties that ruled China. The early dynasties like Xia, Shang, and Zhou built rammed earth walls and wooden structures for palaces, temples, and houses. Architecture evolved over time with the introduction of tile roofs, painted pillars, and separate spaces for women. Traditional Chinese arts like painting, calligraphy, crafts, and terracotta figures are also summarized.
This document discusses the purposes and functions of art in society. It begins by outlining six main functions of art: for delight, as commentary, in worship and ritual, for commemoration, as a status symbol, and for propaganda. Each function is then explored in more detail with examples. For the function of art for delight, the document examines paintings, pottery, and photographs that aim to provide aesthetic pleasure or surprise. It discusses how definitions of beauty vary across cultures.
Concerning a civilization, five thousand years of continuous existence speak for themselves. “Splendors of ImperialChina,” and the catalogue volumes issued to commemorate it, should generate a true sense of admiration and respect for a culture and civilization little known in the West, but from which there is a great deal to be learned. China is becoming the World First Economy in very near future...
https://www.facebook.com/pages/Ancient-China-Mystic-Symbol-Wealth-Luck/274742932699052
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
This document provides an overview of art in 16th century Italy. It discusses major Italian Renaissance artists such as Leonardo da Vinci, Raphael, and Michelangelo. For Leonardo, it summarizes key works like the Mona Lisa and Last Supper. For Raphael, it describes Madonna paintings and his famous School of Athens fresco. For Michelangelo, it mentions his early Pietà sculpture and famous David statue. The document also provides context on trends, patrons, and the development of oil painting during this influential period of Italian Renaissance art.
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
This document provides an overview of fourteenth-century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic way. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-fourteenth century Europe.
This document provides an overview of concepts in art history. It discusses four key ways that art historians investigate works of art: assessing physical properties, analyzing formal structure, identifying subject matter, and integrating works within their cultural context. It provides examples to illustrate each of these methods. The document also summarizes in detail how these four approaches were used to analyze Rogier van der Weyden's painting "Crucifixion with the Virgin and St. John the Evangelist."
This document provides an overview of 14th century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic style. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-14th century Italy.
This document provides an overview of Gothic art and architecture in Europe between the 12th and 13th centuries. It begins with learning objectives and then discusses the rise of Gothic style, focusing on key developments at the Abbey Church of Saint-Denis, considered the first Gothic building. These included rib vaulting, larger windows, and stained glass installations. The document then examines Chartres Cathedral in depth, highlighting its architectural innovations, sculptures, stained glass windows illustrating biblical scenes, and the social context of cathedral construction.
This document provides an overview of Romanesque art and architecture in Europe between the 11th and 12th centuries. It discusses the political, economic, and social contexts, including the growing power of the Church. Major architectural developments are outlined, including the first all-masonry churches, pilgrimage churches like Santiago de Compostela, and influential monasteries like Cluny and the Cistercian monastery of Fontenay. Reliquaries and the importance of relics are also mentioned. The document aims to identify the key characteristics and developments of Romanesque art through both text and images.
This document provides an overview of early medieval art in Europe between the 5th and 8th centuries CE. It discusses the migration of groups like the Huns, Goths, and Vandals throughout Europe after the fall of the Roman Empire. Artistic traditions developed among these groups as well as the Franks, Anglo-Saxons, and Celts in places like France, Britain, Ireland, and Scandinavia. Important artworks included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as metalwork and jewelry. Stylistic influences incorporated remnants of classical styles with new abstract, geometric, and knot patterns that characterized Insular art of the British Isles.
This document provides an overview of Jewish and early Christian art from antiquity. It begins with learning objectives focused on identifying formal qualities, interpreting themes and symbols, and analyzing historical context. Background information is given on Judaism, Christianity, and their existence in the late Roman Empire. Early Jewish art discussed includes the First Temple in Jerusalem, wall paintings from the Jewish catacomb in Rome depicting menorahs and the Ark of the Covenant, and synagogues with mosaics and paintings. Early Christian art discussed includes paintings from the house church at Dura-Europos depicting scenes from Christ's life, wall paintings and sculptures from the catacombs in Rome, and the adoption of basilica architecture for
This document provides an overview of Byzantine art during the Early Byzantine period under Emperor Justinian I's rule. It discusses major architectural works like the Hagia Sophia and Church of San Vitale, highlighting their use of domes, pendentives, and mosaic artwork. Luxury goods produced in Constantinople included illuminated manuscripts, ivory panels, and silver plates depicting biblical scenes. Icons on walls and panels depicted saints and Mary to venerate holy figures without idolatry.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
8. CHINA AND KOREA
The map shows the borders of both contemporary China and Korea. The colored areas
indicate the historical extent of the Qing-dynasty empire (1644–1911), including its
tributary states. [Map 25-01]
22. Yin Hong HUNDREDS OF BIRDS ADMIRING THE PEACOCKS
Ming dynasty, late 15th–early 16th century. Hanging scroll with ink and color on silk, 7'10-
1/2" × 6'5" (2.4 × 1.96 m). The Cleveland Museum of Art. Purchase from the J.H. Wade
Fund (1974.31). Bridgeman Images. [Fig. 25-05]
31. Shen Zhou POET ON A MOUNTAINTOP
Leaf from an album of landscapes; painting mounted as part of a handscroll. Ming
dynasty, c. 1500. Ink and color on paper, 15-1/4" × 23-3/4" (40 × 60.2 cm).
The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill
Nelson Trust (46-51/2). [Fig. 25-09]
38. Dong Qichang THE QINGBIAN MOUNTAINS
Ming dynasty, 1617. Hanging scroll with ink on paper.
21'8" × 7'4-3/8" (6.72 × 2.25 m).
Cleveland Museum of Art. Leonard C. Hanna, Jr., Fund. Bridgeman Images. [Fig. 25-12]
41. Yun Shouping AMARANTH
Leaf from an album of flowers, bamboo, fruits, and vegetables. 1633–1690.
Album of 10 leaves; ink and color on paper; each leaf 10" × 13" (25.3 × 33.5 cm).
Collection of Phoenix Art Museum, Arizona. Gift of Marilyn and Roy Papp (2006.164).
[Fig. 25-13]
45. Shitao REMINISCENCES OF QINHUAI RIVER
One of eight leaves from an album. Qing dynasty, c. 1695–1700. Ink and color on paper,
10 × 8” (25.5 × 20.2 cm). Cleveland Museum of Art.
Bridgeman Images. [Fig. 25-15]
52. HORIZONTAL WINE BOTTLE WITH DECORATION OF A BIRD CARRYING A NEWLY
CAUGHT FISH
Korea. Joseon dynasty, 16th century.
Buncheong ware: light gray stoneware with decoration painted in iron-brown slip on a
white slip ground, 6-1/10" × 9-1/2" (15.5 × 24.1 cm). Museum of Oriental Ceramics,
Osaka, Japan. Gift of the Sumitomo Group (20773). [Fig. 25-17]
54. BROAD-SHOULDERED JAR WITH DECORATION OF A FRUITING GRAPEVINE
Korea. Joseon dynasty, 17th century. Porcelain with decoration painted in underglaze
iron-brown slip, height 22-1/5" (53.8 cm).
Ewha Women's University Museum, Seoul, Republic of Korea. Courtesy of Ewha
Woman's University Museum, Seoul. [Fig. 25-18]
56. An Gyeon DREAM JOURNEY TO THE PEACH BLOSSOM LAND
Korea. Joseon dynasty, 1447.
Handscroll with ink and light colors on silk, 15-1/4" × 41-3/4" (38.7 × 106.1 cm).
Central Library, Tenri University, Tenri (near Nara), Japan. Photo courtesy of Central
Library, Tenri University, Tenri, Japan. [Fig. 25-19]
58. Jeong Seon PANORAMIC VIEW OF THE DIAMOND MOUNTAINS (GEUMGANG-SAN)
Korea. Joseon dynasty, 1734.
Hanging scroll with ink and colors on paper, 40-5/8" × 37" (130.1 × 94 cm).
Lee'um, Samsung Museum, Seoul, Republic of Korea. National Treasure # 217.
[Fig. 25-20]
59. Kim Hongdo ROOF TILING
From Album of Genre Paintings. Korea.
Joseon dynasty,18th century. Ink and light colors on paper, 10-5⁄8 × 8-7⁄8″ (27 × 22.7
cm). National Museum of Korea, Seoul, Republic of Korea. Treasure No. 527. National
Museum of Korea, Seoul, Republic of Korea. [Fig. 25-21]
CHINA AND KOREAThe map shows the borders of both contemporary China and Korea. The colored areas indicate the historical extent of the Qing-dynasty empire (1644–1911), including its tributary states. [Map 25-01]
Zhao Mengfu SHEEP AND GOATYuan dynasty, c. 1300. Handscroll with ink on paper, 9-7⁄8 × 19″ (25.2 × 48.4 cm). Freer Gallery of Art, Smithsonian Institution, Washington, DC. Bridgeman Images.[Fig. 25-02]
Yin Hong HUNDREDS OF BIRDS ADMIRING THE PEACOCKSMing dynasty, late 15th–early 16th century. Hanging scroll with ink and color on silk, 7'10-1/2" × 6'5" (2.4 × 1.96 m). The Cleveland Museum of Art. Purchase from the J.H. Wade Fund (1974.31). Bridgeman Images. [Fig. 25-05]
Shen Zhou POET ON A MOUNTAINTOPLeaf from an album of landscapes; painting mounted as part of a handscroll. Ming dynasty, c. 1500. Ink and color on paper, 15-1/4" × 23-3/4" (40 × 60.2 cm).The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust (46-51/2). [Fig. 25-09]
ARMCHAIRMing dynasty, 16th–17th century. Huanghuali wood (hardwood),39-3/8" × 27-1/4" × 20" (100 × 69.2 × 50.8 cm).The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust (46-78/1). [Fig. 25-10]
Dong Qichang THE QINGBIAN MOUNTAINSMing dynasty, 1617. Hanging scroll with ink on paper.21'8" × 7'4-3/8" (6.72 × 2.25 m).Cleveland Museum of Art. Leonard C. Hanna, Jr., Fund. Bridgeman Images. [Fig. 25-12]
Yun Shouping AMARANTHLeaf from an album of flowers, bamboo, fruits, and vegetables. 1633–1690. Album of 10 leaves; ink and color on paper; each leaf 10" × 13" (25.3 × 33.5 cm).Collection of Phoenix Art Museum, Arizona. Gift of Marilyn and Roy Papp (2006.164). [Fig. 25-13]
Shitao REMINISCENCES OF QINHUAI RIVEROne of eight leaves from an album. Qing dynasty, c. 1695–1700. Ink and color on paper, 10 × 8” (25.5 × 20.2 cm). Cleveland Museum of Art.Bridgeman Images. [Fig. 25-15]
HORIZONTAL WINE BOTTLE WITH DECORATION OF A BIRD CARRYING A NEWLY CAUGHT FISHKorea. Joseon dynasty, 16th century.Buncheong ware: light gray stoneware with decoration painted in iron-brown slip on a white slip ground, 6-1/10" × 9-1/2" (15.5 × 24.1 cm). Museum of Oriental Ceramics, Osaka, Japan. Gift of the Sumitomo Group (20773). [Fig. 25-17]
BROAD-SHOULDERED JAR WITH DECORATION OF A FRUITING GRAPEVINEKorea. Joseon dynasty, 17th century. Porcelain with decoration painted in underglaze iron-brown slip, height 22-1/5" (53.8 cm).Ewha Women's University Museum, Seoul, Republic of Korea. Courtesy of Ewha Woman's University Museum, Seoul. [Fig. 25-18]
An Gyeon DREAM JOURNEY TO THE PEACH BLOSSOM LANDKorea. Joseon dynasty, 1447.Handscroll with ink and light colors on silk, 15-1/4" × 41-3/4" (38.7 × 106.1 cm).Central Library, Tenri University, Tenri (near Nara), Japan. Photo courtesy of Central Library, Tenri University, Tenri, Japan. [Fig. 25-19]
Jeong Seon PANORAMIC VIEW OF THE DIAMOND MOUNTAINS (GEUMGANG-SAN)Korea. Joseon dynasty, 1734.Hanging scroll with ink and colors on paper, 40-5/8" × 37" (130.1 × 94 cm).Lee'um, Samsung Museum, Seoul, Republic of Korea. National Treasure # 217.[Fig. 25-20]
Kim Hongdo ROOF TILINGFrom Album of Genre Paintings. Korea.Joseon dynasty,18th century. Ink and light colors on paper, 10-5⁄8 × 8-7⁄8″ (27 × 22.7 cm). National Museum of Korea, Seoul, Republic of Korea. Treasure No. 527. National Museum of Korea, Seoul, Republic of Korea. [Fig. 25-21]