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COMPOSE AN INDEPENDENT
CRITIQUE OF A CHOSEN
SELECTION
Prepared by:
Gretchen Lais cariÑo
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You are expected to:
1. identify the common elements of a narrative;
2. evaluate sample critiques about works of fiction; and
3. write an in-depth evaluation of a story in the form of a critique.
OGGGCGIGGG
Activity 1: remember me?
Read the following sentences taken from Anton Chekhov’s “A Day in the
Country,” and identify what narrative element they are.
CHARACTERIZATION PLOT SETTING
THEME CONFLICT DIALOGUE
1. Every act of kindness is an expression of love.
2. A dark leaden-colored mass is creeping over the sky
towards the sun. In a minute there will be a spurt of May
rain and a real storm will begin.
3. Terenty is a tall old man with a thin, pock-marked face,
very long legs, and bare feet, dressed in a woman’s tattered
jacket, looking with drowsy eyes.
Activity 1: remember me?
Read the following sentences taken from Anton Chekhov’s “A Day in the
Country,” and identify what narrative element they are.
CHARACTERIZATION PLOT SETTING
THEME CONFLICT DIALOGUE
4. Terenty and Fyokla’s feet are covered with lumps of heavy, wet
clay. It is slippery and difficult to walk, but Terenty strides on
more and more rapidly. The weak little beggar-girl is breathless
and ready to stop.
5. “It’s terrible how it is thundering,” the boy says again, rubbing
his hand.
Lesson
◦ A critique is an in-depth evaluation of a story, novel, film, etc. for the purpose of
giving its reading public an insight into the material.
◦ Critiques contain a careful evaluation mainly on the following elements of a
narrative: characterization, setting, conflict, plot, dialogue, theme and style.
Certain questions that the critic should ask (David Farland,
2017)
◦ Setting: How well was the setting developed? Does it appeal to more than one of the
senses? Does it inform or connect to other aspects of the story such as character
development and narrative style?
◦ Characterization: How well-drawn are the characters in the story? Do we know
enough about them (life, attitudes, some type of history, etc.) to make them
interesting and relatable? Are there unnecessary characters?
◦ Conflict and Plot: Is there a conflict in the story? Is the plot interesting, original and
well-developed? Are there unnecessary and confusing subplots?
◦ Theme: How well does the story speak to the readers? Does it raise questions about
life, or provide profound insights?
◦ Style: How distinctive or unique is the writing style? Are there literary devices or
techniques used? Is it purposeful? Does the style remind you of any other authors
you have read?
Simple structure to follow in organizing contents
Introduc
tion
• Mention the name of the author and the title of the work
• Give a brief summary, including a description, background or context of the work
• Indicate the elements you want to examine, and state the purpose of your critique.
Body
• Give a systematic and detailed assessment of the different elements of the work, but make sure your discussion and
judgment will be supported by specific details such as quotes or examples from the work itself.
Conclusion
• State your overall assessment of the story’s value, worth and significance (both positive and negative)
• Give recommendations for improvement if necessary.
Activity 2: A CRITIQUE’S CRITIQUE
Read the text in the box, and then answer the questions that
follow.
“The Duplicate War: A Review” by David Lowe
Critique by Robert Keating
(1)The most valuable portion of any critique is “What I didn’t like and why.” (2)Unfortunately,
there’s not much wrong with The Duplicate War: A Review. (3)I will try to be as specific as
possible with my praise so you’ll know what you did right.
(4)The vehicle of an opera review to tell your tale is an
excellent one. (5)I have seen this approach before and it is very
effective as long as it keeps moving. (6)Your tale moved at a
brisk (but not rushed) pace.
(7) “The photograph of his father in the wheelchair that had
brought him back from Vietnam could be dusted…” (8) The
paragraph this line appears in is an excellent example of
characterization by setting; and the line I referenced is the
wonderful little which completes the scene and sheds a little
light on who Scott is.
◦ (9) “The networks showed the tape over and over; he sat up
drinking strong coffee and watched Michael every hour until
dawn.” (10)I think that amending this line to end “…and
watched Michael die every hour until dawn” will add impact
and help justify Scott’s actions later.
◦ (11)This is an excellent story and should see publication.
(12)It is on par with what I see in the short science fiction
markets.
____1. Under what genre is the critiqued material?
A. Fantasy B. Comedy C. Drama D. Science fiction
____2. What is the overall assessment of the critic about the material?
A. Positive B. Negative C. Ambivalent D. Not stated
____3. Which paragraphs clearly show the critic’s overall judgment?
A. 1 and 2 B. 2 and 3 C. 3 and 4 D. 1 and 5
____4. What story element was assessed in paragraph 2?
A. Plot B. Setting C. Characterization D. Theme
____5. What detail in a critic was sentence #10 an example of?
A. Summary C. Recommendation
B. Evidence D. Evaluation
____6. What is evidently lacking in this critique if it intends to inform readers?
A. Summary C. Recommendation
B. Evidence D. Evaluation
____7. Which of the following is one of the good points in the essay?
A. The critic gave positive evaluation of the material.
B. The critic showed knowledge about the context of the material.
C. Specific examples from the text itself were mentioned in the discussion.
D. All the things that the readers need to know about the text were mentioned.
8-10. Based on what you learned from the lesson, how can this critique be improved? (Answer in
no more than three meaningful sentences.)
◦ ____________________________________________________________________________________________________
____________________________________________________________________________________________________
____________________________________________________________________________________________________
____________________________________________________________________________________________________
__________________________________
Assessment: Choose the letter of the best answer, and write
it on a separate sheet of paper.
1. Which of these terms is often used interchangeably with the word “critique”?
A. Summary B. Synopsis C. Review D. Report
2. Which statement is not true about a critique?
A. It is a purely opinionated piece of writing about a story, novel, film, etc.
B. It is usually done by experts or people with considerable knowledge about the
work.
C. It does not place emphasis on giving recommendations to possible readers or
viewers.
D. It is an in-depth evaluation or assessment of a piece of work such as a short story
or film.
3. Which of these story elements is not tackled in a critique?
A. Characterization B. Conflict C. Plot D. None of the above
4. Which of these is not an appropriate subject for critical analysis?
A. Films B. Novels C. Speeches D. Short Stories
5. What information or details is usually included in a
critique’s introduction?
A. structure of the plot
B. authenticity of the conflict
C. significance of the dialogues
D. background or summary of the selection
6. Which of these questions should be asked when analyzing
the characters in a narrative?
A. Do we know enough about them to make them
interesting and relatable?
B. Are there equal number of male and female characters?
C. Who among the characters is likeable and who is not?
D. Why is the protagonist not a superhero material?
7. What detail can a critic use best to support his/her
evaluation of a story?
A. Opinions of those who read the story
B. Quotes from the story itself
C. Statements of the author
D. Reviews of other critics
For numbers 8-11, write TRUE if the statement is correct, and
FALSE if not.
________ 8. Critiques may follow different formats but they
generally
have the same content or foci.
________ 9. A critique is intended primarily to point out the
faults or flaws in a work.
________ 10. It is alright to not give a summary of the story
critiqued because the readers are most likely familiar with it
already.
________ 11. A critic is encouraged to write “I think…” or “In my
opinion…” in his critical essay.
For numbers 12-15, identify the correct order of these steps in
writing a critique by assigning the numbers 1 to 4.
_____ 12. Give recommendations as needed.
_____ 13. Give a short summary of the story.
_____ 14. Give an overall evaluation of the story.
_____ 15. State your analysis of the setting, characterization, plot,
etc.

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Compose an Independent Critique of a Chosen Selection.pptx

  • 1. COMPOSE AN INDEPENDENT CRITIQUE OF A CHOSEN SELECTION Prepared by: Gretchen Lais cariÑo GrGtchGG LaGs carGG G GI GrGtchGG LaGs carGG G GI
  • 2. You are expected to: 1. identify the common elements of a narrative; 2. evaluate sample critiques about works of fiction; and 3. write an in-depth evaluation of a story in the form of a critique. OGGGCGIGGG
  • 3. Activity 1: remember me? Read the following sentences taken from Anton Chekhov’s “A Day in the Country,” and identify what narrative element they are. CHARACTERIZATION PLOT SETTING THEME CONFLICT DIALOGUE 1. Every act of kindness is an expression of love. 2. A dark leaden-colored mass is creeping over the sky towards the sun. In a minute there will be a spurt of May rain and a real storm will begin. 3. Terenty is a tall old man with a thin, pock-marked face, very long legs, and bare feet, dressed in a woman’s tattered jacket, looking with drowsy eyes.
  • 4. Activity 1: remember me? Read the following sentences taken from Anton Chekhov’s “A Day in the Country,” and identify what narrative element they are. CHARACTERIZATION PLOT SETTING THEME CONFLICT DIALOGUE 4. Terenty and Fyokla’s feet are covered with lumps of heavy, wet clay. It is slippery and difficult to walk, but Terenty strides on more and more rapidly. The weak little beggar-girl is breathless and ready to stop. 5. “It’s terrible how it is thundering,” the boy says again, rubbing his hand.
  • 5. Lesson ◦ A critique is an in-depth evaluation of a story, novel, film, etc. for the purpose of giving its reading public an insight into the material. ◦ Critiques contain a careful evaluation mainly on the following elements of a narrative: characterization, setting, conflict, plot, dialogue, theme and style.
  • 6. Certain questions that the critic should ask (David Farland, 2017) ◦ Setting: How well was the setting developed? Does it appeal to more than one of the senses? Does it inform or connect to other aspects of the story such as character development and narrative style? ◦ Characterization: How well-drawn are the characters in the story? Do we know enough about them (life, attitudes, some type of history, etc.) to make them interesting and relatable? Are there unnecessary characters?
  • 7. ◦ Conflict and Plot: Is there a conflict in the story? Is the plot interesting, original and well-developed? Are there unnecessary and confusing subplots? ◦ Theme: How well does the story speak to the readers? Does it raise questions about life, or provide profound insights? ◦ Style: How distinctive or unique is the writing style? Are there literary devices or techniques used? Is it purposeful? Does the style remind you of any other authors you have read?
  • 8. Simple structure to follow in organizing contents Introduc tion • Mention the name of the author and the title of the work • Give a brief summary, including a description, background or context of the work • Indicate the elements you want to examine, and state the purpose of your critique. Body • Give a systematic and detailed assessment of the different elements of the work, but make sure your discussion and judgment will be supported by specific details such as quotes or examples from the work itself. Conclusion • State your overall assessment of the story’s value, worth and significance (both positive and negative) • Give recommendations for improvement if necessary.
  • 9. Activity 2: A CRITIQUE’S CRITIQUE Read the text in the box, and then answer the questions that follow. “The Duplicate War: A Review” by David Lowe Critique by Robert Keating (1)The most valuable portion of any critique is “What I didn’t like and why.” (2)Unfortunately, there’s not much wrong with The Duplicate War: A Review. (3)I will try to be as specific as possible with my praise so you’ll know what you did right.
  • 10. (4)The vehicle of an opera review to tell your tale is an excellent one. (5)I have seen this approach before and it is very effective as long as it keeps moving. (6)Your tale moved at a brisk (but not rushed) pace.
  • 11. (7) “The photograph of his father in the wheelchair that had brought him back from Vietnam could be dusted…” (8) The paragraph this line appears in is an excellent example of characterization by setting; and the line I referenced is the wonderful little which completes the scene and sheds a little light on who Scott is.
  • 12. ◦ (9) “The networks showed the tape over and over; he sat up drinking strong coffee and watched Michael every hour until dawn.” (10)I think that amending this line to end “…and watched Michael die every hour until dawn” will add impact and help justify Scott’s actions later. ◦ (11)This is an excellent story and should see publication. (12)It is on par with what I see in the short science fiction markets.
  • 13. ____1. Under what genre is the critiqued material? A. Fantasy B. Comedy C. Drama D. Science fiction ____2. What is the overall assessment of the critic about the material? A. Positive B. Negative C. Ambivalent D. Not stated ____3. Which paragraphs clearly show the critic’s overall judgment? A. 1 and 2 B. 2 and 3 C. 3 and 4 D. 1 and 5 ____4. What story element was assessed in paragraph 2? A. Plot B. Setting C. Characterization D. Theme ____5. What detail in a critic was sentence #10 an example of? A. Summary C. Recommendation B. Evidence D. Evaluation
  • 14. ____6. What is evidently lacking in this critique if it intends to inform readers? A. Summary C. Recommendation B. Evidence D. Evaluation ____7. Which of the following is one of the good points in the essay? A. The critic gave positive evaluation of the material. B. The critic showed knowledge about the context of the material. C. Specific examples from the text itself were mentioned in the discussion. D. All the things that the readers need to know about the text were mentioned.
  • 15. 8-10. Based on what you learned from the lesson, how can this critique be improved? (Answer in no more than three meaningful sentences.) ◦ ____________________________________________________________________________________________________ ____________________________________________________________________________________________________ ____________________________________________________________________________________________________ ____________________________________________________________________________________________________ __________________________________
  • 16. Assessment: Choose the letter of the best answer, and write it on a separate sheet of paper. 1. Which of these terms is often used interchangeably with the word “critique”? A. Summary B. Synopsis C. Review D. Report 2. Which statement is not true about a critique? A. It is a purely opinionated piece of writing about a story, novel, film, etc. B. It is usually done by experts or people with considerable knowledge about the work. C. It does not place emphasis on giving recommendations to possible readers or viewers. D. It is an in-depth evaluation or assessment of a piece of work such as a short story or film.
  • 17. 3. Which of these story elements is not tackled in a critique? A. Characterization B. Conflict C. Plot D. None of the above 4. Which of these is not an appropriate subject for critical analysis? A. Films B. Novels C. Speeches D. Short Stories
  • 18. 5. What information or details is usually included in a critique’s introduction? A. structure of the plot B. authenticity of the conflict C. significance of the dialogues D. background or summary of the selection
  • 19. 6. Which of these questions should be asked when analyzing the characters in a narrative? A. Do we know enough about them to make them interesting and relatable? B. Are there equal number of male and female characters? C. Who among the characters is likeable and who is not? D. Why is the protagonist not a superhero material?
  • 20. 7. What detail can a critic use best to support his/her evaluation of a story? A. Opinions of those who read the story B. Quotes from the story itself C. Statements of the author D. Reviews of other critics
  • 21. For numbers 8-11, write TRUE if the statement is correct, and FALSE if not. ________ 8. Critiques may follow different formats but they generally have the same content or foci. ________ 9. A critique is intended primarily to point out the faults or flaws in a work.
  • 22. ________ 10. It is alright to not give a summary of the story critiqued because the readers are most likely familiar with it already. ________ 11. A critic is encouraged to write “I think…” or “In my opinion…” in his critical essay.
  • 23. For numbers 12-15, identify the correct order of these steps in writing a critique by assigning the numbers 1 to 4. _____ 12. Give recommendations as needed. _____ 13. Give a short summary of the story. _____ 14. Give an overall evaluation of the story. _____ 15. State your analysis of the setting, characterization, plot, etc.