Rihanna loud digipak analysis

1. Ri hanna Di gi pack -
Loud

2. The a l bum c ove r ha s
a t he me of t he
c ol our r e d a s s e e n
i n Ri ha nna ’ s ha i r
a nd l i ps . Ri ha nna i s
known f or a l wa ys
c ha ngi ng he r ha i r
a nd t hi s c ol our
be c a me ve r y popul a r
e ve n s e t t i ng a t r e nd
l i nki ng i n wi t h my
c onve nt i ons of pop
vi de os . He r s t a r
i ma ge r e vol ve d
a r ound t hi s a nd i t
ha s be e n s hown
t hr ough he r whol e
a l bum wi t h t he t he me
r e d.
The c ol our r e d
i s a l s o
t ypi c a l l y a
ve r y s e xy.
Se duc t i ve
c ol our .
The r e d i s us e d
t o dr a w
a t t e nt i on t o t he
a udi e nc e ma ki ng
t he CD popul a r .
The pi c t ur e i s ve r y
t i ght l y f r a me d i n
t he c l os e up i ma ge
s howi ng of t he
a r t i s t . He r e ye s
a r e a l s o c l os e d
ma ki ng t he pl ump
r e d l i ps t he ma i n
f oc us of t hi s
pi c t ur e . The c l os e
i ma ge s hows of
Ri ha nna ’ s be a ut y
a nd s e x a ppe a l
l i nki ng s t r a i ght t o
he r t a r ge t
a udi e nc e .
Re d i s l i nke d
wi t h da nge r ,
l ove , s e x a nd
powe r a l l
t hi ngs Ri ha nna
ha s s hown i n
he r mus i c
vi de os
Al t hough t he
t e xt i s ve r y
s i mpl e i t s t i l l
s t a nds out . The
whi t e a ga i ns t
t he r e d a nd
Ri ha nna ' s s ki n
The whi t e
t e xt l i nks
wi t h t he i de a
of pur i t y a nd
l ove goi ng
bot h a ga i ns t
t he s e xi ne s s
Li nks i n wi t h
c onve nt i ons of a pop
a l bum c ove r s howi ng
a por t r a i t i ma ge of
t he s t a r .

3. The r e d
c ol our
t he me
c ont i nue s
i ns i de t he
pa c k.
The l i ght e r pi nk
dr e s s i s a l ot
mor e gi r l y a nd
i nnoc e nt t ha n
t he s e duc t i ve
r e d c ol our s on
t he f r ont of t he
a l bum.
The r os e s
c onnot e t he t he me
of l ove , pa s s i on
a nd he a r t br e a k
s ome t hi ng t ha t
r uns t hr ough t he
di gi pa c k a nd i t s
s ongs .
He r l a y down
body s hows s ome
s or t of s e x
a ppe a l
a t t r a c t i ng ma l e
a udi e nc e s
howe ve r s he i s
not i n ove r l y
s e xy c l ot hi ng or
r e ve a l i ng
a nyt hi ng
t he r e f or e s he i s
s t i l l a ppe a l i ng
t o he r f e ma l e
a udi e nc e by not
l ooki ng
t hr e a t e ni ng.
The whol e a l bum
ha s a na r r a t i ve
ba s e d t he me
t hr oughout . On
t he f r ont c ove r
t he a r t i s t s
f a c i a l
e xpr e s s i ons s how
wor r y. The t he me
t hr oughout i s
Thi s i ma ge i n
t he di gi pa c k
s hows a l ot of
e mot i on, i t s
bol d a nd bus y
ba c kgr ound
c ont r a s t wi t h
t he s of t l ook
of t he a r t i s t
Thr oughout t he
pa c k Ri ha nna i s
pi c t ur e d wi t h
he r e ye s c l os e d
t hi s i s
a t ypi c a l t o a
a l bum c ove r a s
us ua l l y t he
a r t i s t wa nt t o
ma ke s ome s or t
of c onne c t i on
t o i t s a udi e nc e
t hr ough t he
e ye s .

4. The CD i t s e l f
i s de s i gne d t o
l ook l i ke a
pa l e pi nk
r os e . The r os e
a ga i n c onnot e s
t he t he me of
l ove / pa s s i on.
The pa l e pi nk
c ol our ma t c he s
t he c ol our of
Ri ha nna ’ s dr e s s
i n t he pr e vi ous
pi c t ur e l i nki ng
t he a l bum
t oge t he r
t hr ough c ol our
t he me s .
The CD s a ys
t he a r t i s t s
na me a nd
a l bum na me
i n whi t e a nd
pi nk l i nki ng
wi t h t he
t he me of t he
f r ont .
The pi nk r os e
l i nks i n wi t h
t he i de a of
be a ut y a nd
de l i c a c y c r e a t e
a s e ns e of
l ove / pa s s i on.
Thr oughout t he
di gi pa c k
f e mi ni ne
c ol our s a r e
us e d s uc h a s
pi nks a nd r e ds
t a r ge t i ng i t s
f e ma l e
a udi e nc e .
Thi s pa r t i c ul a r
pi c t ur e s hows of
a s of t e r s i de t o
Ri ha nna a s
nor ma l l y s he i s
s e e n t o be e dgy
a nd t ough. The
t he me of
l ove / pa s s i on
c ont i nue s t hr ough
he r s ongs i n t he
a l bum a s t he y a r e
a l mos t a l l t o do
wi t h t hi s t he me .
For e xa mpl e
‘ Ca l i f or ni a ki ng
be d’ i s a ve r y
s l ow s of t s ong
The r os e i t s e l f
i s n’ t c l e a r a nd
c r i s p i t l ooks
s of t a nd de l i c a t e
wi t h wa t e r
dr opl e t s on. Thi s
c oul d r e pr e s e nt a
r os e f i r s t t hi ng

5. The ba c k of
t he a l bum
t i e s t he
whol e a l bum
t oge t he r
us i ng s of t e r
c ol our s wi t h
a f a de d l ook
ove r t he
whol e t hi ng
a nd t he
da r ke r t one s
s e e n on t he
f r ont of t he
a l bum down
t he s i de a nd
t he t e xt .
The ba c k of
t he a l bum
s hows wha t
r e c or d l a be l
Ri ha nna i s
s i gne d t o ‘ De f
J a m’ a nd ot he r
i nf or ma t i on
l i ke
pr oduc e r s .
Thi s
i nf or ma t i on
f ol l ows t he
c ol our t he me s
of t he a l bum
i n da r k pi nk
a nd whi t e .
Ba r c ode i s on
t he ba c k of
t he a l bum.
Thi s i s
nor ma l l y s e e n
on t he f r ont
or ba c k of t he
a l bum.
Al t hough
Ri ha nna ' s e ye s
a r e ope n on t hi s
pi c t ur e s he onc e
a ga i n i s n’ t
ma ki ng e ye
c ont a c t wi t h t he
a udi e nc e s howi ng
i nnoc e nc e ,
vul ne r a bi l i t y or
a hi dde n s e c r e t
a l l of whi c h
i nt r i gue t he
The whi t e dr e s s
c onnot e s
i nnoc e nt howe ve r
t hi s c ont r a s t
wi t h t he a r t i s t s
br i ght r e d me s s y
ha i r .
The pur e whi t e
s he e t s i n t he
ba c kgr ound
c ont r a s t a ga i ns t
Ri ha nna ’ s s ki n
Thi s i ma ge
c ont r a s t i n
e ve r y wa y t o
t he f r ont
c ove r . I t i s a
me di um/ l ong
s hot a nd t he
pa l e t one s a nd
Sa me t e xt a s f r ont
c ove r i s us e d.

6. The ba c k of
t he a l bum
t i e s t he
whol e a l bum
t oge t he r
us i ng s of t e r
c ol our s wi t h
a f a de d l ook
ove r t he
whol e t hi ng
a nd t he
da r ke r t one s
s e e n on t he
f r ont of t he
a l bum down
t he s i de a nd
t he t e xt .
The ba c k of
t he a l bum
s hows wha t
r e c or d l a be l
Ri ha nna i s
s i gne d t o ‘ De f
J a m’ a nd ot he r
i nf or ma t i on
l i ke
pr oduc e r s .
Thi s
i nf or ma t i on
f ol l ows t he
c ol our t he me s
of t he a l bum
i n da r k pi nk
a nd whi t e .
Ba r c ode i s on
t he ba c k of
t he a l bum.
Thi s i s
nor ma l l y s e e n
on t he f r ont
or ba c k of t he
a l bum.
Al t hough
Ri ha nna ' s e ye s
a r e ope n on t hi s
pi c t ur e s he onc e
a ga i n i s n’ t
ma ki ng e ye
c ont a c t wi t h t he
a udi e nc e s howi ng
i nnoc e nc e ,
vul ne r a bi l i t y or
a hi dde n s e c r e t
a l l of whi c h
i nt r i gue t he
The whi t e dr e s s
c onnot e s
i nnoc e nt howe ve r
t hi s c ont r a s t
wi t h t he a r t i s t s
br i ght r e d me s s y
ha i r .
The pur e whi t e
s he e t s i n t he
ba c kgr ound
c ont r a s t a ga i ns t
Ri ha nna ’ s s ki n
Thi s i ma ge
c ont r a s t i n
e ve r y wa y t o
t he f r ont
c ove r . I t i s a
me di um/ l ong
s hot a nd t he
pa l e t one s a nd
Sa me t e xt a s f r ont
c ove r i s us e d.