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Nikki Akraminejad
sur·re·al·ism
noun sə-ˈrē-ə-ˌli-zəm also -ˈrā- :
SURREALISM sur- ( beyond ) + réalisme ( realism )
A 20th-century art form in which an artist or writer
combines unrelated images or events in a very strange
and dreamlike way
The principles, ideals, or practice of producing fantastic
or incongruous imagery or effects in art, literature,
film, or theater by means of unnatural or irrational
juxtapositions and combinations
Surrealism originated in
the late 1910s and
early '20s as a literary
movement that
experimented with a
new mode of
expression called
automatic writing, or
automatism, which
sought to release the
unbridled imagination
.of the subconscious
Officially started in
Paris in 1924 with
the publication of
the Manifesto of
Surrealism by the
poet and critic
André Breton (1896–
1966), Surrealism
became an
international
intellectual and
political movement.
Breton, a trained
psychiatrist, was
influenced by the
psychological
theories and
dream studies of
Sigmund Freud
and the political
ideas of Karl Marx.
Using Freudian
methods of free
association, their
poetry and prose
drew upon the
private world of
the mind,
traditionally
restricted by
reason and societal
limitations, to
produce surprising,
unexpected
imagery.
Surrealism developed out of the
Dada activities during World War I
and the most important center of
the movement was Paris. From
the 1920s onward, the movement
spread around the globe,
eventually affecting the visual
arts, literature, film, and music
of many countries and languages,
as well as political thought and
practice, philosophy, and social
theory.
Because Surrealist writers seldom, if ever,
appear to organize their thoughts and the
images they present, some people find
.much of their work difficult to examine
This notion however is a shallow
comprehension, caused by Breton's
initial emphasis on automatic writing
as the.main route toward a higher
reality
 But-as in Breton's
case-much of what
is presented as
purely automatic is
actually edited and
very "thought out".
Breton himself later
admitted that
automatic writing's
centrality had been
overstated, and
other elements were
introduced
Dalí and Magritte created the
most widely recognized images
of the movement.
Surrealism as a visual movement
had found a method: to expose
psychological truth; stripping
ordinary objects of their normal
significance, to create a
compelling image that was
beyond ordinary formal
organization, in order to evoke
empathy from the viewer.
The characteristics of this style—a combination of the
depictive, the abstract, and the psychological—came to
stand for the alienation which many people felt in the
modern period, combined with the sense of reaching
more deeply into the psyche, to be "made whole with
one's individuality".
Picasso, for example, captured the chaos of the
bombing of Guernica in Spain by twisting angles,
exaggerating features that stood out for him,
and drawing the viewer’s eye to the outer edges
where people and animals scream in terror and
agony.
In drama, Eugene Ionesco and Samuel Beckett
introduced surrealism to the stage; the movement
was called “the Theatre of the Absurd.” It
redefined the role of the audience in drama and
corrupted the classic elements of plot, character,
thought, diction, and spectacle, which includes
movement, gesture, speech, costume, and staging.
Typical literary devices or
techniques: Sentence
fragments Nonlinear plots
Non sequiturs Word play
Minimalist settings Dream
sequences
Writers, like artists, wanted readers to
“re-think” the words they were reading,
to focus not so much on the meaning of
the words, but the meaning of the USAGE
of the language: The overall effect of the
way the details of language, such as
words, punctuation, spellings, and the
appearance on the page .
-The exploration of the dream and
unconsciousness as a valid form of
reality, inspired by Sigmund Freud's
writings.
-A willingness to depict images of
sexuality, decay and violence.
-The desire to push against the
boundaries of socially acceptable
behaviors and traditions in order to
discover pure thought and the artist's
true nature.
-The incorporation of chance and
spontaneity.
-Emphasis on the mysterious,
marvelous, mythological and irrational
in an effort to make art ambiguous and
strange.
-existence of parallel times, no certain
.beginning or ending in the story
-insanity or madness
-sarcasm or irony
the end!
 http://www.merriam-
webster.com/dictionary/surrealism
 http://www.metmuseum.org/toah/hd/surr/
hd_surr.htm
 http://en.wikipedia.org/wiki/Surrealism
 http://www.slideshare.net/EDeal/surrealism
-3966727
 http://arthistory.about.com/od/modernarthi
story/a/Surrealism-Art-History-101-
Basics.htm

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Surrealism in Literature- It's Definition, Origins, Examples and Key Features

  • 2. sur·re·al·ism noun sə-ˈrē-ə-ˌli-zəm also -ˈrā- : SURREALISM sur- ( beyond ) + réalisme ( realism ) A 20th-century art form in which an artist or writer combines unrelated images or events in a very strange and dreamlike way The principles, ideals, or practice of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational juxtapositions and combinations
  • 3. Surrealism originated in the late 1910s and early '20s as a literary movement that experimented with a new mode of expression called automatic writing, or automatism, which sought to release the unbridled imagination .of the subconscious
  • 4. Officially started in Paris in 1924 with the publication of the Manifesto of Surrealism by the poet and critic André Breton (1896– 1966), Surrealism became an international intellectual and political movement.
  • 5. Breton, a trained psychiatrist, was influenced by the psychological theories and dream studies of Sigmund Freud and the political ideas of Karl Marx.
  • 6. Using Freudian methods of free association, their poetry and prose drew upon the private world of the mind, traditionally restricted by reason and societal limitations, to produce surprising, unexpected imagery.
  • 7. Surrealism developed out of the Dada activities during World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.
  • 8. Because Surrealist writers seldom, if ever, appear to organize their thoughts and the images they present, some people find .much of their work difficult to examine
  • 9. This notion however is a shallow comprehension, caused by Breton's initial emphasis on automatic writing as the.main route toward a higher reality
  • 10.  But-as in Breton's case-much of what is presented as purely automatic is actually edited and very "thought out". Breton himself later admitted that automatic writing's centrality had been overstated, and other elements were introduced
  • 11. Dalí and Magritte created the most widely recognized images of the movement. Surrealism as a visual movement had found a method: to expose psychological truth; stripping ordinary objects of their normal significance, to create a compelling image that was beyond ordinary formal organization, in order to evoke empathy from the viewer.
  • 12. The characteristics of this style—a combination of the depictive, the abstract, and the psychological—came to stand for the alienation which many people felt in the modern period, combined with the sense of reaching more deeply into the psyche, to be "made whole with one's individuality".
  • 13. Picasso, for example, captured the chaos of the bombing of Guernica in Spain by twisting angles, exaggerating features that stood out for him, and drawing the viewer’s eye to the outer edges where people and animals scream in terror and agony.
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  • 15. In drama, Eugene Ionesco and Samuel Beckett introduced surrealism to the stage; the movement was called “the Theatre of the Absurd.” It redefined the role of the audience in drama and corrupted the classic elements of plot, character, thought, diction, and spectacle, which includes movement, gesture, speech, costume, and staging.
  • 16. Typical literary devices or techniques: Sentence fragments Nonlinear plots Non sequiturs Word play Minimalist settings Dream sequences
  • 17. Writers, like artists, wanted readers to “re-think” the words they were reading, to focus not so much on the meaning of the words, but the meaning of the USAGE of the language: The overall effect of the way the details of language, such as words, punctuation, spellings, and the appearance on the page .
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  • 19. -The exploration of the dream and unconsciousness as a valid form of reality, inspired by Sigmund Freud's writings. -A willingness to depict images of sexuality, decay and violence. -The desire to push against the boundaries of socially acceptable behaviors and traditions in order to discover pure thought and the artist's true nature.
  • 20. -The incorporation of chance and spontaneity. -Emphasis on the mysterious, marvelous, mythological and irrational in an effort to make art ambiguous and strange. -existence of parallel times, no certain .beginning or ending in the story -insanity or madness -sarcasm or irony
  • 22.  http://www.merriam- webster.com/dictionary/surrealism  http://www.metmuseum.org/toah/hd/surr/ hd_surr.htm  http://en.wikipedia.org/wiki/Surrealism  http://www.slideshare.net/EDeal/surrealism -3966727  http://arthistory.about.com/od/modernarthi story/a/Surrealism-Art-History-101- Basics.htm