The Nutcracker Analysis

The Nutcracker Analysis
The Nutcracker is an 1816 ballet with a symphony created by Peter Ilyitch Tchaikovsky who was a Russian composer, conductor and pianist mostly
knew in Europe and the United States. The performance of his work in New York City, 2016 is displayed by the Music Director of the New York
City Ballet Andrew Litton. Last year, Litton was in charge of conducting the work, and, was also part of the performance as a pianist. In the visual
performing such as choreography and conduction was developed by the professional dancer and choreographer George Balanchine to whom the title of
the work "George Balanchine's, The Nutcracker" is dedicated to. Balanchine's legacy has been recreated by New York's Ballet Masters in Chief
Lincoln Kirstein (1948–1983), Jerome Robbins (1983–1990), Peter Martins (1990) who maintains the innovative/creative style and technique by
Balanchine. ... Show more content on Helpwriting.net ...
Orchestra is constituted by eleven First Violinist, nine Second Violinist, six Violas, seven Cellist, four Double Basses, three Flutes, three Oboes, three
Clarinets and a Bass Clarinetist, four French Horns, three Trumpets, three Trombones accompanied by a Bass Trombonist, one Harp, one piano, one
Timpani, three Percussion, a Violin Soloist, one Orchestra Manager and aMusic Librarian. For a total of 65 musicians.
The Ballet starts the First Act with an intro of woodwinds and strings, idiophone, which is the first movement that is about two minutes long. The
tempo is andante, moderato. Dynamics rules with a pianissimo ritornello of the melody. There is a call and response between the woodwinds and
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First Movement of Beethoven's Symphony No. 3 Essay
First movement of Beethoven's symphony No. 3 Eroica Beethoven's Symphony No.3 also known as the Eroica consists of four parts, namely, allegro
con brio, adagio assai, scherzo and allegro, which is the standard structure of a symphony. In this work, the analysis focuses on the first movement so
as to show how Beethoven enriched symphony. The first movement has a distinctive sonority and texture. It is considerably long as it takes about 14
minutes (it may depend on the version). Some complete symphonies from the classical period are about the same length as this first movement, so
Beethoven's work set aside from the traditional symphony. It tells other composers that there is no such thing as a standard length of symphony's
movement. In ... Show more content on Helpwriting.net ...
The resonant sound of brass generates some tension in the form of dissonant chords. The combination of unusual sounds, vivid dynamics and
rhythm changes, are incorporated in the symphony by Beethoven. However there is more as the first movement goes on. Beethoven uses a minor
key for a short passage. The agitated sound of strings adds some tension and drama in the movement, which is finally resolved by the woodwinds.
The clarinet and flute return music to a major key and a state of calm. The minor passage is a new concept which stands out the traditional
symphony. It adds a different texture that clearly departs from the leading motive. This brief minor passage is also repeated so it may be thought of
as a second motive. Another striking quality of this first movement is the use of a set of chords played by the whole orchestra. It serves as a bridge to
connect the major and minor motives. Towards the end of the first movement, there is a brief passage embellished by the strings while the horns and
trumpets remind us the sounds of the leading motive. The lively sound is interrupted by a brief minor passage. Then, the leading motive is repeated by
the clarinet and flute. Strong and bright sounds prepare the audience to the conclusion of the first movement. One can conclude that Beethoven's
unique expressiveness and passion are reflected in every note of the Eroica's first

Summary Of ' Beethoven ' II
XIAO ZHANG Final Project Brahms, IV. Adagio– PiГ№ andante – Allegro non troppo, ma con brio – PiГ№ allegro from Symphony No. 1 Part 1,
Adagio, C minor m. 1 Protagonist 1 violin 1 and violin 2 and Antagonist 1 woodwind section comes in together continues to m. 5. Protagonist 1 melody
is prominent because of orchestration Melody is fully harmonized like a chorale. Longest rhythm values and sequential. Antagonist 1 melody feels like
very even with crescendo and diminuendo. The Harmony with C minor tonal center and plus the chromatic alteration. The melody goes down step by
step and up with legato line. The rhythm is quarter note evenly moving down and up. . Musically this with very stronger character, using chromatic
alterations against... Show more content on Helpwriting.net ...
Again, the notes figure and speeds up, much faster this time, as the passage is shorter than the first one. The keys that are now indicated after C minor
are B–flat minor and the A–flat minor. The pizzicato is now cut off again after four bars. m. 22 The winds now use forward with the same thing,
building very quickly in volume. There is syncopation in both winds and strings. m. 24 Beginning in F minor, the strings now play a longer phrase of
broken, fast moving down lines with light wind support. These lines diminish before an unexpected higher wave with brass and winds. They then drop
and diminish again. Finally, the flutes, oboes, and bassoons begin to play a sad drop that will soon be tell as the stronger figure that will control the
second part of the introduction. With the wonderful timpani roll, this even wave is unexpectedly cut off. The C–minor key is somewhat avoid at this
point, but the low strings hold on, diminish, and drop, goes into the new tempo and C–major key for the introduction second part. Part 2, PiГ№
Andante, C major m. 30 P1 horn part comes in continues to m. 37 than same thing the flute as a P1 comes in again continues to m. 46. This is very
obvious P1 musically with very stronger character. C–Major chord. It is longest rhythm values. Sound is very powerful with F dynamic. After that, P2
tenor trombone and A2 bass trombone comes in continues to m. 61. This is a definitely new melody. Rhythm is half

Adagio Plucking
The beginning of the piece starts at a mezzo forte and varied a little. The string instruments had the melody most of the time. The mood of the
section was calm with the approach of danger. It was sneaking up on unsuspecting people. It made me feel like I was experiencing the aftermath of
Star Wars. Even if they had won the dark side would always come back. In Adagio, the tempo picked up to match a vivace feel. It had the mood of
anticipation. Quite like knowing that a battle must be fought but there is no idea as to when, but they'll still be prepared. The melody repeated a lot
with different alterations. Moderato used plucking to enhance the sound. The flutes and cellos created a deeper sound of peace. The plucking was at a
moderate tempo

Viola Concerts Concert Report Sample
On October 2, 2015, I attended the Viola Quintets concert. The performance contained two violinists, two violaists, and a cellist The concert began at
7:00 pm and ended around 8:10 pm. Furthermore, it was located in the Farrell Auditorium, which is in the Saint Louis Art Museum. At this concert, I
listened to professional musicians that are a part of the St. Louis Symphony perform music that was composed by Felix Mendelssohn. Felix
Mendelssohn's String Quintet No. 1 in A Major, Op. 18, and String Quintet No. 2 in B– Flat Major, Op. 87 are the two pieces the musicians played.
Furthermore, these pieces are absolute music, symphonies, and have a romantic style.
The first piece that the musicians played was Felix Mendelssohn's String Quintet ... Show more content on Helpwriting.net ...
Afterwards the musicians changed their seating arrangement and started to warm up. A couple minutes passed and they started performing String
Quintet No. 2 in B– Flat Major, Op. 87. The four movements were Allegro vivace, Andante scherzando, Adagio e lento, and Allegro molto vivace.
Overall the movements in this piece were smoother than the first piece. However, the movements in the second piece were still very lively. When the
musicians started to play Allegro vivace, I noticed the lower notes. Furthermore, this movement was not as fast as the other movements in the first
piece. The lower notes caused the movement to be more dramatic, and it reminded me of a rainstorm that eventually gets cleared up, but comes back.
Everyone was playing the same notes during the end of this movement, and it was very loud. Andante scherzando was very different. The piece was
normal paced, a little bit legato, with some staccato notes.There were tempo changes, but it was the most calming out of all the pieces. The cello stands
out in this movement because the notes are legato until the cello begins to play staccato notes, and the other four players also play staccato notes.
Similar to Intermezzo: Andante sostenuto, this piece also ends with soft bounces after an enormous build up in dynamics. Adagio e lento starts off
within the lower register of notes and is also dramatic. The music reminded me of music that would play if

Reflective Essay On Stringendo
You could say that my instrumental skills saw an impact in my community the day I graced my neighborhood with my elementary scales through my
open window, but the real impact I've made on people was born out of Stringendo. Stringendo, a community youth orchestra with seven orchestras and
weekly rehearsals, brought me closer to musicians at all different playing levels and has consistently been one of the most enjoyable parts of my week.
In particular, I've enjoyed the three years I've spent tutoring elementary and middle school musicians in violin, giving up my Saturday mornings for
their progress and learning. For each year that I've been part of this Morning Helpers program, I've been assigned to a different youth orchestra, to a ...
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A collective sigh is released from the orchestra, my orchestra, with the end of the final piece and the end of our competition, and as we exit the stage,
I see tears welling in parents' eyes as they react to the pure emotion of the Adagio.
For months preceding the ASTA competition, our orchestra worked tirelessly to put together incredibly intricate and emotional pieces in rehearsal
every other day. We felt the motivation stemming from the upcoming national competition, and through it we found a drive to not only practice hard,
but to play in rehearsal with a conviction and strength that builds technique and collaboration. Through my preparation, I've certainly felt a surge in
growth of my playing abilities, both technical and expressive, and I felt motivation not only from the thrill of competition, but also from the love of
classical music I've been developing since my first note.
It was in fourth grade that I first picked up the violin, and though I was as excited as the next student to play, I was soon disappointed by the boring
and repetitive pieces we played in school. I wanted to move past the overplayed melodies of London Bridge and Good King Wenceslas, to pieces that
were challenging and interesting. As I lamented my sorrows, my friend suggested that I take up private

Charles Dutoit Research Paper
er
Charles Dutoit is one of todays most sought–after conductors, having performed with all of the major orchestras on most stages of the five continents.
Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, musical integrity and vibrant sound.
Overture to the creature of prometheus, Op. 43
Ludwig Van Beethoven
The Prometheus overture is extremely concise (it lasts barely five minutes to my surprise) and powerful; it is easy to understand why this music was
performed so frequently. Massive chord open the slow introduction, which leads without pause into allegro motto con brio. As that marking suggests,
this goes at a blistering pace, introduced quietly by a moto perpetuo theme in the first violins. Woodwinds

Chamber Music Concert
The concert that I went to was Masterworks Series in BargeMusic, New York City's floating concert hall, located in Brooklyn. It was a classical
chamber music concert, compose by two instruments of the string family of cello, and violin and in the percussion section the piano. The selections
played at the concert were; Barber(1910–1981) Sonata for Cello and Piano in C minor, Op.6. Beethoven (1770–1827) Sonata in C Major, Op 102 No.1.
Weber–Piatigorsky(1786–1826) Sonata No 5 in A Major, Op.10b, J.103, and last but not the least Beethoven(1770–1827) Piano Trio in E–flat Major,
Op.70 No.2. During the concert there was a small intermission of about 15–20 minutes. I really liked the concert, but what I loved the most was the
final set in Piano Trio

Mozart's Music
Mozart's Music
Nina Nerisa Torres
At the age of four, he could already learn a piece of music in half an hour. At five he was playing the clavier. At six years old, he started composing.
At eight, he began writing his first symphonies. At 12 years old, he produced his first real operas – the German Singspiel and the Bastien und
Bastienne. At 14, he set off for Italy to make his own way in being known as an opera composer. The rest as they say was history.
Wolfgang Amadeus Mozartis indeed a child prodigy who grew up to be one of the most prolific and influential persons in the field of music,
specifically classical music. He was born on January 27, 1756 in Salzburg, Austria. His father, Leopold Mozart is a violinist, minor composer and
Vice–Kapellmeister ... Show more content on Helpwriting.net ...
Violin Concertos
On top of his operas, sonatas and other compositions, Mozart has also written five violin concertos between 1773 and 1776 in Salzburg.
Violin Concerto No. 1 was scored for solo violin with 2 oboes, 2 horns and strings. It has three movements such as Allegro moderato, Adagio and
Presto which are all written in sonata form. Sonata forms are usually used by classical composers for their most serious works.
Violin Concerto No. 2 was written in Salzburg and dated June 14, 1775. It has fast–slow–fast structure and has three movements such as Allegro
moderato, Andante and Allegro.
Also composed in Salzburg, Mozart wrote the Violin Concerto No. 3 on September 12, 1775. Just like the others, it also has three movements: Allegro,
Adagio and Allegro (Rondeau).
The fourth Violin Concerto, just like the rest of the concertos, was scored for solo violin, 2 oboes, 2 horns and strings. It was composed in Salzburg
and dated October 1775 as seen in Mozart's autograph in the score which is kept in Krakow. It has three movements – Allegro, Andante cantabile, a
movement that focuses on expressive melody, and Andante

New World Symphony
On July 20, 2017, I watched DvoЕ™ГЎk's "New World" Symphony that was a very amazing piece. The symphony consisted of four movements that
played: Adagio–Allegro molto, Largo, Scherzo, and Allegro con fuoco, which were all enthusiastic movements and all were full of energy. The first
movement of DvoЕ™ГЎk's "New World"Symphony, by Alan Gilbert's farewell season was Adagio–Allegro molto. The first movement opened up
with the string and woodwind instruments playing adagio until the appearance of the brass family that punctuated the intro. The woodwind section
continues play adagio while the string section makes an appearance and join, although the main tempo of the symphony was adagio, From 1:20 to 1:35
all sections of the orchestra joined and played ... Show more content on Helpwriting.net ...
The third movement of the piece is introduced by the crescending tones of the brass, woodwind, and the string section. The first part of this movement
is very repetitious with gradual crescendo and the decrescendo tempo of the string and woodwind sections. As the movement continues the tone
changes from fast to a more mellow and exciting tone and back to fast.
The finale which is the fourth movement of the musical symphony began with repetitious notes crescendoing into Allegro con fuoco. All sections of
the symphony introduced the movement with Fortissimo notes, the brass and bass are the sections that emphasized the fortissimo of the first part of
the movement. Throughout the middle half of this movement the repetition of notes are repeated from the first half of notes then decrescendo into a
more relaxing tone played by the woodwind and string section and Crescendo back into the repetitious fortissimo notes of the first half. This piece
ends with a crescendo by the string, brass, bass sections then slowly ending with a decrescendo of the string and woodwind sections.
Throughout the experience of hearing DvoЕ™ГЎk's "New World" Symphony and the four movements apart of it, I was able to identify the performing
talents of the different instruments and the way they impacted this

How To Write A Concert Critique
On Thursday, May 18th, 2017 I attended a concert at Pierce College Performing Arts Center. This concert as wells as the others at Peirce College
Performing Arts Center were sponsored by the Associated Student Organization (ASO). The concert began at one o'clock. The performers were
students of the Pierce College Applied Music Program. The Host walked out and briefly talked about how dedicated and talented each student is. The
pieces performed varied from time period and style of music. It contained music from Bach to Jojo. The first piece of the afternoon was "Fugue in E
major" by J.S. Bach. the piece was performed by Sophia Cho. The piece began with a vivace tempo and remained the same for the entire piece. The
dynamics of the piece was mezzo forte. The piece consisted of a lot of notes. The right hand had the majority of notes and continuously played
throughout the piece. Because this ... Show more content on Helpwriting.net ...
I was familiar with the atmosphere of the concerts. I enjoyed the variety of pieces performed by the students. Each performer stood out because of
their unique talent and had me engaged. I enjoyed both the vocal and instrumental pieces. I especially enjoyed the saxophone pieces because it
was a contrast to what is normally played in class. I also enjoyed it because I found it relaxing. I enjoyed Gabrielle Johnson's performances, too.
Her first song "El tra la la y punteado" by Granados was fun to watch because I did not think I would enjoy it. Johnson later performed "I am" by
Jojo and the difference in her voice was fascinating. The other performer that had my attention the entire performance was Benz Marston. The way
he played the cello was mesmerizing. I was so focused on his performance that I did not realize he did not use sheet music. The concert experience
was engaging and fun because of the students of the Pierce College Music Program. Their hard work and dedication was apparent and made me
appreciate it even

Moonlight Sonata
A Look into Different Interpretations of the First Movement of Moonlight Sonata: The Piece that Portrays an Assortment of Emotions by Lauren Mora
Music History 70: Beethoven
Section 1G
Ludwig Van Beethoven 's Quasi Una Fantasia, later named and more famously known as The Moonlight Sonata, is apiano piece that can be portrayed
and analyzed in a multitude of ways. The piece was published in 1801, during a period of great experimentation in Beethoven 's music. This can help
explain how the piece addresses a broad range of emotions that vary from romance to frustration to anger. The first movement is full of all of those
feelings and more, however it is the pianist who decides which of them will triumph over the rest. ... Show more content on Helpwriting.net ...
Kempff 's fidelity to Beethoven 's wishes makes this performance full of the majestic sensation that is associated with Beethoven 's music. Liberace
was one of the most ingenious and eccentric American entertainers of the 20th century. He was best known for his creative interpretations of piano
and vocal music as well the flamboyance present in his performances. One of Liberace 's versions of Moonlight Sonata is actually a mash–up between
the first movement and the popular Broadway tune, Night and Day, written by Cole Porter in 1932. Overall, Night and Day is a love song with a
joyful spirit. It is full of amorous melodic phrases that add the sincerity of the romance depicted in the lyrics, such as, "Night and day, you are the
one. ..Whether near to me or far, It 's no matter darling where you are, I think of you, Night and Day". The first movement of the Moonlight Sonata
can also be interpreted as filled with romance but unlike Night and Day, the romance is accompanied with struggle. Liberace pairs this happy kind of
love song, with a piano piece that has dark, romantic qualities to create a sort or ultimate love piece that has both climatic love–filled moments and low
points of misery. Unlike Kempff, in his version of the Moonlight Sonata, Liberace almost immediately pulls away from the original melody. In the sixth
measure, right after Beethoven first introduces the melody, Liberace infuses the melody to Night and

Essay on Beethoven
Ludwig van Beethoven was born in Bonn, Germany, in 1770. He came from a family of musicians. His father and grandfather worked for the
Electors of Cologne. The grandfather, Lodewyk van Beethoven came from Mechelen, Belgium and joined the court orchestra in Bonn as a bass
player. He eventually became the conductor. His son Johann was a professional tenor at the court in Bonn and also played piano and violin. As
Beethoven began to exhibited his outstanding musical talent at a young age, his father pushed for him to become a child prodigy. Johann gradually
gave up when Beethoven 's recitals were only marginally successful. Beethoven's mother then died when he was in his late teens. His mother's death
drove his father to become an abusive... Show more content on Helpwriting.net ...
" By this time Beethoven was ready for the almightiest risk of his life" ( Simpson 55). He was at the stage in his life where he knew what risks he
could and could not take. For years Beethoven had contemplated setting Schiller's Ode to Joy, but when he decided to make this the setting to the final
movement to his ninth symphony he was very uncertain as to how to introduce the voice. " ... there are reports of him striding up and down his room
trying to solve this problem" ( Pike 70). Although some of the ideas used in the Ninth Symphony appear in sketches of 1817–18, Beethoven only began
concentrated work on the score in 1822. It occupied him throughout 1823, and he completed it in February 1824. The first performance took place at
the Karntnerthor Theater in Vienna on May 7, 1824. Beethoven stood there completely deaf beating time and turning pages of his score, but the real
conduction was done by Michael Umlauf. The orchestra leader was Schuppanigh. The dedication was to King Frederick William III of Prussia.(
Steinberg 47–48)The first vocal soloists to perform this were Henriette Sontag (soprano), Karoline Ungersabatier ( alto), Anton Haizinger ( tenor), and
Joseph Seipelt (bass). Only two rehearsals were gad been possible for the performance with mixed critical success. The symphony's required
orchestration includes: two flutes and piccolo, two oboes, two clarinets, two bassoons and contrabassoon, four horns, two trumpets, three trombones,
timpani, triangle,

The Brazos Valley Symphony Orchestra
On February 21, 2016 from 5:00 PM until 7:00 PM I attended, "Follow the Drinking Gourd," by Jonathon McNair at Rudder Theatre. The Brazos
Valley Symphony Orchestra, the Marian Anderson String Quartet, and special guest narrator Greg Wise preformed three pieces. These pieces include,
"Lyric for Strings," "Follow the Drinking Gourd," and, "Symphony Number 1." The Brazos Valley SymphonyOrchestra consists of Violin, Viola,
Cello, Bass, Flute, Oboe, Clarinet, Bassoon, Harp, Horn, Trumpet, Trombone, Bass Trombone, Tuba, Percussion, Timpani, and Keyboard. The Marian
Anderson String Quartet uses two violinists, viola, and cello. The first piece is around six minutes long and is called, "Lyric for Strings," by George
Walker, "the first African American composer to receive the Pulitzer Prize forMusic." The Brazos Valley Symphony Orchestra played the piece.
Walker was born on June 27, 1922 and became the first African American to graduate from the Curtis Institute of Music in Philadelphia. The piece is
dedicated to his grandmother, who passed away while he was working on it. Inspiration for comes from a compilation of Samuel Barber's "Adagio for
Strings," and "Beethoven's op. 135." Walkers piece was written in 1946 as a Renaissance styled piece of music. The piece starts with an introduction by
violins that immediately reveals a sad undertone and gracefully continues to incorporate more instruments until the entire symphony is playing
together. There is only one movement in this

Johann Sebastian BachГ‚Вґs Early Baroque Music
1. Brandenburg Concerto No. 4 in G, BWV 1049, III
By Johann Sebastian Bach https://www.youtube.com/watch?v=6JQm5aSjX6g This music by Bach portrays all the characteristic of early Baroque
Music which includes melody, texture, and timber. It is one of the Bach's sets that forms a master anthology that demonstrates all possible possibilities
inherent in a specific musical form. It is scored for violin, continuo, two flutes, and strings. The flutes was called "fiauti d'echo", which represented the
softer part of the song that echoes. However, this may not be the case since the flutes appear at the beginning even without the solo violin. Flutes
double the solo but occasionally used in echo function.
The date of composing Brandenburg Concerto is ... Show more content on Helpwriting.net ...
It has four orchestral suits (overtures) for defining the movements. French overture characterized the opening: majestic opening characterized by slow
dotted–note rhythm in duple meter, followed by fast fugal part, and lastly the short recapitulation of the introductory music ("Orchestral Suite No.2 in B
Minor, BWV 1067 (Bach, Johann Sebastian) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music"). The numerical order of the
orchestral suits is conventional, in which the first and fourth were borrowed from the time of Cothen and Leipzig era respectively. The B– minor is
more intimate of works, flutes, continuo, and strings. Suit term portrays a set of dance movements in successions. Overtures combined slow opening,
harmonic suspensions, and a faster part with the lightly fugal feature. Sections were repeated in this

Haydn Farewell Symphony Essay
Since the early 19th century, Haydn, Mozart and Beethoven have been venerated as the first of the three Viennese classics. Franz Joseph Haydn
(1732–1809) was an Austrian composer who began his career in the traditional patronage system of the late Austrian Baroque and ended as a free artist
within the burgeoning Romanticism of the early 19th century. He was one of the most celebrated composers of his time and a culture hero throughout
Europe. He is familiarly known as the "father of the symphony". Beethoven (1770–1827) was a German composer and a pupil of Haydn's. His early
achievements show him extending the Viennese classical tradition inherited from Haydn and Mozart but his later work was composed in an
increasingly individual musical style. ... Show more content on Helpwriting.net ...
As the father of the four movement form of the classical period, is was no surprise that his Farewell Symphony included the Allegro assai, Adagio,
menuet and trio, and the finale–Presto movements. The symphony has an unusual and complex tonal scheme, involving three different structural
tonics, F–sharp minor, A major, and F–sharp major; the double finale incorporates all three. The F–sharp minor projects something inherently unstable
which demands, and receives resolution by the tonic major, which is gradual, complex and a systematic change from instability to stability. This
process involves all aspects of the music including tonality, rhythm, form, instrumentation, dynamics and psychological content. Beethoven also uses a
four movement form but includes Allegro, Scherzo, Adagio and Presto–Allegro. The formal structure of the movements, while generally adhering to
the Classical models, charted new territory. The first movement, although in Classical sonata form, confounds listeners first by rising to a fortissimo
climax in the harmonically unstable exposition section and then by delaying a return to the home key. The scherzo is placed as the second movement,
rather than the customary third, and the third movement is a mostly restful, almost prayerful adagio. The last movement builds from a gentle beginning
into a brazen finale, while recalling some of the themes from earlier movements and once the "Ode

Brahms Musical Selection Is What I Would Call An Energetic...
Brahms musical selection is what I would call an energetic a confident piece. The tempo was allegretto and then moderato with the dynamics of
mezzo forte and mezzo piano. The meter would be duple. The texture is homophonic and polyphonic. The musical instruments that I heard and seen
were the bass drum, strings, trumpet, and timpani. This piece reminds me of a show my mother watches called "Little House on the Prairie." I
pictured the father, Charles jumping on his horse and buggy to go to save one of his children or a friend in need. This piece caused me to sit with
anticipation as to what would happen next. Mozart's first piece tempo was allegro and andante with the dynamics of piano, mezzo piano and mezzo
forte. The meter would be duple. The texture was homophonic, polyphonic, monophonic and back to homophonic and polyphonic. The instruments I
heard and saw were the piano, flute, strings, bassoon, and French horns. I did not have a thought for this piece. The image that came up to me was
an older person in their book room sipping on tea and reading the newspaper while relaxing in front of a small fire. The feeling that came up to me
was happiness and relaxation. I was actually bobbing my head allowing the music to take me to the place I was picturing in my mind. His andante
musical section tempo was andante and moderato. The dynamics are mezzo piano, and mezzo forte. The meter would be duple. The texture was
polyphonic and monophonic. The specific instruments that I

Biography Of Ludwig Van Beethoven 's Symphonies
Ludwig van Beethoven's nine symphonies are indispensable pieces of music and contributed to him being referred to as one of the most famous
musicians in all of musical history. His symphonies are still played today and are recognized around the world. He is known as a symphonic master
due to his nine symphonies. Ludwig van Beethoven was a German composer during the transitional period between the Classical and Romantic eras.
Beethoven's symphonies were greatly influenced by Haydn and Mozart in the beginning, but they showed remarkable signs of his individuality and
eventually transformed into his own style. His life is categorized into three periods; early period, heroic period, and later period, in which his music
had distinct characteristics in each of the time periods. His symphonies were first composed in a very classical style that stemmed from his mentors, to
later develop into a more romantic style with his own personal touch to finally compose the music that he wanted, without thinking about the music he
thought he was supposed to compose. вЂЁ вЂЁ The early period of Beethoven's life lasted approximately six years, from 1794 to 1800. This period
began directly after Beethoven met the famous composer Franz Joseph Hayden and moved to Vienna to study with him for two years. Although the
lessons with Hayden were not successful due to a personality conflict, Haydn greatly influenced Beethoven's early period. This period of his life
encompassed smaller musical pieces

Symphony Number 45 in F# Minor (the "Farewell symphony")...
Symphony Number 45 in F# Minor (the "Farewell symphony")
Between 1761 and 1790 Haydn was employed by the enormously wealthy Esterhazy family who had two palaces on the borders of Austria and
Hungary. The court orchestra was similar to that of many baroque orchestras – two oboes, a bassoon, a string ensemble and a harpsichord. But it also
included a pair of horns – instruments that became a regular part of the orchestra thereafter.
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It was this orchestra that accompanied operas in the palace theatre and played symphonies twice a week. Haydn's symphony number 45 in F# minor
was first performed in the summer prince Nikolaus ... Show more content on Helpwriting.net ...
The last movement of the Farewell symphony contains both styles. The presto is stormy, but the violent mood is restrained by its form. The major
–mode serenity at the start of the Adagio is later tinged with minor–mode sadness and one of the strangest endings in symphonic music.
Haydn's use of wind instruments is quite different from Bach's and shows how orchestration changed during the 18th century. Where Bach uses wind
instruments to provide melodic lines within his contrapuntal textures, in this symphony Haydn uses them to add colour or weight to the string parts. In
fact a performance of the presto on strings alone would make perfect sense.
The oboes are used in two ways: they reinforce the violins in loud passages and provide sustained notes that bind the texture (eg bars 20–24) or give a
reedy edge to discords (eg start of bars 25,27 and 29). Although printed on a separate stave in some scores the bassoon simply doubles the cello/bass
part throughout the presto.
Natural horns, like natural trumpets, could play only a limited number of notes. But by requiring the use of different crooks for the town horns Haydn
is able to use a wider number of pitches that would otherwise have been possible. The horns' most important job is to provide harmonic glue for
contrapuntal passages such as bars 20–24 of the finale, where the second horn doubles the first oboe pedal

Bach And Telemann Critique
On April 2, 2017 at 2pm I went to watch the Baroque Chamber Music Series: Bach & Telemann's Coffeehouse: St. Luke's Chamber Ensemble at the
Brooklyn Museum. There were 5 performers: Krista Bennion Feeney, who played the violin; Naoko Tanaka, who also played the violin; David
Cerutti, who played the viola; Myron Lutzke, who played the cello; and Robert Wolinsky who played the harpsichord.
The first performer was Krista Bennion Feeney, she played Gigue from Fantasia No. 12 for Solo Violin by George Philipp Telemann. The next
performance was Trio Sonata in G Major, BWV 1039 byJohann Sebastian Bach, which included four movements: Adagio, Allegro ma non presto,
Adagio e piano, and Presto. This was performed by two violinists, a cello player and ... Show more content on Helpwriting.net ...
It started with a rather slow tempo that had a call and answer type of theme, with the call part being more loud and dramatic while the answer was soft
and then after a part that flowed without the call and answer theme, it was vice versa– so the call part was soft and the answer was louder and more
dramatic. This movement faded out and into a slightly more fast paced part, however it wasn't the end of that movement because it wasn't a complete
stop. The second movement was quicker and much shorter than the first movement. The third movement was very similar to the first, in that it was a
little slow and has very short pauses that fade into a different paced part of the same movement. This movement had variations to the first theme and
had a short harpsichord solo. The fourth movement, Menuetto alternativo– trio had a faster pace and sounded like a non imitative polyphony with the
violins and viola as the main melody and the cello and harpsichord as the second melody at most times and as the background accompaniment at other
times. The last movement was much louder, more dramatic and more lively than the rest of the movements.This movement had multiple parts that
sounded were crescendo and then decrescendo. They finished the song with crescendo and it was a very dramatic ending. Most of the movements in
this piece were played by the strings, and the harpsichord was rarely heard because the strings overpowered it and were much louder than the

I Attended A Musical Performance By The Diderot String...
On April 23rd, I attended a musical performance by the Diderot String Quartet. The performance was held at the Bruno Walter Auditorium in 111
Amsterdam Avenue, New York, N.Y. at 2:30 p.m. The Diderot String Quartet performance that I attended was titled "Diderot String Quartet: Haydn and
his Students." The Diderot String Quartet performance is titled after the musical pieces of the concert, which included string quartets by Franz Joseph
Haydn, Anton Ferdinand Titz, and Ludwig van Beethoven. The first musical piece performed was "String Quartet No. 1 in G Major" by Anton
Ferdinand Titz. The second musical piece performed was "String Quartet Op. 76, No.6 in Eb Major Fantasia" by Franz Joseph Haydn. The third and
final piece performed was "String Quartet Op.74 in Eb Major Harp" by Ludwig van Beethoven. Each musical piece was performed beautifully by the
Diderot String Quartet, which included 2 violinists (Johanna Novom and Adriane Post), a cellist (Paul Dwyer), and a violist (Kyle Miller). Besides the
performance, the location of the concert was exceptional. The Bruno Walter Auditorium is a relatively small concert hall. According to its website, the
auditorium can only accommodate an audience of 202. However, the Bruno Walter Auditorium has an empowering effect on the audience. When the
performance began, I felt the empowering effect of the auditorium when I saw how the audience was drawn to the center of the stage. The attention of
the audience created an intimate

Amagio Symphony 8 Analysis
In the first sonata there is a very nice trio playing a smooth and intimate section. A very slow moving part that is rather simple in its virtuosity but rich
in its harmonies is a perfect introduction to the sonata, creating a gentle atmosphere to the listener. Moving on to the allegro part (part ll) the music
begins to become slightly more virtuosic at around 40 seconds in to the section we can hear the violins begun to expand their range, playing in a call
and response style. Completely opposite to the first section this section becomes lively very quickly at around 15 seconds the violin begins to expand
to an ascending arpeggio and is brought back into the piece throughout this section. The Adagio section as expected slows down and becomes ... Show
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The harpsichord changes the sound of the instruments by its plucking sound adding to the long holding string notes it makes a very relaxing and
distinctive sound. The tempo suits the music perfectly. The speed of the harpsichord compliments the strings and emphasises the dragged out notes
in the string section. Moving on to the next section, the Allegro section. Slightly similar to the first section in sound, the change in tempo is very
noticeable in the first couple of notes playing by the solo violin followed by a chord at 4 second in instantly grabs the attention of the listener and
indicates what will be following. A more lively part with accented notes at around a minute in and ornaments make the section a lot more interesting.
Followed by another Allegro section, Corelli does not change the sound too much from the previous section. The harpsichord plays a very chord base
role, sometimes ascending in semitones with the strings playing a bit louder creating it quite a faint sound in the background. The final section of this
sonata, like the previous two is allegro. Similar to the last section, this opens with a brief solo from the violin followed by all other instruments at 2
seconds in. Continuing with the liveliness of the previous section, this part keeps the piece moving at a nice energetic speed that is pleasant and perfect
for the music that is being

Turn Motifs In Music Essay
established a few beats later as D major, by the use of D naturals instead of D sharps. (Fig. 7.2) Bar 28 29 30 31 32 33 Figure 7.2. Unaccompanied C#
(Bar 32) Polyrhythms The most rhythmically complex section in this piece can be found between bars 114–116, towards the end of section C. Mahler's
original turn motif was prior the busiest part of the piece, but it is replaced in bars 114–116 by quintuplets and sextuplets. Thus, the sextuplets and
quintuplets create contrast to the original turn motif. In bar 116, the turn motif in quavers for the second violins is placed against triplets for the first
violins, together with quintuplets for the low strings,... Show more content on Helpwriting.net ...
Essentially, two dialogues are occurring simultaneously, illustrated by the red boxes and blue boxes in Figure 8.2. Figure 8.2. Simultaneous dialogues
The passing of the turn motif gives the movement polyphony, continuity, cohesion and momentum. While some instruments hold long notes, others
play the turn motif, or a variation of the turn motif, or some other kind of short scalic passage, thereby filling gaps and creating cohesion, yet retaining
the rich harmonic tension throughout the piece. The motifs and passages act like a musical glue, connecting all the melodies and harmonies together.
Retrograde inversion To make the melody sound yet more interesting, Mahler varies the turn motif through retrograde inversion: I.e. to cause the
melody to be played backwards and upside down (https://en.wikipedia.org/wiki/Retrograde_inversion). An example of retrograde inversion can be
found at bars 49–50. The first return of the A section is led by the French horn in F, however the molto adagio melody is altered in some small ways.
Bar 49 Bar 50 Figure 8.3. French horn

Tchaikovsky Symphony 6 Essay
General reaction: I was fascinated by the magnificence of David Geffen Hall at Lincoln Center and elated by the magnitude and grandeur of the sound
that the New York Philharmonic succeeded to produce.
Composition I liked best: The piece that enchanted me most was Symphony No. 6 in B Minor, Op. 74 "Pathetique" by Pyotr Ilyich Tchaikovsky, a
four–movement work composed of Adagio – Allegro non troppo in sonata form, Allegro con grazia in ternary form, Allegro molto vivace in sonata
form, and Adagio lamentoso in ternary form with diverse tempos. The symphony was composed between February and the end of August 1893 and
premiered close to the time of Tchaikovsky's death. Tchaikovsky dedicated that work to his nephew Bob Davydov. The subtitle Pathetique (infused
with pathos, full of feelings) was suggested by the composer's brother shortly after the symphony's premiere. The last symphony by one of the greatest
Russian composers Pyotr Ilyich Tchaikovsky delved ... Show more content on Helpwriting.net ...
For a reason the composer considered Symphony No. 6 the best work he had ever produced. It arose slowly from emptiness with the unexpected
sound of divided double basses and a solo bassoon, enhanced by divided violas, followed by gloomy comments from the woodwinds, before swiftly
changing into an edgy Allegronontroppo. Later it transformed into a blusterous section that recalled a Russian liturgical chant. The second movement
accented the idiosyncrasy of the work, resembling a charming waltz while in fact it was not. The following scherzo grew rapidly into a march that
smashed fiercely until the very conclusion. The finale of the symphony was characterized by an insistence on the minor mode and a closure perishing
into

Beethoven's Ninth Symphony Essay
Beethoven's Ninth Symphony
I attended Beethoven's Ninth Symphony on October 14, at the Bass Performance Hall in Fort Worth. The Fort Worth Symphony Orchestra, conducted
by Miguel Harth–Bedoya and Southwestern Seminary Oratorio Chorus, directed by C. David Keith, performed it. Ludwig Van Beethoven composed
the work. He composed it between 1811–1824. Beethoven composed the work in D minor, Op. 125 ("Choral"). His Ninth Symphony was his last
symphony to compose. It was preceded by eight other symphonies. I was attracted to this work because it was the first symphony to include a choral. I
found it astonishing that Beethoven was completely deaf when he finished this work. The first movement is in sonata form – Allegro ma ... Show more
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Then follows a scherzo with trio – Molto vivace – also in D minor. The scherzo itself is in sonata form with all parts repeated. The octave tuned drums
immediately announcing the important role they play in the tonality of the movement as a whole. Then follows a hushed fugato, which serves an
introductory purpose as the full force of the orchestra. Then follows a more harmonic path with the utmost vigor. The second subject in C major adds
an unusual harmonic flavor. The trio has a quasi–pastoral flavor, The trio is played only once, although Beethoven fools us into believing we will here
it once more at the end, like in the first movement but it abruptly ends. The third movement – Adagio molto e cantabile – is quasi–variational similar
and involves two themes: Adagio molto and Andante moderato. Both themes are of unsurpassed beauty. There is no link musically between the
themes. Indeed it seems that contrast serves an important function in the movement as also seen in the two dramatic fanfares hear towards the end. The
finally movement and my favorite of the four movements, Beethoven lets the cellos and basses 'talk' in a gruff recitative that passes judgment on the
themes of the first three movements. The recitative then halts and slowly, out of this darkness, the 'joy' theme is heard. As the theme commences, the
other instruments of the orchestra become involved and the theme is evolved into its ideal instrumental form. But what does

The Concert Of Mozart 's Concerto Symphony
On Saturday April 16, 2016, I went with my fiancГ© to Jones Hall to see the Houston Symphony perform a classical concert. The concert consisted of
two pieces. Mozart's Violin Concerto No. 3 in G major and Bruckner's Symphony No. 7 in E major. The orchestra was conducted by Thomas
Sondergard from Denmark. The concert lasted for about 2 hours with a 15 minute intermission. Although the concert started a little late, the first piece
was Mozart's Concerto No. 3, which he composed when he was 19. The instruments played in this piece were 2 flutes, 2 oboes, 2 horns, and strings. The
violin soloist was Karen Gomyo. There were 3 movements to this piece, and as I learned in class, this was definitely a classical concerto.
The first movement is played Allegro in Sonata form. The mood of this movement was bright and cheerful. I liked how theorchestra accompanied the
violin. In the second movement it was played Adagio. Because the movement was slower, the mood was a little more tranquil. I liked this movement,
because you could hear the violin solo playing an octave higher than the orchestra. The third movement which was the finale, was played Rondeau
Allegro. In this movement, I really enjoyed the playfulness of this movement. The violin solo was quite impressive. Overall, this entire piece was
quite enjoyable, I really liked the playing back and forth with the solo and orchestra. The orchestra played in tune and everyone was definitely playing
in rhythm and were well prepared. I

A Classical Concert
Concert Attendance Report It was my first time attending a classical musical concert. I was so excited when I attending this concert. In my mind, the
concert is always boring and around solemn person. But when I came in there are not that exactly that I was thought. People in here with daily outfit
and chat with people around them. The concert is begining at 7:00 p.m. When the music sounded, the audience quiet down. I thought I will be sitting
there and falling alseep, but I'm not, I was immersed in this music. I did a little work before I went to this concert. It had five pieces were performed
and they all were composed by Johannes Brahms. The first be played was Clarinet Trio in A minor, Op. 114. This piece was the composer's... Show
It's fast at beginning and then turn to soft but it's turn back allegro in the end. The whole piece is melancholy but romantic. The second piece Violin
Sonata in D minor, Op. 108 the first movement is allegro also as a cantilena. The second movement is adagio that is gentle, the third movement piano
point the main theme. The third piece Intermezzo in E–flat major for Piano, Op. 117. The main rhythm is persistent. The style is clam, slow an soft.
The forth pieces is Rhapsody in E–flat major for Piano, Op. 119. The first movement's rhythm is long–short–short, the cadence bar is short–short–long.
The second part is quite at fist, louder at next and comes quite again. This piece of style is romantic. The last one is Clarinet Quintet in b minor, OP.
115. It's romantic,too. Clarinet Quintet a total of four movements, the first movement relative to the most complex, the most instense emontional
expression. It's began with the violin playing. Then the second movement introduced by the clarinet, the mood comes depresssed again as the first
movment. It's slower paced and gentle. The third movement begins treacle, but each of his last melody often attributed to serious and contemplative.
Fourth movement is characterized by the varuation. It's has same sweet melody which resembles the second movement. At the end is with a loud chord
whcih ultimately fades away. The instrumentation of the orchestra is violin, viola, cello and clarinet. I enjoyed this concert. Not only it's my first time
went to a classical music concert, but also the music of this concert that the musicians played were very well. When the movement was change my
mood was different. I think it's totally different feel if you attending a live concert or just watch at home. The atmosphere I was realy enjoyed in that
time at the

Analysis Of Beethoven's 9th Symphony
For the second and final concert report, I listened to the performance of Beethoven's 9th symphony, as played by the Chicago Symphony Orchestra.
Beethoven lived in Germany during the late 16th and early 17th centuries, and was an influential figure in the transition between the Classical and
Romantic eras in western music. The performance requires a large number of instruments, with woodwinds, brass, percussion, strings, and even a choir
during the 4th movement. The first movement of Beethoven's 9th is quick, driving forward and at times giving the feeling of rushed urgency, while
maintaining a composed majesty beneath the surface. This is reflected in the original tempo marking of allegro ma non troppo, un poco maestoso,
meaning literally "quickly but not too fast, a little majestic". The movement begins with a the strings playing intervals over a quiet string tremolo,
reminiscent of an orchestra tuning themselves before a performance. This crescendos to a loud and bombastic introduction of the first movement's main
theme and the introduction of the brass section. The first movement also makes heavy use of dynamic contrast, with large crescendos that swell in time
with the music and diminuendos that quickly reign in the impressive power of the full symphony orchestra. The first movement also follows a
traditional sonata form, with the main theme having variations throughout the roughly 18 minutes of play time. Personally, I found the ending of the
first movement

Concert Report Essay
There are lots of exceptional musical pieces composed by famous musical legends such as, the German music composer, aesthete, and influential music
critic, Robert Schumann; who composed Symphony No. 4 in D–minor, Op. 120 in 1851. Or the distinguished Wolfgang Mozart, a prolific and
influential composer of the Classical era, who composed over 600 works; one of which is Concerto in A–major for Clarinet and Orchestra, k. 622. These
two musical masterpieces were performed at the UC Davis Symphony Orchestra, Mondavi Center, under the name of Spain 2012 on March 11, 2012;
along with prelude "L'apres–midi d'un faune" by Claude Debussy. In this paper, I will be comparing the work of R. Schumann, Symphony No. 4, to
the Clarinet Concerto, of W.... Show more content on Helpwriting.net ...
The first movement: Allegro begins with an orchestral statement of the main theme. Then the theme is repeated by the solo clarinet, creating a more
desolate atmosphere. Eventually the music develops into a dramatic turn after a tutti, leading back to the main theme, where the Alberti bass and
arpeggios for the solo clarinet are restated, then ending the movement in a relatively more joyful tutti in A major. The second movement: Adagio,
written in ternary form ABA, begins with the solo clarinet playing the main theme of the concerto, with the orchestra restating the theme again.
Although this movement starts with a tranquil feel, it develops into a more forceful, enthusiastic tone. Finally the third movement Rondo: Allegro has
a happier refrain, but occasionally recalling the melancholy mood from the first movement, also creating quiet music, silence, which I felt were a big
part of the musical piece. Overall, the Clarinet Concerto is best portrayed in Brian Robins' words "valedictory and autumnal."
Symphony No. 4 in D–minor, Op. 120, was originally composed and completed in 1841, but Schumann being unsatisfied with it, heavily revised the
symphony and was later published in 1851. The published version of the symphony consists of four movements: Ziemlich langsam – Lebhaft (D
minor), Romanze: Ziemlich langsam (A minor), Scherzo: Lebhaft (D

The Mix Of The Western World
The Mix of the Western World & Eastern: Classical Edition
Attending previous western culture concerts before, this was a time in which I decided to do something different. I was searching through different
websites, until one day my parents told me that we were attending a musical concert and that it was a mixture of western world and the middle eastern
world and I thought to myself– something what I exactly needed for my concert report for music history! The concert was held on September 17, 2016
approximately near Wall Street in Manhattan. The concert was hosted by the company– Alwan for the Arts with an ensemble. The ensemble consisted
of several people. There were about 4–5 singers to sing along to the instruments. The instruments that consisted in this specific ensemble were the oud–
an instrument that belongs to the string family, the cello– an instrument also belonging to the string family, the qunan– an instrument consisting of
mandols that also belongs to the string family, violins, the piano, flutes, and saxophones. The mixture of the different culture of music can be found in
the instruments used in the ensemble rather than the music in itself. The ensemble consists of no conductor, only eye movement amongst the
musicians and others to instruct each other when to go and when not to go. Everything was done through body language, with little to no guidance
from anyone else, which is quite remarkable. To be focused on your music, notes, pace while being focused on

The Auburn Symphony Orchestr Concert Report
The concert that I chose to attend was performed by The Auburn Symphony Orchestra. Which was led by musical director and conductor Peter Jaffe. In
addition, his son James Jaffe, a renowned cellist, accompanied the ensemble with a beautiful solo performance. There are three pieces that are
instrumented by the symphonic orchestra. The first piece is Dances from Cake Walk, by Hershy Kay. The second piece is Schelomo, Hebraic Rhapsody,
by Ernest Bloch, and the third piece is Symphony No.9 in E minor, op.95, "From the New World" by Antonin Dvorak. All three of these pieces
originated in the early 19th century. To begin with, Dances with Cakewalk by Hershy Kay is an orchestrated Broadway style repertoire, with integrated
creole melodies and a minstrel song using Gottschalks music arranged originally for the New York City ballet. There are three different dances to this
piece. The first dance "Grand Walkaround" opens with loud dynamics from the kettledrum, and woodwind instruments creating a grand entrance
leading into a piano solo. The rondo theme of this dance is played by different sections. The tempo is lively as the dynamics increase while the whole
symphony plays the theme, in addition, the rhythm resembles a ragtime ... Show more content on Helpwriting.net ...
The dynamics are medium, as the rhythm progresses into a minor sounding melody with the brass creating a carousal like harmony, while a xylophone
novelty instrument accompanies with a slow tempo, creating unity and variety. The next section the brass band increases the tempo and fluctuates
from a sweet waltz from the strings to a carousal brass band style, ending in a ritardando. Finally, the third dance, is described as a gala cake walk tune
with various whimsical and spectacular variations of the strings and woodwind instruments. The texture and variety of instruments generate a fast
tempo, that leads into a bravado abrupt

Psy 270 Week 8 Listening Exercise
In this week's listening exercises, I found there to be much excitement and mood all in one movement. I enjoyed listening to all the pieces, but my
favorite two were Eine kleine Nachtmusik (Third Movement: Minuet, Allegretto) by Mozart and Symphony No. 94 in G Major, Second Movement:
Andante (Surprise) by Haydn. Even though they were very different I found them both to be entertaining. Mozart's, Eine kleine Nachtmusik is a
serenade and when I was listening to it I felt as if I was being serenaded. It was very entertaining throughout the whole piece. The combination of the
strings and the double base have a great sound and keep the beat moving. This piece is the perfect example of a Minuet Allegretto with A B A form.
The minuet is load

Most Popular Symphonic Orchestra Music In The World
Pre – Concert Research Composed by Bohemian composer AntonГn Leopold DvoЕ™ГЎk (1841 – 1904) in 1893, Symphony No. 9 in E Minor, Op.
95: From the New World is one of the most popular symphonic orchestra music in the world. Including Symphony No. 9, many of his musical works
as a composer were created in the romantic period. This music consist of four movements and the total duration time of the music is about forty
minutes. Each movement has different characteristic, but I will focus on the first movement, which is known as Adagio– Allegro molto, in this
research. Herbert von Karajan conducted the orchestra I posted on EDpuzzle. In general, music instruments which an orchestra use for this music are
two flutes (2nd doubling piccolo), two oboes and English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani,
triangle, cymbals, and strings. In the early stage of the movement, loud minor sounds of string and woodwind instruments created feelings of
magnificence and anxiety at the same time. In the midway of the movement, the orchestra played the combination or alternate of minor and some
gentle major melodies. Therefore, the mood of this music frequently changes: powerful and impressive minor sounds and warm major sound. ... Show
(2011, Jul 21). DvoЕ™ГЎk – Symphony No. 9 in E Minor "From the New World"– I. Adagio, Allegro Molto (Karajan) [Video File]. Retrieved from
https://www.youtube.com/watch?v=O5xkAk4bN4s
Lloyd–Jones, David Mathias. "Antonin Dvorak." EncyclopГ¦dia Britannica, EncyclopГ¦dia Britannica, Inc., 18 Aug. 2016, www.britannica.com
/biography/Antonin–Dvorak. Accessed 23 Feb. 2017.
Schwarm, Betsy. "New World Symphony." EncyclopГ¦dia Britannica, EncyclopГ¦dia Britannica, Inc., 4 Sept. 2015, www.britannica.com/topic
/New–World–Symphony. Accessed 23 Feb. 2017.
Spuka, Ondrej. "Symphony No. 9 'from the New World'." AntonГn DvoЕ™ГЎk, Antonin–Dvorak.cz, www.antonin–dvorak.cz/en/symphony9.
Accessed 23 Feb.

Analysis of The Sleeping Beauty by Tchaikovsky
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have
worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." – Tchaikovsky,
to Nadia von Meck.
The Sleeping Beauty by Tchaikovsky is another ballet that is based on a fairy tale, and was first presented to the Tsar of Russia.
It tells the story of Princess Aurora, King Florestan's daughter. The fairies have been invited to Aurora's christening, and each one in turn dances and
gives a magic present. However, the wicked fairy, Carabosse, interrupts the ceremony and is furious that she wasn't invited. She announces ... Show
The oboe then plays main melody. There is a rallentando and diminuendo with a flute melody and pizzicato strings.
Pas d'action
There is a minor brass introduction followed by ascending and descending major scales played by the harp. The strings play a legato melody and
there is a pedal note in the woodwind. The music modulates back to minor and there is a crescendo with a sequence and use of the timpani. There
is a descending arpeggio played by the brass section, and then the string melody is repeated with brass repeated notes. The music has a ¾
rhythm and an adagio tempo. There is a quiet woodwind passage with a timpani roll and crescendo. The main melody is then played by brass. It is
then repeated with cymbal crashes, brass fanfares and a timpani roll. There is a crescendo with discords and imperfect cadences. And the piece ends
with a perfect cadence and timpani roll.
Panorama
The harp and pizzicato bass strings accompany a legato string melody in major. There is a crescendo and diminuendo, and then melody is repeated.
The music is quite fast and again has a ¾ rhythm. There is a modulation to minor and the strings play a sequence, which is repeated by brass.
Major harp scales close the piece.
Waltz
The piece opens with a major ascending sequence by the orchestra with an imperfect cadence. Bass instruments play the waltz rhythm for 2 bars then
the strings come in with the sequential legato melody.

Wolfgang Amadeus Mozart's Requiem
It is evident that most composers have made an attempt to stand against the test of time. Alas, most have failed to accomplish feat and their works
have faded in the wind. However, there are those who stood against time and won. One famous composer, Wolfgang Amadeus Mozart has
accomplished this feat and his works are still remembered in today's ominous society. One of his most famous work's, Requiem, is still honored and
heard throughout the entire world. Despite having partially completing it, Requiem is heavily influenced by Mozart's musical style and can be
compared to most of his famous works (Service). Although Requiem can be played in many different keys, I chose to listen to it in D minor, thus,
attaining a darker, melancholic tone, which... Show more content on Helpwriting.net ...
This part is fluttered with strings, winds, and, more importantly, high pitched notes that the choir must sign. Throughout the section, crescendos often
happen, the dropping into soft melodies. The tempo for this section is adagio, similar to that of Introitus. Like Introitus, Lacrimosa shares the same
meter signature as well as the same tone throughout. The singers build up into a fortissimo volume, and then drop into a piano tone. However, there
are some differences to notice, such as the increased use of winds in Lacrimosa and the decreased use of brass instruments. Instead of focusing more on
making a bold statement or emitting tones of melancholy, like Introitus, Lacrimosa provides a sense of conclusion to the symphony as well as to the
theme of Requiem. This is what it succeeds in, thus, emitting a passive tone, despite the various crescendos. Although there are no diminuendos
featured in Lacrimosa, the audience gets a sense of piano by the sudden drop in note. Without a doubt, Lacrimosa concludes the symphony in a way that
sounds pleasing to the audience as well as ending the journey that the conductor

Mozart's Borromeo String Quartets Concert
Mozart's Haydn Quartets concert is a collection of string quartets that were made by Mozart. Two of the six of them were performed on January 26,
2009 in the tapestry room of the Isabella Stewart Gardner Museum in Boston, Massachusetts by the Borromeo String Quartet. Mozart made these
SONGS with Haydn's music as the inspiration. The first quartet performed was Mozart: String Quartet No. 16 in E flat Major K. 428. The second
quartet performed was Mozart: String Quartet No. 19 in C Major, K. 465. The first quartet performed was Mozart: String Quartet No. 16 in E flat
Major K. 428. It is composed by Mozart and the Borromeo String Quartet is performing it in this recording. This SONG has four movements. The
first movement is called Allegro non troppo. The second movement is called Andante con moto. The third movement is called Menuetto and Trio.
Allegro. The 4th and final movement is called the Allegro Vivace. The SONG is performed by two violins, a viola, and a cello. The harmony changes
a lot during the SONG. This is a lot like Haydn's style of music. The harmony changes ... Show more content on Helpwriting.net ...
19 in C Major, K. 465. It is composed by Mozart and the Borromeo String Quartet is performing it in this recording. It is one of Mozart's best known
SONGS. Unlike many Renaissance musicians, Mozart puts a dissonance in this SONG and in the very beginning of the SONG. This is where it got
its famous nickname: the Dissonance quartet. Just like Mozart: String Quartet No. 16 in E flat Major K. 428., this SONG also has four movements.
The first movement is called Adagio –– Allegro. The second movement is called Andante cantabile (F Major). The third movement is called
Menuetto and Trio. Allegro. The fourth movement is called Allegro. The SONG begins slowly but the tempo picks up as the PIECE is played. The
SONG is also performed by two violins, a viola, and a cello. Unlike most of the Renaissance music, Mozart adds dissonance into this

Beethoven Symphony 9 Essay
The West–Eastern Divan Orchestra and the National Youth Choir of Great Britain impressively rendered Ludwig van Beethoven's Symphony No. 9 at
the 2012 BBC Proms. The Orchestra conducted by Daniel Barenboim played the four played all four movements of Symphony no. 9. The performers
brilliantly upgraded the symphony, fully respecting the brilliance of Beethoven. The performance utilized a large Orchestra and Choir, all of which
displayed various musical concepts. Ultimately, this performance breathtaking performance, respectfully paid homage to one of the most revered
symphonies of all time. The First movement Allegro ma non troppo, un poco maestoso began with a very angry mood, recapitulating the fortissimo
throughout the movement. The Second movement Scherzo: Molto vivace – Presto played in the minor key displayed both a joyful and suspenseful
mood. The Third movement Adagio molto e cantabile played in the major mode effectively slowing the pace of... Show more content on
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The first movement Allegro ma non troppo, un poco maestoso played in sonata form beginning with a soft pianissimo which then developed into a
stormy fortissimo which recapitulated throughout the movement. The second movement Scherzo: Molto vivace – Presto also features recapitulation
throughout the movement, while the movement's rapidity was facilitated by the presto tempo of the movement. The third movement Adagio molto e
cantabile played in variation form by repeating the same basic melody, with minor alterations. The fourth and final movement called Presto; Allegro
molto assai (Alla marcia); Andante maestoso; Allegro energico, sempre ben marcato, represents the most iconic movement of the symphony. This
movement begins with a suspenseful presto then developing to reveal the iconic melody of the symphony. Soon after the National Youth Choir of
Great Britain performed the chorus which gave the movement a polyphonic

Jazz Report Essay
I attended the University Symphony Orchestra's "An Evening of Handel, Schubert, and Haydn" on Thursday, September 30, 2003 in the
Daniel Recital Hall. The hall was much more crowded than I expected. At the beginning of the concert, the orchestra was seated on the stage; the men
wore tuxedos, and the women wore black dresses or pants. The concertmaster came out to tune the orchestra, and then the conductor made his entrance
and gave a brief description of the piece that was about to be played.
George Frideric Handel's Overture to Music for the Royal Fireworks was composed during the Baroque era. It has a homophonic texture and its genre
is a suite. There is a wide variety of instruments (aerophones, chordophones, and ... Show more content on Helpwriting.net ...
The melody has an ascending shape as it moves in a crescendo. The fast tempo of this section creates an exciting and energetic mood. The Lentement
section has a slow pace and is played in a minor key. It is homophonic and in duple meter. The tempo creates a smooth and relaxing mood. This section
features a decrescendo and is conjunct with a relatively narrow range. Finally, the Allegro section is repeated.
Schubert's Symphony No. 8 in B minor was composed during the Romantic era. The instruments heard include the trombone, flute, oboe,
bassoon–members of the aerophone family–as well as the violin, viola, cello, and double bass–all chordophones. This piece has an overall homophonic
texture. The genre is a symphony, which is divided into two movements: Allegro moderato and Andante con moto. The Allegro moderato follows
sonata–allegro form. There are two themes presented, and the movement is in triple meter in a minor key. It begins at a soft (piano) dynamic level and
grows in a crescendo. It is generally conjunct with a narrow range that eventually expands into a wide range. The softness opening creates a dramatic
atmosphere filled with emotion. This movement illustrates a recapitulation–the restatement of themes, since the main two themes recur throughout the
piece.
Joseph Haydn's Symphony No. 94 in G major ("Surprise") was composed during the Classical era. It is a symphony with a generally
homophonic texture. This particular

Concert Report On Orchestra
After writing several other concert reports for other Music core curriculum classes, this concert has become the most anticipated one. The Chamber
Orchestra of Laredo, the acronym C.O.O.L., is a small unique chamber class directed by Brendan Townsend and the ensemble is made up on strings
varying from Violins, Viola, Cello and Double Bass. As a member of this chamberorchestra for so many years, I can honestly say that it is always
quite fun to play in the orchestra and huge challenge in striving to become a professional musician. Performing with the chamber orchestra is always a
great honor, whether its 1st or 2nd Violin, either one plays an important role in this small orchestra. The reason for why each section is important is
because of ... Show more content on Helpwriting.net ...
Mozart's "Symphony No. 29 in A Major" a splendid piece I might add. I really enjoyed this symphony, and it has become one of my favorites on my
music playlist. The piece, just like the Suite, has four movements: Allegro moderato, Andante, Menuetto and Trio, and Allegro con Spirito. The first
movement is a very fast pace introduction with a catchy tune to it and involves a lot of staccato bouncing. The Andante is my favorite; it is so slow
and soft. The melody in the first violins is so beautiful and peaceful. Next, the third movement is just the Menuetto and Trio, very small but a nice
transition for the finale. Now, the last movement is extremely fast and uplifting after displaying the slow movements–the second and the third. Once
again, this Mozart piece has grown on me and I like it very much. It is very satisfying to perform and what a way to end the Chamber Orchestra

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