Baroque Art And Art

Baroque Art And Art
The Rococo era was an imaginatively experimental and colorful period of time in France in which
highly ornamented fashion and décor were at the forefront of fashion. The Rococo movement was
already vaguely invented during the Late Baroque era in Italy, but after gaining some headway, it
was then pushed by King Louis XV of France who was very interested in showcasing luxury,
wealth, and good taste of that time through art and fashion. By the mid–1700's, the majority of
France was sick of the dull, looming, and dark aesthetic of the Baroque era. Once the Rococo era
came about, home décor and fashion consisted of much more brightly decorated, overwhelming
colors and opulent designs and textures. The concept of the Rococo was that more is better in terms
of garments and fabrics, furniture, and other leisurely activities and decor. "Just as the Siamese
delegation had a lasting effect on the court of Louis XIV, so did the visit of an ambassadorial retinue
led by Mehmed Efendi in 1720–1721, stamping the court with all kinds of turquerie, enmeshing
itself more freely with the lachinage of the former century (remembering also that chinoiserie was
very much alive and a central element to the germination of the rococo)," (Fashion and Orientalism,
page 63). Another factor that played into the Rococo was the fact that women had a bit more
authority in the sense that they were allowed to hold positions of power. This is why Madame de
Pompadour was incredibly well known as she
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The Happy Accidents Of The Swing Analysis
Some men would never commission a painting to idolize their mistress, however Baron de St. Julien
felt as though he needed to immortalize his forbidden love in a painting and Jean–Honore Fragonard
was the only artist of the time to agree to this request. Jean–Honore Fragonard's The Swing also
known as The Happy Accidents of the Swing is a stupendous example of the Rococo era because of
how dainty and light it was which is ironic because of its adulterous themes. How Fragonard
portrayed St. Juliens vision made men of the Enlightenment uncomfortable and enraged with the
artwork because it made men look immoral and foolish.
Jean–Honore Fragonard's claim to fame was The Swing, but who was he before he became
prominent in the art community? He was born in Southern France, but as a child, him and his family
moved to Paris. In Paris, he first started out as a clerk but soon garnered an interest in art and
promptly switched over to a career in art. Specifically, he worked in the studio of Jean Siméon
Chardin, where he most likely learned the basic properties of art, and later became the apprentice of
François Boucher, where he learned the Rococo style.1 However, before he could become the
apprentice of Boucher, Fragonard studied more advanced techniques in Italy and France because
Boucher saw potential in him, but did not want someone who was so inexperienced under his wing.
Later, Fragonard entered into a Prix de Rome competition in 1752 and won with his creation
Jeroboam

1 WatteausReturn from Cytheradepicts a For
1) Watteau 's Return from Cythera depicts a ________.
For 1 Point
Enlarge Image
Your Answer:
A) fete galante
Correct:
1 point
2) Which of the following characteristics does not relate to the Rococo style?
For 1 Point
Your Answer:
B) Poussiniste
Correct:
1 point
3) Critics described the Enlightenment style as saccharine, frivolous, and decadent.
For 1 Point
Your Answer:
False
Correct:
1 point
4) Canaletto 's Basin of San Marco is an example of a type of naturalistic landscape and cityscape
painting popular in 18th–century Venice known as a(n) ________.
For 1 Point
Enlarge Image
Your Answer:
A) veduta
Correct:
1 point
5) Watteau was a great admirer of Rubens 's style.
For 1 Point
Your Answer:
True
Correct:
1 point

6) John Singleton ... Show more content on Helpwriting.net ...
For 1 Point
Enlarge Image
Your Answer:
True
Correct:
1 point
3) Which artist created the etching The Sleep of Reason Produces Monsters?
For 1 Point
Enlarge Image
Your Answer:
A) Goya
Correct:
1 point
4) Goya 's use of color, light, and line in The Third of May, 1808 can best be described as
_________.
For 1 Point
Enlarge Image
Your Answer:
B) expressionistic
Correct:
1 point
5) Which of the following terms is not associated with Romanticism?
For 1 Point
Your Answer:
B)

How Did Jean Honore Fagonard The Swing
The Swing by Jean–Honore Fragonard, is an oil on canvas painting (2′8″ x 2′1″) created in 1766.
This painting is often brought up when one discusses the Rococo period of art, as it is considered to
be one of the most recognized of the period. This painting is the epitome of the Rococo style of art.
Rococo was an art period that appeared in the early 1700s, when the reign of Louis XIV came to an
end. It's a combination of the Italian word Barocco, and irregularly shaped pearl; with the French
word rocaille, which is a popular form of ornate gardening/interior ornamentation. The upper class
wanted a style of art that described their lifestyles of luxury and frivolity, which is exactly what the
ideas behind Rococo were. This led to a plethora of artists recreating the idea of pleasure and beauty
in much of their art. The Palace of Versaille is the ideal example of Rococo elegance, showing the
ideals of the French Enlightenment period. ... Show more content on Helpwriting.net ...
The woman is surrounded by two men who seem to be yearning for her attention. At the time this
painting was created, a lot of scandal was built up behind it; in the painting, the man in front of the
woman seems to be getting a view up her skirt, while her supposed husband stands behind her,
pulling the swing. This painting is extremely synonymous with the Rococo era due to the carefree,
leisurely nature of the woman on the swing. As well as the scene of luxury and beauty being shown
is very typical of the Rococo

The Building And Its Environment
introduction
Architecture is the study of the building and its environment, and it aims to summarize the
experience of human construction activities in order to guide the creation of architectural design,
construct some kind of shape in the environment and so on.Content architecture typically includes
technical and artistic aspects.Architectonic is defined as "resembling architecture, especially in its
highly organized manner ortechnique of structure"in dictionary.com.In other words,it talks how to
build buildings.
As early as in primitive society,people started to build with trees,stones because people wanted to
avoid raining and animals.This is the earliest architectonic. There are many types of buldings with
the development of ... Show more content on Helpwriting.net ...
But we need to know how to use buildings and each building features.These three renowned
architectural style influenced our current building, we need to understand their history. They give a
lot of human architectural inspiration. When we travel to various parts of the world we can feel
these great buildings and what they bring to us a profound impact.
Guided Research
Gothic architecture First, it is necessary to talk about the gothic architecture. Gothic architecture,
also called Gothic building, which was similar with France architectural style arose around
1140.Glassie Henry.(2000). It evolved from the Romanesque, was inherited by the Renaissance
buildings' style. Gothic architecture is mainly used in churches, popular in Europe in the late Middle
Ages. The style of Gothic architectural is tall and slim. With excellent building skills, Gothic
architecture have a significant impact on development of other arts. Gothic cathedral has been
included in UNESCO World Heritage Site, becoming a special research area of cathedral and
churches. The features of Gothic building is towering minarets, pointed arches, large windows
which are painted with biblical story of stained glass.The framework increase the strength of support
at the top and create the whole building with extraordinary appearance and enlarge the church space.
For trimming with colored glass with long windows, the sense of the church is religious and
mysterious. In 12th

Art Reflection
Upon arriving 30 minutes prior to the museum opening, the impatience overcame me. Auguste
Rodin's sculptures at the exterior did not suffice. At noon, I finally gained admittance into the
museum, and I carefully observed at every artwork displayed. After, I went back to the artwork I
liked the most and scrutinized, analyzed, and interpreted. Overall, the museum had a collection of
excellent Impressionist art. Among the greatest Impressionist artist, I chose Berthe Morisot's In a
Villa at the Seaside. The glittering oil paints on canvas demonstrated and revealed its temperature
that I could sense the warmth in the painting. The more I gazed, the more I was captivated by the
artwork. In addition, the surrounding artworks heightened the impression. The walls were covered
with seascape paintings that I could almost smell the sea air. Therefore, it allowed me to engage
deeply in the setting along with the figures in the canvas spending their leisure time at the seashore.
As soon as I recognized their apparel, I could associate this artwork with the woman in Jean Honore
Fragonard's canvas oil painting, The Swing, from the textbook. Both of the artworks enhanced my
understanding of how the classes would differ. In specific, I could sense the barrier between the
class statuses: the upper middle class and the upper class. Although they share the same theme of
"class", different artists have approached the theme in different styles.
The major determinant of the social position is

French Baroque Art As An Expression Of Absolutism
French baroque art is sometimes regarded as an expression of absolutism because Louis XIV used
his power and control over art and the artistic freedom of the people to use for his own personal
gains. "Louis XIV especially manipulated art to serve as propaganda for his absolutist policies"
(738). Art was obviously popular at the time and he knew art would be the best way to "convey the
majesty and strength of the monarchy"(738). An example of the control he was trying to enforce is
shown in Le Brun's "The Expressions"(746). The piece was to be "used as formulas by the artists to
establish narratives in their paintings that could be easily read by viewers"(746). The king wanted so
much control over every detail. I believe this is a preventive to avoid having an artist depict a scene
involving the King or anything related to the King and his power that has an "unclear" facial
expression that could be viewed as a negative connotation towards the King and his ruling. That
situation is not something Louis XIV would have been okay with, which is why he tried to control
it. "Because...vast...projects glorified the French King, we are tempted to think of French art in the
age of Louis XIV as merely an expression of absolute rule"(738). If there was any speculation about
an artist's work that didn't obviously glorify the King, he wasn't going to allow it, which is basically
absolutism. Rococo is a combination of "baroque" and "recaille" meaning a style of art that
"represents a period

Baroque, Rococo, and Neoclassicism: Comparison and...
Rococo was an art style that originated in France in the mid–17th century. Rococo itself evolved
from the earlier Baroque period, and shared several elements with it. Indeed, Rococo is often
referred to as Late Baroque for this reason. Both placed a heavy emphasis on ornate, highly sculpted
detail and ornamentation, especially in regards to architecture and sculpture. Likewise both featured
artwork rooted in more realistic depictions of people. However, they were also different in several
important ways, and reflected changing social attitudes. Where Baroque was rooted in religion and
promoted by the Catholic Church as a response to the Protestant Reformation, Rococo flourished
during the "Age of Enlightenment", a time where ... Show more content on Helpwriting.net ...
Artwork returned to classic moral and ethical themes like heroism, honor, and military duty, and was
articulated strongly, with many artworks depicting realistic characters in bold color against dark
backgrounds.
When considering the differences between the Rococo and Neoclassic styles, it is striking how
completely different they are from each other. In the area of architecture, it is easy to see how they
diverge when looking at examples of the styles. The Ottobeuren Abbey in Bavaria, Germany is a
true embodiment of Rococo with its countless gilded, vapor–like coils of plaster and stone, bright,
playful colors, and heavily sculpted décor. The United States Supreme Court, a familiar study in
Neoclassic architecture, is the polar opposite. Someone viewing its stately, symmetrical shape,
understated coloration with an emphasis on natural materials like marble, and towering, stately
pillars may wonder if it came from the same planet as the abbey in Germany.
Artwork, too, was just as divergent. Consider the Rococo masterpiece The Swing, by artist Jean–
Honoré Fragonard. The delicate coiling of the tree branches, the ruffling of the fabric and lace on the
subject's dress, and the play of light and shadow in this painting of a woman on a swing in the forest
are all visual hallmarks of the Rococo style. Again, contrast with a Neoclassic masterpiece Oath of
the Horatii by Jacques–Louis David. This work, which shows

Relationship Between The Arts And The Growing Body Of...
Written Assignment Unit 4
Introduction
The word "renaissance" can be defined as renewal or "rebirth" and the Renaissance period was
significant because it was an important transitional time, from approximately
1300 to 1700, in European history, which marked the end of the medieval world and the
"birth" of the modern world. This essay will delve into the relationship between the arts and the
growing body of scientific knowledge during the Renaissance and also examine three different
works of art from the three major stylistic periods: Renaissance, Baroque and
Rococo.
Arts and the Growing Body of Scientific Knowledge During the Renaissance
I feel that, during this time, there was a growing fascination and intrigue on scientific knowledge,
specifically, human anatomical studies. Growing knowledge of human anatomy enabled artists to
produce more realistic–looking works of art. It is even said that Leonardo da
Vinci, often considered to be the model "Renaissance Man", believed that the "moral and ethical
meanings of his narrative paintings would emerge only through the accurate representation of
human gesture and expression" ("The Enduring Relationship of", 2003). As the body was only
viewed as a transient vessel for the soul, during the Middle Ages, there was little interest in human
anatomy, however, as Renaissance artists increasingly desired to create more authentic and lifelike
works of art to more effectively convey their messages, there were, consequently, more scientific

The Regooco Art Movement Of The 18th Century
The Rococo Art Movement
During the 18th Century, there was a turning point to the basic style and mood of artists' craft, due to
The Enlightenment and The French Revolution. Towards the end of the dramatic and regal Baroque
period, a lighter hearted method of painting came about, known as the "Rococo" style. It was
considered a brighter and more amorously themed approach which affected many aspects of art
including sculpting, painting, interior design, architecture, and more. Rococo art was shown on
chapel ceilings in the form of frescoes, but was mainly a way of decoration for large wealthy homes.
It was a sign of riches to have the curvy, intricate paintings and architecture among your archways,
doors, and even chairs. Rococo paintings themselves featured lovey subjects without a main theme
or meaning, jus the seen beauty. Rococo Art will forever be remembered as a great era of art that
was in regal demand.
The Rococo style of the 18th century movement was derived from an earlier Baroque style, which
consisted of more biblical scenes and heroism than the light hearted Rococo. It consisted of much
more idyllic scenes of love and beauty than that of the baroque style. The book "The Baroque
Period: Movements in Art" explains Rococo art as, "Instead of being used to teach people or
influence their thoughts, art was primarily something to be admired and enjoyed. Beauty and feeling
became the dominant artistic goals"(pg.39). The thing to be appreciated about rococo style art

The Renaissance And Ending With Rococo Styles Of Art
Beginning with the Renaissance and ending with Rococo styles of art, artistry has shifting styles
between the 14th and late 18th century. Each period represents a new and unique way of
representing art, and a few works of art perfectly explain the values between these periods. Values
such as how the body looks and moves, to dramatic scenes that spark interest or thought, and finally
the indulgence of pleasure, shedding off the worries of life in aristocracy.
The Renaissance was the first period that we met with after the Dark Ages. This cultivated a time in
art where the artist questioned more about the human body but staying true to the religious bonds
that dictated art just an age ago. Subjects like muscle tone, scenery, and linear perspective were used
during this time, and the human body was celebrated as something beautiful. Here we saw more use
of Contrapposto, which was almost a standard by this time, and sculptures felt as if they were
flowing and able to move when you walked by them.
To more visually analyze the Renaissance and it 's style, we can take a look at Michaelangelo 's
David, which displays the human body in it 's finest form. Here, it shows David preparing for the
battle with Goliath. He 's pondering and, thanks to scientists dissecting the human body during this
time, his muscles are in near–perfect positions. We can see more realism during this time, and by
that I mean how the body actually functions and moves rather than a stiff, perfectly

Aau (Academy of Arts University) Art History I -...
10.1 Rembrandt has often been referred to as "The Painter of Light" for his innovative and
influential approach to depicting light. Describe Rembrandt's approach to depicting light in painting.
How is it influenced by Caravaggio's tenebrism and how does it differ or improve upon that
technique?
Rembrandt's depiction and use of light represented the fluidity the human eye (or view) "sees". The
human eye views images through a sifted view. In other words it picks out certain (specific
elements) to focus on; bringing those images to light and casting the others into a shadow. Thus,
Rembrandt utilizes diffused light rather than sharp contrasts to convey an emotion or mood (perhaps
observed by the viewer). In the case of this painting, ... Show more content on Helpwriting.net ...
One can deduce the red dot in the middle of a blank white canvas is just as much art as any of Van
Gogh's masterpieces; after all art is in the eye of the beholder, right?
The downsides may include economic and professional effects. The economic downside is two–
fold. First, artists may have to work harder to sell a piece because the availability of art is
widespread, thus creating stiff competition. Second, art in the traditional sense loses its value. No
longer are a few art pieces available to the well–to–do but a montage of art is available to most
anyone.
Professionally, it may become a less coveted talented now that anyone can put their artwork on the
market. Previously commissioned artists may have short–lived careers. And artists have to create a
niche in order to standout amongst a sea of painters.
Thus, it is reasonable to think that some artists (mostly those accustomed to be considered "the
select and talented few" would prefer to work for an established patron. This type of work brings
economic stability and professional prestige.
11.1 What's going on in Fragonard's painting The Swing? Describe the subject matter and mood.
How does this image depart from the type of subject matter and stylistic characteristics we have
seen in earlier artistic movements such as the Renaissance and Baroque?
Fragonard's painting The Swing was a blueprint of Parisian life for the female aristocrat as portrayed
by prominent male

Art : Neogooco And Neoclassicism
Throughout history, art has continuously evolved into several different movements. These
movements focus on specific goals that are common among several different artists. This essay will
concentrate on two artists of the eighteenth century whose styles were respectably similar yet
varying in their aesthetically creative goals, therefore classifying them under two contrasting
movements known as Rococo and Neoclassicism. The Rococo movement developed in Paris,
France during the early 18th century in response to the previous Baroque movement, which was
known for its darkness, grandeur, and exaggeration of often religious and violent themes. The
Rococo style was used to create a decorative piece of artwork with light colors and the portrayal of
playful and witty themes; such as in Jean–Antoine Watteau's, Gersaint's Signboard. The
Neoclassicism movement began in opposition to the Baroque and Rococo styles in Rome in the
mid–18th century. Neoclassical art like Jacques–Louis David's, Oath of the Horatii, was used to
emphasize courage, sacrifice, and tradition. Although these are two different artists from two
different movements, Jean–Antoine Watteau and Jacques–Louis David used similar artistic
techniques and principles to create a unified work of art.
Gersaint's Signboard, otherwise known as L'Enseigne de Gersaint, is an oil canvas painting that was
created by Jean–Antoine Watteau in 1721 during the Rococo movement. It was inspired by the
works of Edme–Francois Gersaint. The

Symbolism In The Happy Lovers By Jean-Honor� Fragonard
In Jean–Honoré Fragonard painting The Happy Lovers (appendix: fig. 1), viewers are able to get a
glimpse into the light–hearted, playful Rococo period. The Happy Lovers is a 35.5 x 47.75 in. oil
painting, that was created between the years 1760–5 in France for an unnamed aristocrat; however,
it can now be found in the Norton Simon Museum in Pasadena, California. The Rococo period was
a result of artists resisting the stiff monarchy, and desiring open expressionism–this was particularly
emphasized through nature. The two great artists from this period are Fragonard and François
Boucher, Fragonard's teacher. A result of Boucher teaching Fragonard, specifically in the
continuation of pastoral, Boucher was a great influence. This is obvious when The Happy Lovers is
compared to Boucher's The Bird Catchers (appendix: fig. 2). Both paintings include subjects of
women holding bird catchers and doves, ultimately symbolizing woman's ability to control
relationships. More specific to The Happy Lovers, the woman dangles the cage above the boy, who
is carrying a dove, a symbol of Venus–the goddess of love. However, in the bottom left quadrant of
the painting there is an even larger cage with more doves, hinting at the idea that women can easily
capture many men. This further expands the sensual intention Fragonard creates. In placing this
scene within a secluded landscape, Fragonard emphasizes the flirtation and secretiveness between
the two lovers–creating an unstructured, blissful

Reclining Nude
Faith Kim
Prof. Hight
Introduction to Visual Arts
4 June 2012
Reclining Nude The artwork is called Reclining Nude by Jean–Antoine Watteau and I found this
artwork in the Norton Simon Museum. I was captivated by the sensuality and the delicacy in the
painting. I first noticed in the painting was her robust ivory figure contrasting with the dark
chocolate background because I felt that these contrasting colors evoked a sense of purity and light
against the mysterious darkness. She seems to have turned around and noticed something. Perhaps
someone just entered the room and surprised her or she could have been waiting for her lover. I also
noticed that in this painting, that there are only three objects: the bed, the girl, and the dark ... Show
more content on Helpwriting.net ...
The change in France's notion is reflected in the Reclining Nude. The woman is more humanized
with her lying comfortably than posing like a goddess in stupendous fashion. Also, the details of her
anatomy, such as the indent of fat between her left breast and hip, give her a more realistic look as
well. The Reclining Nude carries the characteristics of the Rococo style and embodies the cultural
shift of France. No one knows for certain the true meaning behind Watteau's Reclining Nude. There
are theories that Reclining Nude has no meaning and is a simply a copy of Watteau's other artwork,
The Remedy. The Remedy "shows the same reclining nude woman who appears in the painting. But
in addition, it includes a maid with a syringe approaching her mistress to administer an enema, and
also a night–table at the left and more of the bed at the bottom of the composition" (Posner 386).
Only difference is that in the Reclining Nude, the focal point is not the action between the woman
and her nurse, but just the woman. However, Watteau might have intended for the painting to be an
erotic artwork. Watteau might have portrayed her as the ideal woman and to make love to this
woman is as beautiful as her. This type of work would have reflected the "intellectual and social
libertinism...especially in France" (Posner 387). Expressing eroticism such as this was radical, but
so was the culture and time period of

The Progressive Art Movement In The Victorian Era
Introduction:
Art movements are styles or tendencies that relate to a specific philosophy followed by a group of
people during a restricted period of time. Art movements evolved over centuries from the beginning
of time, which was important for the current modern art era. Each progressive art movement was the
avant–garde where individual innovated & experimented with the new. The progression & change
meant pushing boundaries of what was accepted. Art movements were not restricted to mainstream
art. It included culture, politics & other socio–economic elements as well.
Research leads to believe that the concept of study of art movements became important during the
period of time corresponding to modern art. The objective was to understand how each movement
evolved and resulted in the present. Understanding the movements also enables one to understand
the society and life of individuals of the period in question.
Focusing on ... Show more content on Helpwriting.net ...
The Victorian style of arts is known for its interpretation and the revival of a mix of historic styles
that were tastefully mixed with styles from the British colonies around the world. It is known for
being excessive in ornamentation. In spite of being elaborate and excessive, there was order in
chaos. Within the architectural aspect, houses were divided into public and private spaces. The
gothic revival style became significant during this period of time.
No single style emerged as dominant in the homes of the early Victorians, rather designers, and now
manufacturers, drew on, or ransacked, a multitude of styles from earlier periods in history with
Gothic, Tudor, Elizabethan, Renaissance, English Rococo, and Neo Classical battling it out for
prominence. The Gothic revival style was probably the most "important" in furniture history terms
while the exuberant Rococo revival may have taken the honours in the popularity

Similarities Between Neoclassicism And Neoclassical Art
From 1789–1799, the French Revolution marked the end of an era, with the artistic styles of the
time illuminating the state of affairs in France and documenting the story of an oppressed people.
The French Revolution had no single cause, resulting in the overthrow of a leisurely, ineffective
monarchy and its supporting aristocracy, hated for their roles in bankrupting a country, causing their
people to starve, and yet still prioritizing their own lives of luxury over improvement of the
economy and the lives of their subjects.
Rococo art is beautiful to the eye and perhaps to the naive soul, yet is hideous at the same time,
when one gazes beyond the seeming celebration of life and nature to the true human reality that took
place at the time. ... Show more content on Helpwriting.net ...
At the same time, Neoclassical messages fanned those flames with logic and dreams of fairness
portrayed in representations of Greek democracy and human reason. The French Revolution did in
fact precipitate change, however it was only the beginning of a long period of war, terror, and
political upheaval, including the 1799 conquest of France by Napoleon (SparkNotes, n.d., para.

Louis XIV, The Sun God
All That Glitters is Not Gold Louis XIV, also known an The Sun God, was the King of France from
1643 until his death in 1715. 1His reign as ruler lasted for more than 72 years and even today it is
considered as the longest reign of any monarch in European history. During his tenure as ruler, King
Louie XIV established France as the most powerful country in Europe, as he maintained a very
strong economy and played a significant role in influencing the politics of other European countries.
Besides its usage in worldwide diplomacy, he also helped establish the French language in
becoming the most widely used language in many subjects such as science and literature. The Sun
God was known to be a very popular arts enthusiast and under his patronage, he commissioned and
funded many artists whose works went on to become very famous and influential. One example
includes his commissioning of the legendary Palace of Versailles located in Paris. Due to the
contributions made by Louis XIV, people in the 17th century viewed France as the same way people
all around the world today view the United States, a major superpower. After his death, Louis XIV
was succeeded by his great–grandson Louis XV, who was just 5 years old at the time. 2Louis XV,
also known as Louis the Well Beloved, was ruler of France from 1715 to 1774 and like his great–
grandfather, he also made great advancements in the field of art as he introduced the Rococo style to
Europe. This new elegant and decorative style

Watteau's Use Of Nature In The Art Of Libertarianism
Through about 1710–1750, the Rococo era of art flourished throughout France and soon made its
way through the rest of Europe. The word Rococo comes from the combined words of "barocco", a
Portuguese word meaning over the top, and the French word "racaille" meaning shells. (Barrett)
Emerging from France during the rule of Louis XV, Rococo art was distinguished by its portrayal of
aristocratic standards and principles. Because the genre grew in a time of libertarianism, Rococo art
initiated the approval of sensuality and this was depicted through its use of nature. The role of nature
in Rococo art represents the cultural freedom of France and other various meanings. Jean Antoine
Watteau, famous French painter, uses of nature in his paintings ... Show more content on
Helpwriting.net ...
Watteau paints a scene of people dancing, socializing, and becoming intimate with one another.
Everyone in the painting is basking in play and leisure and this type of behavior implies that
embracing in pleasure is natural. Since the pilgrims are one with nature, their sensuality is validated
and approved. This carefree type of mentality is shown within nature's setting; therefore, pleasure is
accepted and is considered natural. Another example of nature displaying the approval of sensuality
is in Watteau's painting, La Fete D'Amour (The Feast of Love), 1719. In Watteau's painting, we see
that the main focal point is intimacy in a natural environment. Again, Watteau is depicting a scene of
aristocrats leisurely socializing in an open and succulent setting. Although there is a stronger sense
of sexual intimacy shown through the closeness of the couples, because of Watteau's use of nature in
the scene, it is seen as natural and acceptable. In Suzanne Folds article, "A Study for "La Fete
D'Amour" by Antoine Watteau 1684–1721", she explains how the nature in the scene captures the
effects of the painting. She

The Influence Of Impressionism In The Art Of Art And Art
The Rococo style was popular in France during the 1700's after the days of Versailles and into the
days of the aristocratic women hosting salons. Rococo artists sold their works to the wealthy people
of society to decorate their lavish salons to awe their guests. The artwork gave the salons their sense
of luxury and sensuality with scenes of classic love stories and lacey dresses. After the impressionist
movement came the post–impressionist movement in France. This movement was less unified then
movements before it. These artists were experimental in finding a new way to represent their world
and imagination. Also starting in France during the 1930's after the Great War came the Surrealist
movement. Following the teachings of Freud, Surreal artist dove into their minds to find the
inspiration for their irrational creations. The Rococo movement focused on creating an atmosphere
of sensuality and luxury in the social salons. The use of bright color in the love stories, extreme
detail portraying "naughty" scenes and nature is how the artist chose to create their work. They told
classical, fanciful love stories to the wealth French society. In contrast to this fanciful style the
geared towards the wealthy, the post–impressionists chose to use art as a way of expression and
showing their imagination while experimenting with different styles. Post–impressionist used
imagination and science to show their scenes with color and stiff figures. The Surrealists chose to
further this

The Rococo Period Of France
The Rococo period in France brought about a new style of painting, focusing on nature, soft color
palettes, fictional places, and other lighthearted subjects. Compared to the previous Baroque style
with its use of classical art as inspiration, idealized bodies, and use of ancient mythology, we are
able to see how drastic this artistic change was. Partially this was due to the change in society ideals.
Painters were not being commissioned by the Catholic Church, but by the Monarchy and aristocratic
patrons who were leaning way from the rigidness of religion towards the variability of nature. This
period was ruled by King Louis XV , and the decades before the French Revolution in 1789 were
full of opulence and luxury which manifested itself in the aristocratic love for art. Naughtiness won
out over holiness and this can be seen in Nicolas Lancret's 1735 painting, Luncheon Party in a Park
(65.2649) . This painting exemplifies the themes of French Rococo, their favoritism with the natural
world and the intimate sensuality of aristocratic outings, along with the style of soft brush work and
light palates. With these three ideas of nature, a light color palate, and whimsicality in mind, we can
see how Lancret's painting demonstrates the laidback and frivolousness mentality of French society
around the period of the 1730's.
Nature was a popular subject in French Rococo, and Lancret provides a beautiful example of nature
with his fictional trees, hazy sky, and overgrown

Treatment Of Women In The Roco Era
Coming after Baroque, Originating as décor in France, being one of the first worldwide forms of art
and spreading to Dresden, Vienna, St. Petersburg, Valencia, and Lisbon was the Rococo era (Bailey
4). It was popular because of its "visual allure"; however, the term 'Rococo' during its time period,
the 1699 to the 1770's, was at first derogatory and used to defame the artistic style (Bailey 4, 18).
The term Rococo comes from the French word "rocaille", which can be "an ornamental pebble" or
the unique "shell work found in aristocratic gardens" (Bailey 18). Women were a part of this
extravagant epoch, but they had less freedom than men. The restrictions women had to endure
during this time period are most strongly seen in the way how marriage ... Show more content on
Helpwriting.net ...
Some women were recognized for their art skills. "One of the attractions women artists had... was
their supposed ability to paint women and other 'feminine' themes better than men" (Bailey 109).
Marie Louise Élisabeth Vigée–Lebrun was an extremely famous painter; she was the chief portraitist
of Queen Marie–Antoinette. She also painted portraits for other famous people such as Empress
Maria Theresa of Austria, Czarina Catherine the Great of Russia, Queen Elizabeth of Prussia, and
Prince Regent of England (Bailey 111). Her making of these portraits for these high ranking people
shows how well she was recognized. Anguissola is another female who wanted to be recognized in
the Rococo era. She used her painting skills to "demonstrate her social status" (Bailey 110). In
Sofonisba Anguissola, a painting, she exhibited her aristocratic status through her rich velvet gown
and lace collar" (Bailey 110). She used her skills in her art works to portray her power. In the
Eighteenth century France There were also women professional writers. Even though professional
women writers were "vulnerable to bad publicity", writing gave women power (Thomason 12).
Most of these women were women who were restricted by the laws, and had to participate in the
"restrictive marriage system" (Thomason 1). Eliza Haywood was a professional writer who also
wrote about her controversial opinion on marriage along with other female writers such as Lady
Wortley of Montagu, Dorothy Osborne, and Mary Delany (Thomason 12). The writing format most
commonly used in the eighteenth century was the letter, which could be written in two ways: private
and public. When the letters were "read as private documents they protected women's reputations"
(Thomason 13). Private letters made it seem like women were complying with the social standards
that were in place for them; however, when the letters were read as public,

Antoine Watteau's La Perspective
Antoine Watteau's La Perspective (View through the Trees in the Park of Pierre Crozat) uses many
elements of the Rococo style of painting to instill a sense of intimacy. In this painting, members of
the elite society gather unceremoniously in a wooded clearing. The people make casual exchanges
as they mingle in the park. Trees and foliage dominate a majority of the painting. A small white
building can be seen in the background through a clearing in the trees. Watteau uses color,
composition, setting, and pose in the painting to create intimacy.
It is evident through the peoples clothing that these are in fact members of the elite. Both men and
women are clad in expensive, adorned clothing. They sit on the ground in their ornate clothes. While
the clothing appears formal, the event does not.
There is an overt sense of leisure and intimacy established through the social exchanges in this
painting. A man in the foreground is playing a guitar to a lady, which adds a cheery, relaxed mood.
On the right side of the painting, children play on the ground, which shows how this is a joyful
event. While there are many social interactions being made, the people in this painting are very
generalized. Watteau purposely does not paint many of the people's faces to put emphasis on the
landscape and setting.
The setting of La Perspective is most utilized to create intimacy. Set in a park in the middle of the
woods, Watteau greatly emphasizes the landscape. Trees and foliage fill most of the

Analysis Of Oath Of The Horatii
Oath of the Horatii is life size oil on canvas painting that is about thirteen feet wide by ten feet tall.
The painting was done by Jacques–Louis David, who was the leading Neoclassical painter in France
during the eighteenth century. David rejected the Rococo style that was popular of that time, which
was characterized by fantasy and playfulness. David was interested in painting images with
antiquity. The Oath of the Horatii has elements of classical Greek and Roman art and architecture.
Oath of the Horatii was a political painting that David had comprised to stimulate the publics
attention (Fred S. Kleiner 680).
Oath of the Horatii captures a heroic and patriotic moment. Something big is happening in this
composition. There are three Horatii brothers taking an oath, which is being administered by their
father. The oath they are taking is to live or die for their country, which happens to be Rome. While
taking this oath, the Horatii brothers are facing their father. They stand in unison with one another.
They each have one leg and arm extending out. The father holds three swords up and out towards
the Horatii brothers in the same pose. The Horatii brothers extended arms are saluting towards the
swords. The postures of all four men appear upright and strong. There is no emotion of fear on their
faces. The brothers appear athletic and fit. This can be seen in the muscular details of their legs and
arms. They appear bold and ready to sacrifice their lives. The father does not

Madame De Pompadour At Her Toilette And Self Portrait As A...
Female representation in contemporary art scarce compared to male artists, so these two pieces,
Madame de Pompadour at Her Toilette and Self Portrait as a Tehuana are great examples of how
women are presented and how they showcase themselves in similar ways although these were made
almost two decades apart. At a glance they may seem like completely different works, but with
further examination we are able to uncover their many similarities. Both works focus on self–
representation, identity, fashion, and femininity.
At a first level iconographic analysis of Madame de Pompadour at Her Toilette by Francois
Boucher, the viewer is presented with a half–length portrait of Madame de Pompadour from the
waist up. She's seated in on a yellow chair in front of a very bleak wall, centered in the painting,
essentially drawing all attention to her. She seems to be in the process of getting ready, so displayed
atop the table in front of her is an array of supplies including: ribbon, a white, fluffy powder puff, a
gold powder pot, multicolor flowers, and a mirror. In her left hand she holds what would be
equivalent to a modern day blush palette and in the right she holds an applicator brush. Her hand is
in mid–air, implying movement. On her wrist is a cameo with the profile of her lover King Louis
XV. She wears a low cut bodice, accentuated with gray ruffles and pink ribbons. The majority of her
dress is made of gray lace and ties at the neck with a pink ribbon.
The color palette consists

The Artistic Movement: Rococo Essay
"I have just completed a forty–two–day voyage around my room. The fascinating observations I
made and the endless pleasures I experienced along the way made me wish to share them with the
public... Be so good as to accompany me on my voyage." Xavier de Maistre
Renee L. Winter
University of Calgary
Word count: 2044
Abstract
This paper looks at the artistic movement known as Rococo in France after the death of Louis XIV.
Artwork by France's Jean–Antoine Watteau, and Jean–Antoine Fragonard, as well as artwork done
by Italian artist Giovanni Antonio Pellegrini, and will be discussed to demonstrate that Rococo and
the themes of the pictures represented a form of escapism for the aristocracy in Europe.
According to Pignatti (1988, ... Show more content on Helpwriting.net ...
(Blunt 1953, p.183). Blunt also argues that by entering into this world of the imagination, they were
able to change their own every day world. The picture shows many cupids, surrounding the young
couples on the island, with the story beginning in the foreground. Janson claims that the meaning of
the picture reads like a story, unfolding from left to right, which also informs us that they are about
to board the boat: two lovers are still engaged in their amorous tryst; behind them another couple
rises to follow a third pair back down the hill as the reluctant young woman casts a wistful look
back at the goddess' sacred grove. Watteau's figures are slim and graceful; it appears that they move
with the studied assurance of actors who play their roles so superbly that they touch us more than
reality ever would. Robb (1951) describes this work as lingering on one idea: men and women, not
playing at the game of love, but whose whole existence is dedicated to love. They are dressed for the
part; they exercise restraint lest the passion burn out and avoid everything gross and uncultivated,
displaying their seductions with the greatest delicacy and charm. Robb (1951) believes the picture
contains all that Watteau had to say, couples in a "fantastic landscape overhung with a magical
atmosphere..." (p. 374). Janson (1991, p.605) argues that those portrayed in paintings by Watteau
recapture an earlier ideal of "mannered" elegance. Kalnein (1972, p. 17) asserts

Essay on Jaques Louis David
1. Introduction
Set on a stage of revolution and Enlightenment, the Neo–Classical period presents a broad and
interesting topic. Jacques Louis David was the first political painter, and a true revolutionary, but
one cannot disengage his art work from the social and political systems of the period. Therefore, this
essay will present an overview of the social context and systems of Pre Revolution France,
Neoclassicism and how David's work was influenced by it and how his work influenced it. Also
important to note are the art work that influenced Neoclassicism.
2. Social and Artistic Climate in the 18th Century
2.1. Neoclassicism
Neoclassicism refers to the style of painting, sculpture, decorative arts and architecture used from ...
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(Mettais: 152–156)
The second noted influence on the New Classical period was the excavations of Herculaneum and
Pompeii and the paintings, sculptures and jewellery that were brought forth from these sites. These
mines of wealth motivated an interest in Greco–Roman art, which is the mark of Neoclassicism.
Within the recovered works, people saw a physical perfection and moral health which was a
dominant theme of the Enlightenment. New perceptions of society based in the Athesian
commonwealth and the Roman republic was beginning to form, and later these themes became
symbols of freedom and democracy (the basis of Romanticism). The artistic assumption of the time
was the idea that, one must raise beauty over morality and that beauty lies in shape and contour, not
in colour, which only assisted beauty. This principle simplified the Neo–Classical forms.
(Praz: 70, 71)
2.2. The Academy
The first academy was started by Leonardo da Vinci in 1498. It was designed as a gathering of
people to discuss art and science. This evolved to the instruction of these subjects by means of an
apprenticeship system; masters teaching students.
Later, the Academy adopted a policy of exclusion to non members, offering only students the

opportunities to be given commissions, exhibitions and prestige. Also, artists could only gain
recognition for their art by the guilds if they had studied at the Academy.
During the seventeenth century, the French

Italian Painting From The Baroque Era
Martin Luther's Protestant Reformation had really stirred the religious pot. In the early 1600's, the
Catholic Church responded with the Counter Reformation which propelled the Baroque movement
and its artistic aim of making Catholic theology appeal to the masses. Biblical stories with drama
and movement were some of the ways Baroque artists sought to engage the viewer. Baroque
dominated most of the seventeenth century Europe and later developed into the Rococo style later
during the eighteenth century. Begun in the 1700's, the Rococo Era was art of the aristocracies for
the aristocracies. It was technically flashy, but without deep thought or emotional drama, the Rococo
celebrated the leisure activities of the upper class. The Rococo style is above all an expression of wit
and frivolity. Rococo style signaled the shift from Rome to Paris as the new capital of culture and
fashion in Europe. Both styles were influenced by political, social and religious factors, and there
are profound differences between the two styles. For this essay, I chose to compare an Italian
painting from the Baroque era with a French painting from the Rococo Era. The two paintings I
chose to compare and analyze are Luca Giordano's Martyrdom of St. Bartolomeo, and Jean–Marc
Nattier's Terpsichore, Muse of Music and Dance.
Luca Giordano's Martyrdom of St. Bartolomeo from ca 1660 is a painting of martyrdom, in which
the human suffering of the saint is shown against a dark background. The painting is in

Western Art Course Analysis
In this course I learned about Western art from the start of the Renaissance to the mid 19th Century.
I was able to see the influence of the religious, cultural, political, and social landscape that shaped
the evolution of art. This includes: Renaissance, Illusionism, Baroque, Rococo, Neoclassicism, and
Realism in relation to painting, sculptures and architecture. We saw art beginning to evolve in
Madonna Enthroned, also known as Ognissanti Madonna, by Giotto Di Bondone c. 1310, as artist
began to strive for a more three dimensional look, and still maintained religious subject matter of
Byzantine art in the fourteenth century. Giotto used an early crude version of foreshortening at
Virgin Marry's base, and utilized shadows and organic curves ... Show more content on
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Rococo is an early to late French eighteenth–century artistic movement and style often interpreted as
feminine. The rococo period was a golden age of French decorative arts and furniture. Architects,
designers, and artisans worked together to create interior designs of magnificence and sophisticated
elegance. The line between function and ornament was blurred. Rococo was soon broadly replaced
by the Neoclassic style. Jean–Baptiste Greuze, Village Bride, 1761, is considered to be the link
between the two by some art

Jean Honoré Fragonard's The Stolen Kiss
Jean Honoré Fragonard (1732–1806), was one of the most creative artists of his time, producing
more than 550 works during his life. "Fragonard was a product of the later stages of the Rococo era,
a time characterized by hedonistic freedom and a pursuit of all things aesthetically pleasing. The
Rococo era originated from the French decorative style Racaille meaning 'decorative shell and rock
work'" (Artble). "Frivolous, colorful and gay, the works of Jean–Honoré Fragonard float into a
spectator's sensory consciousness like pastel confections straight from a Parisian bakery on a spring
day" (Artble). Having taken on the role of one of the highest ranking leaders of the Rococo
movement, Fragonard's style of painting demonstrates all that was exalted ... Show more content on
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This oil on canvas captures the figures ravenous inclination, as their mouths open to full capacity as
if they were going to inhale one another, tongues reaching out attentively amongst rows of what
look to be very sharp teeth. Impassioned hunger and fortitude infused with the tenderness of their
embrace. "The same odd dichotomy of passion and gentleness as found in the ocean beyond. One
can almost imagine the bodies rising and falling to the rhythm of the waves lapping the shoreline.
Both figures are in ecstasy. The 'female' figure closes her eyes and beckons the pleasure, while the
'man's' eyes remain open with concentrated intent" (Poeticalbeauty). The lovers form is sculptural,
like stone worn down smoother over the years by the wind and sea. Not only are they made
intertwined with each other, but also with the natural elements of the surrounding environment.
They exist shaped together in an erotic affair of curved limbs, the chests forming an evidently
human climax to the eloquent shape. Their frames glow golden in the light of day, while a small
beach hut adds an almost whimsical domestication to the

The Reign Of Louis Xv And Disappearing Toward The End Of...
Flourishing during the reign of Louis XV and disappearing toward the end of the 18th century,
Rococo was a playful opposing response to the solemnity of Classicism and the grandeur of
Baroque. As dominant political power was shifting from France to England, and Venice was
beginning to become stale in the political sense and become more of a site for tourists, there was a
chance for artistic styles to change as well Moreover, with the end of Louis XIV's reign, movement
away from previously mentioned artistic styles began. Taking up residence in Paris, the aristocracy
abandoned the Palace of Versailles. This move away from the monarchy in favor of the aristocracy
can be seen in Rococo art, as can other elements from the time period. The actual term, rococo,
comes from the French word rocaille, which means "rock work". The Rococo style was given its
name due to its reliance on seashells, bits of rock, and other playful motifs for decorations. During
his reign, Louis XIV commissioned light and airy decorations for Versailles. After his death in 1715,
this style began to take the place of Baroque. There was new emphasis on asymmetry, as well as on
complex, graceful curves. The 's' curve in particular was the most important. Color schemes
lightened up considerably, and overall form became more relaxed and avoided form and direction at
timesé. Overall, this carefree, lighthearted style was best in smaller spaces, whimsy replaced
grandeur, and emotional depth was no longer a

David Fagonard The Swing
The term, Rococo is a style of French design or an artistic expression that originate in the modern
age of the eighteenth century. The Rococo style of art was an artistic revolution of the hopes and
dream of the emerging middle class, which spread through the European region. This movement is
most popular for its uses of fancy, curved asymmetrical forms and rich ornamentation. Rococo art
style is shown elegantly and beautifully, with the scenes of classic love stories and fantastical
dreams of romance. Fragonard described the theme of the painting as an act of individual freedom,
both physical and emotional in the sense of movement.
Fragonard's oil painting, "The Swing" was created in 1766. It is located in the Wallace Collection,
London, United Kingdom. The image shows as a major masterpiece in the style of Rococo art. The
painting, 'The Swing' was originally built for a wealthy patron in homage to his wife. It was an oil
canvas and stands at a height of 31 7/8 x 25 ¼. Fragonard depicts a scene of scandal and flirtation,
and suggests a secret ... Show more content on Helpwriting.net ...
The color green would represent a forest with the abundance of trees and the seeming lack of
discipline garden growth in the painting. In the center of the painting, the image represents a young
woman sitting on a red, velvet, and gold seat in the swing, held up by gold ropes, in her fancy poof,
pink and lacy white dress, and a figure of a young male, who is her lover, hidden in bushes of wild
pink roses. He painted the outdoor scene image in light yellow color as the sunlight glows through
the trees and brightens them up, in soft, seductive glow. The light also brightened the skin and the
creamy billows of fabric that swirl around her and her dress. In addition, the husband in the painting
is referred as the shadows, "in the dark" because of his wife's secret love affair with another

The Renaissance, Baroque, And Rococo Periods
Abstract
This essay looks at the time in history beginning in the 1400's to the mid–1700's which we identify
in art history as The Renaissance, Baroque, and Rococo periods. Focusing on the influence new
scientific knowledge had in the art produced during this time with specific examples from each
period and artists of the time.
Keywords: Renaissance, Baroque, Rococo, Art, History, Science, Knowledge The Renaissance
Beginning with the Renaissance (1400–1600) we see a change in the subject matter being portrayed
by artists of the time. We can attribute this change not only to the change in patrons, from the
Christian church to wealthy bankers and politicians, but also to the growing body of scientific
knowledge. "The Renaissance was ... Show more content on Helpwriting.net ...
I personally get a sense of perfection in a human world when I look at this painting, which is a bit
misleading but appropriate for a time in which men were beginning to question the divine and
finding answers in the natural world where science and mathematical solutions were starting to
make sense of everything around us.
Baroque
It is hard to believe that what began during the Renaissance would be followed by what we refer to
as the Baroque period beginning in the 1600's and later the Rococo. The term Baroque was first used
in the eighteenth–century by critics in a negative way. "To the eyes of these critics, who favored the
restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona
appeared bizarre, absurd, even diseased–in other words, misshapen, like an imperfect pearl"
(Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted
contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject
matter and not the idealized portrayals we saw in the Renaissance period.
I see this very much in Zurbaran's paintings of Saint Francis, where the use of chiaroscuro gives it a
dramatic effect but not an idealized or unrealistic feel. However, in keeping with the focus of this
essay which is the influence new scientific knowledge had in the arts we

Pilgrimage To Cythera
How each of the artists utilized the Rococo style in art in their own ways in the eighteenth century?
With the reign of Louis XV and death of Louis XVI, the Rococo style was more expressed in
France.1 The term Rococo is labeled as "French taste".2 The Rococo style is simplified forms,
display shapes of nature, decorative arts that influenced interiors of churches and palaces in France.
3 The Rococo style not only was used in the interiors and architectures, but it was famous to use in
the paintings as well. Antoine Watteau's painting,
Pilgrimage to Cythera [fig.1], and Francois Boucher's painting, Cupid a Captive [Fig.2] explain how
each of them used different techniques to show their own Rococo style in their own paintings in
order to appeal to the ... Show more content on Helpwriting.net ...
Sheriff once described the Pilgrimage to Cythera
[fig.1] as, "... when you have traversed the rivers, the hills, the garden walks, when you have passed
the lakes and the fountains, then the Paradise of Watteau opens before you. It is
Cythera".6 In order to describe this romantic scene, he experimented with posture and
movement, shades of color difference, and a glossy surface in this panting.7 Figure poses blend
elegance and sweetness.8 By capturing slow movements from unusual angles of the figures, he was
able to show the most refined attitude of the figures.9 Various colors are used, the outlines are soft,
brush marks add the liveliness to the figures, and the figures are pushed to the background. The
techniques such as the haze colors, figure poses that are drawn with different angles, and modeled
shapes are described as the preferred Rococo style in eighteenth century that appealed to the Rococo
artists' wealthy patrons.
Another Rococo artist, Boucher painted Cupid a Captive [Fig.2] with using

Rococo Art : A Unique Style Of Art
Throughout history, there have been many movements of art, influenced by change and culture.
Rococo is a unique style of art which grew out of Baroque style art and is a prime example of a
distinct movement inspired by change. One of the most notable artists from this movement was a
man named Jean–Antoine Watteau, who is recognized as well–known Rococo movement artist.
Prevalent throughout 18th–century Europe, Rococo affected many areas of the art world. Rococo art
grew in popularity shortly after the death of King Louis XIV. After the king's passing, most of the
french court moved away from their homes in Versailles and returned to their former homes in Paris.
As the former court members moved away from their Versailles homes, new artistic interests and
ideas were introduced. Seeking a new start, the former french court began by re–decorating their
new Parisian mansions. During the reign of Louis XIV art was more traditional with rich and bold
colors, but after his death art began to transition into a more calming and graceful era. Rococo art
reflected this in its charming and elegant style, with asymmetrical lines that were inspired by
classical themes such as love, youth, and myths of the time.
Jean–Antoine Watteau, better known as Antoine Watteau, was a Frenchman who is credited as the
father of the Rococo movement. He was born on the 10th of October, 1684 and lived until the year
of 1721, dying at the early age of thirty–six. Watteau was born in the city of

Antoine Watteau's Paining, Departure From The Island Of...
The art style Rococo was "born in France" (Fiero 177) and as part of Baroque–era art, featured a
great amount of ornementation and detail. Rococo art usually differentiated itself by its subject
matter, featuring "elements of play and intimacy" as favorites among Rococo artists. Also the colors
used, with the Rococo style featuring a more "pastel" (French Baroque and Rococo Art Video)
pallete. Also, Rococo is considered, in general, to be less "lifelike" (French Baroque and Rococo
Art). In particular, Antoine Watteau's paining, Departure from the Island of Cythera exemplifies
some of these features. Depicted, is a group of people making an exodus from a particularly
lushcious island, the so called "birth place" (Fiero 177) of Venus. Some of

The Swing By Jean-Honore Fragonard Essay
The eighteenth century, rococo era, remained a light–hearted time being pre–revolutionary.
Transpired a period that the postmodern world would attempt to emulate. After Louis XIV died,
things became more excessive. Sculpture became more delicately carved while architecture
metamorphose a more decorative and successful. Paintings of the aristocracy in pastel colors,
showing themes of fantasy, pleasure, and sensuality as they were more commonly asked for.
Women's textile dresses were excessive, to say the least. Rooms were smaller to make everything
else look more extreme. The Swing by Jean–Honore Fragonard has been described as the
embodiment of the Rococo era paintings. Born in Grasse of the French Riviera, 1732, Fragonard,
spent most of his time studying at the studio of François Boucher after his family moved to Paris.
After being awarded the Prix de Rome, a French scholarship, he continued his ... Show more content
on Helpwriting.net ...
In reality, it is a garden. The fact that it is overgrown and energetic only gives it more of a sexual
and sensual being. Looming in a mist, it gives a dreamƒlike look. On the right side, you can vaguely
make out the villa or palace that the garden belongs to, although it is for the most part concealed by
the trees. Most of the trees are lush and full of life while others have no foliage at all. This style is
called the blast and the bough and is thought to represent the passion behind The Swing. The free
and easy nature is all the more emphasized by the loose brushstrokes. In this overgrown garden, a
Madame, in a fluffy, creamy pink dress that billows around her in the style of the time, is sitting on a
swing with a velvet cushion and gold ropes. She is being pushed by her appearing to be husband. He
is an older man giving the viewer that it was an arranged marriage. Originally this was not supposed
to be her husband, but a bishop. That was changed due to the fact the Fragonard deemed it too

Francois Boucher
The Famous and greatest painter in Rococo period was Francois Boucher was born on September 29
1703 and he was a famous French painter in Rococo period. Francois was the best decorative painter
in Rococo period. He has its own style in painting. He uses unique style. Boucher was a son of lace
designer. He was also a son of a painter and his father was his own teacher who really trained him
how to paint. He came from a not wealthy family but he also work hard. His painting was also won
in many competitions in Rococo period. He was given an opportunity to study in Italy but they have
financial problems in that time.His painting was greatly inspired by nature and other mythological
scenes. Many Painter in Rococo period admired also in his ... Show more content on Helpwriting.net
...
In the people in rococo period really believe in those gods and goddesses.
His painting "The toilette of Venus" was also his great work in neoclassicism period. In the picture
you can see the goddess of love which is Venus and she was surrounded with little boys' traditional
symbol of love.
In the picture it was reflected by the woman in the pictures richness and status. It was also
represented the rich life of the said European countries. You can see that Francois Boucher really
loves to paint those mythological scenes especially the goddess of love which is Venus.
I also loved Francois Boucher painting "The resting maiden". It represents the woman in nude and
she was resting in a coach with legs was placed far from one another. I really didn't get the meaning
behind it but I think it was a woman who just rest from a stressful day or she was just took the
shower and rest for a little while. The painting was a little bit confusing but I found it interesting and
beautiful.
Francois Boucher also painted "Allegory of wisdom and strength, The choices of Hercules or
Hercules and Omphale. In the picture you can see a fat woman and a man and baby looking at the

The Influence Of The Rocco Period
Many historians believe that Marie Antoinette never utter the famous French quote "Qu'ils mangent
de la brioche", commonly known as "Let them eat cake", but this does not mean everything from the
Rococo period that is known is a lie. The Rococo period marks a special point in history that has a
great influence on one of the modern traditions, the trends that appear in weddings cakes and
popular cake decorating. According to the Want That Wedding website that some of the wedding
cake trends for 2016 are Rococo inspired cakes, lace cakes, and hand painted cakes (Collet). As time
has moved past the Rococo era, pastry chefs have used the delight designs from Rococo
architecture, art, and fashion to create some of the most elegant cakes that have ... Show more
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This art style began within the time period, but modern cakes today use the same style of filigree
that was used in the Rococo interior design and architecture, and the technique to create Rococo
paintings are used to create hand painted cakes. There are many other influences on cake decorating,
but a large portion comes from the Rococo period with many other small details that have not fully
observed. This art style will continue to evolve and eventually involve more influences that what
there is

Baroque Art And Art

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