For Teacher and Students of Contemporary Arts.

1. otemporary Arts
PRODUCTION
12 ABM-1
PAUL BRIAN ABAD
JOYCE DAMIE ANDAYA
JOLINA GAMALONG
ROSALINDAGASCON
ANGELA AMION
JACQUILYN MARTINEZ
GERALD CABANILLA
RENZ CARLO TERRADO
VICTOR CAYAGO

2. SKILL
S
ENHANCEMENT

3. Skills
EnhancementRefers to strengthening of acquired
artistic skills as these are applied in the
production of artworks or integrated in
other fields of specialization.
Example: Musical Play Production

4. Examples of
Skill1. LANGUAGE AND LITERATURE
-This skills are being enhance through
communicative ways such as drama,
creative writing and many more.

5. Examples of
Skill2. PAINTING, SCULPTURES AND
ARCHITECTURE
-This skills are being enhance through
creation of creative ideas into a reality.

6. Examples of
Skill3. MUSIC
-This skills are being enhance through
vocal and instrument practices.

7. Examples of
Skill4. DANCE
-This skills are being enhance through
intensive practice of body movements
and routines.

8. Examples of
Skill5`. DRAMA
-This skills are being enhance through
the help of media expert.

9. INTEGRATE
D ARTPRODUCTION

10. • is a concept where in it entails the service of many artist
or of one individual possessing various artistic skills
collaborating with others.
• EX: The creation of an artwork is either a simple or
complex process. The more skills involved, the more
complex the process. Example is the Electric Lantern
Making in Pampanga. The skills that were used to create
that lantern were DESIGNING, PAINTING, SCULPTING,
ELECTRICAL SKILLS, AND PYROTECHNICIANS. With this
kind of skills they were able to create and Electrical
Lantern.
INTEGRATED ART
PRODUCTION

11. PRODUCT
ION
PLANNING

12. -It is a planning on the ways and means of production to
have direction in the activities to be undertaken by the producer. It
is the prerequisite of production control.
EX: Class Production there are the Actors, production stuff,
costume, props, sound, and many more.
Production Planning

13. 1. EFFECTIVE UTILIZES RESOURCES
Human and the non- human resources are utilized to the fullest because they are
determined beforehand.
2 .ENSURE A STEADY FLOW OF PRODUCTION
A smooth flow of production is ensured by the availability of resources for they are
needed.
3.ESTIMATE THE RESOURCES
The quantity and quality of the resources are estimated; as a result, their cost are
determined and wastage is avoided.
OBJECTICE OF
PRODUCTION PLANNING

14. 4. ENSURES OPTIMUM INVENTORY
The estimation of the quantity of resources helps keep the inventory for
production purposes at a desired level.
5.COORDINATES ACTIVITIES OF DEPARTMENT
The scheduling done during the production planning is responsible for the
coordination of the department in the activities involved.
6. MINIMIZES WASTAGE OF RAW MATERIALS
Wastage of raw materials will be reduced to a minimum, if not zero, because only
those raw materials needed production are purchased or acquired
OBJECTICE OF
PRODUCTION PLANNING

15. 7. IMPROVES THE LABOR PRODUCTIVITY
The labourers become productive if the raw materials needed in their work are
available when needed; if there is a shortage of materials, they have to wait and are
therefore left idle.
8. HELPS TO CAPTURE THE MARKET
When materials are available all the time for production, finished goods are
completed on time and delivered or supplied promptly to the target market and
costumers.
OBJECTICE OF
PRODUCTION PLANNING

16. 9. PROVIDES A BETTER WORK ENVIRONMENT
Production planning involves the planning of the work area such that the physical
movements of the materials are properly sequenced to avoid back-tracking. It also
involves the setting up of a safe and comfortable work environment for the labourers.
10. FACILITIES QUALITY IMPROVEMENT
Because all activities are properly coordinated among departments the possibility
of improving the quality of the finished goods is present
OBJECTICE OF
PRODUCTION PLANNING

17. 11. RESULTS IN COSUMER SATISFACTION
When the finished goods produced are of good quality and these goods are made
available anytime to consumers , costumers satisfaction is guaranteed
12. REDUCED THE PRODUCTION COSTS
Production planning involves budgeting. As such, the cost of production is reduced
to a minimum because the production operates on a limited budget.
OBJECTICE OF
PRODUCTION PLANNING

18. Production refers to the tasks
that must be completed or executed
during the filming or shooting. This
includes tasks such as setting up
scenes, the capture of raw footage, and
usage of set designs, to name a few of
the many pre-production tasks.
Production is the second step in film
creation. It follows the Pre-
Production phase and evolves into
the Post-Production stage.
FILM PRODUCTION

19. PARTS OF
PRODUCT
ION

20. This person is essentially the group
leader and is responsible for
managing the production from start
to finish. The producer develops the
project from the initial idea, makes
sure the script is finalized, arranges
the financing and manages the
production team that makes the
film.
PRODUCE
R

21. The director is primarily responsible
for overseeing the shooting and
assembly of a film. While the
director might be compared to a
novel's author as a film's primary
visionary, he or she would not be
able to make the film without the
help of numerous other artists and
technicians.
DIRECTOR

22. While the dialogue in a film may seem
natural to the viewer, a writer carefully
crafts it; however, the screenwriter does
far more than provide dialogue for the
actors. He or she also shapes the
sequence of events in a film to ensure
that one scene transitions to the next so
that the story will unfold logically and in
an interesting way.
SCREEN
WRITER

23. The art director is responsible for the
film's settings: the buildings,
landscapes and interiors that provide
the physical context for the
characters. This person is responsible
for acquiring props, decorating sets
and making the setting believable.
ART
DIRECTOR

24. Costumes convey a great deal about
the film's time period and the
characters who wear them, including
their economic status, occupation
and attitude toward themselves. Be
sure to think about how costuming
can show something about
the character visually.
COSTUME
DESIGNER

25. Shortly after shooting begins, the editor
begins to organize the footage and
arranges individual shots into one
continuous sequence. Even in a single
scene, dozens of different shots have to
be chosen and assembled from hundreds
of feet of film. The editor's choices about
which shots to use, and the order in
which to place them, have a profound
effect on the appearance of the final film.
EDITOR

26. Responsible for portraying the
characters in a film, actors work
closely with the director and
cinematographer. Considering an
actor's role within this larger context
also suggests that his or her job is
much more difficult than just
appearing on the set and reciting
lines
Actors

27. STAGES IN
PRODUCT
ION

28. The start of a project varies, but
generally will begin with
development of a script, be that
an existing script, a book, a brief
story outline. Development may
also start with a Director and/or
Writer pitching an idea to a
Producer.
DEVELOP
MENT

29. This is the phase where you would narrow
down the options of the production. It is where
all the planning takes place before the camera
rolls and sets the overall vision of the project.
Pre-production also includes working out the
shoot location and casting. The Producer will
now hire a Line Manager or Production
Manager to create the schedule and budget for
the film.
Pre-
Production

30. During this phase it is key to keep planning
ahead of the daily shoot. The primary aim
is to stick to the budget and schedule, this
requires constant vigilance.
Communication is key between location,
set, office, production company,
distributors - in short, all parties involved
Production

31. This is when the camera rolls. It is nearly always the
most expensive phase of film production, due to actor,
director, and set crew salaries, as well as the costs of
certain shots, props, and on-set special effects.
Everything that has happened up to this point is to
make principal photography go as smoothly and
efficiently as possible. Communication between all
parties is crucial during the shoot and the production
must maintain a full set of records and strive to remain
on time and on budget.
Principle
Photography

32. The period immediately after shooting
ends. It is when we strike (dismantle) the
set and clear the location. Everything must
be returned in good order to suppliers and
there must be a full set of records of the
shoot.
WRAP

33. This stage starts when principal photography
ends, but they may overlap. The bulk of post-
production consists of reviewing the footage
and assembling the movie - editing. There will
be contributions as required from Visual Effects
(VFX), Music and Sound Design. The picture will
now be locked and delivery elements will be
created. Further information on Post
Production can be found later on in Week 1 of
the course.
Post-
Production

34. Once the film is completed, it must be
distributed. This is how producers make their
money back and a considerable amount of time
and energy will be invested to secure the right
distribution deals for their projects. The film
will go into the cinema and/or be distributed
via various platforms such as Amazon Prime,
Netflix, and HBO etc
Distributio