Nausicäa Of The Wind

Nausicäa Of The Wind
Miyazaki's second feature film, Nausicäa of the Valley of the Wind (1984), was the first film of his
to feature a female protagonist. Nausicäa is a princess of the last functional kingdom in a post–
apocalyptic world. Despite her role and duties, she cannot ignore her desire to find a solution to
curing the Toxic Jungle that grows outside of her kingdom in order to better the world. Nausicäa
continuously takes charge and thinks on her feet, has an adventurous spirit, and manages to find
solution after solution to the conflicts in the narrative. Everything she faces she does with courage
and selflessness, even when she herself feels fear. While Miyazaki portrayed feminism in Nausicaä
primarily through the so–called character's compassion as well
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Essay on Joe Hisaishi (Mamoru Fujisawa)
Biography
Joe Hisaishi was born on December 6, 1950 in Nagano, Japan under the name Mamoru Fujisawa.
His musical training started early on, when he began to take violin lessons at age five. It was around
this time that he first discovered his passion for music. Fujisawa truly began to explore this passion
in the 70's, during which, a cultural menagerie of Japanese popular music, new–age, and early
electronic music flourished. Inevitably, those genres influenced Fujisawa's early compositions.
(Wikipedia) Fujisawa was highly influenced by the new–wave of Japanese electronica such as the
Yellow Magic Orchestra and Ryuichi Sakamoto group. It was not until 1975, that he made his first
public performance, and it is not until a decade later that ... Show more content on Helpwriting.net
...
(Team Ghiblink, Nausicaa.net) Afterwards, the pair would go on to produce eight more films
together. (Wondercity Inc. , 2011)
2008 marked an important year for Hisaishi. In honor of his work, a concert event was produced at
Nippon Budokan in Tokyo to celebrate the anniversary of 25 years of collaboration. (Dasnoy &
Tsong, 2013) The concert featured performances of Hisaishi's signature Miyazaki film score
compositions. Approximately 1,200 musicians and singers participated in the performance,
including the 200–member New Japan Philharmonic World Dream Orchestra, 6 featured vocalists,
the combined 800 members of the Ippan Koubo, Ritsuyuukai and Little Singers of Tokyo choirs, and
a 160–piece marching band. Joe Hisaishi, who by this time has become an important icon to Asian
music, conducted the performance from his piano as a giant screen backed the entire performance,
streaming projections of correlating clips from Miyazaki's films along with the music. (Team
Ghiblink, GhibliWiki)
In 2010, Hisaishi returned to his roots, becoming a professor at the Kunitachi College of Music to
fulfill an endeavor to teach younger generations about music composition, passing on his legacy, all
the while continuing his career as a composer, arranger, pianist, and conductor. (Dasnoy & Tsong,
2013) Over the course of his career, spanning more than 30 years, Joe Hisaishi built a solid global
fan–base, including an enthusiastic multi–generational following in China.

Hayao Miyazaki Research Paper
Hayao Miyazaki Path to Animation Star artists inspired him. Hayao Miyazaki was only one of many
during postwar Japan who wanted to become a comic artist (master). Like many others, Miyazaki
would look to star artists, such as Osamu Tezuka, Tetsuji Fukushima, and Zohei Shiratsuchi, for
inspiration. Of the three, Tezuka, who was named "the manga god" by fans, had the ingrained effect
on Miyazaki. Miyazaki has written in a Tezuka memorial collection: It's true to say that I was very
heavily influenced by Tezuka. When I was in both elementary and junior high school, I liked his
manga best of all the ones I read... when I passed the age of eighteen and felt that I just had to draw
manga of my own, the question of how best to peel away the ... Show more content on
Helpwriting.net ...
In addition, many more art and literature figures had an influence on Miyazaki's direction and
philosophy. For example, a French animation, The Shepherdess and the Chimneysweeper, directed
by Paul Grimault, showed Miyazaki how an animation feature film could be targeted at an adult
audience. And, while he did not want to follow Disney's way of neatly finishing movies with main
characters living happily ever after, Miyazaki did admit that he enjoyed Disney shorts such as Silly
Symphonies. All this exposure to Western culture, paired with the foundation that Tezuka laid out
for the Japanese animation industry, put fuel on Miyazaki's passion for animation and his vision as
to exactly what Japanese animation, or animè, could deliver. Early Film Miyazaki joined Toei
Animation Studios, upon graduating Gakushuin University. After three months of training, the
young Miyazaki got to be a part of his first animation productions, Watchdog Woof–Woof and Wolf
Boy Ken, as an in–betweener. An in–betweener is someone who draws, or fills, the animation
between two positions. For example, main artist would draw characters in key positions–compose
the shots–and an in–betweener would fill in the action planned, like a character standing up from a
chair. However, the work of somewhere along the bottom of the animation workflow couldn't match
Miyazaki's ambition. Tired of doing low–level work, Miyazaki seriously considered quitting, but he
was drawn back after watching Lev Atamatov's The

The Pastoral And Wilderness Story Template Essay
One difference between the pastoral and wilderness story template is seen through the protagonists.
In the pastoral story template, the protagonist is usually accompanied by a person of the opposite
gender or simply a group of people. However, in the wilderness story template, the main character is
a man who is traveling alone. The next difference is seen on the type of animals presented in each
story template. Domesticated animals such as sheep's, cows and dogs are associated with the
pastoral template. On the other hand, wild animals like birds, rabbits, and grizzly bears are linked to
the wilderness template. To add on, the third important difference is seen in the physical landscape
of a pastoral and wilderness template. In the pastoral template, a landscape is enclosed usually to
retain domesticated animals. Furthermore, this particular land is shaped and improved by humanity.
The wilderness story template is presented in an open space that is untouched by humans. A
wilderness template offers an opportunity to escape reality and truly feel relaxed. John Muir's, My
First Summer in the Sierra, offers both a pastoral and wilderness story template. When Muir joins
shepherds to the Sierra Nevada he is fulfilling the typical pastoral template. The fact that he is
accompanied by shepherds and is navigating domesticated animals (sheep) demonstrates that the
template is pastoral. When Muir separates from the shepherds and takes a hike by himself, the
template changes to the

Auteur In Film Analysis
Question 8: Take one contemporary director and analyse in detail, discuss and debate how they can
be considered to be an auteur. In your discussion refer to the different ways auteur have been
discussed in film studies.
Introduction:
The term of an auteur has been discussed ever since 1950s and even today it is still as much as
evaluative, as it is also pretty vague and unclear. Many scholars and film studies academics took this
topic into consideration and many of them came up with similar, but significantly different
conclusions or felt that some aspect of already existing theories had to be deepened and expanded.
Nevertheless, even today who is an auteur and who can say so, leads to a very heated argufies. In
this essay I will look at ... Show more content on Helpwriting.net ...
In English: reprinted in Jim Hillier (ed.), 'Cahier du cinema, vol.1:1950s', London, BFI/Routledge &
Kegan Paul, 1985.
Bazin Andre, 'Que–est–ce que le Cinema?', Paris, 1958–1965 (4 volumes). In English: Grant Hugh
(ed.), 'What is cinema?' vol.1, Berkley, University of California Press, 1967
Cavallaro Dani, 'The Anime Art of Hayao Miyazaki', London, McFarland, 2006
Cook Pam (ed.), 'The cinema book', London, BFI, 2007 (third edition)
Lu, Alvin, 'The Art of Miyazaki's Spirited Away.' Miyazaki, Hayao introd. Viz Communications,
(2002 ed.), p. 15
McCarthy, Helen, 'Hayao Miyazaki Master of Japanese Animation' Berkeley: Stone Bridge Press,
(2002 ed.).
Sarris Andrew, 'Notes on the auteur theory in 1962', Film culture 27, 1962/1963 (see 'Film culture
reader', Cooper Square Press; 2nd edition, 2000)
Truffaut Francois, 'A certain tendency of the French cinema', Cahier du cinema 31, January 1954. In
English: Nichols Bill (ed.), 'Movies and Methods Vol.1', Berkley, University of California Press,
1976.
Online resources: http://studioghibli.wikia.com/wiki/Princess_Mononoke [online, accessed
6.01.2015]
Films:
The Castle of Cagliostro, dir. Hayao Miyazaki, 1979
Nausicaä of the Valley of the Wind, dir. Hayao Miyazaki, 1984
Castle in the Sky, dir. Hayao Miyazaki,

`` Toxic Discourse `` By Lawrence Buell
In Lawrence Buell's essay, "Toxic Discourse", one of the key ingredients to the narrative of
environmental toxins in the United States is the element of burden of proof. This element pertains to
the idea that not sufficient evidence is provided in order to prove that toxins lead to the health
deterioration of the exposed population. For example, Buell states, "almost every claim that a risk is
present, almost every attribution of cause, [has] been vigorously contested...[i]t is notoriously hard
to demonstrate environmental causation of illness, given the limitation of preexisting research
bases..." (660). While Buell 's version of toxic discourse includes the element of burden of proof,
this element is absent in Hayao Miyazaki's ... Show more content on Helpwriting.net ...
By showing how much power these giant warriors possess, the film is able to critique the use of
nuclear weapons and instead advocates for the protection of the environment. The presence of these
giant warriors in the tapestry should be examined with caution, especially because they hold
information of what could be interpreted as human error. The first thing that needs to be analyzed is
the beginning of the tapestry that depicts the flying boats. The importance of this image is that it
addresses the technological development of humans. More specifically, this shows the desire and
longing of wanting to become advanced and powerful. Hence, this could be a reason for the next
image that depicts the assembling of the giant warriors. Not only does the viewer learn that the
manufacturing of the giant warriors was an invention of humanity, but that any consequence
whether it be good or bad should be attributed to humans. Moreover, the next part of the tapestry
shows the warriors in a battlefield. Perhaps the most crucial aspect of this scene is that everything
these warriors pass by or touch completely becomes incinerated and destroyed. (0:02:09–0:02:59).
The importance of the above description is that the giant warriors could be seen as symbolic for
nuclear weapons. The fact that these giant warriors can spit lava–like fire that is so powerful and
destroys anything it comes into

Common Misconceptions on the Word Anime
It has always baffled me when I tell someone I love anime and they say they do not like it. They
sometimes say I hate all anime saying that they never could get into that genre. This is a statement
that gets my geek fathers rattled because anime is not a genre; it is an entire medium and whole
form of entertainment. It is a confusing statement to say because to me that is like saying you hate
all movies or TV shows. To traditional Americans who do not know a lot about anime, it tends to
have a stigma attached to it. Hence is why I decided to write about it as a social deviance. When you
talk to someone who has never experienced anime before, you tend to get some weird looks. A
common misconception is that all anime is pornography; they think all anime has tentacle monsters
waiting for that busty girl to pick up and rape. This misconception very much alienates people away
from anime. It is true there is a genre that is pornographic called hentai and is specifically targeted at
adults. Hentai is its own genre and most anime shows do not come close to that line. Most people
confuse hentai with shows that proved what is called fan service. Fan service is a term coined from
anime and manga fandom for material in a series, which is deliberately added to please the audience.
Fan service can be in both manga and anime and can include racy, erotic, or sexual content such as
nudity, up–skirt glimpse of a characters underwear, shower scenes, characters wearing bathing suits,
or

Analysis Of Ecofeminism In Nausica Valley Of The Wind
One specific movement, ecofeminism, is represented in Nausicaa: Valley of the Wind. The movie
pushes and pulls ideas of ecofeminism by using feminine woman characters in dynamic ways and
contrasting humans' relationships with nature and how they utilize it. This provides context that
examines how the women figures in Miyazaki's work connects to nature and how both are affected
by a male–centered society.
Ecofeminism is a radical environmental movement that recognizes a connection between the
exploitation of nature and the oppression of woman. There are many interpretations of feminist
ecology and it has evolved over time. Garrard specifically discusses in his book, Ecocriticism, how
society associates women with nature and emotions ... Show more content on Helpwriting.net ...
Her people use nature in harmony, using fire in small amounts and respecting it as equals. In this
way, she supports the idea of women most integrated with nature.
Their perceptions of nature encapsulate the ideas of egocentrism and ecocentrism, egocentrism
being heavily rooted in androcentric ideals and ecocentrism embodying a feminist approach to
relationships within nature (DesJardins) Kushana is considered a character with an ego–centric
mentality as she navigates her position as a leader. Society, assuming a male role as well as societal
ways of ruling. This is seen in her aggressive demeanor and needs for domination of nature.
Nausicaa is a symbol of ecocentric ideology where all people and nature, are equal and should
coexist. This dualism created by the two main women figures creates contrasts of humans everyday
relationships with nature as well as pushing and pulling with androcentrism.
Physical traits and their interruption in society also play a role in perceptions of women's'
connections with the environment, focusing on soft, feminine qualities and associating them with
nature. Miyazaki plays with these concepts in the appearance and personalities of his female
characters. Her physical appearance is seemingly feminine with large breasts and petite features.
Miyazaki explains as not a choice for sexual appeal, but that "her bosom has to allow people to feel
secure; she embraces them as they are dying" (Miyazaki, 338). The

Nausicaa In The Valley Of The Wind Analysis
Like many other forms of Japanese media and culture, Hayao Miyazaki's Nausicaa of the Valley of
the Wind is undeniably influenced by Western literature. The most immediate and recognizable
influence being the name of the heroine, Nausicaa, taken from Homer's Odyssey. In both Miyazaki's
and Homer's work, Nausicaa is a princess who averts danger and destruction, helping Odysseus
return home in The Odyssey and mollifying the Ohm's rampage in Miyazaki's film. Furthermore,
Miyazaki draws blatant parallels between the actions and characteristics of Nausicaa and Jesus
Christ. Indeed, from embodying 'Christian Pacifism' to her death and resurrection during the film's
climax, Nausicaa is a direct representation of Christ and several biblical ... Show more content on
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As expected, Nausicaa first draws her sword not for her own benefit, but to extract the eye of a
deceased Ohm, proclaiming "The villagers will be pleased, they'll have plenty to make into tools
now."(6:05) Nausicaa feels obligated to the protection and well–being of her people, alluding to the
lord–retainer relationship –– that a samurai must show unwavering loyalty and service to his lord ––
emphasized by Confucian teachings in Bushido.
Furthermore, Nausicaa's connection to the sword is strengthened when she presents tremendous
dexterity and aptitude for swordsmanship upon the Tolmekian invasion of the valley. After
Tolmekian soldiers mercilessly kill her defenseless father, Nausicaa swiftly slays the four
perpetrators before being stopped by Lord Yupa.(33:15) Nausicaa has evidently trained strenuously
in order to handle the conflict skillfully. In addition to becoming acquainted with the sword at a
young age, samurai were subject to extreme physical training, many desiring to perfect their
swordsmanship so that they may be invited to serve a lord. Additionally, though Nausicaa is
enraged, she remains sensible enough to dispose of the invaders, embodying the samurai maxim "to
know and to act are one and the same." Nausicaa does not waver in the face of death, but
instinctively springs to action, avenging her father. In this instance, Nausicaa's entire being is
influenced by Bushido, both physically and

Hayao Miyazaki and Animated Film Essay
Getting inspired is something that can happen unexpectedly. A single thing can just set the stage for
an amazing creation to come about. Much of what people are exposed to due to the media and also
literature can really affect someone's life. Hayao Miyazaki is a film director, animator, screenwriter
and also producer. He is someone who's work really changed my perspective on animation and also
the conventional idea of a hero. Miyazaki was born on January 5, 1941 in Japan. His parents were
Dola and Katsuji Miyazaki. His father Katsuji Miyazaki and worked for Miyazaki Airplanes which
was Miyazaki's uncles business. The company manufactured parts for warplanes that were used
during World War II. Miyazaki had three brothers which ... Show more content on Helpwriting.net
...
The following year Miyazaki also met Akemi Ota, an animator that then became his wife in 1968.
Overall Miyazaki worked in a total of six different animation studios, his positions varied from
director to animator but his work also influenced many other directors or screenwriters within those
companies. Having grown independent from the companies he set off to start his own company
known today as Studio Ghibli. Studio Ghibli was founded in 1985. The studio was created due to a
collaboration by Hayao Miyazaki, his friend Isao Takahata, and also producer Toshio Suzuki. There
furst film collaboration was done in 1984, with the film Nausicaä of the Valley of the Wind. Many
people believe that this film is what set the stage for Studio Ghibli to be created. Much of the
studio's success has not solely been due to Miyazaki, but also because of his associates. One of the
most prominent films from the studio was directed by Isao Takahata, the film is Grave of the
Fireflies, which depicts the story of orphans living in Japan during World War II. The company is
also well known for their "no–edits" policy which basically states that the film cannot be altered
when being dubbed. However, this policy has caused many issues with American companies
because some films have been Americanized or altered, which then tends to change the message of
the story and the plot. With the great success that Studio Ghibli has had Miyazaki

Climatic Elements Of Osamu Shashin
Fast forward to 1960's and we have a figure who revolutionized manga and made it what modern
manga is today. This figure was named Osamu Tezuka. Before him, "manga" was drawn like a play,
with characters entering the left stage and the right stage. Tezuka, revolutionized this by taking his
experiences from watching German and French movies, and adding a cinematic element to his
manga, making it more movie–like and dynamic. He put in more panels and more pages to create
dynamic movements and expressions. He wanted to put more emotion into his works. He wanted his
manga to portray more than just laughs, but wanted them to convey feelings of sadness, anger and
hatred (Thorn, Matt). One of his most famous works "Astro Boy (1952)" was one of the first manga
to be turned into anime. It first aired in 1963. From manga, anime borrowed most of the climatic
elements that Tezuka put into his manga (Zagzoug, Marwah).
Evolution of Anime: Beginnings
However Astro Boy wasn't the first anime nor was it the first animation in Japan. That title goes to
"Katsudo Shashin", the oldest sign of ... Show more content on Helpwriting.net ...
This anime was very significant to the industry. Not only was it the first feature length anime, it was
also the first anime to be completely in colour as well as the first anime to been shown in North
America. This anime movie was heavily inspired by Disney, with music and singing as well as
animal companions (who in fact had more personality than the leads). This was considered to be the
first "anime" and it firmly planted Toei Animation as a powerhouse studio for anime. It was also one
of the inspirations for renowned anime creator, Hayao Miyazaki. When he saw it as a teenager, he
was inspired to go into the anime business. During the time afterwards Toei released more Disney
like anime (Kaikyaku.

Looking At A Few Of Them
Introduction
Throughout the last twenty–five years, the notable director of animated films, Hayao Miyazaki, has
brought not only exhilarating and mysterious stories to life, but also multiple issues that he tries to
convey through each of his films. Looking at a few of them, Miyazaki expresses issues about
feminism, war, environmental issues, and much more. The question that will try to be answered
throughout this essay is, how does Hayao Miyazaki use the elements and principles of art to express
environmental issues and impacts within his films? Through the use of color, scene composition,
and motion, Hayao Miyazaki is able to portray the earth's natural beauty while also conveying
human waste and destruction of the environment and its ... Show more content on Helpwriting.net ...
This is an important and yet, traumatic memory for Miyazaki. He expresses its significance in his
life by incorporating it within the films, My Neighbor Totoro and also his latest movie, The Wind
Rises. The characters with tuberculosis are both female and struggle with being diagnosed with it.
He tries to portray the love, sadness, and possible hope for a cure for tuberculosis within those films.
What inspired Miyazaki and also directed him towards the path of animation and the world of
manga (Japanese comics) was in 1958 when he watched the colored film Hakuja Den ("Hayao
Miyazaki Biography"). Surprisingly, instead of acquiring a degree in the arts, he went to Gakushuiin
University and graduated with a Political Science and Economics degree ("Hayao Miyazaki
Biography"). Miyazaki chose this degree because he thought it was practical and he had planned on
helping reestablish Japans economy and recovery from war ("Hayao Miyazaki" Newsmakers).
However, during his time in university and his strong passion for drawing, he joined the "children's
literature research club" ("Hayao Miyazaki Biography"). This had been the closest thing to comics at
the time ("Hayao Miyazaki Biography"). It exposed him to many fairytales, myths, and mysteries
around the world and is probably the reason why his stories mainly involve children, are mainly
fantasy based, and incorporate old tales. The same year he graduated, he quickly entered his
animation

Comparing The Atomic Bombs In Akira And Nausicaa
The most popular genre of anime is science fiction, a genre that regularly explores futuristic
apocalyptic scenarios. Apocalyptic anime has been influenced by several factors, such as Japanese
environmental disasters like the contamination of Minamata Bay, aesthetic elements like mono no
aware, religious imagery, and economic crises. In this essay, I will be focusing on how the dropping
of the atomic bombs on Hiroshima and Nagasaki in 1945 have influenced apocalyptic anime,
specifically Akira and Nausicaa of the Valley of the Wind. I will be analyzing this through the
questions, "How do the films Akira and Nausicaa of the Valley of the Wind portray the impact of the
atomic bombs on Japanese culture and thought?" and "What messages are the films ... Show more
content on Helpwriting.net ...
He states that Japanese audiences have continually had a "traumatic fascination" with images of
destruction ever since the dropping of the atomic bombs (140). He proposes nuclear symbolism is so
widespread in Japanese film because acting out destruction helps viewers come to terms with the
trauma caused by it in reality (132). Japanese audiences want to draw near to and understand the
destruction, just as how many characters in the film want to find the little boy Akira in order to have
a grasp on his power (136). The repetition of acting out a historically traumatic event in media
assists the audience in gaining an understanding of the actual event and its cultural impact (141). In
doing so, filmmakers try to "make an incomprehensible event make sense" by working to deal with
the consequences of destruction in their films (132). In Akira, director Katsuhiro Otomo uses the
repetition of destruction to help strengthen the theme of the danger of playing with powerful forces
because the audience witnesses the same consequences occurring again and again. The psychic
bomb is a repetition of the atomic bomb, and the explosion at the end of the movie is a repetition of
the psychic bomb (135). The repetition of the atomic bomb in the film brings the viewer "temporally
close" to the destruction and allows them to study its effects in a more modern era,

Dystopian Neo-Japan
According to the three articles, as well as messages conveyed in the films Akira and Nausicaa of the
Valley of Wind, the dropping of the atomic bombs has had a continual impact on Japanese culture
and thought. The rise of science fiction and apocalyptic films can be seen as a direct way in which
the atomic bombs impacted Japanese culture. These films explore the "traumatic fascination" with a
nuclear apocalypse that so many people want to draw near to and understand (Lamarre 130). During
the climax of Akira, Kei states that the final explosion destroying the dystopian Neo–Tokyo is
"fantastic" since she is in awe of its power, just like how many are awed by destructive powers both
in reality and film (Otomo). Japanese apocalyptic anime often portrays the message of the potential
damage that science can do, such as mutation and unharnessed destruction, because of the harm
caused by the atomic bombs (Napier 330). Science can be extremely dangerous if it is taken too far
without moral constraints and should be handled ... Show more content on Helpwriting.net ...
This has led to a wave of environmentalism in modern Japanese thought. Nausicaä especially
portrays the message of the need to protect nature in the face of the existence of atomic bombs
through Miyazaki's "symbolic pleas for human restraint" (Fuller). Additionally, both Akira and
Nausicaä of the Valley of the Wind share the message that there is potential for rebirth after an
apocalyptic scenario. Nausicaa is resurrected to bring about an era of peace while Akira returns to
cleanse the decay of Neo–Tokyo in an explosion that a scientist calls "a cosmic rebirth" before the
film ends with the sun rising over the destroyed city (Otomo) . This message parallels Hiroshima
and Nagasaki being rebuilt as large and prosperous cities and the rise of Japan as a modern
economic power

Studio Ghibli Is A Universe Apart
Studio Ghibli is by many lazily known as the Asian equivalent to Disney, but the comparison only
remains true in terms of box office sales. In terms of content, Studio Ghibli is a universe apart.
Founded in 1984 by founder and world renowned director Hayao Miyazaki, Studio Ghibli has for
decades since its establishment churned out iconic films known for their beautifully drawn frames
and fantastical plots, nearly all of which star strong, intelligent, independent–minded female
protagonists. This trend can be traced all the way back to Miyazaki's first feature length animated
film titled Nausicaä of the Valley of the Wind, which debuted in theaters in Japan May of 1984. This
was the same decade Disney released The Little Mermaid (1989) in ... Show more content on
Helpwriting.net ...
Another of Ghibli's films, Princess Mononoke (1997), made emphatic this archetype. Mononoke is a
movie about the warrior–princess San, who lives amongst wolf–gods and attacks the human villages
that threaten her forest home; it is certainly not a film about a damsel in distress as are many
Western films centered around a female lead. San is best described as an independent, ferocious,
wild, but also virtuous individual. The prince and princess characters never enter into the realm of
romance either in Mononoke, an occurrence very much contrary to the typical love–story arc that
drives numerous other animated movies (Aladdin, Snow White, The Little Mermaid, etc). In fact
when San first meets Ashitaka, the prince from a human village, she is sucking poison from the
gunshot wound of a giant wolf and spitting blood into a river. She never swoons nor falters, but
stares covered in blood and tells him to "go away." Even later in the story when Ashitaka calls her
beautiful, she recoils. "What is it, San?" asks one of the wolf–gods. "Want me to crunch his face
off?" In her interactions with Ashitaka, San is indeed obstinate but later is forced to confront her
human identity. This never comes across as him taming her however, but is a relationship of shared
respect. This is seen in the conclusion of the film when– after the two characters have formed a
strong friendship and have worked together

Analysis Of The Film ' Nausicaa Of The Valley ' The Wind '
Draft:
The issue of environment is a popular topic which is used commercially in film and movie. Those
environmentalism films bring the message to the audience to take action for environment 's sake.
Many of them usually portrait the picture of environment disaster which destroys humanity and
people who suffering to survive natural catastrophe. Two of the movie that contains that idea are
"2012"(Emmerich,2009) of Columbia Picture which is directed by Roland Emmerich and Studio
Ghibli 's animated film "Nausicaa of the valley of the wind"(Mizayaki,1984) directed by Hayao
Mizayaki. The use of the language of moving image in those movies is different for one is animation
and the other one is live action and the difference in mise en scene, cinematography, etc. but both of
them represent the same theme and idea about the environment. This essay will examine how the
two of the film differently use the language of moving image to show the impact of nature disaster
to human and how they position audience to experience the issue of the film via language of moving
image.
In "Nausicaa of the valley of the wind", the time in the story is set in a dystopian timeline when
humanity struggle of living in bad environment between vast toxic jungles that are enveloping the
land which is full of deathly insect. Some remaining kingdoms are in the war with the jungle and
each other. In the middle of the war, there is a flourishing small kingdom called the Valley of the
wind that is peaceful,

Hayao Miyazaki Research Paper
Hayao Miyazaki is a Japanese director and animator. He was born in Bunkyo–ho District of Tokyo,
Japan on January 5th, 1941 to an affluent, liberal family. His father, Katsuji Miyazaki, and his uncle
made parts used in Japanese Zero fighter planes during World War II. His mother, Dola, was a
intelligent and strict woman. For nearly nine years, while Miyazaki was attending grade school, she
suffered from spinal tuberculosis and had to spend two years in hospital care. She eventually
recovered and lived until 1980. Due to his mother's extended absence due to her illness, he shared
household responsibilities with his three brothers and sister. Miyazaki's started his higher education
at Gakushuin University where he earned his degrees in economics

Erin Brockovich And Nausicaä: Valley Of The Wind
Contrast Between Erin Brockovich and Nausicaä of the Valley of the Wind
Every word that has been said to someone affects their opinion of the world and their place in it. In
the films Erin Brockovich by Steven Soderbergh and Nausicaä of the Valley of the Wind by Hayao
Miyazaki, the title characters, though confronted with similar conflicts, are influenced deeply by the
respect or lack thereof that they receive from others, causing them to take different paths or make
different sacrifices, portraying the stark difference between individuals with power and groups that,
in order to create their own power, unite together.
Despite their varying amounts of power, Erin and Nausicaä both achieve success in their own ways.
In Soderbergh's Erin Brockovich and Miyazaki's Nausicaä, both of the titular characters react
strongly to their situations and ... Show more content on Helpwriting.net ...
When Nausicaä and Erin are confronted by their respective conflicts, though both characters achieve
a positive end result, respond in dissimilar ways, their reactions prompted by the differences in their
opponents. Erin Brockovich, challenged with the task of bringing down a multimillion dollar
company, PG&E, for knowingly poisoning citizens with hexavalent chromium that is "...never
personified [and] looms ominously, institutionally, on the Hinckley horizon" (Doherty 41). In order
to ensure a just decision against this massively powerful company, Erin takes PG&E to court. To
contrast Erin's judicial and distant issue, Nausicaä, as a respected and responsible princess, must
deal with a much more personal opponent, her people, and their prejudice against the Ohm, a
species of large insects whose land is in danger and damaged because of humans. These Ohm, filled
with rage, often

Music Analysis
Berthold Auerbach once said, "Music washes away, from the soul, the dust of everyday life". No one
really knows when music first appeared in this world, but we do know that music has been among
us for a very long time. Some define music as a bunch of notes put together to make a song, but I
say it is so much more than that. Music is a way to tell stories, share emotions, a way to bring people
together. It is part of who we are as people. It is in our culture, our religion, and it defines us. It
helps us remember the many wonderful memories from our past and helps us imagine an amazing
future. So you see, it is important to make music a part of your life.
First of all, music is not just a bunch of sounds, it is a story. Every part symbolizes ... Show more
Think about it, when you hear your favorite band is having a concert, what do you do you do? You
try to go see that concert. When you're at the concert, you see hundreds of people that also wants to
see the band perform. What about teenagers in a school band or orchestra going to field trips to
compete with others? What about their performances, when their families come see them perform?
When people play together as musicians, they become a miniature family. They work together, they
have each other's backs, and they provide inspiration, not just for other members, but to all who
listen. Take Michael Jackson for example, he inspired so many with only one song. This song is
called, "Man in the Mirror". He created it so that people can try to change the world, so that we all
have equal rights. Like he says in the song, "If you want to make the world a better place, then look
at yourself and then make a change". Meaning, everyone needs to start changing their way of
thinking individually and so that the whole world can be at peace. Like in marching band, everyone
needs to give it their all so that the whole band looks amazing. Michael Jackson wrote this song to
inspire people to make a stand for themselves and others. He truly wanted to change the world and
everyone's hearts (even though he didn't actually write the song). Michael jackson used music as an
"international language" so that everyone can understand his message. Many

Hayao Miyazaki: Auteur Essay
"I never read reviews. I'm not interested. But I value a lot the reactions of the spectators."– Hayao
Miyazaki.
The director is responsible for overseeing creative aspects of a film. They develop the vision for a
film and carry the vision out, deciding how the film should look. The director may also be heavily
involved in the writing and editing of the film, as well as managing the script into a sequence of
shots, coordinating the actors in the film and supervising musical aspects. The Auteur Theory
suggests that films contain certain characteristics or 'signatures' that reflect the director's individual
style and give a film its personal and unique stamp. Hayao Miyazaki is one such auteur whose
entertaining plots, compelling characters ... Show more content on Helpwriting.net ...
Miyazaki's childhood was short as he was born January 5, 1941 during World War II, thus without
exception, his films main characters are children, deal with growing up and often consist of one
young female lead and one young male lead. This is evident in My Neighbor Totoro (1988) as the
two main characters are young girls who, unlike adults, can see and befriend the spirits of the spirit
world. In Spirited Away (2001), the leading character Chihiro is a young girl who must deal with
growing up, similarly to Kiki in Kiki's Delivery Service (1989). Princess Mononoke (1997) also
features these stock characters in the form of young San, adopted daughter of the wolf goddess
Moro and Prince Ashitaka, a young girl and boy. Hayao Miyazaki has expressed strong feelings
about childhood, saying that it's a paradisiacal time when, "you're protected by your parents and
unaware of the problems around you". Miyazaki's upbringing during World War II would explain
another unique mark of his films, that being his interest in flight.
Human flight is a frequent theme in Miyazaki's animations. This theme is found in almost every film
directed by him such as in Laputa: Castle in the Sky (1986) as it is a flying metropolis and in Kiki's
Delivery Service as Kiki rides her broomstick and watches dirigibles fly over her city. In Spirited
Away, Chihiro soars across the sky as she rides on Haku's back when he is in dragon form. The
critically acclaimed Howl's

Gender In Howl's Moving Castle
Wars and Gender in the Worlds of Hayao Miyazaki: An Analysis of Howl's Moving Castle
Animation has always been a way of creating worlds outside of our own and to bestow movement,
frame by frame, on a series of still images. Despite its variety of uses as a medium of film,
animation is often treated as a genre of its own, placed within the constraints of only being
entertainment for kids with a small possibility for weighty themes or adult thematic elements at the
peripherical of a plot that is typically centered around a weak narrative of the action–comedy
variety. However, when used to its full extent, animation becomes a tool for creating art as great as
classical film, using pen, paper, and machines as tools where tradition film uses camera and lenses.
The greatest animators of today are able to weave still art and film together, weaving motion ...
Show more content on Helpwriting.net ...
One such animator, film director, and producer is Hayao Miyazaki, who blends his masterful control
of art and color with common themes and narrative techniques across his films, creating a style of
authorship that is as immediately recognizable as Quentin Tarantino or Wes Anderson. His film
Howl's Moving Castle, an animated fantasy film released in 2004 and adapted from the novel of the
same name by Diana Wynne Jones, is the story of a girl who is cursed by a witch and transformed
into an old woman, leading to her finding the wizard Howl, a draft–dodger who rejects a war that
rages on in the background of the setting. Howl's Moving Castle shows how he mixes his unique
style of animation with themes that are universal across his films, such as the strong female
protagonists, the destructive forces of war, the critique of modernity as a struggle between the forces
of nature and industry, and the beauty and power of flight, creating a masterpiece that surpasses the
definition of animation as a genre, while embracing the genre of fantasy

The Empowerment of Japanese Women, through Strong Female...
Within the mediums of popular culture, the representation of women has often been controversial,
due to the use of their gender and the attitudes toward them. In a majority of anime themes, the
women have been drawn for their sensuality and sexuality constraints. Their role was to be
dominated by their male counterparts. It has reinforced the stereotypical role of women which is the
passive and sensitive role. Why is popular culture important? It influences the thoughts of the people
and shapes their attitudes and behaviours. During the late 20th century, Japan experienced the rise of
feminist movements who desired to change the feminine historical narrative. How did Japanese
women become empowered? The paper will demonstrate that the ... Show more content on
Helpwriting.net ...
Japanese women were getting an education, but remained unemployed compared to their male
classmates.10 It was an illusionary freedom and women's rights progress because the system would
not allow them to advance socially. The oppression becomes invisible that an outsider might believe
that the Japanese women have gained their rights. Still, some may say that Japanese women were
more discriminated than their western neighbours.11 They were hired as "Office Flowers" (shokuba
no hana), meaning they were given small tasks without the title of a career path.12 Since Japan's
employment advancement system is based on the years of service, the women are isolated into
menial jobs that will not gain them any points towards job experience.13 Hence, the question
becomes how can women overcome this silent and effective oppression. From a political
perspective, the only way to change society is to transforms its laws to adapt to the development of
Japanese women. During the forties and fifties, Japan passed many laws to allow women to
participate within society. However, they were unable to stop the discrimination from occurring. It
was a rare occurrence to see a Japanese women leading a company. This is because discrimination
against women is a big source of profit for the Japanese economy.14 Even though, they increased
their employment within the labour force, Japanese women have been denied access to social

Literary Criticism Of Nausicaa
Hayao Miyazaki's 1984 post–apocalyptic and animated film Nausicaa of the Valley of the Wind
appears to be a standard epic that involves a bigger than life hero who ultimately demonstrates their
heroism when they encounter trials and disasters. But what Nausicaa does differently from a typical
post–apocalyptic tale is introduce several key themes and techniques that are uncommon in these
heroic epics. Particularly, the change in gender structures and use of feminism, relationship of nature
between humans, and the comparison between nature's and human behavior. Through the
introduction of these themes and techniques, Nausicaa is transformed from being a typical post–
apocalyptic anime into one that advocates for female empowerment, an equilibrium relationship
with nature, and the mimicry of nature in human behavior. The introduction of a work is imperative
since it informs the audience its nature, intent and message. Nausicaa is no stranger to this concept,
as the beginning of the film foretells on tapestry major plot devices and themes that would
prophesize the whole movie (0 hr, 2 min, 12 sec). What is significant in this introduction is its
exposure to the concept of the reversal of gender structures, as the prophetic savior that will guide
humanity to the land of purity is shown clearly to be male (1 hr, 54 min, 8 sec) but turns out to be
Nausicaa. This implies that typical gender roles of women being passive is flipped, that the
qualifications of being important and

Similarities Between Manga And Anime
Manga and Anime...
An industry worth billions of dillars, Manga (Japanese Comics) and Anime (Japanese Animation) is
an essential part of contemprorary life and popular culture in Japan. And is today an influence on
films and film–makers across the globe.
Manga is an amalgamation of the ukiyo–e genre of woodblock prints and paintings, that held sway
in Japan from the 17th to the 19th century, as well as the Western style of comics and animation,
especially that of (Walt) Disney, which was due to the significant presence that America had
established in Japan post the Second World War.
Interestingly Disney's inluence lies not just in the storytelling but in the very essence of what Manga
is, since the stylization that Japanese comics is famous ... Show more content on Helpwriting.net ...
But of the three it is Miyazaki's film that seems like the original version, right from the antagonists
who want to drive away the natives so that they can mine the land and are ready to kill their Spirit
God for it, to the protagonist who is an outsider and has to earn the trust of the natives, and the white
specters that symbolize the spirit of the forest.
Christopher Nolan's "Inception" (2010) has many elements that match the little known "Paprika"
(2006) by Satoshi Kon, and which is based on a novel of the same name by Yasutaka Tsutsui. Nolan
has mentioned the influence, and so there's little harm in comparing. The gravity defying hotel scene
for one, as also the moment where the dream architect breaks a glass wall within a dream, as also
the elevator scene where one of the floors leads to a repressed

Analysis Of The Film ' The Tale Of The White Serpent '
Ever since watching Hayao Miyazaki's film, 'Spirited Away', I was enamoured with the art style
aesthetics, smooth animation and storytelling. His work in Studio Ghibli had played a major part in
my desire to work in animation and to create artistic and compelling stories. But it's not just me he
has influenced and inspired, and it's in this essay that I will discuss how this illustrious individual
has influenced and placed his mark in the animation world.
Miyazaki had always had an interest in drawing in his youth. Though his fascination with animation
had started during his high school years when he first watched the feature–length anime film, 'The
Tale of the White Serpent'. And after joining a children 's literature club in college, his interest only
grew. It was in 1963 after completing his degrees, that Miyazaki decided to pursue animation as a
career and joined Toei Animation. There, he learned the basic fundamentals of animation and met up
with his future collaborators, associates and even his future wife.
He started off drawing key frames in the animations he worked on, making sure that the figures
moved and transitioned smoothly. His skill and determination in creating such free–flow work had
impressed his higher ups, and he was soon moved up from being an in–between artist, to becoming
heavily involved with the Animators Union. That's where he would eventually work alongside many
other forward–thinking and progressive animators and help create Isao Takahata's

Studio Ghibli Research Paper
For the past few decades now, this production studio has created many classics appealing to
generations all over the world, creating different genre films for people to enjoy. For years this
company has been overwhelmingly successful, winning multiple awards and receiving love from
millions of fans. Studio Ghibli is one of the most successful production companies in all of Japan
because of the awards they won for their films.
Studio Ghibli Inc, is a Japanese animation film studio based in Koganei, Tokyo, Japan. The studio is
recognized for many rewarding anime feature films, such as Spirited Away(2001), and My Neighbor
Totoro(1988). Ghibli was established in 1985 by Yasuyoshi Tokuma, Hayao Miyazaki, Isao
Takahata, and Toshio Suzuki. However, ... Show more content on Helpwriting.net ...
He is the co–head at Studio Ghibli with his long time colleague Hayao Miyazaki. Takahata is
recognized for being a famous director of Ghibli films. One of his films; Grave of the Fireflies, is
considered one of the greatest animated films ever made. It tells the story of teenager being forced to
take care of his younger sister after losing their home in an American bombing during WWII. He is
very talented at capturing the audience's emotions in his movies. Toshio Suzuki was born August
19th, 1948. He is chief producer and co–founder of Studio Ghibli. He was the president of Studio
Ghibli from 2005–2008. Furthermore, Suzuki is recognized for being one of the most successful
producers after the box office success (in Japan) for his many Ghibli films. Suzuki worked on the
Asahi Geino Magazine before becoming an editor of Animage in 1978. In fact, he met Hayao
Miyazaki when he created the Nausicaa of the Valley of the Wind manga. Suzuki was so impressed
that he convinced Miyazaki to make Nausicaa into a film, as a result, he co–founded Studio Ghibli.
Hayao Miyazaki was born January 5, 1941, in Tokyo, Japan and is known as a famous director of
many anime films. He is also the co–founder of Studio Ghibli Inc. Along with Isao Takahata and
Toshio Suzuki. However, most of Miyazaki's films are set around the same kind of themes of the
struggle between good and evil, and other common things like politics and environmentalism.
Usually, the protagonist in his films is young, strong, independent females, while the antagonist is
full of jealousy, rage or greed. In conclusion, Miyazaki announced his retirement directing in 2013,
after his last film, The Wind

Themes Of Japan 's Indigenous Religion
THEMES
Japan 's indigenous religion is Shintō, and its customs are enmeshed in Japanese culture. It is
animistic, seeing gods and spirits in everything. This leads to a deep respect for human harmony
with the environment. Many Ghibli films contain jinja, or shrines, and torii, or sacred gates, which
are used to pay respect or give offerings in Shintōism. Ghibli films also contain kami, spirits that
reside in all things. Princess Mononoke is filled with a kami (Odell 28).
Other Japanese mythology is seen through Miyazaki films through spirits that have the ability to
transform their shape, such as the foxes and raccoons in Pom Poko. Buddhism also influences
Miyazaki films. Dragons derive from Buddhist legends and are in Spirited Away. Buddhist statues
are also seen in My Neighbor Totoro, and Pom Poko (Odell 28). All of his movies contain variations
of spirits, demons, or fantastical creatures rooted in nature. There is a balance of empathy through
his human elements, but mystery in his fantasy elements.
One major theme that runs through all Miyazaki films is environmentalism, or how mankind
interacts with nature. This is closely linked with the Shintō ethic that sees the environment as
interconnected beings that deserve respect. In Princess Mononoke, the center of the plot is focused
on the conflict between humans destroying the forest and the gods and spirits who are fighting back.
In Ponyo, the dumping of waste is almost her downfall right at the beginning of the movie

Hayao Miyazaki and Japanese Animation Essay
Hayao Miyazaki Hayao Miyazaki has been revolutionary in Japanese animation. A mangaka (an
artist/writer/creator of manga, Japanese comics), an animator, and storyteller, Miyazaki has not only
been very successful in his work, well known and loved by many, but has changed the world of
anime with his unique style of drawing. Through passion and hard work, Miyazaki has become one
of the most successful animators in all of Japan. Miyazaki was born on January 5th, 1941, in Tokyo,
Japan (MUBI.com). His father, Katsuji Miyazaki, was the director and owner of their family's firm,
Miyazaki Airplane, that made parts for Zero fighter planes. His father's job contributed to his
fascination with flying, and accurately depicting it in his animation ... Show more content on
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2: 344–345) Manga grew in popularity in Japan while he was still in high school, and he decided he
wanted to be a comic artist. While animation was regaining its popularity in the postwar years, he
saw Legend of the White Serpent by Taji Yabushita, the first Japanese colour animated movie, and
he absolutely fell in love with the feature. After graduating from Toyotama High School (1959) he
went on to enroll in Gakushuin University, where he studied political science and economics. While
he was there, he studied European childrens books and comics after joining a children's literature
research society, things by authors like Rosemary Sutcliff and Antoine du Saint–Exupery. In 1963,
he finally graduated with a degree in political science and economics, but instead of moving into the
fields of politics or finance, he promptly went to get a job at the animation studio of Toei Company,
Toei Cine, where he had an apprenticeship before he was allowed to work as an entry–level in–
betweener on Watchdog Woof–Woof and Wolf Boy Ken (an in–betweener takes the first and last
frames of the action or movement drawn by the animator and creates the flow, the series of
picutres/sketches in between the two to connect them and complete the movement or action). He
was a hard, dedicated worker, with a passion for what he does, and so he quickly climbed up to
positions with more and more responsibility in the animation industry. Wolf

The Disney Of Jap Japanese History, Traditions, Rites,...
"We are often not aware of the richness and uniqueness of our cultural heritage – from stories,
traditions, rites, designs and tales of the gods. Surrounded by high technology and its flimsy devices,
children are more and more losing their roots. We must inform them of the richness of our
traditions." Hayao Miyazaki
I can't help but wonder how does Studio Ghibli's leading director Hayao Miyazaki draw on western
sources and settings as well as Japanese history and traditions in two of Studio Ghibli's films: 'My
Neighbour Totoro' and 'Spirited Away' ?
With headquarters based in Koganei, Tokyo, Japan, Studio Ghibli is easily one of Japan's most
famous animation studio's in the world and is known as "the Disney of Japan". It was founded June
15th, 1985 after the great success of 'Nausicaa of the valley of the wind' the studio is headed by
directors Hayao Miyazaki and Isao Takahata even though they were uncertain as to whether the
studio would find any success or crash and burn they had a vision to "blow a new wind through the
anime industry" which was pretty ambitious to say the least but has certainly lived up to its name.
Hence the clever name given to the studio by Miyazaki himself, Ghibli means "hot wind blowing
through the Sahara Desert". The name was used for Italian scouting airplanes during World War II.
Miyazaki, who has a great love for airplanes, named his studio after it.
One thing that I think makes the studio stand out is not only its lovable characters and its

Miyazaki's Nausica Valley Of The Wind
Miyazaki's Nausicaa: Valley of the Wind, through analysis, show how themes, characters, and the
narrative created represent ideas that push back against androcentric ideas around nature,
encompassing an ecofeminist lense. Different versions of this can be seen by comparing Kushana
and Nausicaa, the two woman in power, and the themes around this.
Both of the main female characters, though different in their worldviews, are strong symbols of
feminist ideals. Nausicaa is a character that is compassionate and emotional. This would put her in
line with societal associations of weak feminine features representing nature; however, Nausicaa is
also capable and able to hold her own. This pushes back on the ideas of a weak nature that is
controlled

Analysis Of Stylistic Analysis In Spirit Away
Stylist Final Paper 'Spirit Away'
(Symbolization)
The Movie 'Spirit Away' has lots of implicational meanings. Director of this film is Hayao Miyazaki.
He is also director of 'Howl's Moving Castle', and 'Nausicaa Of The Valley Of Wind'. His movies
have common point which is nature and 'Nausicaa Of The Valley Of Wind' is best movie of nature
and also Sprit Away have relation with nature. He got many awards in the world and he also
recognize as great director. 'Spirit Away' has detail and specific symbolization. He wants to tell with
this movie that through different two worlds, he wants to show realities of Japan, human's identity
and set of this film is around 1980~1990 when Japan is case in bubble economy. Bubble economy is
when Japan is around 1980~1990, they have 10% economical development in their country but
through 1st, 2nd oil crisis Japan case in economical problem like IMF. The reason is ... Show more
My paper might not looks like stylistic analysis but I'm sure of that in stylistic analysis there is part
of symbolization and the other ways of stylistic approach could be cinematography, imaginative
approaches in this film. As this film is animation, it could be understood by reader's various
imaginative thinking. The way of expression is bigger than non–animation.
Movie is starting with Chihiro who is the main character. Her family is moving their house to other
place. I think this scene foreshadows that Chihiro's family are going other place which is unfamiliar
to them. While they are moving their house, they lost their way, and they are arrive mysterious
place. The place is dark and it looks strange. Chihiro doesn't want to enter but her parent force her to
enter together with them. End of the cave, there are huge big town exist but there is no one living.
Chihiro ask to parent to leave as soon as possible but they don't agree with her. When dark is coming
they could

Nausia In The Valley Of The Wind
We often believe that a utopian civilization is not easy to establish, as the people of the society must
change themselves, as well at their attitudes/ways they regard the environment. However, a
dystopian type world can happen in an instant. A breakout of war, poverty, and environmental
catastrophe, all are factors that may alter the face of the earth negatively. Although, if these events
do occur, life as we know it may not be over. Life may go forth for thousands of years afterwards,
which evidently new births of post–apocalypse persons will happen. In the film, Nausicaä of the
Valley of the Wind (Hayao Miyazaki, 1984) has shown a world where people are fused in a society
that is unstable, as a Toxic Jungle spreads daily in all parts of the world. As mentioned above, the
people of the film are not known to a world without disaster. One thousand years have passed since
the Seven Days of Fire, an apocalyptic war that ended human civilization and up raised the Sea of
Decay, a wilderness of poisonous plants, insects, and creatures. The ... Show more content on
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The principles of these persons for Nausicaä are only obstacles in her quest, as she will forever
judge their merit of their capacity to adopt life, and its very richness. Looking at this from a biblical
sense, the ignorance that the pre–apocalyptic humans withheld had indeed been a sin, which clearly
had lead to catastrophic results. In this film, hope is focused outward and further into the future, to
counter equalize the despair felt in the contemporary. In a dystopian world on the brink of collapse,
from a religious point of view may reflect the distress of the people, and the distress makes them
susceptible to anything that may bring a sense of security and hope, even if it brings death and
sacrifices along with

Clay Animated Biography: Adam Elliot Essay
Adam Elliot is an Australian stop–motion animator. He has received over one hundred awards
through his career. In 2003 Adam Elliot won an academy award for Animated Short Film for his
movie "Harvie Krumpet". Elliot calls his films "clayography" – clay animated biography – because
most of them are based on his friends and family.
"Mary & Max" is an Australian clay–animated film written and directed by Adam Elliot. The film is
about a friendship between two pen pals, Mary a eight–year old girl and Max a forty–year old man.
Hayao Miyazaki is one of Japan's greatest animation directors. Most of his movies are very
successful e.x. "Kiki's Delivery Service", "Nausicaa of the Valley of the wind", "Princess
Mononoke" and "Spirited Away". With a ... Show more content on Helpwriting.net ...
Although the sad and very serious theme, the movie doesn't become depressing but leaves you with
an optimistic view of friendship. Also, it's a very well animated film with an amazing recreation of
the New York City in clay. "Mary and Max" it's a bittersweet story that depicts life as it really is. In
addition, "Mary and Max" has an amazing character development that engages the audience that
follow as the characters develop in life. The movie really stands out because its realistic and honest
characters that win your sympathy despite their many flaws.
"Ponyo" was released in 2008 and won several awards. In 2008 Tokyo Anime Fair announced
"Ponyo" as Animation of the Year. In addition, the film reached #9 in the US box office charts on its
opening weekend and was a box office success.
The film has the very noticeable visual style and artwork, with bright, dreamy, watery, pastel
colours, Miyazaki always creates. Everything in the film was animated by hand with the traditional
technique. The backgrounds were created in pastels. In addition, the film is dealing with the
relationship humans have with the environment, a theme you often see in Miyazaki's films.
Animation History Page 5
Effie Fasoulioti April 19, 2014
However, beside the good animation and the beautiful scenes Miyazaki creates, the film lacks in
character development. Most of the characters doesn't really serve any real purpose. They seem to
be very predictable and that

Analysis Of The Poem ' The River That The Boy Spirit '
She cleaned the spirit's dirty body and found out that the dirty things all came from human's rubbish
that discharged into rivers and lakes (Napier, 2006). After Chihiro cleaned the spirit, this lets him
not suffering from pollution. Then the spirit gave Chihiro some treasure that also showed Miyazaki's
view that if people try to protect the nature, nature will also return something for humans (Napier,
2006). Another environmental concern in Spirited Away was a boy who used to be the spirit of a
river near Chihiro's old town, but he forgot his name. And he was working in the spa center because
the river was filled by human to build a highway (Reider, 2005). Miyazaki's view changed because
his life changed at that time. Japan has developed quickly at that time especially the industry, but
people ignored that some activities could harm the environment. Also, Napier stated Miyazaki
explained that the inspiration for the river that the boy spirit was a personal experience of his own
when he helped to clean a polluted river near his home (Napier, 2006). Miyazaki wanted to use the
magic film to tell people the truth what they did. Their behaviors reflected their daily life that
damaged the environment with no intention and also encouraged people to solve the problem in
order to protect the environment. Ponyo on the Cliff Miyazaki's recent film is Ponyo on the Cliff.
According to Rob Young, Ponyo, the main character, is the youngest girl in Miyazaki 's film and
Ponyo is a

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