contemporary philippine arts

1. Cotemporary Arts
PRODUCTION

3. - Refers to strengthening of acquired
artistic skills as these are applied in the
production of artworks or integrated in
other fields of specialization.
Example:
Musical Play Production

4. -This skills are being enhance
through communicative ways
such as drama, creative writing
and many more.

5. -This skills are being enhance
through creation of creative
ideas into a reality.

6. -This skills are being enhance
through vocal and instrument
practices.

7. -This skills are being enhance
through intensive practice of body
movements and routines.

8. -This skills are being enhance
through the help of media
expert.

10. • is a concept where in it entails the
service of many artist or of one individual
possessing various artistic skills collaborating
with others.

11. EXAMPLE:
The creation of an artwork is either a simple or complex
process. The more skills involved, the more complex the
process. Example is the Electric Lantern Making in Pampanga.
The skills that were used to create that lantern were
DESIGNING, PAINTING, SCULPTING,ELECTRICAL SKILLS, AND
PYROTECHNICIANS. With this kind of skills they were able to
create and Electrical Lantern.

13. -It is a planning on the ways and means of
production to have direction in the activities to be
undertaken by the producer. It is the prerequisite of
production control.

14. EXAMPLE:
Class Production there are the Actors,
production stuff, costume, props, sound, and
many more.

16. Human and the non- human resources are utilized to the
fullest because they are determined beforehand.
A smooth flow of production is ensured by the availability of
resources for they are needed.

17. The quantity and quality of the resources are estimated; as a result,
their cost are determined and wastage is avoided.
- The estimation of the quantity of resources helps keep the inventory
for production purposes at a desired level.

18. Wastage of raw materials will be reduced to a minimum, if not zero,
because only those raw materials needed production are purchased or
acquired.
The scheduling done during the production planning is responsible for
the coordination of the department in the activities involved.

19. The laborers become productive if the raw materials needed in their
work are available when needed; if there is a shortage of materials,
they have to wait and are therefore left idle.
When materials are available all the time for production, finished
goods are completed on time and delivered or supplied promptly to
the target market and costumers.

20. Production planning involves the planning of the work area such that
the physical movements of the materials are properly sequenced to avoid
back-tracking. It also involves the setting up of a safe and comfortable work
environment for the laborers.
Because all activities are properly coordinated among departments the
possibility of improving the quality of the finished goods is present

21. When the finished goods produced are of good quality and these
goods are made available anytime to consumers , costumers
satisfaction is guaranteed.
Production planning involves budgeting. As such, the cost of
production is reduced to a minimum because the production
operates on a limited budget.

22. FILM PRODUCTION

24. This person is essentially the group leader and is
responsible for managing the production from start to
finish. The producer develops the project from the
initial idea, makes sure the script is finalized, arranges
the financing and manages the production team that
makes the film.

25. The director is primarily responsible for overseeing the
shooting and assembly of a film. While the director
might be compared to a novel's author as a film's
primary visionary, he or she would not be able to make
the film without the help of numerous other artists and
technicians.

26. While the dialogue in a film may seem natural to the viewer,
a writer carefully crafts it; however, the screenwriter does
far more than provide dialogue for the actors. He or she also
shapes the sequence of events in a film to ensure that one
scene transitions to the next so that the story will unfold
logically and in an interesting way.

27. The art director is responsible for the film's settings:
the buildings, landscapes and interiors that provide the
physical context for the characters. This person is
responsible for acquiring props, decorating sets and making
the setting believable

28. Costumes convey a great deal about the film's time
period and the characters who wear them, including their
economic status, occupation and attitude toward
themselves. Be sure to think about how costuming can
show something about the character visually.

29. Shortly after shooting begins, the editor begins to organize the
footage and arranges individual shots into one continuous
sequence. Even in a single scene, dozens of different shots have to
be chosen and assembled from hundreds of feet of film. The
editor's choices about which shots to use, and the order in which to
place them, have a profound effect on the appearance of the final
film.

30. Responsible for portraying the characters in a
film, actors work closely with the director and
cinematographer. Considering an actor's role within
this larger context also suggests that his or her job
is much more difficult than just appearing on the

32. The start of a project varies, but generally will begin
with development of a script, be that an existing script, a
book, a brief story outline. Development may also start
with a Director and/or Writer pitching an idea to a
Producer.

33. This is the phase where you would narrow down the
options of the production. It is where all the planning takes place
before the camera rolls and sets the overall vision of the project.
Pre-production also includes working out the shoot location and
casting. The Producer will now hire a Line Manager or Production
Manager to create the schedule and budget for the film.

34. During this phase it is key to keep planning ahead of
the daily shoot. The primary aim is to stick to the budget
and schedule, this requires constant vigilance.
Communication is key between location, set, office,
production company, distributors - in short, all parties
involved.

35. This is when the camera rolls. It is nearly always the most
expensive phase of film production, due to actor, director, and set
crew salaries, as well as the costs of certain shots, props, and on-set
special effects. Everything that has happened up to this point is to
make principal photography go as smoothly and efficiently as
possible. Communication between all parties is crucial during the
shoot and the production must maintain a full set of records and
strive to remain on time and on budget.

36. The period immediately after shooting ends. It is
when we strike (dismantle) the set and clear the location.
Everything must be returned in good order to suppliers
and there must be a full set of records of the shoot.

37. This stage starts when principal photography ends, but they
may overlap. The bulk of postproduction consists of reviewing
the footage and assembling the movie - editing. There will be
contributions as required from Visual Effects (VFX), Music and
Sound Design. The picture will now be locked and delivery
elements will be created. Further information on Post Production
can be found later on in Week 1 of the course.

38. Once the film is completed, it must be distributed. This is
how producers make their money back and a considerable
amount of time and energy will be invested to secure the right
distribution deals for their projects. The film will go into the
cinema and/or be distributed via various platforms such as
Amazon Prime, Netflix, and HBO, etc.