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Michael wells 08/10/14 
Narrative theory 
 Narrative is defined as “a chain of events in a cause effect relationship occurring in time” 
(Bordwell and Thompson) 
 Narrative has a beginning middle and end that embodies a judgement about the nature of 
events (Branigan) 
Theorists 
1. Vladimir prop (1928) 
8 Returning characters (archetype) 
 Villain 
 Hero 
 The donor – gives the hero help e.g. giving equipment 
 The helper – aids the hero 
 The princess – The prize at the end 
 Her father – gives his daughter to the hero 
 The dispatcher – send the hero on the journey 
 The false hero – we think that he’s the hero but he’s not the true hero e.g. unsuitable for the 
princess 
2. Tzvetan Todorov (1969) 
Equilibrium > disequilibrium > resolution > (new equilibrium) 
Balance > unbalance > new balance 
3. Roland Barthes (1960s) 
Narratives can be broken down into 5 codes 
 Action codes – some form of action 
 Enigma code – puzzle or riddle that is introduced 
 Semantic code – characters and characterisation (how people change throughout the film) 
 Referential code – refers to the information and explanation 
 Symbolic code – refers to the connotation of signs (what we infer) 
4. Claude Levi-Strauss (1972) 
Binary opposite’s e.g. Poor vs rich, good vs bad 
His research has been adapted by theorists to reveal underlying themes and symbolic oppositions

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Narrative theory theorists

  • 1. Michael wells 08/10/14 Narrative theory  Narrative is defined as “a chain of events in a cause effect relationship occurring in time” (Bordwell and Thompson)  Narrative has a beginning middle and end that embodies a judgement about the nature of events (Branigan) Theorists 1. Vladimir prop (1928) 8 Returning characters (archetype)  Villain  Hero  The donor – gives the hero help e.g. giving equipment  The helper – aids the hero  The princess – The prize at the end  Her father – gives his daughter to the hero  The dispatcher – send the hero on the journey  The false hero – we think that he’s the hero but he’s not the true hero e.g. unsuitable for the princess 2. Tzvetan Todorov (1969) Equilibrium > disequilibrium > resolution > (new equilibrium) Balance > unbalance > new balance 3. Roland Barthes (1960s) Narratives can be broken down into 5 codes  Action codes – some form of action  Enigma code – puzzle or riddle that is introduced  Semantic code – characters and characterisation (how people change throughout the film)  Referential code – refers to the information and explanation  Symbolic code – refers to the connotation of signs (what we infer) 4. Claude Levi-Strauss (1972) Binary opposite’s e.g. Poor vs rich, good vs bad His research has been adapted by theorists to reveal underlying themes and symbolic oppositions