What Democracy Means to Mailer

What Is Democracy According To Mailer
Democracy According to Mailer
Re–reading the bulk of my work in the course of a spring and summer, one theme came to
predominate–it was apparent that most of my writing was about America. How much I loved our
country–that was evident–and how much I didn't love it at all!
–Norman Mailer, foreword to Time of Our Time
The first time I read anything written by Norman Mailer–it was an excerpt from the Vietnam–era
Armies of the Night–I remember two things coming to my mind. The first thing that popped into my
head: what an arrogant, self–righteous jerk this Mailer guy is! What kind of egotistical writer places
himself in his own novel? What new–age Narcissus finds the tragic flaw of every individual he
encounters? What brand of ... Show more content on Helpwriting.net ...
His writings offer an invaluable historical memoir of sorts, the piercing thoughts of a man involved
in the essence of what America has been for most of the 20th century. A Harvard graduate who
served in World War II, co–founded The Village Voice, ran for political office, and provided a major
voice for the anti–Vietnam movement, Mailer's "been there, done that" point of view gives readers a
vital perspective on what America truly is, underneath the red, white, and blue facade every small
town, big city, and baby–kissing politician bears (Mailer 1305).
Mailer set himself the goal of offering "some hint at a societal and cultural history over these last 50
years," and by creating such a body of work, Mailer gives America a rare opportunity, the chance to
look itself in the mirror, accept the good and bad of what exists, and decide to improve upon what it
can for the generations of Americans yet to be born (xi). He knew that our democracy was riddled
with anti–Enlightenment contradictions, trumpeting the virtues of liberty and equality while over
half the American population remained legally inferior for more than 170 years. In a country that
prides itself on every citizen having an active voice in the realm of lawmaking, he saw the tight–knit
relationship between government and corporate corruption bind itself to the
... Get more on HelpWriting.net ...

What Led to the Collapse of Consensus?
WHAT LED TO THE COLLAPSE OF CONSENSUS?
The 1950's and early 1960's was a time of consensus in the US. By the middle of the 60's the US
experienced a series of shocks which undermined consensus. The assassination of President
Kennedy in Dallas in 1963. The differences in the civil rights movement. The escalation of the
Vietnam War. All of these factors undermined American confidence to change the world and
improve the country. By the late 60's, US society was polarised: divided between different
viewpoints: Youth culture; counter–culture, and multiculturism.
The youth culture was created due to a baby boom in the 50's and 60's as this led to a large youth
population. Most children stayed in school and university for longer. Most had ... Show more
content on Helpwriting.net ...
There was an increase in drunkenness and fighting. Movies were blamed, such as: Rebel without a
Cause which starred James Dean. The Blackboard jungle featured rebellious students. Some blamed
Rock 'n' Roll music. There was a fear of open revolt against society: "The gangster of tomorrow is
the Elvis Presley of today". These young people were actively working to bring down the consensus
which had dominated the US for the past decade.
This led to a sexual revolution. The was because of the greater freedom of the pill. The women;s
movement and Supreme Court decision to make explicit books more availible. Movies also became
more explicit. By the 1970's the spreqda of benereal diseases and AIDs caused many young people
to avoid casual relations. By the 80's there an emphasis on virginity and celibacy. The dominant
trends of independence, freedom, the consumer markey and wealth in youth culture remained. Pop
music, fashion, smoking and drugs continued to be the expressions of youth cutlure. By now, the
collaps of consensus was in full swing; the next development would be that of a counter–culture.
Counter culture was the desire for an alternative. It grew because of the influence of the civlil right's
movement; the growing of the anti–war movement; the acceptance that everyone had rights. The
increase on the university population from 16 million in 1960 to 25 million in 1970 helped also.
Drugs had a dramatic effect. Perhaps the greatest pastor of counter–culture

The Death Of Benny Paret Rhetorical Analysis
In Mailer's essay, "The Death of Benny Paret", he explains his opinion on the integrity of boxing as
a sport that fascinates and interests him. In the passage, Mailer utilizes logos and pathos to illustrate
the strength of each fighter and the fierce competition of boxing.
Mailer seemed fascinated by the different techniques each fighter used in order to try and win the
fight. Paret had an "unusual ability to take a punch". Griffith had a more traditional approach to
boxing, getting in the most hits as possible. "Griffith won most of the early rounds" and Paret was in
trouble, but rebounded to "knock Griffith down in the sixth
(round)". Paret began to "wilt" as the fight continued and that was "the first hint of weakness" as he
turned his back

What Is The Theme Of The Executioner's Song
DIGGING INTO THE EXECUTIONER'S STORIES A COMPARATIVE ANALYSIS OF THE
NOVEL AND THE MOVIE: THE EXECUTIONER'S SONG INTRODUCTION The Executioner's
Song is a story of a rather eccentric man – Gary Gilmore; and the events in between his phase of
being released from the prison and being executed. The story begins with the reunion of Gary and
Brenda,who are cousins. Gary gets another chance to work and improve his life. While he begins
well at the professional level, he fails at his many attempts in the dating scene. He then meets
Nicole, with whom in the rest of the novel he shares a tumultuous relationship with. Given his
obessesion with Nicole, Gary gets back to his old bad ways. This same obession turns into a rage
and Gary subsequently starts ... Show more content on Helpwriting.net ...
While a mob continues protesting against capital punishment, Gary pretends to be escaping from the
jail. On the day of the execution, Gary bids farewell smilingly. As Gary walks in sleeveless tee and
pants, he listens to "Too many times" on the radio – which almost reflects his life. Sitting in the
executioner's chair, Gary laughs, while the rest stand in a pensive state. Looking at the ceiling, Gary
gulps down fear and pronounces, "Let's do it." A reading from the Bible follows, thus leading to the
execution. The movie end with an epilogue describing the future of each character, with Defying
Gravity, playing in the background. MAILER VS. SCHILLER – DIFFERENCES IN THE BOOK
AND MOVIE Throughout the movie, Gilmore is clean–shaven. But in the novel, Gilmore alternates
between stubble, a Vandyke beard and clean–shaven look. While Gilmore's eyes have been decribed
as blue in the novel, GIlmore's eyes are brown in the movie. In the book, Gilmore murdered Jensen
in a bathroom with green tiles and tan paited walls. But in the film the bathroom has brown tiles on
the floor, and white tiles all over. While Jensen was shot tice in the head, in the novel, the movie it is
not very clear where Jensen was shot. Jensen would have bled, but Gary came out unstained from
the bathroom. In the book, Gary consumed Fiorinol. In the movie, there is no such mention. In the
movie there is no mention of Gary donating his

Lee Harvey Oswald Research Paper
In his exhaustive effort to answer these questions, Mr. Mailer uses seven hundred and ninety– one
pages examining the life of Lee Harvey Oswald. Oswald's father (Robert Edward Lee Oswald) died
soon after his birth (1939) leaving him and his two older brothers (Robert and John) in a fatherless
home with an unstable mother. Within a short time, his mother (Marguerite) sent his two older
brothers to an orphanage. Oswald was three when his mother sent him to an orphanage. Unlike his
two brothers, he was returned to his mother when he was twelve years old. His mother still had no
time for him. She left him alone while she worked at a dress shop for twelve hours a day. He did not
have ahyone to cook or care for him. "As described by others, including

Truman Capote’s Anonymity Essay
In an interview with Truman Capote, George Plimpton asks if In Cold Blood is truly an accurate
portrayal of the Clutter family's murder, "One doesn't spend almost six years on a book, the point of
which is factual accuracy, and then give way to minor distortions" (Plimpton). Capote claims he
only uses factual information in his story, completely removes himself from the novel, and has
created a new genre of literature by combining reportage journalism with fiction techniques.
However, literary critics have long debated whether or not In Cold Blood is the first of its kind: a
non–fiction novel. Capote's novel is something unique that the world has never seen before, but it is
not the non–fiction novel that he claims it to be. Regardless of ... Show more content on
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The realism that Capote claims his novel exemplifies is the absolute, God–honest truth. Capote
distances himself from the novel by declaring authenticity:
One way for a writer to renounce power is to lay a claim to realism. Capote goes further. His
narrative, he declares, is not only realistic but also completely and utterly true, a nonfiction novel.
Given the nature of the project, any departure from fact is unacceptable. (Guest 119)
Capote professes complete realism to prove his absence and depict true events. Capote refuses to
stray from fact as that defeats the purpose of establishing a new genre of literature. However,
inevitably, Capote himself is involved in the events, so his opinions, interpretations, and feelings,
are all expressed, one way or another, through his writing. To avoid revealing his own opinions, he
places entire word for word conversations into the text between Hickock and Smith or the detectives
and the murderers. While word for word accounts show factual evidence, they do not prove his
absence:
The novel's reliance on external documentation and expert testimony, as previously noted, reinforces
the illusion of documentary realism. Long passages are quoted verbatim from confessions, letters,
psychiatric evaluations, and transcriptions of court proceedings, thus providing further evidence that
the novel is reporting rather than interpreting or creating. (Guest

Irma's Ingredients: A Case Study
lient is concerned that QL sold their information because they are receiving marketing mailers post–
close. Inches: Empathy– 01:17, 01:43 Irma has the chance to express understanding towards the
client's concerns with their information being private. It lets them know we are listening and are
able to put ourselves in their shoes. ie) I understand why you're concerned about those mailers,
personal information is best kept personal.... Active listening– 00:33, 04:12 Irma has the opportunity
to listen for the key information regarding the mailers at 00:33. The client states that it is from other
companies all over the country and they are bogus mailings. At 04:12, Irma asks for clarity on the
mailers and asks if they are from QL. Asking for

Intertextualization In The Armies
Literary journalistic discourse is "perhaps the most intertextual of all texts, referring to other texts"
in terms of transforming prior historical stories and restructuring conventional literary and
journalistic genres and discourses in an attempt to generate a new one, that is, literary journalism
(Mills, Discourse 65–66). Thus, the journalistic discourse cannot be but dialogic and intertextual
because its raw material is a news story that can be manipulated, adapted, and adopted by the
literary journalist in order to compete other versions of the story. It "assimilates a variety of
discourses" that "always to some extent question and relativize each other's authority" (Waugh 6).
Literary journalists, thus, are actively engaged in interpreting and scrutinizing the discursive
practices of intertextuality in order to generate their distinctive but hybrid discourse. This hybrid
discourse can be ... Show more content on Helpwriting.net ...
By looking at a literary journalistic text contrapuntally, intertwined histories and perspectives will
be taken into account. Such a contrapuntal analysis, developed by Edward Said, can be used in
interpreting and exploring literary journalistic texts, considering the perspectives of both the
journalist or historian and the fabulist or the man of letters. This approach is not only helpful but
also necessary in making important connections in a non–fiction novel. The contrapuntal discourse,
according to Said, shows an "awareness both of the metropolitan history that is narrated and of those
other histories against which (and together with which) the dominating discourse acts" (Said 51). It
takes in various accounts of socio–political issues by tackling simultaneously the factual historical
perspective of journalism and the literary fabulations of

Norman Mailer's 'The Homosexual Villain'
People who come from the early to mid 1900s were not exposed extensively to anything other than
heterosexuality. For example, homosexuality was a foreign activity thought to be an illness.
Therefore, no matter what kind of punishments gays received, they brought it upon themselves for
choosing the 'lifestyle'. Not only that, the media rarely wrote anything related to homosexuals;
however, there were a few daring individuals who noted the issue. One of those people is an author
named Norman Mailer, who, at the time, was just as guilty as his other contemporary peers
rendering homosexuality as 'unpleasant, ridiculous, or sinister connotations' (source). He was one of
the most promising and significant novelists to arise from World War II. He was also a brawler and
commonly adopted a macho character that he valued highly, so it was no surprise that he did not
view the ... Show more content on Helpwriting.net ...
Furthermore, because Mailer was known for his writings about masculinity, the article held more
power. The writing had two unique aspects: first, he consciously chose to publicize in a developing
gay advocate group, giving the magazine publication major publicity. Secondly, a reflection of his
own ignorance that permeates across American society. He described how he struggled with
rethinking his initial impression of homosexuals, and after much examination, he concluded that
they posed no actual threat to society. In fact, they may even possess intellects that are unique
(Escoffier 483). Although Mailer found his essay to be one of the worst he had ever written, he later
republished them anyway. This allowed more attention for the gay community, and his action also
said a lot about his character, and perhaps the reason he protected his gay brothers was so he could
demonstrate another side of his

Capital Punishment in the Work of George Orwell, H.L....
Capital Punishment in the Work of George Orwell, H.L. Mencken, and Norman Mailer
Capital punishment in the essays by George Orwell, H.L. Mencken, and Norman Mailer was a
necessary evil to deter crime. These authors incorporated the use of alcohol or drugs as mind–
altering chemicals to relieve the pressures of the characters involved in death due to capital
punishment. Chemicals such as drugs and alcohol can be used for the pleasure of relieving stress, a
means to forget, or a way to subdue personal beliefs as the authors have illustrated. The pleasure of
relieving stress in George Orwell's essay "A Hanging" was detailed by his thoughts written as one of
the executioners. This character drank alcohol to relieve ... Show more content on Helpwriting.net ...
The uses of mind–altering chemicals, H.L. Mencken's essay "Hangings I have Known" illustrates
the repression of memory using a young journalist precisely eighteen years, ten months and sixteen
days old (pg 92) when he witnesses his first execution as a reporter. He narrates the inebriated state
of the "sheriff whose responsibility it was to spring the trap". (pg 92) The sheriff's drinking was to
diminish mental anguish he put on himself to a point where he became " virtually helpless, the other
sheriffs would help pull the trap, but the sheriff was quite unable to tie the knot, bind the candidate,
or carry on with the other duties under his responsibility". (pg 92) "After the hangings the sheriff
was assisted out of the jail yard by his deputies, and departed at once for Atlantic City, where he dug
in for a week of nightmare" (pg 92). The sheriff was written as a person not able to accept the act of
capital punishment or his memories so he attempts to suppress them with alcohol.
The final use of chemicals was by Gary Gilmore in Norman Mailer's essay "Let's Do It" to suppress
his personal beliefs. Unable to say anything profound to the warden due to the amount of

Gospel According To The Son
Norman Mailer begins The Gospel According to the Son by identifying Jesus as the narrator. He
states that the truth of his story is going to follow, which challenges the information in the Gospels
that readers are already so accustomed to. Due to the title of the book, upon starting to read, one
may have already been expecting a certain relation to the Gospels of the New Testament. Mailer's
narration as Jesus intentionally sets him apart from the narrators of the Gospels, who he simply
makes a choice to call by the Gospels' names. For example, the writer of the Gospel of Luke is
called Luke throughout the book, and so on. In starting the first paragraph by saying, "I was the one
who...," Mailer as Jesus takes a step away from the Gospels (Mailer 3), separating his narrative from
them and stating that it is the truth, and not the narrative that readers have previously heard. Already
in the first sentence is a differentiation between the two. Jesus expands on this idea by saying that
Mark exaggerated much of his story and Matthew, Luke, and John simply misinterpreted the events
they rehashed. He describes the extent of their misinterpretation by saying that the three latter
Gospels "described [him] as gentle when [he] was pale with ... Show more content on
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He states that he was Joseph's apprentice for 14 years of his life. This could serve to strengthen
Jesus' credibility as a narrator in beginning with information that the readers would not have heard
from the very Gospels Jesus says don't hold his truth. As the book continues, it pulls information
from all four Gospels and weaves them together into one cohesive story of a life. This, in a way,
makes up for the Bible's multiple writers and points of views within single books, which also
strengthens Jesus'

The Death Of Benny Paret Rhetorical Analysis
In "The Death of Benny Paret," Mailer adopts an aghast attitude towards Emile Griffith, in order to
characterize him as an antagonist in this piece. Mailer is able to do this through diction, syntax, and
imagery. One such example of where Mailer uses diction to achieve his tone and purpose is in the
second paragraph when Mailer says when referring to Griffith, "(He) came alive and was
dominating Paret again before the round was over." The use of the word "dominating" makes
Griffith seem uncontrollable and powerful. By depicting Griffith as powerful, the author also
conveys his aghast tone. If the author had used a word such as "punching," the effect would not
have been as strong, as punching does not share the same connotation as dominating; ... Show more
Mailer does this in the 16th sentence, "Griffith making a pent–up whimpering sound all the while he
attacked, the right hand whipping like a piston rod which has broken through the crankcase, or like a
baseball demolishing a pumpkin." Through the image of Griffith attacking Paret, the author conveys
his aghast tone, as the image is portrayed as both gruesome and violent. Such a sight would shock
many, and it clearly shocks Mailer. If he had shown the image as what it was, plain and simple, then
he likely would not have used an aghast tone, since it wasn't very shocking for a boxing match.
However, since Mailer uses words such as "demolishing" and "whipping," the match is shown as
much more violent, implying that Mailer is shocked by what is occurring. The use of such imagery
also depicts Griffith as an antagonist, since he is shown as merciless in his attack against Paret, and
being merciless is common in antagonists. It is also important to note that, by using this imagery,
Griffith is characterized as an antagonist even more so than in the rest of the piece. The imagery
allows the reader to forget that the setting is a boxing match since it is such an extreme use of
imagery, which, in turn, makes Griffith seem even more unhinged, and antagonistic. Thus, Mailer is
able to achieve his tone and

Emotional Analysis Of Norman Mailer's The Death Of Benny Paet
Journalist, Norman Mailer, in his essay, "The Death of Benny Paret", describes his firsthand account
of the beatdown, and ultimate death of the professional boxer. Mailer's purpose is to integrate a
logical, formative description of the events that took place with his emotional reaction to witnessing
the profound death of a man who he supported and revered. He adopts an excited tone, which
fluctuates throughout the piece and eventually turns somber, and somewhat bitter, in order to both
inform and to channel the emotional rollercoaster he experienced on this night to his audience.
Mailer opens his essay by introducing Paret to his audience and naming a handful of Paret's various
impressive traits as both a man and a boxer. He boats that "Paret was a Cuban, a proud club fighter
who had become welterweight champion because of his unusual ability to take a punch. His style of
fighting was to take three punches to the head in order to give back two. At the end of ten rounds, he
would still be bouncing, his opponent would have a headache" (Mailer). Mailer seems to have
intentionally included this as his opening sentence to draw a positive attitude about Paret out of his
audience, thus bringing to light the most cornerstone element of Mailer's emotional presence
throughout the essay, his bias to Paret. This is the precursor to Mailer's emotionally charged, yet
logically sound, account of the events that follow. Mailer describes the fight as largely holding the
odds in favor of

Norman Mailer Essay
Made famous by the late comedian Flip Wilson, the Devil made me do it, was a quirky phrase used
to pass the blame to the one entity that no one would expect anything but a mischievous act. This
annoying saying became overused to the point of nausea in the seventies and became synonymous
with acts of slapping girls' bottoms or pinching in places better left unmentioned. When handed the
list of book titles and authors to choose from, I immediately went for Norman Mailer. I had heard of
him and some of his antics in the past and quickly decided he was the one. The author of over forty
books and eleven published novels, Mailer is almost as well–known for his public activities and
persona. His novel The Castle in the Forest which the sources ... Show more content on
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Instead this was more an account of apocalyptic fantasy of how the evil mind came to be. My
interest then took a dive. According to the reviews, and I would agree, this book falls in fiction
novel genre. Don't get too excited though if you are a lover of great fiction unless you have a soft
spot for kinky sex, perverted old men and pubic hair inspirations. The author of one review even
goes as far to say that "maybe fiction isn't his real calling after all" (Gates 66). Although Mailer was
the winner of a National Book Award with Armies of the Night, this book seems more the flight of
the imagination of someone who wants to add to the mystery of the evil that was Adolf Hitler. Billed
as a Hitler family saga, The Castle in the Forest is really no more than a soft porn version of a vision
of how one of the world's most maniacal men might have been spawned. The book is narrated by a
character that's called D.T. and claims to be part of Himmler's intelligence agency. The agency is
looking into whether or not Hitler is a product of incest. This inquiry comes from the thought that
"any superman who embodies the vision is bound to come forth from a mating of exceptionally
similar genetic ingredients" (Gates 66). It turns out that D.T. is actually a devil who has taken over
the body of an SS officer. As the story continues we learn that D.T. and Satan himself are present
when little Adolf is

he Death of Benny Paret by Norman Mailer
Fierce, vehement, and feral, Emile Griffith punched Benny Paret 18 times within a mere 3 seconds.
These crucial 3 seconds became life–changing for the enduring Benny Paret as he confronted death;
unfortunately, Paret could not bear the deep wound inflicted to him by Griffith and has passed away.
In the stands, the audience was frightened by what they saw, but one in particular, Norman Mailer,
was also appalled and incredulous in what he had witnessed. Afterwards, Norman Mailer published
a passage, The Death of Benny Paret, describing the brutal fight and delineating his perspective on
the issue. In The Death of Benny Paret, Norman Mailer utilized stylistic devices such as diction,
literary devices, and syntax to give the reader an overall ... Show more content on Helpwriting.net ...
Throughout the story, Mailer also interspersed various literary devices such as figurative language
and similes. Similes were ubiquitous in this passage because Mailer wants the reader who didn't
witness the event to know how it felt by using everyday examples that the reader can relate to. In the
passage, the reader learns that "Griffith was in like a cat ready to rip the life out of a huge boxed
rat." By this simile, the reader can relate to the issue which increases his empathy to the situation.
The reader knows that a cat chasing a rat shows that the rat is in a predicament of life and death
which is analogous to the life and death situation between Griffith and Paret. Also, the quote "...like
a baseball demolishing a pumpkin..." let the reader learn how the extent of Griffith's punches
seemed by comparing two situations: a baseball demolishing a pumpkin and Griffith punching
Paret's face. Inferring from the instance of the baseball and pumpkin, the reader would feel appalled
even apprehensive. Moreover, the reader would pity Paret while resent Griffith due to his aggressive
attitude. Mailer also uses figurative language to show Griffith's lack of ethics and his truculent
behavior. This figurative language is provided in the quote "...he was off on an orgy, he had left the
Garden, he was back on hoodlum's street." Mailer

The Lineages of Conformity in Mailer’s The White Negro:...
Norman Mailer's 1957 essay, titled "The White Negro: Superficial Reflections on the Hipster",
traces the lineage of conformity (and, as a result, nonconformity) in American society post World
War II, as well as the counter–cultural reaction of the time, the "white negro".
Considered a cultural phenomenon, these "white negros", or "hipsters", as Mailer deems them,
distanced themselves from white culture, and adopted black styles of clothing, language, and music.
However, this phenomenon seemed to be somewhat isolated, appearing specifically in cities where
the "Negro culture" had much to offer, in places such as New York, New Orleans, Chicago, Los
Angeles, and San Francisco. (Mailer) These hipsters represented a fascination or an interest ... Show
more content on Helpwriting.net ...
Mailer argues that this act of violence, though not necessarily a particularly physically taxing effort
on the youths' part, and not necessarily "therapeutic" due to the circumstances, "the hoodlum is
therefore daring the unknown, and so no matter how brutal the act it is not altogether cowardly."
(Mailer) The courage stems from the idea that not only are the youths murdering another human
being, they are also trespassing, creating conflict with authority, and introducing a "dangerous
element (Mailer) into their lives, thrusting the young hipsters into direct conflict with society.
In this way, the hipster is also considered an outlaw. A nonconformist, a hipster can only function on
the fringes of society. Mailer's mid–twentieth century hipster opposes society as well as any sense of
collective responsibility, leading a lifestyle like a "petty criminal, hobo, a carnival roustabout or a
free–lance moving man in Greenwich Village". (Mailer)
Nevertheless, for all Mailer's attempts at situating the hipster within the context of post–world war
trauma, this persona exists across socio–historical boundaries. There will always be individuals
ready to seek liberation and self–gratification through violence rather than submit to rigid societal
mores.
Like Mailer's definition of a hipster, today's

In Cold Blood Rhetorical Analysis
Norman Mailer uses diction, syntax, imagery, and tone in the passage to have an effect on the
reader. Diction affects the reader because we see it in his perspective by his choice of words. The
author uses syntax to construct well–formed sentences by the placement of his words. Imagery
produced a major effect on the reader by making us feel like we are at the fight. The use of tone
effects the way we feel about the fight; in this case we feel sympathetic for Paret. Without diction
and syntax this passage would be confusing and dull. Norman Mailer relies on diction to express
himself in the passage. He uses syntax to express it logically. He is very clear and detailed with his
sentences; keeping the reader interested. He chose to make the passage very graphic to make us feel
like we are at the fight. The passage makes us interpret the fight the way he ... Show more content
on Helpwriting.net ...
He uses 3 of our 5 senses to make us feel like we are at the fight. He uses our sense of touch by
making us feel Paret being punched. He also uses our sense of sight so we can visualize the fight
and see everything that is going on. We can visualize the fight in our head from the details he gives
us. An example of that is "at the end of ten rounds, he would still be bouncing; his opponent would
have a headache." This quote helps us visualize Paret moving all around and the opponent trying to
catch up with him. The final sense he used was our sense of hearing. He uses the quote "Griffith
making a pent–up whimpering sound" and the quote "I didn't know I was going to die just yet," to
make us feel like we can hear what is going on. He also made us feel like we could hear the
punches. For example "The sound of Griffith's punches echoed in the mind like a heavy ax in the
distance chopping into a wet log." The quotes and his use of our senses really draws us in and makes
us feel like were at the fight. The tone is affected by how he makes us feel by touching our

Harlotts Ghost Analysis
Norman Mailer was a cultural narrator and analyst expressing his notion through novels and
journalism. He was considered one of the most important non–fiction writers who have come since
the end of World War II. The non–fictional writings of Norman Mailer were created based upon his
harsh life and journey of serving in the war. Norman Mailer's early novels show an opposition of
politics and history. This opposition is created to provide the reader with a clear distinction of
collective and in ideal power. "With the appearance of the Naked and The Dead in 1948, Norman
Mailer was hailed by many critics as one of the most promising writers of the postwar generation."
(Rollyson, 1). By whatever standard Norman Mailer is judged, unmistakably a few of his books
have a safe place in after war abstract history, as well as in the group of noteworthy American
Literary Achievements. Mailer was included to the United States Army and was overseas for 18
months. While overseas, his experiences as a field artillery surveyor, clerk, interpreter of Ariel
Photographs, riflemen, and cook contributed to his beliefs about the military and is depicted in such
way in his novel Naked and The Dead. (Rollyson,11).
In the 1990's, Mailer delivered three altogether different books, none of which appeared to improve
his notoriety. Harlotts Ghost, a long novel, is an abstract of his anecdotal topics, especially Mailers
fixation on the focal knowledge office and with paranoid notions.
In any case, this

Huckleberry Finn Movie And Book Comparison Essay
Activity #2
In these two critiques, we notice many similarities and many differences. As a whole, we see the
difference of writing style. The one, published by the 'New York Times' seems to take more of an
emotional overview of the book. Although providing plenty of facts of the author and the time
period the book was written in, the author goes into detail how HE feels about the novel, and what
the novel meant to him. In contrast, the other critique is almost entirely made up of the author
finding similarities between the book and modern times. He keeps his emotional connection to the
book separate from the review, and we feel the emotional disconnect in his review. Second, we see
the difference of ideas. In the critique published by the Harvard Press, the author finds every ...
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However, in the other review, the author, Norman Mailer, believes that Mark Twain, although a
distinguished and accomplished writer, gathered the story–line of his book from other works of that
time. Mailer relates some similarities between the book and modern times, yet keeps along with the
idea that although a masterpiece, Huckleberry Finn took away from other literary works. Normal
Mailer, unlike the author of the Harvard Press (Ishmael Reed) does not take up much of his review
in comparing the book to modern times. The third difference between the critiques is the way they
described Mark Twain. Although both agreed that he was a fantastic writer who created a
masterpiece, through the way they wrote their reviews, the reader can identify how each author felt
about Twain. Ishmael Reed had nothing but glowing feelings for Mark Twain. He thought him to be
a fantastic writer, who clearly wrote a classic masterpiece. However, Norman Mailer, although he
agreed that Mark Twain was an impressive legend of a writer, he also spotted some of his faults,
saying as quote "It would be superb stuff if only the writer did not keep giving away the fact that he
was a modern young American

A Comparative Analysis of Armies of the Night and The...
Taken at face value, Norman Mailer's Armies of the Night and Tom Wolfe's The Electric Kool–Aid
Acid Test may seem very similar. They are both centered on a major author of the 1960s and his
experiencing of historical events of the time, while set in the style of New Journalism. When
examined closer, though, it becomes apparent that these novels represent two very different sides of
New Journalism – Armies of the Night an autobiography with personal and political motivations,
The Electric Kool–Aid Acid Test a sociological piece which tries to capture the essence of its
subjects rather than the absolute facts. By looking at the form and style which the novels were
written in and the motives behind Mailer's Armies of the Night and Wolfe's The ... Show more
"The opening pages of chit chat, the reply to Time magazine, the celebrity–talk about Lowell,
Macdonald, Goodman, the fierce competitiveness – all this tells us from the beginning that this is
Mailer's story" (Dickstein 149). By choosing to depict acts in which he took part and from his point
of view Mailer is able to make the validity of his statements implicit – he actually saw what he is
writing about. At the same time though, questions of how much Mailer's bias is affecting the novel
are raised. Mailer is able to address these questions of possible bias by making it exceedingly
obvious when his bias is at play. As Hellmann notes, "Calling himself 'the Novelist' and self–
consciously using the contrivances of novelistic form, Mailer makes us view the facts of his work as
both reliable (in that we are fully shown their source in his firsthand observation) and doubtful (in
that we are constantly reminded that they result merely from such observation)" (39).
Instead of trying to hide this bias, Mailer uses it to further strengthen his work. An example of
Mailer's use of bias is in his description of the US Marshals he saw while waiting on the bus which
would take him to prison, he begins with "their faces are considerably worse than he had expected"
and "they had the kind of faces which belong to bad guys in a Western" (150). This establishes
Mailer's biased view of the US Marshals and "by providing these

Death Of Benny Paret Rhetorical Analysis
Death of Benny Paret Essay Molly Daunt Period 5 Norman Mailer uses imagery to negatively
depict boxing. This passage is based upon Benny Parent and Griffith, who are club fighters. Mailer
uses imagery to describe the violence of the fight. Motifs that are used in this passage are death,
simile, and animalistic imagery. Mailer witnesses the tragic death of Paret. Through many motifs,
Mailer is able to have an effect on his audience, allowing them to feel the same horror. The passage
centers on death and Mailer uses imagery to go into detail and explain how horrifying the death of
Paret was. While Griffith was dominating Paret before the round was over, Paret began to wilt. This
creates an image in the readers head about how Paret is beginning to suffer. When Paret died, Mailer
explains how his death affected the crowd. "As he took the punches, something happened to
everyone who was ... Show more content on Helpwriting.net ...
Animal imagery is used to give the reader a better understanding of the message the author is trying
to convey and to produce more vivid descriptions. During a round Mailer explain Griffiths attack
"Griffith was like a cat ready to rip the life out of a huge boxed rat." Mailer is describing an image
in your mind that Griffith is intense and wants to win his fight against Paret. This also creates an
imagine in readers head of Griffith looking so furious and hyped up, like his veins were popping out
and he was growling like a bear. "Griffith making a pent–up whimpering sound all the while he
attacked." This is like an animal, such as a lion, which is furious and about to attack their prey.
"...and then he leaped on Griffith to pull him away." "His trainer leaped into the ring, his manager,
his cut man, there were four people holding Griffith, but he was off on an orgy..." The word leaped
creates an imagine of an animal prancing in joy or hunger, and this is what comes to mind as readers
read this part of the

Boxer Benny Paret Figurative Language
Deaths are prominent news among the general public, especially ones concerning sports. Boxer
Benny Paret was killed due to a match, causing him to fall into a coma and never awaken. When the
event occurred in 1962, many opinions were shared, including the ones expressed in the essays of
Norman Mailer and Norman Cousins. Although they cover the same event of Benny Paret's death,
they do so in completely different ways. Mailer uses language to create a very poetic tone,
illustrating the event with figurative language. Cousins, on the other hand, takes a more direct,
condemning route, asserting the cause of Benny Paret's death was due simply to society and nobody
else. While both use figurative language and rhetorical devices such as similes, ... Show more
He focuses not on the match, but on the industry–putting people who are able to kill in a ring for
profit. Cousins is extremely condemning of the sport, not blaming Paret's manager or even Emile
Griffiths, the man who delivered the blows that eventually led to Paret's death. Instead, Cousins
approaches it factually, stating matter–of–factly, "Benny Paret was killed because the human fist
delivers enough impact, when directed against the head, to produce a massive hemorrhage in the
brain" (Cousins). Cousins is completely against this sort of fighting, and declares that it is a
legitimate killer. He furthers his point by addressing the fact that, "You put killers in the ring and the
people filled your arena. You hire boxing artists... and you wind up counting your empty seats"
(Cousins). In that passage, the juxtaposition and antithesis of killers versus "boxing artists" makes
the significance of the business aspect clear, and in turn showing how higher value is placed in
money and a good show over a person's life. Furthermore, Cousins presents his arguments with
superb diction, using phrases like, "prevailing mores" to appeal to a higher educated audience. His
audience is not anyone who wants to know about the fight, but rather those who share in his
opinions and believe there is a fault in

The Conflict between Man and Machine in The Naked and the...
While the surface of Norman Mailer's The Naked and the Dead centers around World War II, its
focus is on "the conflict...between the mechanistic forces of the 'system' and the will to individual
integrity" (Waldron 273). The ultimate domination by the 'machine' makes for a very depressing,
hopeless novel. Mailer explores this conflict mainly in the interactions between General Cummings
and Lieutenant Hearn, and although less extensively through their lower ranked counterparts,
Sergeant Croft and Private Red Valsen. It is in these interactions that The Naked and the Dead
makes a statement about not only war, but society. Therefore, in order to fully understand the novel,
Cummings, Hearn, Croft, and Valsen must be examined and understood ... Show more content on
Helpwriting.net ...
The mountain which dominates the island dominates the men with its motionless hostility. The sea
around them wears all things down and is full of death. The land itself becomes terrifying in its
somnolent brooding resistance. It seems as if there is a cosmic conspiracy against men, as if
something working through the various forces of nature is seeking to bring them to a standstill,
erase their identities, annihilate them altogether" (Siegel 291–292).
The men must take the island from the Japanese, and General Cummings formulates a grandiose
plan involving a reconnaissance mission, given to Croft's platoon, a general forward attack, and an
amphibious invasion from the other side of the island in order to surround the Japanese. It is while
he is planning this attack that he and Hearn have their own intellectual battle. Hearn loses.
Cummings then assigns him to Croft's platoon, as leader of the reconnaissance mission going behind
enemy lines. Croft is infuriated that he has been taken out of his position of power, and eventually
kills Hearn. By the time that the platoon returns to the main base, the island has been taken, but not
by Cummings plan. Another American force avoided all the detailed planning, and simply wiped out
the Japanese on the island in one strike. The reconnaissance mission was never needed, did nothing
for the war effort, and

'the Death of Benny Paret' Rhetoric Anaylsis
There is a difference between dying an honorable and noble death and simply dying. It is the gap
between trying and giving up and it is the sense of the unbearable pleasure that comes along with
success. In Norman Mailer's "The Death of Benny Paret", the author witnesses a first–hand account
of the tragic death of the boxer, Paret. Through many rhetorical devices, Mailer is able to have an
effect on his audience, allowing them to feel the same horror. Mailer uses diction to mold the events
in a biased and respectful way. Using words like "inspired" to describe the kind of shame that Paret
was creating by loosing makes his failure seem less crucial. Again, the author makes euphemisms
through his word choice by saying that Paret "[fought] ... Show more content on Helpwriting.net ...
affected the

What The White Man Thinks Essay
What the White Man Thinks "Then came Negro riots near a scale of war in the ghettos of at least a
dozen major American cities" (pg. 224) The Armies of the Night, which is a dazzling artifact to
read, shows the way of life and attitudes at a conflict with the prevailing social norm of the late
1960 's but also an encounter of nonfiction in its own extreme experience. The short chapters each
portrays the observations and experiences that were made by the author Mailer. Nature and
characters that are talked about scene by scene are developed through dialogue that Mailer
overhears or dialogue that he himself participates in. Robert Lowell and Norman Mailer has some
connections in their own individual writings over this period. Lowell pictures a nation that is
lightheartedly mixed, in its own way to please others in materialistic interests and its disinterest
regarding the historical sacrifice and its opposition to the racial equality. On the other hand, Mailer
's ideology thrust on the struggle for racial equality and the way blacks are represented in this era.
African Americans in the 1960 's faced many challenges such as racial segregation and
discrimination which the civil rights movement composed to end. Mailer begins his essay in The
Armies of the Night by expressing his reluctance to attend this mass event of October 1967, a march
on the Pentagon, in which hippies, Christians, feminists, and intellectuals all came out together to
protest against the war in Vietnam. He

Analysis Of ' The Precession Of Simulacra '
Introduction
Lee Harvey Oswald. The name may conjure up specific memories of a living, breathing man for
those who knew him; but, for the general public, Lee Harvey Oswald was and will always be a
scarecrow of patched–together media images and texts. This is due to the fact that our only access to
Oswald is through texts. To quote Lentricchia, Oswald is a person "of, by, and for the image" (2).
Image, here, can be understood as any textual representation of Oswald. In Libra, DeLillo goes even
further by portraying the living Oswald as a fragmented figure whose identity is already a pastiche
of texts and images that he has consumed. In his landmark essay, "The Precession of Simulacra,"
Baudrillard warns that "[s]imulation is no longer that of a territory, a referential being, or a
substance. It is the generation by models of a real without origin or reality: a hyperreal" (par. 1).
Through his consumption of texts, Oswald constructs an identity without substance or reality: a
hyperreal identity. Baudrillard cites a Borges' tale about a ruler who commissions a map the same
size as his territory. After the empire falls, the remnants of the map are still rotting away in the
deserts. He believes that this story is helpful in describing what he means by the precession of
simulacra, and he alters the story, saying, "The territory no longer precedes the map, nor does it
survive it. It is the real, and not the map, whose vestiges persist here and there in the deserts" (par.
1).

Essay On Apollo 11
"Two mighty torches of flame like the wings of a yellow bird of fire flew over a field"(Mailer 305)
as the ship slowly lifted up into the heavens. The ship, a true idiosyncrasy when it came to flying
machines, lifted up, up as far as the eye could see. "Sainted Leviathan, ship of space, she was a
planetary traveler,"(Mailer 251). This time, the ship, the Saturn V rocket, was carrying something
special – the components and pilots of Apollo XI. Apollo XI is the kind of mission that goes down
in the books as spectacular or enchanting. This mission, however, was going to go down in history
for a different reason than most. It was going to be the first mission to ever put a man on the moon.
It was going to land on the moon (Mailer 298). Apollo 11, one of the most massive projects ever
carried out by the US, had no good reason to be carried out. It required the work of thousands of
Americans. It incorporated the largest building in the world at the time, the ... Show more content on
Helpwriting.net ...
NASA sent Apollo 11 to the moon not for fun, but rather to discover many things about the moon,
earth, and solar system. NASA did not just go to the moon in hopes of finding something. They first
had a plan of what they wanted to accomplish, and secondly hoped to find other new things. Von
Braun, a main player in Apollo 11 and its directing, gave a speech on what he planned to accomplish
by going to moon. He said, "What we are seeking in tomorrow's trip is indeed that key to the faith
on earth" (Von Braun 224). He also said that the mission would help expand the mind of man and
was "equal in importance to that moment when aquatic life came crawling up onto the land" (Von
Braun 207). In other words, this is a very important moment in our history that is supposed to help
us know more than we already did. This just shows that the men headed to explore the moon had a
purpose, adding to the value of the

Bullying And Our Society Is Not More Than People Choosing
The idea that there is no more bullying in our society is nothing more than people choosing to
ignore the issue at hand, or they are truly unaware that there are many forms of bullying. One of
these methods of bullying is cyber bullying. This is where anyone who knows how to use a
computer can attack any other person without even having to see their face. On the issue of the news
anchor this was how she was perceived to be bullied by someone who watches the show on
occasion. This anonymous person made a claim that she was a terrible role model for kids,
especially little girls. This claim was made solely on what they saw on the TV.
Although, she may feel justified in her response, I do believe that personal matters should be kept
personal and they should not be displayed publicly for everyone else to hear. I feel that it was very
unprofessional of her doing so even if she was trying to relate it to whatever topic she had prepared
to discuss that particular morning. There seems to be a gap between how these individuals believe
the issue should have been handled. One believes that it should have been handled via Facebook
because that is where they feel more comfortable. As for the other, it was taken via the air on live
television, and that is how the other felt it should have been resolved. This means that with it was
agreed on or not, that both would rather not handle their problems with each other face–to–face.
This is what the stasis of place is not different between the

The Armies: The Battle Of The Pentagon
The Armies has often come under critical scrutiny as a literary journalistic text that amalgamates
fictional narratives with factual information of the October 1967 Peace March on the Pentagon to
protest against Vietnam War. The Armies shows the literary talents of Mailer, the journalist, who
have an inner desire, not to tell the news objectively, but to narrate, interpret, and reflect upon such
news subjectively. The text is divided into two books as indicated in the subtitle. The first book,
entitled "The History as a Novel: The Steps of the Pentagon", tells the story of the March and
Mailer's active participation in it (historical fact) from the highly subjective perspective of the
author (narrative technique). Moreover, in an attempt to ... Show more content on Helpwriting.net ...
Mailer, the author, prefers the open ending of his narrative by closing the first book with his
protagonist, Mailer the character, being released after his arrest during the March. This helps the
readers to contemplate on the unanswered questions of the text concerning what happened during
the arrest and the release of the protagonist. It also paves the way for the text to have a sequel, the
second Book, entitled "The Novel as History: The Battle of the Pentagon". In the second book, as its
title indicates, the author adopts a highly objective and omniscient point of view in an attempt to
give a realistic account of "the Battle of the Pentagon" that occurred after the arrest of the
protagonist between the demonstrators and the police. Therefore, the framework of the text indicates
that it has two–fold perspectives in dealing with the political issue of the war in Vietnam. The first
book presents a subjective view from within the march. As a fiction, it unravels the protagonist's
personal experience and his involvement in the March. In the second book, Mailer, the author, puts
on the cloak of the journalist or the historian who objectively and omnisciently accounts for the
March as an

Notes Of A Native Son By James Baldwin
James Baldwin, "Notes of a Native Son" (originally appeared in Harper's, 1955)
"I had never thought of myself as an essayist," wrote James Baldwin, who was finishing his novel
Giovanni's Room while he worked on what would become one of the great American essays.
Against a violent historical background, Baldwin recalls his deeply troubled relationship with his
father and explores his growing awareness of himself as a black American. Some today may
question the relevance of the essay in our brave new "post–racial" world, though Baldwin
considered the essay still relevant in 1984 and, had he lived to see it, the election of Barak Obama
may not have changed his mind. However you view the racial politics, the prose is undeniably
hypnotic, ... Show more content on Helpwriting.net ...
Before I heard Sontag–thirty–one, glamorous, dressed entirely in black–– read the essay on
publication at a Partisan Review gathering, I had simply interpreted "campy" as an exaggerated style
or over–the–top behavior. But after Sontag unpacked the concept, with the help of Oscar Wilde, I
began to see the cultural world in a different light. "The whole point of camp," she writes, "is to
dethrone the serious." Her essay, collected in Against Interpretation (1966), is not in itself an
example of camp.
Read the essay here.
John McPhee, "The Search for Marvin Gardens" (originally appeared in The New Yorker, 1972)
"Go. I roll the dice–a six and a two. Through the air I move my token, the flatiron, to Vermont
Avenue, where dog packs range." And so we move, in this brilliantly conceived essay, from a series
of Monopoly games to a decaying Atlantic City, the once renowned resort town that inspired
America's most popular board game. As the games progress and as properties are rapidly snapped
up, McPhee juxtaposes the well–known sites on the board–Atlantic Avenue, Park Place–with actual
visits to their crumbling locations. He goes to jail, not just in the game but in fact, portraying what
life has now become in a city that in better days was a Boardwalk Empire. At essay's end, he finds
the elusive Marvin Gardens. The essay was collected in Pieces of the Frame (1975).
Read the essay here (subscription required).
Joan Didion, "The White Album"

Gary Gilmore In The Executioner's Song
In the book The Executioner's Song, we follow the life of Gary Gilmore as written by Norman
Mailer. Mailer describes Gary's childhood throughout the book as a very rough living, followed by
Gary finding himself practically living his adult life in a series of institutions for bad behavior (
mostly burglary). During the course of his young adult life, Gary's cousin, Brenda, and he had been
writing letters back and forth, and eventually Gary is taken for parole in by his cousin's parents.
Quickly the family becomes worn out from Gary's rough personality traits. He drinks too much,
borrows a lot of money, asks a lot of favors, and doesn't give much in return. He has an almost
violent behavior and everyone quickly learns to try to pass ... Show more content on Helpwriting.net
...
The truth of the matter is, however, that Gary was a psychopath and was headed down a bad road.
Despite his cousin's hope for a good Mormon caring town to be rehabilitating for this stone cold
criminal, Gary Gilmore was only getting worse. And despite Gary being such a rough character and
admitting to the killing of the two young Mormon men, Nicole couldn't stop her love for Gary and
wrote to him often. Being charged with the murder of Ben Bushnell (the stronger of the two cases),
and having an incredibly weak defense between Gary Gilmore having shot himself with the same
gun and having a trail of blood, an eye witness, and his own family (Brenda) turn him into the
police, Gary Gilmore soon admits to the killings and claimed an insanity defense as an excuse (this
is an excuse rather than a justification because he is admitting that the act was wrong, however he
has an explanation for it happening, such as mental illness. A justification is an act that could be
thought to be justified). This defense however does not stick as four psychiatrists said Gary
(although had mental problems that I'll mention again shortly) was aware of what he was doing and
he was aware that those actions were wrong, making him ineligible for that defense, vanquishing his
hope for a lesser charge (such as second degree). However, because of the felony–murder rule
(because he was committing a felony during the course of the murder), premeditation, and malice
(the will to do

Similes In Norman Mailer's The Death Of Benny Paet
Norman Mailer, in his article "The Death of Benny Paret" claims that even the strongest person has
their weakness. Mailer supports his claim by describing the fight between Paret and Griffith and the
unexpected death of a champion. The author's purpose was to point out that nobody is invincible.
Mailer uses his article to appeal to people with the same mentality as Paret by using figurative
language, tone, and syntax. Norman Mailer's use of similes, solemn and disdainful tone, and various
syntactical elements in his article, shows that everyone is mortal, and even those who may seem
invincible have their breaking point. The author, Norman Mailer, uses similes in "The Death of
Benny Paret" to support his claim that even the strongest person has their weaknesses. He does this
by creating contrasting views from the first paragraph where Paret is a proud champion, to the
second paragraph where he is weak and being "demolished." Mailer described Paret's opponent,
Griffith as being "like a cat ready to rip the life out of a huge boxed rat" and his attack on Paret with
his "right hand like a piston rod which has broken through the crankcase" as well as "like a baseball
bat demolishing a pumpkin." The use of these similes show that Norman Mailer had viewed Benny
Paret's opponent, Griffith, as a savage, fierce, and uncontrollable competitor. The comparisons
between the fists and pistons and the use of diction like "demolishing" help illicit images and
excitement into the reader

Dialects In The Adventures Of Huckleberry Fin
In the Adventures of Huckleberry Fin the reader is immediately told of the different dialects that
will be used in the novel. Writing in the different dialects is an intentional effort to show that
differences in culture, race, and the time at which the novel takes place. The events of the novel take
place before the events of the civil war, sometimes between 1835–1845. Mark Twain uses irony to
challenge difficult topics like slavery and religion. The novel was published in 1884, only 20 years
after slavery was abolished, but African Americans still did not have rights. The Adventures of
Huckleberry Fin has been a controversial book since its publication. Even being on the ban list in
many libraries. This is because of the harsh light it shines ... Show more content on Helpwriting.net
...
The simple difference between Huck and Jim was one of education. It was a similar dialect but
Huck, a young educated white boy, spoke more clearly than Jim. I see this every day. A parent
speaking broken English and looking to their child to translate for them. It was easy for me to
identify with these characters because I am from the south. I believe that for Perry and Mailer these
characters were caricatures. Trivial idealizations of what the south was like. They saw Huck as a
hero and an adventurous boy. But Huck is just a boy. A boy who was doing his best to do what was
right by him. A boy trying to follow his conscious. Much like the boys I grew up with. Much like
myself. There is a significant amount of time between the two critiques, about 100 years. And even
between Mailers critique and my own. And through the time that passes it's easy to see a growth in
tolerance and understanding. Though Perry was not forward with his prejudices, I believe that he
still has them. And Mailer lacked the understanding of the poor that could have helped him better
relate to the characters of the

Based on True Events A Glance into the Nonfiction Novel Genre
"The best nonfiction recognizes the impossibility of perfect representation, the dream of the 1:1
ratio," (Sharlett). What Jeff Sharlet means in this quote is that facts cannot be perfectly represented,
regardless of any type of imagery or descriptions, so a good nonfiction work uses only what is
needed to get the message across. Beginning in the 20th century, many nonfiction writers would
even look towards fiction for the resources to describe what was considered impossible to describe
(Taylor). One way writers have been able to do this is through nonfiction novels. A nonfiction novel
is a narrative, of book–length, that unfolds actual events and actual people written in the style of a
novel ("Nonfiction Novel"). This style of a novel implies that the book being spoken of can be
looked at as art as well as fact (Sharlett). In the mid 1960's, a nonfiction novel journey began,
beginning with the narrative journalistic qualities of Truman Capote, continuing with the story
telling of such authors as Norman Mailer, and then continues to stay constant throughout present
day literature with works like Katherine Boo's display of immersion journalism.
Truman Capote is said to have invented this new genre in 1966 with, what some call his finest work,
the book In Cold Blood ("Truman Capote"). In Cold Blood details the 1959 murders of Herbert
Clutter, his wife, and two of their children (Wikipedia). Even before the murderers were captured,
Capote decided to travel to Kansas and write

Mix of Journalism and Fiction in Truman Capote's In Cold...
John Hollowell's, critical analysis of Truman Capote's novel In Cold Blood focuses on the way
Capote used journalism and fiction to try and create a new form of writing (82–84).
First, Capote involves his reader. "This immediacy, this spellbinding 'you–are–there' effect, comes
less from the sensational facts (which are underplayed) than from the 'fictive' techniques Capote
employs" (Hollowell 82). Capote takes historical facts and brings in scenes, dialogue, and point of
view to help draw the reader in (Hollowell 82).
Capote also took into consideration which parts of information to use by how dramatic of an appeal
they had (Hollowell 82). His talent led him to figure out what would have the most significance and
impact to make the ... Show more content on Helpwriting.net ...
Smith's portrayal if analyzed in detail will encompass all of the aspects that Capote uses to create
literature rather than journalism. Smith's dialogue and scenes are the major ways Capote meshes a
real person into literature (Hollowell 83).
Capote creates sympathy for Smith in the reader by comparing him to a wounded animal, a creature
who is not able to be responsible for his actions, an outcast from society, and a "psychic cripple"
(Hollowell 83). These character traits are added to the book to advance the dramatic heightening.
Both killers are given sympathy and are treated as individuals by Capote to bring it beyond the
average thriller novel (Hollowell 83).
Next, Capote puts the fiction tool of symbols to use. Overall, the way he webs together the facts
creates a pattern of violence that is part of American life (Hollowell 83). He also has "selective
repetition of certain images, landscapes, and atmospheric details [to] create a cumulative impact"
(Hollowell 83). Through these symbols he provokes the reader to come to one's own decision on
moral interpretations and meanings of events.
The Clutter family is written in a fashion to show they were the normal American family and by fate
were entangled with killers (Hollowell 83). Hollowell states, Capote creates a "mythic dimension"
through this portrayal (83). The dimension shows the reader how this crime completely disturbs the
community of Holcomb and an

Narcissistic Trope In The Armies
The narrative world of The Armies provides readers with multiple and diverse meanings to the
incident of the anti–war March towards the Pentagon. Multiplicity emerges out of the various
perspectives of the same story told by the reporter of The Time and retold by Mailer, the narrator. In
the process of the Time reporter's telling and the narrator's retelling of the scenes of the March,
readers become aware of their involvement in the process of creating the fictional universe of the
text. The Reporter of The Time and Mailer, the narrator, alternatively exchange roles as a
reporter/narrator and as a reader of the same story. However, in the linguistic mode, The Armies
constitutes itself as a quintessential narcissistic text with its "building blocks," that is, "the very
language whose referents serve to construct that imaginative world" (Narcissistic Narrative 29). On
the linguistic sphere, Mailer, in The Armies, skillfully reconciles the generic opposites by
deliberately giving the subtitle of his work: 'history as a ... Show more content on Helpwriting.net ...
It enables the author to engage himself into the narrative itself to reiterate the textual self–
consciousness and self–reflexivity of the narrative by frequently drawing the attention to the writing
process of the narrative. By so doing, the author asserts historically his on presence and
participation in both the historical moment and the narrative. Thus, the narcissistic trope in The
Armies "strengthens and points to the direct level of historical engagement and reference of the text"
(Hutcheon, A Poetics 117). The meta–factual and narcissistic elements appear everywhere in the
text. After holding the mirror twice before up to the text and the reader, the author/narrator holds it
again up to the character of Mailer himself. So, in the last chapter of the first part, the
author/narrator confuses and blurs the boundaries between Mailer as an author/narrator and as a

Case Study : Burger King 's Promotion
Promotion Burger King promotes their products by sending out direct mailers every month with
discount coupons to one of their target market, which are young adults and low–income families.
The mailers advertise "Over $70 dollars in savings". "One of the coupons in the mailer offers two
Whoppers, two small french fries, and two small drinks for $ 8.99" (BK mailer , 2016). These deals
are so good that their target market the young adult and low–income families can afford to eat at
Burger King restaurants regularly, which will then increase the company profits.
These mailers also have a picture of a Sprite soft drink and Sprite is a registered trademark of the
Coca–Cola Company. So the company is using cooperative advertising in their direct mailers with
the Coca–Cola Company. The company is also using a combination of pushing and pulling
promotion. The company is pushing their coupons, they want the customer to come in and ask for
their product, they also want to pull in customers of Coca–Cola/Sprite with their mailers
advertisement of the Sprite soft drink.
The company is also partnering with DQ Entertainment Group. Up–Close Media Inc. wrote in their
Trade Journal "DQ Entertainment International (DQE), a global entertainment production and
distribution company, producer and global rights owner of "The Jungle Book", a new 3D CGI
animated TV series, along with SMC Entertainment Group (SMC), rights owner of North America,
announced a deal with Burger King Worldwide (BKW) for a

Analysis Of Truman Capote 's ' Cold Blood '
Adriana Reyes
Professor Leigh Ann Weatherford
English A102
November 22, 2016
In Cold Blood by Truman Capote is an exciting non–fiction novel and also a documentary of an
authentic historical American crime. Capote utilizes distinctive voices to recount the story, making a
closeness between the readers and the murders, the readers and the victims, and the various players
in this event–townspeople, agents, companions of the family. He doesn 't simply introduce the
actualities of the case, all through his book he makes you feel as though you know both killers and
victims on a personal level. The Clutters were portrayed as the "American Dream." They were
prosperous, fruitful, and cherished by all who knew them. Individuals everywhere throughout the
nation were stunned to understand that this "American Dream" could so effortlessly be broken by
two men. Capote 's greatest accomplishment was additionally the most unsettling part of the novel:
the humanization of the killers. Capote makes us really feel sympathetic for Dick and Perry, mostly
Perry. Despite the fact that he announces himself an impartial and supposition free creator, in view
of the broad depictions of one of the killers, Perry Smith, there is much civil argument about this
affirmation. Capote gives sweeping information of Perry 's life and family, incorporating one
individual specifically, Willie–Jay. While a few commentators argue the significance of Willie–Jay 's
character does not stretch out more remote than to

The Scum Also Rises Analysis
Journalists like Norman Mailer, Hunter S. Thompson and Tom Wolfe are given special opportunities
to be allowed to go to places that other people are not. They see things that most people will never
see and hear things that most people will never hear. New Journalism is an, creative, and dramatic
way of reporting and presenting the subject matter. This branch of journalism uses facts while
including techniques from the world of fiction to present the information in a refreshingly realistic
approach. America's cultural and political landscape is one of the many ways that can reshape
journalism. By analyzing three stories, The Armies of the Night, The Scum Also Rises and The
Electric Kool Aid Acid Test in the book Art of Fact, the three interesting ... Show more content on
Helpwriting.net ...
As they try to achieve the American Dream, the characters in this story are highly influenced by
culture, politics and activism. The Electric Kool Aid Acid Test reports the story of the Merry
Pranksters, a group of hippies that started to gather around the American novelist Ken Kesey during
the sixties. The cult–like group engaged in various forms of countercultural activity, such as
psychedelic experiments which consists of the use of LSD and other dangerous drugs, public
performances, and anti–war rallies. Wolfe examines matters of authority, hierarchy, and control
through the Pranksters' attitudes towards the conventional structures of society. As a Gonzo
journalist, Tom Wolfe presents actual events in a fictionalized form in a way to re–create the
experiences for the reader. For example, he effectively explains the experience of being high on
LSD. He uses stylistic devices such as the first–person point of view, symbols, scene‐by‐scene
construction, and extensive dialogue. Also, the author chooses to use bad grammar to reflect the
subject matter and promotes the sensation that everything described is obvious and absolute. The
Electric Kool–Aid Acid Test by Tom Wolfe is an important interpretation of the counterculture as a
formative work of the New

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