Abstract Expressionism

Abstract Expressionism
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940's and 1950's, at the New York School,
American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject
matters, contributing to artists, were not meant to represent the ever–changing world around them. Rather, how the world around them affected the
artist themselves. The works swayed by such worldly influences, become an important article within the artists' pieces. Subjectively, looking inward to
express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a
representation ... Show more content on Helpwriting.net ...
In comparison to the Modern Artist Barnett Newman, Mark Grotjahn's paintings have similar formal decisions to His predecessor. In Mark Grotjahn's
works, the outward appearance of his butterfly pieces might resemble similar formal concepts from Barnet Newman's paintings. A likeness, present
within Grotjahn and Newman's paintings, is the vertical line bisecting the canvas. Which Barnett Newman coins this aesthetic a "zip", or the use of a
single vertical band . However, the semblance between the two artists stops there. As Barnett Newman's initial influences within his paintings such as,
Onement, 1 1948 (Fig. 1), derive from his religious backgrounds of Judaism and the ancient text of the Kabbalah , Grotjahn's inspirations are
completely different. The true meaning behind Grotjahn's paintings is inspired by nature
Using natural phenomenon as a starting point for abstraction, Mark Grotjahn's paintings straddle the polarities of artifice and nature. His painting,
Lavender Butterfly Jacaranda over Green (Fig. 2), expresses his fascination with nature. Transferring the experience of observation to an intrigue of
creative possibility, Grotjahn harnesses the mysticism of nature through aesthetic formality.
Another Contemporary Abstract Expressionist Artist within the exhibition is Torben Giehler. Like Grotjahn, Giehler's work is in comparison to a
Modern Master, Mondrian. Born in Bad Oeynhausen, Germany in 1973 he
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Abstraction Of The United States Through The Twentieth...
Abstraction in the United States Through the Twentieth Century Abstraction is the creation of art without representation of objects, in which the
artist has total freedom of the art that they are creating. I will be using three paintings from three different time periods in order to show the
development and lasting effects of abstraction in the twentieth century. The first work that I will be looking at is Foghorns by Arthur Dove. I will
use this piece to show the beginning of abstraction, and how ideas of abstraction were present before the movement began. The second painting
that I will be looking at is Jackson Pollock's Lucifer. I will be using this painting as an example of the height of abstraction in the 20th century and
will be discussing Pollock's influence on abstraction. The third piece of art I will be looking at is Many Mansion by Kerry James Marshall. I will
use this work to show the remnants of Pollock's influence, and the influence of abstraction in general, on art in the later half of the century. For the
development of this paper I looked at two of the course readings. The first reading that I used was The Tradition of the New by Harold Rosenberg. I
used this article to show how Foghorns by Arthur Dove relates to abstraction, and to show how ideas in creation of this painting can be linked to ideas of
abstract art. The second reading that I used for this paper was The Legacy of Jackson Pollock by Alan Kaprow. I used this article to gain information
about

Abstract Art Research Paper
While many accomplishments build on existing knowledge, many significant breakthroughs result from those who have completely broken with
tradition. Clearly then, significant breakthroughs do not always build upon existing knowledge. By the mid–20th Century, Abstract art was at its acme.
At the same time, many critics felt that the artists had all but exhausted themselves in terms of innovation. To be unique one had to be random and
chaotic–silly even. It was little surprise that many crowed about the imminent demise of Abstract art. Into this intellectual milieu, the artist Jackson
Pollock came to prominence. Seemingly random and chaotic–though anything but silly–his work had no clear precedent. He would throw paint at a
canvas on the ground or propped up against the wall. Though many dismissed him as a madman and a crank, eventually his work was hailed as that of
a genius, and that work did much to reinvigorate the movement of Abstract Art. Had Pollock tried to simply build off of the existing art he very well
may have fallen victim to the prophecy that the Abstract art movement had become effete and moribund.... Show more content on Helpwriting.net ...
At the time, the geocentric model of the universe was considered gospel: both the church and the scientific community (at that time the two were
heavily interrelated) endorsed this view because it put man at the center of the universe. Even then, it had the stamp of scientific legitimacy in Ptolemy,
who had centuries earlier "proven" that the Sun revolved around the Earth. Using advanced math and his observation skills, Copernicus was able to
determine that the earth revolved around the Sun. Just as importantly, he was able to challenge the orthodox view, and instead of building off of it,
exposed the shoddy foundations upon which this view was

A Comparison Of Hitler's Hatred For Modern And Abstract Art
1.During WWII the Nazi's made a name for themselves as one of the most powerful political parties in the world. When the Nazi's came to power
anything that went against their ideology was immediately crushed and forgotten. Three major ideas or themes that I developed during and after the
video was the fact that anything that wasn't real and skewed the real world image was looked down upon as abnormal and sickening. Another idea
was that fact that censorship demoralized humanity and caused people to have a depressing look upon life. A third idea was the fact that the hunger
for dominance made a division in the ideology of people either in a negative or positive way. 2.For starts Hitler had a personal hatred for Modern and
Abstract art because

Figurative Language In Frankenstein
In Frankenstein, Shelley uses a variety of figurative language that contribute to the novel's depressing atmosphere. Figurative language, such as
allusions, personifications, and similes, establishes a relationship between two literally contrasting subjects. It prompts readers to more closely analyze
the subjects for underlying similarities. It can also add to depth to the piece and enhance the overall novel by making abstract concepts more digestible.
During the monster's narration, the author utilizes a series of biblical allusions to express the monster's anguish and his relationship with Victor. While
the monster identifies with Satan, he also points out, "Satan had his companions, fellow–devils, to admire and encourage him; but I am solitary and
abhorred" (Shelley 93). Satan is usually viewed as a miserable creature, because he was exiled from heaven and can no longer live in God's glory.
However, the monster reveals that even Satan is more fortunate than him, because at least, Satan is not completely isolated in Hell. The allusion
emphasizes the extent of the monster's loneliness. Additionally, the monster reveals, "Many times, I consider Satan as the fitter emblem of my
condition..." (Shelley 93). Shelley compares the monster to the biblical figure, Satan, who embodies evil. She emphasizes the monster's miserable
existence, because similar to Satan, his existence has only brought tragedy and evil upon the world. Overall, her comparison to Satan induces readers to

Wassily Kandinsky Concerning The Spiritual In Art Analysis
The text i have chosen to analyse is Wassily Kandinsky's text "Concerning the Spiritual in Art". Kandinsky was born on the 16th of December 1866.
He was a legendary Russian painter and art theorist. He was part of a well–off family whose father ran a tea factory. He attended grammar school when
he was young and learned how to draw from a coach. In his early childhood works specific colour combinations which he later described as " every
colour lives by its mysterious life".* "Concerning the Spiritual in Art" was published in 1912. The 1910s was without a doubt the most energizing,
radical, creative and really NEW period in the historical backdrop of the considerable number of expressions, composing, music, painting, cinema,
movie. it was likewise one of only a handful couple of periods when inventive free for all was escorted by critical might, and is practically as
acclaimed for its imaginative assemblages, its '– isms', its iconoclasms and its marvelously forceful, wipe–the–slate–clean manifestoes as it is for
anyone fine art created."Concerning the Spiritual in... Show more content on Helpwriting.net ...
He sees Matisse as the 20th century master of colour and Picasso as the master of line but he critiques both of them for not taking it to the final stage
toward complete abandonment of the physical plain. An example of this is, he suggests that even though Picasso developed Cubism, that it is
deconstructed by the physical world but not abandoned by the physical world and so Picasso stays earth–bound. Thirdly, Kandinsky imposes that
imitative painting of other times was a deadly trap for the artist, yet responding to the eternal call of the unconscious forces in an early period of art
history was a correct area of exploration. Kandinsky's example is Picasso and other artists interest in the primitive. These artists did not want to copy
the works but to respond to the same content that the primitive artist had

The Disenchantment and Rebirth of Western Society...
From 1870 to 1920 several intellectuals came into prominence and formed critiques on the ways western society was conducting itself. Leading this
group of intellectuals was Friedrich Nietzsche. In Nietzsche's views he felt society had become degenerate and insipid. With the lack of modern myth
there was nothing for society to live for and would soon collapse on itself. Thus, Nietzsche felt western culture was disenchanted. However, Nietzsche
saw a glimmer of hope with German music that was being created at the time. Through German music, western society would become re–enchanted
and bring the tragic myth back into western culture. Another important thinker of the time was Wassily Kandinsky. Kandinsky had similar views to
Nietzsche... Show more content on Helpwriting.net ...
The hero takes the suffering of the world on his shoulders and relieves us of the burdens while preparing himself for higher existence.3 At the same
time, Nietzsche believed music imparted a metaphysical significance that could never be achieved with words. Music "is but a supreme instrument for
bringing to life the plastic world of myth".4 Nietzsche represented re–enchantment by German music. Music was able to access the Dionysian and thus
give birth to the tragic myth. Nietzsche thought "music incites us to a symbolic intuition of the Dionysiac universality...[and] endows that symbolic
image with supreme significance...[thus] music is capable of giving birth to myth...".5 Thus, Nietzsche saw music as the only hope of moving out of
disenchantment brought by the death of tragedy. Like Nietzsche, Kandinsky's views also had elements of disenchantment of modern western society
and the possibility of re–enchantment. For Kandinsky, materialism represented disenchantment of western culture. In Concerning the Spiritual in Art
Kandinsky, "Our minds...are infected with the despair of unbelief, of lack of purpose and ideal" because of materialism.6 With materialism we have
nothing to live for because we have everything already. Kandinsky also had views on re–enchantment represented by abstract art and the abstract artist.
The abstract artist uses forms and colors that evoke vibrations of the soul and awaken emotions many have

Piet Mondrian
Piet Mondrian
Gray Tree
The Gray Tree is an oil painting created by Piet Mondrian. This was painted in 1911 using a thick type of oil on canvas. This process would of taken
weeks or months due to its thick layers of paint, even though this was a long process, the motions of the brush strokes look very quick and vivid. This
painting can be found at Gemeente museum in Den Haag.
Analysis
This contemporary painting by Piet Mondrian is almost eerie looking, somewhat releasing a ghostly essence. This painting makes me feel somewhat
scared, but also intrigued, like there is a story behind this, or like someone or something is going to come out from behind the tree. However this
painting also reminds me of (excuse my nerdy reference here) the ... Show more content on Helpwriting.net ...
In the following years, he would rely on these skills to support himself by producing scientific drawings and copies of museum paintings.
For Mondrian, art and philosophy were deeply intertwined. He was a prolific writer and theorist, and was drawn to spiritual and philosophical studies.
In 1908, he joined the Theosophical Society, a spiritual organization with widespread influence in Europe that eventually connected to the New Age
Movement of the 1960s and 1970s. Though he later parted from the group, Theosophy influenced Mondrian's utopian ideals which found expression in
the balance and tension of form and color in his paintings.
"Always further," is how Mondrian termed his drive to transform his artwork. Starting in 1905, his traditional landscape compositions began to reveal a
new sense of drama and light. Jan Toorop, a leading artist of Dutch Luminism, introduced Mondrian to the French Post–Impressionists. Mondrian's
paintings changed dramatically as a result, integrating, for example, the bold color and brushwork of Van Gogh and the pointillist technique of Georges
Seurat.
Mature Period
The influence of Cubism marked a turning point in Mondrian's career. He became familiar with the works of Picasso, Braque and others, and moved
to Paris in 1912 which was, at the time, the thriving center of the avant–garde art world. Cubism gave Mondrian the structure to distill his landscapes to
their essence: he made use of the Cubist grid structure, reducing his

Wassily Kandinsky Essay
Solomon Higgs Dr. Watson HUMA 1153 4
–22–10 Wassily Kandinsky Wassily Kandinsky was a Russian–born artist, whose contributions to the world
of modern art are innumerable. On an artistic level, Kandinsky's maturation process from representational art to abstract art is fascinating. From his
earliest work, with an impressionistic flair, to his later work, which was pure abstraction, Kandinsky was an innovator and a genius. He bridged the
gap between reality painting of earlier decades and the fantasy pastime of the twentieth century. Wassily Kandinsky was born on December 4, 1866 in
Moscow. His father was a successful tea merchant and his mother was a teacher. From early on in his life, Kandinsky acquired a love for travel moving
... Show more content on Helpwriting.net ...
The name of the group has been attributed to Kandinsky's love of blue and Marc's love of horses. The artists of the Blue Rider believed in a birth
of a new spiritual epoch and were engaged in the creation of symbols for their own time. The first exhibition by the group was at the Thannhauser
gallery in Munich. Kandinsky, himself an accomplished musician, developed his idea of the correspondence between a work of art and the viewer,
and called it "Klang" (sound or resonance). He wrote: "Color is the power which directly influences the soul. Color is the keyboard, the eyes are the
hammers, and the soul is the piano with the strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul." He
even claimed that when he saw color he heard music. To reinforce his analogy with the musical expression, Kandinsky for many years used musical
terms as titles, he began to divide his paintings into three categories: "Impressions" (which still show some representational elements), "Improvisations"
(which convey spontaneous emotional reactions), and "Compositions" (which are the ultimate works of art, created only after a long period of
preparations and preliminaries). Of the three types, Improvisation, as its name suggests, was the most spontaneous, beginning, perhaps, with a subject
(object), but one which then receded rapidly from view as various themes were woven from and

Who Is David ReedВґs Abstract Art?
Abstract art is art which is not representational, it could be based on a subject or may have no source at all in the external world. If we were to track the
start of abstraction, we could consider that it started in prehistoric time in cave paintings were geometrical symbols were the central depiction of "art".
It's not until the late nineteenth century where artists began to progress in the opposite direction, from the naturalistic to the abstract. Art during this
movement was about the creation of beautiful effect where the purpose of an object was to invoke an emotional response within the observer without
actually describing the piece. Abstraction in the 1990s challenged traditional boundaries between media and the conventional parameters... Show more
content on Helpwriting.net ...
Her art goes way outside of the norm, where she's not painting anything abstract, but she's actually creating it with the space she is given. Her unique
way of using cloth and color with the floor opened a new concept and physical space of painting. Apfelbaum is best known for her "Falling Paintings",
these are floor pieces composed of patches and strips of hand–dyed fabrics. The position of her patches become important because one way that may
look darker or lighter. It's interesting that even though her art is not in a canvas we can still see some of those abstract elements seen in the early
20th century. Her installation of Split is a great example because she creates rectangular shapes and almost look like Malevich rectangular shapes
and lines combined with Kandinsky's use of color. Her series of Compulsory Figures created in 1996 definitely makes me think of Rothko's
paintings because she just displays two color that have no meaning. It's kind of like "What are they supposed to be or Why are they there?" Even if
Rothko was not her influence for this installation its interesting because you can walk around the space and it'll give you a different shade of colors as
you disturb the light. This form of abstraction definitely opens the viewer to become involved in the

Judy Chicago Rejection Drawing Analysis
Judy Chicago's feminist artistic career ironically began with minimalist styled art. Minimalist art is defined by the Tate (a highly respected
institution in London that runs 4 separate museums) as "an extreme form of abstract art developed in the USA in the 1960s and typified by
artworks composed of simple geometric shapes based on the square and the rectangle". Its essence is best condensed by artist Frank Stella when he
describes his minimalist paintings as "What you see is what you see". Judy Chicago was trained as a minimalist artist and she explains in a lecture
she gave at the Carpenter Performing Arts Center in Long Beach, California that "during the first decade of my career I experienced two forms of
censorship the first was self–censorship... Show more content on Helpwriting.net ...
The "Rejection Quintet" was finished in the order of "Chicago Rejection Drawing", "Childhood Rejection Drawing", 'Female Rejection Drawing",
"Rejection Fantasy Drawing" and finally "Rejection Breakthrough Drawing". The series' exploration begins with the first line of "Chicago
Rejection Drawing" which asks "How does it feel to be rejected?". Chicago describes an exhibition her husband was having her hometown. She
explains she felt a little jealous so she was interested when a friend of hers told her about a gallery owner who would possibly be willing to give
Chicago a show in her hometown. Ultimately the gallery owner rejected her work and turned her down and Chicago was devastated. The second
drawing in the series "Childhood Rejection Drawing" addressed the contradiction between Judy Chicago's "rhetoric" and art. She calls it a gap and
explains that the structure that masks her content stems from her time in graduate school where artists would reject her work that lacked structure.
Chicago realized that she could not artistically be herself if she wanted her degree. She goes on to describe the rejection she felt from her father
because he disapproved of what she exposed. 'Female Rejection Drawing" is very profound in it she explains how male culture denies that women
have separate experience. She addressed the contradiction between her art and rhetoric and explains that it comes from her attempt to use the male
established art language to explain her female experience. She ends this piece with what feels like a call to action she uses anaphora to ask how
many people will move forward and appreciate women? "Rejection Fantasy Drawing" describes Chicago's fear of rejection from her mother and friend
after they read her manuscript for a book she continues

The Importance Of Abstract Alphabet
Picture books can be very influential for younger readers as well as many others. Authors' shapes, colors, and context can create different types of
emotions and feelings to be presented. These types of books appeal to the younger reader because of these types of illustrations can cause the words
of the book come to life. This can be said for the book titled Abstract Alphabet. This book was written and illustrated by former Caldecott Honor
recipient Stephen T. Johnson. It is the perfect picture book for teaching children the alphabet as well as providing unique and colorful pictures to
represent them. Each picture also provides a unique characteristic that can be appealing for the older reader and the younger student. Abstract Alphabet
is an effective children's picture book because of the color of the illustrations, the uniqueness of the illustrations, and the text. To begin, the aspect
that is of at most importance in pictures books are clearly the type of illustrations. Effective illustrations set the tone for the type of book that it will
be. To not get misunderstood, the text is essential as well. However when it comes to young readers, the pictures are what are going to the most
impactful. In Abstract Alphabet, each page provides a colorful visual of the lower and upper case version of each letter. The letters on each page are
also fairly large so it can be easily seen. This is important because this book for children attempting to actually learn the alphabet. It

What Is Abstract Expressionism
"Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for
composition and for colours, and that you be a true poet. This last is essential." – Wassily Kandinsky.
OVERVIEW / GENERAL PRESENTATION OF CONCEPTS
Art historians typically identify the early 20th century as an important historical moment in the history of abstract art as artists worked to create what
they defined as "pure art" – creative works that were not grounded in visual perceptions, but in the imagination of the artist. Influential works from this
time period include Picture with a Circle (1911) by the Russian artist Wassily Kandinsky (1866–1944) and Francis Picabia's Caoutchouc (1909).
Through much of the 1950s, the dominant art movement in the United States was Abstract Expressionism. A highly popular branch of Abstract
Expressionism was called Action ... Show more content on Helpwriting.net ...
Some built upon the ideas of the Abstract Expressionists and some rejected them.
One of the movements to reject Abstract Expressionism was Minimalism, a movement aimed at eliminating all excess in order to expose the most
basic essence of art. So, what these two styles have in common. In my opinion, for one, there's that desire to strip away naturalist representations in
order to find some element of truth. Also, the reduction of a painting into flat colours was something being explored by Abstract Expressionists like
Mark Rothko.
In contrast with Abstract Expressionism and its impulsive and gestural expression of the unconscious, Minimal artists focused on material aesthetics,
the relationship of objects to space, the effects of light, and producing highly reduced arrangements. For example, Donald Judd (1928–1994) followed
these basic principles, arranging coloured aluminium boxes in different ways, above, or next to one another.

The Meaning of Abstract Art
There are generally two types of paintings– representational and abstract. While representational painting portrays recognizable objects, abstract
painting does not look like a particular object. Instead, abstract art is made up of designs, shapes and colors. (http://www.harley.com/art/abstract–art/ )
The meaning of abstract art is, in its most simplified form, art that relies on the emotions of the artist and the elements of design rather than exact
representation. This broad definition allows artists almost unlimited freedom of expression. Some abstract artists create compositions that have no
precedent in nature. Other abstract artists work from nature and then interpret their subjects in a nonrepresentational manner. In other... Show more
For example, in Fernand Leger's The City, (http://filebox.vt.edu/users/nayoung3/city.jpg), the artist shows a primitive, birds eye view of a busy city. We
can see in the middle of the painting there is some kind road and there are simplified people scattered throughout the painting, composed of geometric
forms. The effect is one of confusion and over stimulation, like one might feel during rush hour. However, the painting does not show an actually street
filled with cars and pedestrians. It gives the viewer the feeling of a bustling streetscape, without actually portraying it.
Using the same principles that portrayed the "bustling" of a landscape, abstract artists can show movement, even movement that is not "real." An
example of this is Umberto Boccioni's Unique Forms of Continuity in Space. This is a great example of abstract art. This bronze sculpture seems to
gliding in space. Umberto, a futurist, projected his own beliefs and tried to capture the future that maybe one day we would be in space. (http:/
/www.bc.edu/bc_org/avp/cas/fnart/art/20th/sculpture/boccioni02.jpg) The sculpture is almost recognizable as a figure, but Boccioni was more
concerned with showing movement than man, so the form is distorted and stretched. This sense of movement adds another dimension to the meaning
of abstract art, as an

What Is Abstract Art With Children
The objectives for this activity are, children understanding the concept of abstract art, creating art without attempting to represent images
realistically, to produce artwork using tilting motions, To prepare, it is a good idea to check out books at the local library that have examples of
abstract art. I would then show the children the art books and define and discuss this type of art with children. I would show them various examples
of abstract art and paintings from the library books. Materials needed: Art Smocks, different colors of washable paint, big and small marbles, plastic
bins, carboard boxes with short sides, or a shoe box, scissors, and sunflower cut–out, plastic cups for the marbles, small cups of water to rinse the
marbles

Abstract Art : Art And Art
In days past artists made art that was representational. Meaning, they did their absolute best to create art that closely resembled what was seen in the
real world. They put as much time and effort into their work as they could; creating masterpieces that are now on display in museums across the world.
In modern times, artists have turned away from the traditional way of making art, and are now creating art that is not constrained by the guidelines of
representational art. This style of art is called abstract art. Abstract art is used to illustrate the how the artist might feel or to express a certain message
the artist wants to communicate. In this turning away from traditional art, an artist no longer needs the skill, time, or effort to communicate with the
viewer. Abstract artists only have to write out what they want their art to say on a piece of paper instead of using the craftsmanship required to
simultaneously create a beautiful piece of artwork and communicate their meaning behind the artwork. If abstract artists are only concerned with
expressing themselves and not the actual art, is it legitimate art? The answer to this question would put in perspective what art is truly about. The
aesthetics or the meaning? Abstract Art contains no form of legitimate craftsmanship. Since the times of Rembrandt and before, art has been used to
add beauty and provide delight for the eye of the viewer. In abstract art, however, this is not the case. The aesthetics of abstract art

What Is Eliza Au's Abstract Art
Eliza Au creates abstract works of art which are contrary to what is usually perceived as abstract art. Her work is organized and symmetrical,
while most abstract seems like a mess. Ceramics is her material of choice as she did obtain a degree from New York State College of Ceramic at
Alfred university. Recently her work has been displayed at the Old Main art gallery at Northern Arizona University in Flagstaff, Arizona. There,
about twenty or so pieces are displayed on the walls and ground. Each piece is a different size, the smallest piece is about the size of a bowl while
the largest spans the size of a whole wall. Overall the colors are muted and there are many circular shapes, swirls, and curving lines. While many of
the pieces were created years apart, they all share a strong resemblance. One work that stuck out to me was the first one I saw when I walked in. It
spanned the entire length of the wall and was brightly lit. It is called Trioroum and is made entirely out of stoneware clay. What got my attention
wasn't the size, but the color and shapes. It is an earthy light blue color like the sky and a smooth appearance like... Show more content on
Helpwriting.net ...
However, it is amazing to see how clean and symmetrical all the pieces of work are. It is almost hard to believe that someone made these with their
own hands and not manufactured. When looking at most artwork you can imagine the type of person wo created and maybe get a sense of their
personality. But with Eliza Au's work, I couldn't get a sense of her personality or individuality. Although the art gallery wasn't a big room it still
seemed empty. I expected there to be more art but that may be because it is a free exhibit or because each piece takes a long time to make. All the
works had repetition, therefore if you saw a part of a work, you basically saw the whole thing. Overall Eliza Au's work is calculated, organized, and well

Art As A Driving Force For The Abstract Of Art
Art can be for art's sake; it does not need to be representational. Jackson Pollock was an influential American painter who became a driving force for
the abstract expression movement. His belief that his art comes from within was an impetrative idea behind his style. His beliefs have a huge impact
on how I view art, create art, and inspired me for my final piece.
Pollock was born in Cody, Wyoming in 1912. His father, LeRoy Pollock, was a farmer who raised his children in Arizona and Chico, California.
Pollock was heavily influenced by Pablo Picasso, Digo Rivera, and Native American art. All of these influences contributed to Pollock's unique style. In
1929, Jackson Pollock studied at the Students ' League in New York under Thomas Hart Benton. He learned techniques that helped him understand
space, line, color, and much more. In mid–1940's Pollock introduced his famous drip paintings. These paintings were such a radical approach to the
changes that happened during and after WWII. Media latched onto his methods and Life soon releases an article titled "Jackson Pollock: Is he the
greatest living painter in the United States?" The content was "mocking and respectful." Vogue magazine caught onto the avant–garde artwork and
joined the trend publishing fashion photographs in front of the beautiful drip paintings. These widely known companies persuaded society to accept the
new idea to art. Pollock struggled with depression and alcoholism. His premature death in August of 1956,

The Role Of Abstract Expressionism In American Art
Abstract Expressionism is considered a triumph in American Painting. It is still the most discussed and debated form of twentieth century American
art, and still influences generations of artists. It used the cultural references of the tragic, the unconscious, the sublime and the primitive to create a
unique and evocative style of painting that was unique in the art world.
Though some may view Abstract Expressionism and Surrealism as similar, the thing that made it fundamentally different, according to Motherwell,
was that the artists worked more `directly' and `violently' and on a `much larger scale physically than the surrealists ever had.' (Page 40, David and
Cecil) It also seems important to Motherwell to have a style that ... Show more content on Helpwriting.net ...
That a painting could be read in this way reveals its sublime aura.
Rothko saw the `clouds of colour' in his paintings as abstract `performers possessing tragic or ethereal demeanours.' (Page 23, Hopkins) The size of
the paintings functioned as a representation of scale. Viewers could measure themselves against the coloured blocks. `This could lead to the feeling
of being enveloped or transported out of the body,' (Page 23, Hopkins) Frank O'Hara also considered scale important in Pollock's paintings, because
of the `emotional effect of the painting upon the spectator.' (Page 28, O'Hara) `Blue Poles', by Pollock is seven feet high and some sixteen feet
across. Robertson describes it as a `world self contained and utterly convincing which the spectator should be flexible to enter, explore and move about
in.' (Page 29, Robertson)
Gottlieb and Rothko were inspired by primitive and archaic art, but removed any symbols from their original context, making their connotations
inaccessible to the general public. The viewer could not tell what these symbols meant to the artist by simply viewing the painting, but this was perhaps
not their intention. The artists themselves viewed their work as a `poetic expression of the essence of the myth.' (Page 10, David and Cecil) Primitive
mythology often inspired the Abstract Expressionist's painting, including

Sol Lewitt And The Abstract Art Of The 1960's
in the late 1960's, Sol Lewitt's works of art had acquired certain Reductivist tendencies that were found in much of the abstract art of the 1960's. Most
specifically, these affinities of Minimalism came in Lewitt's use of simplified geometric forms and the work's refined, machine–like finish. Like Frank
Stella and Donald Judd, Lewitt sought to remove abstract art from the expressionist clichГ©s that had prevailed since the 1940's. However, Lewitt
departed theoretically from other artists who were working in a Reductivist manner by placing his emphasis on the ideas from with the work derives
rather than on the work's physical presence. For Lewitt, the concept itself drove his work, which he categorized as "conceptual art", to the extent

mlk paper
"Black Spot I" by Wassily Kandinsky (1912) A brief formal analysis of the Black Spot I by Wassily Kandinsky (1912) reveals that the black spot in his
oil canvas, is the middle ground as well as the central location. I will be analyzing his 100 x 130 cm painting by using the elements and principles of
design. The black spot is the focal point of the oil painting because the first thing you see while looking at the oil painting. Kandinsky painted this
whole composition with abstract views and is non–objective. This is an abstract style of painting that was based on the non–representational properties
of color and form. In the Black Spot, Kandinsky used primarily organic shapes and mostly primary colors but has hints of complementary ... Show more
As you move from the bottom right hand corner of the painting to the left bottom, it has lines leading the way. The design is again consists of bright
colors of yellow, with a few hints of blue as your eyes work their way up to the left top of the painting. The top left hand corner of the painting has a
lot of different hues, it transitions from yellow to blue and green. There are several lines that connect to the rest of the painting, if you follow them,
your eyes will eventually go all around without hesitation. All the lines and organic shapes give the Black Spot I painting unity. Next to the Black
Spot is a few circular shapes with lines connected them, it looks as if it's a roller skate and gives the impression of implied movement. The way
Kandinsky has created the hues in this painting has brought a sense of dramatic to the painting. Kandinsky uses the different hues throughout the
painting to make organic shapes have more curves by the way the light and dark values are painted. By having the background painted in mostly cool
colors, it causes the black spot and all the lines stand out. Kandinsky gives harmony to his painting by using the repetition of the same primary colors
and lines throughout his painting. Kandinsky's was one of the first abstract artists in his era. His paintings and designs were different and unique and
have stuck over the time. His Black Spot I painting is very

Realistic Vs Abstract Art
University of Houston – Downtown
Realistic vs Abstract Art
Comparison of John Sargent Noble and Jackson Pollock Artworks
Michael Crowley
Art 1310
Sharon Worley
April 17, 2017 In today's society we feel a constant need for expressing, or venting, our disgust towards the disappointing events happening across the
world. Throughout history, and even today, we see harsh treatment of people because they didn't meet the "norm" of skin color, sexuality, nationality,
ideas, creativeness, gender, success etc.; yet, all calls for opposition and national spotlight has been voiced through some form of art. Art has proven to
be an outlet used to give voice to those who need it; with the intent of bringing us together, helping to see the ... Show more content on Helpwriting.net
...
Figure 1 John Sargeant Hunt, Otter Hunt ("On the Scent"), 1881. Oil on Canvas, 41"x60". Museum of Fine Arts Houston
John Sargent Noble, born in 1848 and pupil of Edwin Landseer, was a noted realistic artist of the Society of British Artists known for his animal and
sporting paintings (The Correspondence of James McNeill Whistler :: Biography). He was born into the realism movement, which began in the 1840s
considered to be the first modern movement, where the art society began to shift from traditional forms of idealistic art to real–life events (Realism
2017). Otter Hunt ("On the Scent") shows the shift of merging art and life, showing how Noble fit the piece into the modern art by showing a vivid
image of depicts how dogs played a significant role in human survival when hunting down a food source. Created in 1881, oil on canvas, Noble was
able to show rejection of traditional work to coincide with the push towards the natural representation of present living conditions and events. The shift
from romanticism to realism meant that there would be no more sugar–coating events that plagued the life of others, giving it a narrative iconography
since images are based on real situations telling a story. Figure 2 Jackson Pollock, Number 6, 1949. Duco and aluminum paint on canvas, 112.3cm x
137.2cm Jackson Pollock on the other hand, was a more predominate factor

Abstract Art : Art And Conceptual Art
The second chapter aims to examine more closely the understanding of readymade forms in the art world. Particularly, it focuses on two art movements
that come to challenge the notion of art: found art and conceptual art. Both conceptual art and found art challenge the unity between form and content
in art. Both seek the superiority of the one in opposition to the other, that is, form in found art and content in conceptual art. But could art survive
merely as form or concept? According to Danto, the meaning of these works and their art identity does not depend on their formal properties but comes
through an interpretation or theory. The problem with Danto's approach is that it marginalises the role of the perceptual and of the experience of art.
The chapter considers Seamon's thesis on the modern theory of artistic value and Fowkes's discussion of found art and conceptual art. Both suggest an
understanding of these movements in terms of the internal or conceptual dimension of art, that is, the metaphorical function of art. This study aims to
examine the notion of the conceptual in found art and conceptual art and the art identity of these works. Duchamp's polished urinal calls the viewer
not to see it as an image of something else, but rather to gaze it as an interesting construction. His Fountain (fig. 7) provokes the viewer to think the
image of the urinal as a readymade object in the art world. It was this 'objectiveness', Bolge remarks, that pushed artists to abandon the

Fantisek Kupka Essay
Patricia Rose
Art 300 Dr. Pass
Final Paper
5/15/2017
FrantiЕЎek Kupka: Inventing Orphism
Just after the turn of the 20th century, Frantisek Kupka freed himself from the confines of pictorial representation and pioneered the world of
nonobjective abstraction. Kupka exhibited a selection of completely non–figural works at the Salon d'Automne in 1912 including Discs of Newton and
Fugue in Red and Blue (both 1912). It was to these pieces Guillaume Apollinaire first applied the term "orphism." Kupka's works in the 1910's then
shaped and exemplified Apollinaire's definition of orphic cubism. Guillaume Apollinaire defined orphism as the art of painting new subjects or
structures using elements not found in the "visual sphere," but instead created ... Show more content on Helpwriting.net ...
Consequently, during the 1910's, Kupka explored composition of color/geometric harmony and contrast through abstraction, often conveying this with
musical imagery in his titling such as Nocturne, 1910 [Fig. 1], Fugue in Red and Blue, 1909–1912 [Fig. 2], and Solo of a Brown Line, 1912–1913
[Fig. 3]. Nocturne, although completed two years before the term "orphism" was applied to art, shows Kupka's early development of abstraction.
"Nocturnes" in both music and art are romantic representations of night scenes, where here [Fig. 1] the harmony of color and play of light with these
vertical rectangular planes allude to the color palette typically associated with night, however the arrangement has no pictorial resemblance to a
landscape or cityscape. Kupka had already been concerned with the use of color as an abstract element in earlier works and most notably a work
completed in the same year Yellow Scale which employs the same use of vertical panels. The non–figural nature of these vertical paintings, specifically
Nocturne, allows the brilliant color to serve as the aesthetic charm of the painting, but pattern and line composition are crucial elements that seem to
take a back seat in this work. By 1912, with the completion of Fugue in Red and Blue [Fig. 2], it seems that Kupka's approach to painting is becoming
less concerned with color theory like that of his neo–impressionist contemporaries and more so with the pure analogous relation of music to painting. In
an interview for The New York Times in October of 1913, Kupka was quoted as

Pop Art vs. Abstract Expressionism
Pop Art vs. Abstract Expressionism
Characteristics of Abstract Expressionist Paintings–optical buzz, all–over composition, Matisse sometimes painted images on large canvases, as did
Picasso but paintings still retained an object like character– the viewer needed to stand back to see the complete composition. Abstract expressionist
paintings, on the other hand, draw the spectator into them. The field of vision is thus larger than the field of vision of the spectator, who finds himself
in a world beyond measurement (class handouts) "Portable Mural"
Location– Generally, due to severity of totalitarian regimes of Europe, modernist artists were forced to flee Europe in order to continue their art. This
meant a shift from the art capitol of ... Show more content on Helpwriting.net ...
Aggressive and harsh, raw in colour, the texture thick and heavy as if it had been relentlessly worked and re–worked over again and again. Pictures
don't have the delicacy of Pollock's. Shapes are vaguely suggestive , pressed together, brush strokes are dense
(Hugh Honour & Fleming, 1991)
Mark Rothko– Abstract Expressionist paintings can be divided into two groups. That of the action painters and that of the colour–field painters. As
melancholic and misanthropic as Pollok, killing himself in 1970. Understood that to paint a flat form painting destroyed illusion and revealed truth.
He was very aware of the spiritual dimensions attainable in abstract art, some of his works being described as deeply religious. (Hugh Honour &
Fleming, 1991)
Aim–to communicate with basic human emotions. To express tragedy, ecstasy, doom and so on. Origins and definition ofPop Art–
Pop Art was a 20th century art movement that utilized the imagery and techniques of consumerism and popular culture as well as mass media and
advertising
Pop Art– defined as 'making impersonality a style' by using the imagery of commercial art and other mass media sources. (Hugh Honour and John
Fleming, 1991) Pop Art, a movement in the 1950's and 1960's, is based on 'popular culture' and is concerned with such phenomena of modern life as
commercial posters, packaged foods,

What Is Art? Essay
Throughout the art community, there are many different forms and techniques classed as art. In the recent attack on the Queensland Art Gallery
(QAG), many of the public hastily judged the abstract art exhibition by stating 'Abstract art is not really art'. Some of the reluctant public continue to
say 'Abstract painters are sloppy, reckless, renegades with no regard for rules for formalities.' It is in my opinion that abstract art is can be classed as art
because it incorporates the basic concepts and techniques of art. Abstract art, on dictionary.com, can be defined as a trend in painting and sculpture in
the twentieth century. Abstract art seeks to separate from traditional representation of physical objects. Abstract art explores the... Show more content
on Helpwriting.net ...
Pollock's artwork, which can only be described as abstract, requires feeling more than thought. As Pollock said, "It doesn't matter how the paint is put
on, as long as something is said". Involved in a car accident, Pollock died in August 11, 1956 at the young age of 44 years old.
'Blue Poles: Number 11' (appendix 1) is considered to be Pollock's most important abstract painting. Currently owned by the National Gallery of
Australia in Canberra, 'Blue Poles' is estimated to be worth a staggering AU $180 million. Original bought for $1.8 million, "Blue Poles" is now one
of the most popular exhibits in the gallery. At the dimensions of 210 cm Г— 486.8 cm (83 in Г— 192 in), 'Blue Poles' is constructed by oil on canvas.
Pollock mainly completes most of his artworks while the canvas was stretched out on the floor. 'On the floor I am more at ease', Pollock wrote in
1947, 'I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting'. The
canvas is Belgian linen with a commercially oil–primed ground. The earliest visible layer of paint is black, thinning at the edges to resemble a green.
Pollock uses his footprints in the dark green and black of the first layer of paint. A footprint is visible in the top right corner of the canvas. Fragments
of glass are embedded in layers of paint

The Theory Of The Work Of Art
Cubism was always an interpretation of objective reality, of a given motif. But Kandinsky was to initiate was by contrast essentially and deliberately
non–objective. Kandinsky's own experience was personal and even apocalyptic.
2 Kandinsky conclude non–objective painting must be expressive, emotion or spiritual experience. Non–objective painting could form and colour, free
form all representational aim, be articulated into a language of symbolic discourse.
3.Art is a construction of concrete elements of form and colour which become expressive in the process of synthesis or arrangement: the form of the
work of art is in itself the content, and whatever expressiveness there is in the work of art originates with the form.
4. The whole purpose of this alternative principle was to escape from the internal necessities of our individual existence and to create a pure art, free
from human tragedy , impersonal and universal.
5.The painter who was to develop to its logical extreme the objective concept of abstraction was Piet Mondrian (or Mondriaan)
6. His (Mondrian's) style of pure abstraction evolves gradually and consistently form his patient search for a reality behind the motif.
7.The journal De Stijl was a propogate their views on art. This became the name of the movement, though Mondrian himself always preferred Nieuwe
Beelding (neo–Plasticism) as a more meaningful word.
8.M.J Schoenmaekers was an original thinker and had elaborated a Neoplatonic system which he called

The Modern Era
Prestigious artists in the modern era have created highly abstract and non–representational work. The average everyday person who looks at Kandinsky,
Picasso, or Duchamp may genuinely believe that they can produce better work without any art experience. But from their lack of art history they will
not be able to produce work that has deep meaning like Picasso, or psychoanalysis of color theory like Kandinsky.
Firstly, Kandinsky's "Composition VII," initially seems messy, unorganized, or even accidental. But the colors are not random; each color has a
purpose behind it. He analyses color to the point where he made a "Basic Color Theory" analysis.
For example, the yellow represents joy, happiness, satisfaction. Kandinsky says, yellow is "warm," "cheeky and exciting." In life yellow is seen in
nature and fast–food industries. The yellow sun is commonly preferred over a dark black sky at night; Vitamin D from the sun is necessary as it
increases biologic hormones, hence, makes a person more positive and joyous. Similarly, the McDonald's logo of the "Golden Arches" is bright
yellow. This color was chosen because it evokes a positive emotion. Therefore, even though "Composition VII" looks like a random mess that a child
could do there is significant breakdown behind the color palette.
Understandably, kids like bright colors and various sounds. In 1923, "Composition VIII" by Kandinsky presents another theory; that color and line are
reflective of sound/music. The

Art And Abstract Art : Renaissance Art
Question #1. 20 points
Renaissance Art was innovative. Renaissance artist illustrated natures beauty with biblical accounts. In addition, artist began to use oil painting which
set Renaissance style apart. Additionally, renaissance art influenced society perception of the world with visual imagery by constructing detailed
events, places, or objects. However, Cubism's, transformed creation of images by utilizing geometric perception of natural description. Nevertheless,
Renaissance art influenced society along with cubism.
Political art is important for create a message. An example is Maviyane–Davies' 1996 piece "Article 15: Everyone Has the Right to Nationality and to
Change It" (Art Forms 11th Edition pg. ... Show more content on Helpwriting.net ...
Nevertheless 1930's depression influenced Regionalism.
Question #5, 20 points
Threw out history humans have constructed great architectures for civilization. Two of these great constructions are pyramids and cathedrals. Although
Pyramids were created in a different time zone than cathedral they share similar characteristics such as inside images. Pyramids include wall paintings
exposing the pharos life while cathedral has stained glass images of biblical accounts. In addition, both architectures contain focal points. However,
cathedral has arch point while pyramids building is shaped common to triangle. The Great Giza Pyramid (Art Forms 11th Edition pg.249), is example
of triangular shape. Subsequently Notre–Dame de Chartres (Art Forms 11th Edition pg. 273) is example of focal points. Additionally, pyramids are
tombs intended for pharos death while cathedral worship God with images of Jesus death. Nevertheless, Gothic cathedrals along with pyramids are
great architectures presented by humans.
Ancient Greeks introduced classical architecture. This style consisted of column shaft, entablature which rested on columns, and pediment the
triangular roof containing of sculptures. These characteristics gave ancient Greek a strong style of dominance. Additionally, the Greeks created the

concept of the dome as well. Italy Renaissance artist utilized classic Greek style by Michelangelo St. Peters Basilica. This architecture contained a

The Abstract Ideas Of Art
The Abstract Ideas of Art: The Philosophical Reasons
Naohito Takeda
AP Seminar–5, Analytical Composition
February 17, 2017
Introduction
Is it important to fund the arts? Art has impacted society positively and negatively. The negative impacts has to be considered so there is fairness and
solutions. The philosophy of art is a way to express ideas on the funding of arts. The government is the main source for the funding of arts. However,
the government has to consider the other factors for funding, like the military and social security. If the government funds only the arts, then it will
create inequality. "Art reflects the values, aspirations, and questions of a culture." Andy Horwitz, a founder for Culturebots art,... Show more content on
Helpwriting.net ...
"The government and the cultural and creative industries need to take a united and coherent approach that guarantees equal access for everyone to a
rich cultural education and the opportunity to live a creative life." If the government and industries have a reason for art, it will create many
opportunities for the ability to build their art skills and there will be efficient funding.
Perspective #1: The Negative Reasons
The philosophy of art has a negative effect that impacts art industries and the government.. "Art funding, on the other hand, creates a culture of long
term dependency where companies are more focused on securing healthy salaries through grants than on producing work the public might actually
want to see." Douglas Mcpherson, a writer for The Telegraph, argues that art companies focus more on making money than making art. When art
programs focus on wealth, they will be unlikely successful and as a consequence, it leads to lower funding. The smart choice is to focus on working
on arts so art programs will be successful. "Government spending should be focused on objectivity beneficial policies that benefits all not on policies
which only provides a mere past time to a minority of people." Debate.org is where there are arguements on different topics. The government should
not fund only art, but they should focus on the important policies in order to have fairness in the U.S. In overall, the negative effects cause instability
and problems

The Influence Of Abstract And Modern Art
Abstract and modern art have really changed the way society views and appreciation for the amazing contributions and work created by artists. There
are so many styles and concepts which those artists have come up with over times which are greatly reflected in their paintings and creations. In this
essay we will be going on a journey to find out the inspiration and the intended messages from three paintings mentioned in the above topic. "The Large
Bathers, 1898–1905 is the largest of Cezanne's pictures and because it is also the most formal in aspect, it has been cited often as an example of his
ideal of composition and his restoration if classical monumentality after its lapse during the nineteenth century" (www.PaulCezanne.org). This painting
was one of the most mind–blowing yet interesting pieces during this era because of its unfinished quality which caused quite a stir among writers,
artists and historians. The nude forms presented along with the river and triangular pattern in which the trees were painted gives quite an interesting
perspective to his work. The composition of the painting did not reflect the ideal typical style from the Renaissance pyramid. Instead it was created in
another style where the central part is empty, the apex is intercepted by the frame and the greatest compactness comes in smaller pyramids for the
largest figures. One can also notice from Cezanne's work the way he thought about portrayed women. "The abstract nude females present in Large

Klein Blue Essay
Yves Klein, one of the most prominent and controversial French artist, emerged in the middle of the XX century, remembered above all for his use of
single color and the rich shade of ultramarine that he made his own: International Klein Blue.
KleinВґs art emerged from serious circumstances. France in the late 1940s was still nation traumatized by World War II. The cultural center of gravity
had moved across the Atlantic to New York. The artists who remained in Paris, or at least the good ones, were producing post
–apocalyptic work, and
out of the same rubble came the much younger Klein.
The abstract painting that dominated French art in the 1950s was invariably premised on the notion that an artist could communicate with the viewer
through the power of ... Show more content on Helpwriting.net ...
The three friends divided the universe between themselves: Arman claimed the materiality of the earth, Pascal appropriated language and words and
Klein possessed ''the void''–the planet empty of all matter. Klein embarked on a realistic–imaginative daydream into the depths of the universe, where
he clamed to have inscribed his name in the sky.
The void enlighten in the sky led Klein to experiment in painting, music and performance. The Monotone–Silence Symphony from 1949, a piece
containing a single chord sustained for twenty minutes followed by twenty minutes of meditative silence. It symbolized the sound pitch emitted from the
monochrome blue sky, or the void emphasizing universal harmony.
In the period between 1848 and 1952, Klein lived in London and began to assist in London frame shop of Robert Savage, learning basic painting
techniques and using raw pigments and gilding. He was determinate to evoke sensations and emotions independent of line, abstracted symbols or
rendered objects, believing the monochromatic surface released the painting from materiality through the totality of pure

Roberto Matt Making The Invisible Visible
Roberto Matta was an artist who employed the style of surrealism. He was born in Santiago, Chile in 1911, where he spent his adolescent years.
Matta attended a Jesuit university where he studied architecture and interior design. After graduating from the program in 1935 he fed his need to
experience other cultures by embarking on an expedition that encompassed many countries and continents. He first stayed only in Central and South
America, but soon decided that he wanted to go further ("Matta: Making the Invisible Visible"). He then became a part of the Merchant Marines,
which enabled him to expand his horizons. Although he had a passion and a background of architecture, he also loved to sketch what he saw as he
travelled, especially landscapes and cityscapes. From the beginning of his time as an artist, he drew and painted almost exclusively abstract works.
While in Europe, he finished his term in the Merchant Marines and remained in Paris working as an architect under a modernist architect known as Le
Corbusier. While in Paris, Matta became acquainted with the works of Salvador Dali and Rene Margaritte ("Roberto Matta– Biography"). Amongst
others these two artists were key sources of inspiration for the former half of his life's work. When Matta began his artistic career, he used mostly
crayons and pastels. His work became recognized and he was formally asked to join the Surrealist Movement by AndrГ© Breton in 1937. Throughout
Matta's career he had vast

Interpretive Essay : Art Museum Essay
Phuc Duy Nguyen (Tony)
Professor Kolya Rice
Art History 384 A
5th December 2016Interpretive Essay In the past few months, I 've had a lot of opportunities to observe and experience art through the course materials
at school, galleries, museums, architectures, and so on. Even though I always have great interest in modern art and really enjoy the works of
contemporary artist such as Claes Oldenburg and Andy Warhol, my knowledge and understanding about abstraction is quite limited. However, after our
discussion and lecture about Abstract Expressionism, I found myself drawn to the picture of the "Sea Change" by Jackson Pollock that presented at the
Seattle Art Museum (SAM) and have learned more about abstraction aspect through his paintings.
Jackson Pollock (1912–1956) is one of the most famous American abstract expressionist painters from the 1940s and 1950s. He 's also known as the
"Jack the Dripper" for his unique style of drip painting. The "Sea Change" was created in 1947 and was one of a small series of his paintings that
displayed at the Betty Parsons Gallery in New York in 1948. It is a five feet tall and four feet wide painting. The work was donated to the SAM by
Peggy Guggenheim, a wealthy art collector. She was also the person who opened the Art of this Century Gallery, and helped launch careers of many
abstract expressionists, including Pollock.
According to the Seattle Times, instead of using an easel like most artists, the massive canvas used for the

Communism And Cubo-Futurism
CONSTRUCTIVISM
Background, 1914–1917
The catastrophic violence and destruction of World War I tore Russia apart. And with the revolution and civil war that immediately followed, the
country was in near–ruin. The revolution came largely due to the continuous strain of an unsuccessful war in which Russian losses were in the millions.
Broken down by the demands of war and the overthrow of the Tsar,Russia was prepared to embrace the future. Communism was the new rule and it
held a lot of promise for those who showed support.
In Russia, as in Europe, war was intertwined with artistic innovation–avant–garde artists were clinging to new languages of expression. Cubism was
emerging in Paris, and Futurism in Italy. Russia artists combined the two, calling it Cubo–Futurism. While Cubism abandoned traditional perspectives,
Futurism rejected the past and celebrated modernity. Combined, these two movements were used to express a reaction to the bourgeois society and
elitist values of Tsarist Russia. Many of the works of this movement were in the medium of books and publications. The use of coarse paper and
handcraft production methods expressed the poverty of peasant society as well as the meager resources of artists and writers (Meggs 287). An
example of the style was a playbook for the poet Vladimir Mayakovsky (see fig. 49). In it, rough abstract drawings combine with varying type weights
to convey meaning.
The logical progression from Cubo–Futurism was Suprematism. The

Painting, Violet Persian Set With Red Lip Wraps By Dale...
The exhibition that focuses on contemporary artworks since 1960 will be small, containing only two pieces. The pieces are both sculptures, Violet
Persian Set with Red Lip Wraps by Dale Chihuly and Nefertiti by Wendall Castle. The theme of the exhibition will be about the reimagining of the
exotic female form through abstract sculpture–specifically, in–the–round, free–standing sculptures. Both Chihuly's piece as well as Castle's fit this
theme as they depict abstract forms that can be interpreted as feminine. However, the pieces look radically different from one another and are fairly
abstract. One sculpture shows a strong and regal womanly form while the other could be interpreted as the exact opposite. Both sculpture's in the
exhibition can also be seen as being inspired by the exotic and romanticized past. At a glance, Violet Persian set with red lip wraps is a very abstract
form with many different parts and pieces. There are cone shapes wrapped in thin waved sheets of blown glass. It appears as though Chihuly uses
cane working in his piece as there are stripes of color throughout each layer. It measures approximately 2.5 feet by 2 feet by 2 feet and is made of
twenty different sections of sculpted glass that must be disassembled and reassembled every time it is moved. The outer wraps, like shells, gently
wrap the glass shapes in their folds. The interior sculptures take on the shapes of cones, trumpets and petals and are nestled closely together. The
sculpture can be

Landscape Analysis and Art Appreciation Essay
We recently visited three different Museums the Titanic in Pigeon Forge, TN, the Frist Center for the Visual Arts in Nashville, TN, and the Museum
of Arts in Huntsville, AL. It was an opportunity to discover and experience the wonders of art through my child's eye. Each place allowed us to step
back in time, create a masterpiece and admire the many different styles of art on display. On our vacation to Pigeon Forge, TN we visited the Titanic.
The titanic is known as the "Ship of Dreams" a great luxury ship that sailed at noon on April 10, 1912 from Southampton, England. Even though the
Titanic was touted as "unsinkable", four days later, the dreams and aspirations of both designers and passengers would realize that the Titanic was...
Show more content on Helpwriting.net ...
Millet's picture "Remembrance of Days at Abbot" is on display at the Pigeon Forge, TN's Titanic museum. Millet combines historical imagery,
references to the daily flow of events, and personal musings to create works that respond to his inner soul. "Remembrance of Days at Abbot" is a
reflection of a magical medieval grange of his old studio and home founded in 1880. "Abbot's Grange" is nestled in the lea of Broadway hill,
medieval monastic manor house stands in over eight acres of ground at the center of Broadway, Worcestershire– one of the most beautiful villages in
the Cotswolds. His painting instills a warm summer feeling, the background is fairly bright, with the a medieval grange set to the left and workers
gleaning seeds of wheat, or some other plants from the fields. Rich blues in the sky with powerful formations of clouds are accented with the light
that touches "Abbot's Grange" and the workers. There are focus points, time and motion, balance, scale and proportion, and unity all within Millet's
painting. His landscapes are rich and full of enlightenment. Millet often uses his paintings to connect the highest levels of socially society with his art,
yet in the "Remembrance of Days at Abbot" he focuses on the workers in the field near his studio. Millet will be remembered through his heroics
aboard the RMS Titanic, he was last seen helping women and children into lifeboats. His body

The Works Of Kazimir Malevich
Kazimir Malevich was born in 1878, in Kiev, Ukraine. His family was a part of the industrial proletariat, his father a worker in sugar refineries.
Malevich began painting during his time in Kiev, where he developed an idealized view of peasant life.
In 1896, Malevich's family moved from Kiev to Kursk, Russia, where he began to paint in a post–impressionist manner. Malevich eventually settled in
Moscow, in 1906. There he saw the works of French impressionists Seurat and CГ©zanne. He began to exhibit withRussian avant–garde Primitivists,
in 1910. From 1912 to 1915, he joined the Russian Futurist group. During this time he experimented with connecting his Futurist paintings together,
through the use of a theoretical language.
In ... Show more content on Helpwriting.net ...
Despite the tubular nature of these forms and the uniform coloring, this painting is still representational. It depicts humans in a worldly
environment. It also speaks to Malevich's idealization of the lives of peasants and farmers. These figures are not even working with tools but the
harvest seems to be easy. By only using their hands, they are able to split up and separate their produce, with little resistance. The only figure with a
visible facial expression, the woman with a white blouse and red skirt, even seems to even be smiling. This work is extremely personal, as it depicts
what Malevich fantasized what the life of these people might be like.
During World War I, Malevich designed Russian propaganda posters, in the style of traditional colored engravings with captions. However, in his
personal work, he continued working with geometric abstraction.
Suprematist Painting, created in 1917–1918, consists of a yellow shape on a white background. This shape possess a sharp edge on the left side, while
the opposite side blends into the white background. This transition from deep to light is emphasized by the diagonal nature of the shape. The lines that
make up the shape are in all different angles and these diagonals emphasize the aforementioned difference by further leading eyes across the canvas.
The most noticeable part of this painting is the transition from the sharp edge of the shape to the edge with the

Abstract Art Analysis
Harry Hopkins was the savior of art culture during the Great Depression, as a matter of fact, Artists wasn't originally included in the New Deal
development. President Franklyn Roosevelt was not considering them as people who worked for a living, strangely enough, he placed Hopkins in
charge of the program. He believed the artists had to generate earnings for their selves as well. The money they will spend in the economy will help
create jobs. The government treated the artist like employees giving them paintings quotas. Federal Government wasn't governing the type of painting
being made by the artist. Majority of the artists expresses a political undertone in their paintings. The United States is a melting pot of nationalities, all
nationalities were leaving their homeland to find a better quality of life. Creating a connection to other countries and allowing cultures to have a
profound influence on United States citizens. Abstract art was derived from Europe Magazine Der Strum in 1920, World War I, Germany was to first
express this kind of art, in fact, it was named German Expressionism. Ending of World War II, the United States developed their ideology ofabstract
expressionism.
Art with Democratic Values In 1938, Daniel R. Celentano painted a "Houseboat" overcrowded with an Italian family. This painting correlates to
democratic values, it represented a family that was poor but they were happy being overcrowded in a houseboat. During that time family had to stick

Abstract Expressionism

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