Actor-Network Theory - explained! (I think...)
As with some of the other presentations, it would be best to view this with the animations to understand one slide in particular (looks so messy when you first see it!)
Web & Social Media Analytics Previous Year Question Paper.pdf
Understanding Actor-Network Theory (ANT
1. A C T O R - N E T W O R K
T H E O R Y ( A N T )
K A T I E B U R K E
2. W H A T T O E X P E C T …
What is ANT?
Trying to Apply ANT
About Latour
3. – B R U N O L A T O U R ( P A N D O R A ’ S H O P E , 1 9 9 9 , P . 1 4 1 )
“What I have been groping toward… is an
alternative to the model of statements that posits a
world “out there” which language tries to reach
through a correspondence across the yawning gap
separating the two…”
4. W H A T I S A N T ?
C O N S T R U C T I O N I S T A P P R O A C H M A P P I N G T H E R E L A T I O N S H I P
B E T W E E N H U M A N A N D N O N H U M A N A C T O R S ( I N C L U D E S
C O N C E P T S A S W E L L A S T H I N G S ) W H I C H C A N B E V I E W E D A S
A W H O L E
5. P A S T E U R A N D L A C T I C A C I D
F E R M E N T
• Wine spoiling in France - major economic
consequences
• Yeast considered an unwanted by-product
• Yeast was a living organism
• Fermentation could not happen without it being living
• This yeast caused the lactic acid to spoil the wine
9. R E - C A P
• Actors can be human but also
things (non-human)
• the economy
• vaccinations
• government
• Actors can only exists in
relation to other actors
• Actors can join a network
without being directly involved
• There are power relations
within the network interactions
10. C O N C L U S I O N
• Latour is trying to bridge the gap between positivism
and social constructionism
• Latour looked at how scientists worked e.g. Pasteur
• Actors can also be non-human but all actors only exist
within a network
11. B I B I O L O G R A G Y
• Latour, B. (1988), Science in Action: How to Follow Scientists and Engineers Through
Society, Harvard University Press, Massachusetts, USA.
• Latour, B. (1999), Pandora's Hope: Essays on the Reality of Science Studies, Harvard
University Press, Massachusetts, USA.
• Latour, B. (2005), Reassembling the Social: An Introduction to Actor-network-theory,
Clarendon Lectures in Management Studies, Oxford University Press, Oxford, UK.
• Latour, B. (2010), Networks, societies, spheres: Reections of an actor-network
theorist, in `International Seminar On Network Theory: Network Multidimensionality In
The Digital Age', Los Angeles, USA.
• URL: http://halshs.archives-ouvertes.fr/docs/00/97/28/65/PDF/121-castells.pdf
• Passoth, J.-H. & Rowland, N. J. (2010), `Actor-network state integrating actor-network
theory and state theory', International Sociology 25(6), 818{841.
Editor's Notes
Philosophy background - sociology of science - science (and technology) studies - John Law and Michel Callon helped with ANT
Trying to bridge the gap between positivism and social constructionism.
Fact = independent from social construction - something that is ‘out there’
Fetish = the imposition of belief onto a meaningless object
Factish = neither a social construction imposed on an object or something that is ‘out there’ to be discovered but involved with an event or an ACTION
Latour not keen on the idea of ‘network’ or calling it a ‘theory’ due to unwanted connotations. It has no shape which is what a network implies.
Punctualisation - The idea that you can add all the components and create the full picture. A watch and its cog wheels/battery/etc. - need to add them all together to get the watch to work accurately. This cannot be viewed just by looking at the watch to tell the time.
Once you become aware of the working parts - e.g. when the watch stops and needs a new battery - this is depunctualisation. Compared to a black box by Latour - and hence Pandora’s box.
“In opening the black box of scientific facts, we knew we would be opening Pandora’s box.” P. 23
The way that science and technology becomes more opaque the more success it has. Black box is to have an undisputed ‘fact’ in science - example DNA structure.