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SectionA
Narrative theory
Narrative is defined as a chain of events in a cause-effect relationship occurring time.
(Bordwell and Thompson)
Narrative is a way of organising events into a beginning middle and end
(Branigan)
Edward Branigan (1992)
“Narrative isa way of organisingeventsintoabeginningmiddle andend”
VladimirPropp (1928)
There are a limitiedamountof numberof charcteters:
There isalways8:
1. Villain
2. Hero
3. Helper
4. Donor-givessomething
5. Father- awardshero
6. The false hero
7. The princess
8. The dispatcher- whosendsheroonhisway
Tzvetantodorov (1969)
SectionA
RolandBarthes(1960)
A- Actioncode,eventstakingplace throughactione.g.fightscene
R- referential code,referstothingswe alreadyknow e.g.wolvescome outwithfull moon,and
creepygrave yard,horror
S- semanticcode,isthe charctersand the characterisation,Michel Jacksonintozombiebackto
Michel jackson
E- enigmacode,puzzle orriddle tobe solvedbythe audiences,e.g.Michelseyesatthe end
S- symboliccode, whichreferstothe connotationsof signs e..gcolours
Claude levi-strauss(1972)
These are usuallyexpressedinthe formof binaryoppositions.
There are alwaysopposites,richperson:poorperson
AllanCameron (2008)
Anachronic:
Modifiedflashbacks/flashforwards
No cleardominance betweennarrativethreads
Forking-Path:
Alternativeversionsof the story
Outcomesthatmightresultfromslightchanges
Episodic:
Collectionof storiesjoinedbyacommontheme
SplitScreen:
Spatial ratherthan temporal lines

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Narrative theory

  • 1. SectionA Narrative theory Narrative is defined as a chain of events in a cause-effect relationship occurring time. (Bordwell and Thompson) Narrative is a way of organising events into a beginning middle and end (Branigan) Edward Branigan (1992) “Narrative isa way of organisingeventsintoabeginningmiddle andend” VladimirPropp (1928) There are a limitiedamountof numberof charcteters: There isalways8: 1. Villain 2. Hero 3. Helper 4. Donor-givessomething 5. Father- awardshero 6. The false hero 7. The princess 8. The dispatcher- whosendsheroonhisway Tzvetantodorov (1969)
  • 2. SectionA RolandBarthes(1960) A- Actioncode,eventstakingplace throughactione.g.fightscene R- referential code,referstothingswe alreadyknow e.g.wolvescome outwithfull moon,and creepygrave yard,horror S- semanticcode,isthe charctersand the characterisation,Michel Jacksonintozombiebackto Michel jackson E- enigmacode,puzzle orriddle tobe solvedbythe audiences,e.g.Michelseyesatthe end S- symboliccode, whichreferstothe connotationsof signs e..gcolours Claude levi-strauss(1972) These are usuallyexpressedinthe formof binaryoppositions. There are alwaysopposites,richperson:poorperson AllanCameron (2008) Anachronic: Modifiedflashbacks/flashforwards No cleardominance betweennarrativethreads Forking-Path: Alternativeversionsof the story Outcomesthatmightresultfromslightchanges Episodic: Collectionof storiesjoinedbyacommontheme SplitScreen: Spatial ratherthan temporal lines