2. I want to reorder these and provide a little more explanation of some of them.
3. art understood
through its functions
• decoration/embellishment
• ritual/ceremony or [visualization/virtual environment]?
• statements of power and status
• next time: what creates value in art?
4. art through function
• decoration and embellishment [I believe that this is the
oldest and still the most widespread use of art, past and
present. But stay tuned, as new archaeological finds could
revise this picture.]
of one's body, one's possessions and one's
environment
making yourself and the world around you more
surprising, interesting, appealing
5. SHELL BEADS
Blombos Cave
South Africa
found in layer that is 77,000
years old
traces of ochre on the beads
suggest either that:
a) the beads were painted
OR
b) they were worn by someone
whose body was painted
13. Aside from just trying to be a
wiseass, why do think Picasso
might have said this?
What did he see in these works
that he thought had never been
surpassed in Western art?
14.
15. possible interpretations:
I. decoration/beautification of dwelling place
PROBLEM: no evidence of human habitation in these caves
This suggests that these are special spaces, set apart from ordinary
life.
II. church/cathedral/place of worship
Animal spirits everywhere. Religious life populated by animals.
LIMIT: No record of specific beliefs, rituals or ceremonies.
16. III. Is it possible that these are a visualization of the hunt? More like a coach sketching
out a play, trying to get a group to picture how they will execute a plan.
PROBLEM: Animals do not appear in a unified, legible space. Different species
at different ages and stages of life.
17. IV. Immersive visual environment? Like reality in that it depicts familiar
species in realistic ways, but not like reality in that it is climate-controlled,
protected and safe, allowing a virtual experience in place of an actual one.
18. Tim Noble & Sue Webster
Masters of the Universe
1998 – 2000
translucent resin, fiberglass, plastic
and human hair;
54 x 27 x 31 inches
Contemporary artists Tim Noble &
Sue Webster ask: how much has
the human race really progressed
since the Paleolithic?
21. MPPNB House
Plaster patches are covering sub-floor burials
Ain Ghazal, near Amman, Jordan
early human settlement
burials of family members underneath floors
22. A MPPNB burial
Photo: G. Rollefson
4 adult male skulls placed
Facing SW in a pit in a
Courtyard
Skull on Right still retains
Plaster
Photo; G. Rollefson
24. Statue from Cache 1 (6,750+/- 80 BCE
Woman showing her breasts
Statues from Cache 1.
Photos from Ain Ghazal Institute
25. Statues from Cache 2 (6,570 +/- 110 BCE.
Photos from Smithsonian Institute, Washington
26. “When humans first gave up the dangerous and uncertain life of
the hunter and gatherer for the more predictable and stable life
of the farmer and herder, the change in human society was so
significant that historians justly have dubbed it the Neolithic
Revolution.”
—Stephen S. Kleiner, Art: A Global History (2012)
“Neolithic Revolution” –
the textbook view
27. “Besides malnutrition, starvation, and epidemic
diseases, farming helped bring another curse
upon humanity: deep class divisions. Hunter-
gatherers have little or no stored food, and no
concentrated food sources, like an orchard or a
herd of cows: they live off the wild plants and
animals they obtain each day. Therefore, there
can be no kings, no class of social parasites who
grow fat on food seized from others. Only in a
farming population could a healthy, non-
producing élite set itself above the disease-
ridden masses.”
—Jared Diamond, “The Worst
Mistake in the History of the Human Race”
“Neolithic Revolution” –
alternative view
29. The transition to food production
in the Fertile Crescent begins
around 8500 BC, not 18,500 or
28,500 BC.
Why not earlier?
30. • Before that time, hunting-gathering was more
rewarding than food production because:
• Wild mammals were still abundant (gazelles)
• Wild cereals were not yet abundant
• People had not yet developed technology
necessary for harvesting and storing grains
(sickles with flint blades for harvest; baskets for
carrying grain, mortars and pestles to remove the
husks; technique of roasting grains so they could
be stored without sprouting; plastered underground
storage pits)
• Population density was low enough that people
didn’t have to worry about extracting the maximum
number of calories per acre.
31. Why did agriculture come first to the Fertile Crescent?
• Climate
• Available suites of wild plants
• Helped along by available suite of large mammals
suitable for domestication.
• They yield milk and meat (important food source)
• They can pull a plow or wagon (important for
development of agriculture)
• They can carry a rider (important military use)
32. • Agriculture developed first in the Fertile Crescent:
• Climate
• Available suites of wild plants
• Helped along by available suite of large mammals suitable for domestication.
• This led to:
• Dense population
• Stored food surplus
• These in turn lead to:
• More specialized, stratified societies
• Kingdoms with armies (fed on stored grain)
• Ability to conquer other territories (empire-building)
• Cities with writing, culture, technology development
• Dense populations are winnowed by disease, yielding disease-resistant
descendants
33.
34.
35. Diamond’s purpose is actually to
understand why Europe dominated
the world from the 16th-19th centuries
But for right now, let’s think about his argument as it applies in the initial
context he discusses, Mesopotamian agricultural dominance (and
consequently, military, political and religious dominance).
36. This is the later, Greek name for this area between the Tigris
and Euphrates Rivers, which feed into the Persian Gulf.
It means “land between two rivers.” An alluvial floodplain, this
area was perfect for agriculture (when not actually
flooded!). Myths about floods abound in the
Mesopotamian religions.
what is Mesopotamia?
37. Looking at the map, you can see that numerous towns and cities
grew up in this rich agricultural area that yielded plenty of crops to
sustain larger populations.
38. As Jared Diamond would predict, more intensive agriculture
went hand in hand with population growth. Agricultural
surplus was the basis for the first taxes, which went to the
temple to provide offerings to the gods, and to the king to
provide military protection.
A stratified society becomes possible.
Most are farmers; a small elite serves as priests, nobles, and
kings.
39. surplustradedevelopment of writing
Large treasuries of
grain and other
agricultural products
permitted trade with
other nations for goods
that could not be
produced locally.
This stimulates the
need for writing and
accounting, which first
arose in Mesopotamia,
an agricultural
powerhouse.
pre-cuneiform clay tablet, city of Ur, Sumeria
4th millenium BCE
40. surplusconcentration of wealth in
hands of a fewlarge expensive
building projects to maintain and
enhance elite power and prestige
The first cities, the first
temples, the first
fortresses came into
being in Mesopotamia
as well.
ancient walls of Jericho, c. 7000 BCE
41. The priesthood commissioned valuable
objects to be used in religious worship.
Kings tended instead to call for art that
represented their likenesses and
demonstrated their achievements.
surplusconcentration of
wealth making of precious
objects for the:
a) temple to be used in
religious worship and
b) king to represent his
power and achievements
prestige.
44. Although there was a lot of complexity in terms of changing
centers of power, changing rulers, and changing religious
beliefs, these societies also had a great deal in common.
To keep things simple, we are going to look primarily at
artifacts from the first culture to come into ascendance in
the region, the Sumerians.
45.
46. Mesopotamia, Sumeria, city of Uruk
large votive vase with sculptural relief
known as the “Warka Vase”, c. 3500 BCE
damaged, stolen, and subsequently
returned during the fall of Baghdad in 2003
to NATO forces and the looting of the Baghdad
Museum
48. Mesopotamia, Sumerian,
from the city of Uruk
female head, c. 3200 BCE
(possibly the goddess Inanna
based upon being found at the
site of a temple in her honor)
marble
8 inches high
also known as the Lady of Warka
also stolen in 2003 from the
Baghdad Museum
49. view in profile
most likely this head was attached to a
body made out of wood or other material
marble was used only for the front of the face