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Video: Communication & Production (2002) 
Chapters 2 & 7 
VIDEO SOUND 
Interactive Notebook Page 54 
TEKS (Biii) Explain how various 
styles of music can create a 
specific emotional impact.
Good Quality Audio 
 Three simple tips for recording better-sounding 
audio: 
1. Stay close to the subject. 
2. Minimize background noise. 
3. Direct silently.
Stay Close to the Subject 
 When using a camera’s build in 
microphone (mike), stay as close as 
possible to the subject. 
 The farther away the microphone is, 
the more interfering background noise 
will be heard.
Minimize Background Noise 
 Set up your shoot so that the camera 
is aimed away from major noise 
sources. 
 Do not place talent in front of a busy 
street because the mike will be 
pointed directly at the traffic noise 
behind them. 
 Instead, position your subjects so that 
the camera mike points away from the 
traffic.
Direct Silently 
 Do not give verbal instructions from 
the camera position while recording. 
Camera mikes pick up sounds to the 
sides as well as in front.
Audio 
 Audio: The sound components of an 
audiovisual program.
Sound 
 Sound: The noises recorded as audio.
Sound Effects 
 Sound effects: (SFX) Specific noises 
added to a sound track.
Dialogue 
 Dialogue: Speech by performers on-screen.
Voiceover 
 Voiceover: Narration or dialogue 
recorded independently and then 
paired with related video.
Equalization 
 Equalization: The adjustment of the 
volume levels of various sound 
frequencies to balance the overall 
mixture of sounds.
Mixing 
 Mixing: The blending together of 
separate audio tracks, either in a 
computer or through a sound mixing 
board.
Production Track 
 Production track: The “live” sound 
recorded with the video.
Straight Cut 
 Straight cut: An edit in which audio 
and video change simultaneously. 
Also, an edit that does not include an 
effect such as a fade or dissolve.
Split Edit 
 Split edit: A cut in which audio and 
video do not change together. 
 When “audio leads” the sound with the 
incoming video is heard over the end 
of the outgoing video; when “video 
leads” the sound with the outgoing 
video continues over the incoming 
video.

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5. video sound

  • 1. Video: Communication & Production (2002) Chapters 2 & 7 VIDEO SOUND Interactive Notebook Page 54 TEKS (Biii) Explain how various styles of music can create a specific emotional impact.
  • 2. Good Quality Audio  Three simple tips for recording better-sounding audio: 1. Stay close to the subject. 2. Minimize background noise. 3. Direct silently.
  • 3. Stay Close to the Subject  When using a camera’s build in microphone (mike), stay as close as possible to the subject.  The farther away the microphone is, the more interfering background noise will be heard.
  • 4. Minimize Background Noise  Set up your shoot so that the camera is aimed away from major noise sources.  Do not place talent in front of a busy street because the mike will be pointed directly at the traffic noise behind them.  Instead, position your subjects so that the camera mike points away from the traffic.
  • 5. Direct Silently  Do not give verbal instructions from the camera position while recording. Camera mikes pick up sounds to the sides as well as in front.
  • 6. Audio  Audio: The sound components of an audiovisual program.
  • 7. Sound  Sound: The noises recorded as audio.
  • 8. Sound Effects  Sound effects: (SFX) Specific noises added to a sound track.
  • 9. Dialogue  Dialogue: Speech by performers on-screen.
  • 10. Voiceover  Voiceover: Narration or dialogue recorded independently and then paired with related video.
  • 11. Equalization  Equalization: The adjustment of the volume levels of various sound frequencies to balance the overall mixture of sounds.
  • 12. Mixing  Mixing: The blending together of separate audio tracks, either in a computer or through a sound mixing board.
  • 13. Production Track  Production track: The “live” sound recorded with the video.
  • 14. Straight Cut  Straight cut: An edit in which audio and video change simultaneously. Also, an edit that does not include an effect such as a fade or dissolve.
  • 15. Split Edit  Split edit: A cut in which audio and video do not change together.  When “audio leads” the sound with the incoming video is heard over the end of the outgoing video; when “video leads” the sound with the outgoing video continues over the incoming video.