2. First Hour Test
a week from today, Monday, Feb. 23rd
at regular class time, but not in regular class room
on Compass
an opportunity to synthesize material from class, textbook
and readings; begin to form a picture US architecture
precontact (c.1100)
colonial (Massachusetts and Virginia) c. 1700
after Revolution (Jefferson) c. 1800
3. what is on the test?
Roth, pp. 13-149 (Chapters 1 to 4) baseline history: what
happened when; history as “one damn thing after another”
Class lectures 1-9 (PPTs on Compass for review)
hermeneutic conception of history: the concerns of the
present draw relevance out of the past
Readings:
Stewart Brand: concepts that will help us think about the
realities of architecture
4. Roth Chapter 1
Figures 1.1, 1.2, 1.3 (see also on Compass the more
detailed color climate maps I posted)
be aware of the wide range of climates and conditions that
are present in the USA
read all of “The First Americans” text, but for monuments,
only 1.10, 1.11, and 1.12
We did not study the second section, “The Historical or
Postcontact Cultures,” (exception of 1.16) and this
material is not on the test. (Adobe construction will appear
later on.)
The First American Architecture, 12th century
5. Additional Reading
Jared DIAMOND, “The Ancient Ones: The Anasazi and
Their Neighbors,” in Collapse: How Societies Choose to
Fail or Succeed (New York: Penguin Books, 2005): 136-
56.
Much more detailed account of the rises and falls of
Chaco Canyon than is available in Roth, with particular
attention to the role of climate.
6. Roth, Chapter 2
Spanish Settlements [no]
French Settlements [no]
Swedish Settlements [yes; pp. 45-6] the log cabin
Dutch Settlements [no]
English Settlements [only pp. 54-6 on town planning in New
England]
Town Planning in 17th Century [yes; pp. 61-5]
2.38 Town of Boston, 1630
2.39 Plan of New Haven, 1638
2.40 Plan of Philadelphia, 1682
Europeans in the New World, 17th century: Transplanted Vernaculars
8. Roth, Chapter 3
pp. 69-84
Georgian Colonial Town Planning [yes]
Early Georgian Architecture, 1690-1750 [yes]
3.10 and 3.11 George Wythe House, 1755
3.24 Wren Hall, College of William and Mary, 1702
3.25 Massachusetts Hall, Harvard College, 1720
Late Georgian Architecture [no] except
Peter Harrison [pp. 98-101]
3.51 Redwood Library, Newport, RI 1750
3.52 Touro Synagogue, Newport, RI 1763
Georgian Architecture 1690 to 1785 (early 18th c.)
9. Roth, Chapter 4
pp. 107-137
Eclecticism [yes]
Planning the National Capitol [yes]
Samuel McIntire [no]
Charles Bulfinch [yes]
Asher Benjamin [yes]
Benjamin Henry Latrobe [yes]
Other Influences [yes]
Thomas Jefferson [yes]**
New Architecture for a New Nation, 1785-1820
11. building types
architectural specialization today:
residential vs. commercial
what kind of residential?
what kind of commercial?
we would expect these to get more complex and more
differentiated over time
12. building types
this is one reason we regard the cities at Cahokia, IL and
Chaco Canyon, NM as sophisticated
differentiated building types
houses, storage rooms, kivas, great kiva (Chaco Canyon)
dwellings, temples, ceremonial plaza, tombs (Cahokia)
differentiation, specialization, social stratification all
accompany one another as social wealth increases
13.
14. building types
colonial period, there is not a lot of differentiation
for example, the “meeting house” in colonial New England
served for every kind of gathering: civil, religious, juridical,
etc.
25. typology by function
private vs. public buildings
by private I mean anything pertaining to individuals.
by public I mean resources held in common for the good
of the whole society.
the ratio between these has changed.
26. private use
private
religious structures [are often the oldest remaining structures on some of
most expensive, centrally located land within the city]
church
synagogue
mosque
housing [more and more population in absolute terms, also density]
single family
multifamily
apartment building
workplace [dedicated workplaces replace ‘”cottage industries” and quarters]
factories
mills
office buildings
financial institutions
28. public use
government buildings
legal (such as state house, courthouse)
punitive (jails, poorhouses, workhouses)
medical (asylums, hospitals)
educational (schools, colleges, universities)
transport/communication (post offices, rail stations)
later on:
cultural
museums
libraries
theaters
parks
29. symbolically these are different
structures as well
they can also borrow symbolically from each other,
e.g., (department store as temple of shopping)
banks using the classical vocabulary to indicate solidity and
permanence
as Roth points out, “Architectural associationalism first
appeared about 1730 in 18th century Europe, in
landscaped gardens where freestanding isolated pavilions
recalled Roman gates, Chinese pagodas, Greek Temples,
or ruined Gothic abbeys as objects of contemplation.” (p.
107)
35. So, think about types in functional terms (purpose-built
structures) but also in symbolic terms (as representing
different ideas and values within a society). The overlaps
can also speak to shifting values and priorities (for
example, similarities between schools and prisons).
Both will contribute to the program of a given building.
Jefferson was one of the first in the US to think
consciously about the symbolic choices.
36. “Around 1785 this generalized associationalist phase led to
more complex references to specific styles whose images
were historically and symbolically associated with the
function of a proposed new building—Gothic for churches,
Roman for governmental structures, Egyptian for mortuary
structures, for example.” (p. 107)
37. So, if you consider the architecture of Williamsburg (second
state capital after Jamestown and before Richmond)
Note: this was where Jefferson himself was educated, at William
and Mary.
What you find is Georgian architecture (this was also the choice
at Harvard, as you remember from last time)
It makes sense that the colonies would build in the style that
prevailed in their mother country.
But Jefferson wanted to declare independence in more ways
than one.
38. The “Georgian” in Williamsburg
Governor’s Palace, Williamsburg, VA 1706-1722
42. The Massachusetts Town House: seat of colony government 1713–1776
The Massachusetts State House: seat of state government 1776–1798
Boston’s City Hall 1830–1841
Period of commercial use 1841–1881
The Bostonian Society and the museum 1881–present
60. Virginia State Capitol
In 1785, while in France, Jefferson received a letter from the
Virginia Board of Public Buildings requesting a plan for the Capitol.
Jefferson hired French architect Charles-Louis Clérisseau to make
drawings based upon the Maison Carrée and had them sent back
to the USA.
In Jefferson’s opinion, the Maison Carrée was “one of the most
beautiful, if not the most beautiful and precious morsel of
architecture left us by antiquity.”
62. JEAN–PIERRE FOUQUET (1752-
1829)
French artisan who specialized in
architectural modelmaking.
Plaster of Paris at a scale of 1:60
(one inch to every five feet).
Reinforced with internal iron rods,
precise rendering of architectural
details.
63. Virginia State Capitol
In 1787, Jefferson visited the Maison Carrée in Nîmes, a
temple dating to the Roman era.
In Jefferson’s opinion, the Maison Carrée was “one of the
most beautiful, if not the most beautiful and precious morsel
of architecture left us by antiquity.”
64. Early photograph of the Virginia State Capitol. Note Jefferson’s substitution
of Ionic for Corinthian columns.
65. The Maison Carrée, Nîmes, France
built by Augustus’s closest lieutenant during his reign
completed 16 BCE and dedicated to Augustus’s sons
In continuous use, it’s the Roman structure in the best repair anywhere in the world.
66. Richmond, VA after the Civil War. The Virginia State Capitol was not destroyed.
68. Thomas Jefferson & Charles-Louis Clérisseau, Virginia State Capitol, Richmond VA
(original central portion, 1780-1801)
69. Virginia State Capitol, as it appears today, with new entrance to accommodate
contemporary security procedures.
70. choice of classical architecture
rejection of authoritarian English motherland (Gothic)
embrace of “democratic” Greece and Rome
attention to architecture as a symbolic practice, not just a
functional one
public buildings should represent our aspirations as a
democratic public
improving taste of US public
71. “But how is a taste in this beautiful art to be formed in our
countrymen, unless we avail ourselves of every occasion
when public buildings are to be erected, of presenting to
them models for their study and imitation?”
—Thomas Jefferson, letter to James Madison
72. how do we create government buildings appropriate to the
unique mission of this new country?
Jefferson’s answer: look to Classical models which are the best
suited to democratic virtue
Editor's Notes
Smibert's two-story structure, with the cupola rising from the middle of the roofline. The nearby Old State House serves as a surviving reference for Faneuil Hall's original scale. Peter Faneuil was a Boston merchant whose parents were Huguenots. In 1740, he proposed donating a market building to the town, with a marketplace below and a public meeting hall above. The original Faneuil Hall, completed in 1742, was designed by the Scottish artist John Smibert. After the building suffered in a fire in 1761, it was rebuilt the following year. The building now entered the period when it would become known as “The Cradle of Liberty.” James Otis dedicated the meeting room to the “Cause of Liberty” and it was here that the many important gatherings protesting British taxes on the colonies were held, under the leadership of such patriots as Samuel Adams and John Hancock. After the Boston Tea Party, the British closed the building to public meetings and it was used to garrison soldiers.
Creator: Deacon Shem Drowne
Title: Faneuil Hall Grasshopper Weathervane; close-up view
Date: 1742
Location: Faneuil Hall Marketplace, Boston, MA
Description: Exterior
Collection: Contemporary Architecture, Urban Design and Public Art (ART on FILE Collection)
ID Number: PS-02-02-02
Source: Image and original data provided by ART on FILE, www.artonfile.com
Rights: For more information, please contact: Rob Wilkinson, President, ART on FILE, 1837 East Shelby Street, Seattle, WA 98112, 206-300-0702 (phone), 206-322-2560 (fax), rob@artonfile.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Smibert, John, 1688-1751
Title: Boston: Faneuil Hall general view enlarged by Charles Bulfinch, 1806
Date: 1740-2
Location: Boston (Mass.)
Subject: Boston (Mass.)--Faneuil Hall
Subject: Architecture:Artist--United States--18th C. A.D
Subject: Assembly halls
Subject: Colonial architecture
Subject: Colonial period, ca. 1600-1775
Subject: Historic buildings
Subject: Marketplaces
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
Creator: Smibert, John Lambert, (architect)
Creator: Bulfinch, Charles, 1763-1844, (architect)
Title: Faneuil Hall
Title: Interior
Date: 1742 by John Lambert Smibert; rebuilt 1763; enlarged 1806 by Bulfinch.
Location: Boston (Massachusetts)
Subject: 18th century
Subject: 19th century
Subject: architecture
Subject: United States
Collection: Clarence Ward Archive (National Gallery of Art, Department of Image Collections)
Source: Data From: Clarence Ward Archive, National Gallery of Art, Department of Image Collections
Rights: This image and data were provided by the Department of Image Collections, National Gallery of Art, Washington, DC, USA. It is available solely for non-commercial educational and scholarly purposes. Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use. To request permission for any other use, please contact us via our website (http://www.nga.gov/resources/dlidesc.shtm).
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Smibert, John Lambert, (architect)
Creator: Bulfinch, Charles, 1763-1844, (architect)
Title: Faneuil Hall
Title: Interior
Date: 1742 by John Lambert Smibert; rebuilt 1763; enlarged 1806 by Bulfinch.
Location: Boston (Massachusetts)
Subject: 18th century
Subject: 19th century
Subject: architecture
Subject: United States
Collection: Clarence Ward Archive (National Gallery of Art, Department of Image Collections)
Source: Data From: Clarence Ward Archive, National Gallery of Art, Department of Image Collections
Rights: This image and data were provided by the Department of Image Collections, National Gallery of Art, Washington, DC, USA. It is available solely for non-commercial educational and scholarly purposes. Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use. To request permission for any other use, please contact us via our website (http://www.nga.gov/resources/dlidesc.shtm).
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: HARLEY J.~J., del. (doc. 1873), artist
Title: Print. Illustration for `The Wrecked "Atlantic." ' Harper's Weekly 17, no. 852 (26 April 1873), p. 341: "The Wreck of the "Atlantic"-Breakfast to Survivors in Faneuil Hall.'
Work Type: Print / Engraving on Wood - Illustration
Date: 1873
Material: Wood engraving/
Material: Support: Paper
Measurements: Page height: 280 mm
Measurements: Page width: 408 mm
Description: A crowded breakfast at Faneuil Hall, Boston for survivors of the "Atlantic" shipwreck. Black waiter at center right.
Description: See explanatory article `The Wrecked "Atlantic," ' Harper's Weekly 17, no. 852 (26 April 1873); :; 341 (illus.), 342.
Description: Inscriptions: Inscribed within image at bottom left: "Harley del."
Description: Signed: Yes.
Description: Letterpress: Letterpress below image: `The wreck of the "Atlantic"-Breakfast to Survivors in Faneuil Hall-Drawn by J.~J. Harley.-[See Page 342.]'
Description: Biography: HARLEY, J.J. - doc. 1873 (UNITED STATES OF AMERICA).
Description: Photo source: Rice University. Fondren Library, Houston, TX / Menil Foundation /
Description: Photographer: Tornes Mock,
Description: Photographer: San Jacinto Graphic Center, Inc.,
Repository: HOUSTON (TX)., Rice University. Fondren Library.
Repository: Call no.: AP2.H32.
Subject: Genre, Festival or Celebration
Subject: Illustration, Periodical, Harper's Weekly , 1873, 26 April.
Collection: Image of the Black in Western Art (Harvard University)
ID Number: 17576
Source: The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University
Rights: For permissions information, please contact: The Image of the Black in Western Art Project and Photo Archive W.E.B. Du Bois Institute, 104 Mt. Auburn St., 3R, Cambridge, MA 02138, Tel.: 617 495-1875, Fax: 617 495-8511, e-mail: scheek@fas.harvard.edu, kcdalton@fas.harvard.edu, BlackImage@harvard.edu, web site: http://www.dubois.fas.harvard.edu
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: John Smibert; restoration The Rouse Corporation
Title: Faneuil Hall;Quincy Market; Quincy Market
Date: completed 1742; restoration 1979
Location: Faneuil Hall Square, Boston, MA
Description: Exterior
Collection: Contemporary Architecture, Urban Design and Public Art (ART on FILE Collection)
ID Number: HP-14-04-04
Source: Image and original data provided by ART on FILE, www.artonfile.com
Rights: For more information, please contact: Rob Wilkinson, President, ART on FILE, 1837 East Shelby Street, Seattle, WA 98112, 206-300-0702 (phone), 206-322-2560 (fax), rob@artonfile.com
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
The building was completed in 1753 as the colonial legislature (later Pennsylvania State House) for the Province of Pennsylvania. It became the principal meeting place of the Second Continental Congress from 1775 to 1783 and was the site of the Constitutional Convention in the summer of 1787.
Creator: Jefferson, Thomas (1743 - 1826), American, architect; draftsman
Creator: Clérisseau, Charles-Louis (1721 - 1820), French, architect
Title: Virginia State Capitol
Title: View Description: exterior, South Portico
Work Type: Legislative building
Date: 1780-1801
Location: Richmond, Virginia, United States
Style Period: Federal
Style Period: American
Description: Jefferson and Clerisseau collaborated to design the central portion of the modern state capital based on Mason Carree at Nimes in southern France, a temple built by the Romans. In 1904, extensive renovation and construction to the capitol began with the additions of wings. In 1964, the wing connectors were enlarged to create conference room space. (source: virginiacapitol.gov)
Related Item: Source of information: Cataloger
Subject: Legislative buildings
Subject: Capitols
Subject: government office buildings
Subject: columns (architectural elements)
Subject: tympana
Subject: entablatures
Subject: friezes (ornamental bands)
Subject: cornices
Subject: modillions
Subject: porticoes
Collection: SAHARA
ID Number: Record: 20081102AVRN_0004
Source: Photographer: Wilson, Richard
Source: Thomas Jefferson Digital Library
Source: University of Virginia
Rights: (c)Thomas Jefferson Foundation
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Jefferson, Thomas (1743 - 1826), American, architect; draftsman
Creator: Clérisseau, Charles-Louis (1721 - 1820), French, architect
Title: Virginia State Capitol
Title: View Description: exterior, Main Entrance and South Portico
Work Type: Legislative building
Date: 1780-1801
Location: Richmond, Virginia, United States
Style Period: Federal
Style Period: American
Description: Jefferson and Clerisseau collaborated to design the central portion of the modern state capital based on Mason Carree at Nimes in southern France, a temple built by the Romans. In 1904, extensive renovation and construction to the capitol began with the additions of wings. In 1964, the wing connectors were enlarged to create conference room space. (source: virginiacapitol.gov)
Related Item: Source of information: Cataloger
Subject: Legislative buildings
Subject: Capitols
Subject: government office buildings
Subject: columns (architectural elements)
Subject: tympana
Subject: entablatures
Subject: cornices
Subject: Elevations (building divisions)
Subject: porticoes
Collection: SAHARA
ID Number: Record: 20081102AVRN_0001
Source: Photographer: Wilson, Richard
Source: Thomas Jefferson Digital Library
Source: University of Virginia
Rights: (c)Thomas Jefferson Foundation
Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.