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Narrative theory
Accordingto Bordwell and Thompsonnarrative isdefinedas “achain of eventsin a cause and
effectrelationshipoccurringin time”. Narrative is “away of organisingspatial and temporal events
into a cause-effectchainof eventswitha beginning,a middle and an end that embodiesa
judgementabout the nature of events” accordingto Branigan.
Branigan arguesthat narrative is “away of organisingspatial and temporal data intoa cause-effect
chain of eventswith a begging,middle and an end that embodiesa judgementabout the nature of
events”.
VladimirPropp (1926) studiedfairytalesand saysinall typesof mediathere are 8 characters…
 The villain.
 The hero – seekssomething.
 The donor – providesandobjectwithsome magical property.
 The helper– whoaidsthe hero.
 The princess – Rewardfor the heroand objectof the villain’sschemes.
 Her father – who rewardsthe hero.
 The dispatcher – whosendsthe heroon hisway.
 The false hero– Alsolaysclaimto the princessbutisunsuitable andcausescomplications.
Tzvetan Todorov (1969)
1. Equilibrium--------------------------------
2. Disruption |
3. Recognitionof the disruption |
4. Attempttorepairthe damage |
5. Newequilibrium -----------------------------/
Roland Barthes (1960s) - Narrative canbe brokendowninto5 codesinorder to make more sense of
it…
 Action code – Eventstakingplace throughaction
 Referential code – Referstothe informationandexplanation thatcanbe inferredbyprior
knowledge
 Semantic code – Referstothe characters and characterisation
 Enigma code – Narrative device,puzzle,questor riddle tobe solved.Workstodelaythe
story’sendingpleasurably
 Symboliccode – Refersto the connotationsof signs e.g.colours
Claude Levie-Strauss(1972) came up with binary opposites,aconflictbetweentwo opposite
qualitiesorterms(e.g.goodvsbad,domesticvs.savage andrich vs.poor)
Allan Cameron:Modular narratives (2008) – There are 4 differenttypesof narrativesastheyhave
got more complex since the 1990s…
 Anachronic – Modifiedflashbacks/flashforwards,nocleardominance betweennarrative
threads
 Forking-Path– Alternativeversionsof the storywithoutcomes thatmightresultfromslight
changes
 Episodic– Collectionof storiesjoinedbyacommontheme
 Splitscreen – spatial ratherthan temporal lines

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Narrative theory

  • 1. Narrative theory Accordingto Bordwell and Thompsonnarrative isdefinedas “achain of eventsin a cause and effectrelationshipoccurringin time”. Narrative is “away of organisingspatial and temporal events into a cause-effectchainof eventswitha beginning,a middle and an end that embodiesa judgementabout the nature of events” accordingto Branigan. Branigan arguesthat narrative is “away of organisingspatial and temporal data intoa cause-effect chain of eventswith a begging,middle and an end that embodiesa judgementabout the nature of events”. VladimirPropp (1926) studiedfairytalesand saysinall typesof mediathere are 8 characters…  The villain.  The hero – seekssomething.  The donor – providesandobjectwithsome magical property.  The helper– whoaidsthe hero.  The princess – Rewardfor the heroand objectof the villain’sschemes.  Her father – who rewardsthe hero.  The dispatcher – whosendsthe heroon hisway.  The false hero– Alsolaysclaimto the princessbutisunsuitable andcausescomplications. Tzvetan Todorov (1969) 1. Equilibrium-------------------------------- 2. Disruption | 3. Recognitionof the disruption | 4. Attempttorepairthe damage | 5. Newequilibrium -----------------------------/ Roland Barthes (1960s) - Narrative canbe brokendowninto5 codesinorder to make more sense of it…  Action code – Eventstakingplace throughaction  Referential code – Referstothe informationandexplanation thatcanbe inferredbyprior knowledge  Semantic code – Referstothe characters and characterisation  Enigma code – Narrative device,puzzle,questor riddle tobe solved.Workstodelaythe story’sendingpleasurably  Symboliccode – Refersto the connotationsof signs e.g.colours Claude Levie-Strauss(1972) came up with binary opposites,aconflictbetweentwo opposite qualitiesorterms(e.g.goodvsbad,domesticvs.savage andrich vs.poor) Allan Cameron:Modular narratives (2008) – There are 4 differenttypesof narrativesastheyhave got more complex since the 1990s…  Anachronic – Modifiedflashbacks/flashforwards,nocleardominance betweennarrative threads  Forking-Path– Alternativeversionsof the storywithoutcomes thatmightresultfromslight changes  Episodic– Collectionof storiesjoinedbyacommontheme
  • 2.  Splitscreen – spatial ratherthan temporal lines