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DIPLOMA 
IN NEW 
MEDIA 
DNM 115 – COLOR STUDIES 
NAME : Kam Li Mun 
ID : 2014050028 
GROUP : NMG2 
PREPARED FOR MR SYAFIQ HARIZ 
Contents 
1. WHAT IS COLOR? 
1.1 Color Basics 
1.2 Describing of Colors 
2. COLOR SYSTEM
2.1 Munsell color system 
2.2 Additive color system 
2.3 Subtractive color system 
3. COLOR PROPERTIES 
3.1 Color Wheel 
3.2 Primary color 
3.3 Secondary color 
3.4 Tertiary color 
4. COLOR HARMONIOUS 
4.1 Analogous 
4.2 Complementary 
4.3 Split Complementary 
4.4 Triad 
4.5 Tetrad 
5. ACHROMATIC & MONOCHROMATIC 
5.1 Value 
5.2 Shades, Tones, Tints 
6. COLOR TEMPERATURE 
6.1 Warm color 
6.2 Cold color 
7. COLOR PSYCHOLOGY 
7.1 What is color psychology
8. COLOR PSYCHOLOGY AS A THERAPY 
8.1 Color meaning & symbolism 
9. FINAL PROJECT 
9.1 Rationale of my artwork 
10. REFERENCES 
1. WHAT IS COLOR 
1.1 Color basics 
Color is the visual perceptual property corresponding in humans described by a color name such 
as yellow, blue, green and others. Color derives from the spectrum of light. Some wavelengths 
absorbed by an object and others reflect to the viewer. We perceive these wavelengths as color. 
1.2 Describing of color 
Color can be described in terms of its hue, saturation, and value. Hue is refer to the color itself. 
Saturation is about the intensity, chroma, purity of a color. Value is the lightness or darkness of a
color. 
2. COLOR SYSTEM 
Sir Isaac Newton, was the first who in 1706 arranged red, 
orange, yellow, green, blue, indigo, and violet into a 
natural progression on a rotating disk while Leonardo Da 
Vinci was the first to arrange colors. 
Johann Wolfgang Von Goethe (1749-1832) designed a 
numbering system for each hue according to its value, 
brightness or dullness. 
Albert Munsell, American color theorist (1858-1918) created the first color system adopted by 
the USDA as the official color system for soil research in the 1930s. 
2.1 Munsell color system 
The Munsell color system is a color space that specifies colors based on three color dimensions: 
hue, value, and chroma. 
http://en.wikipedia.org/wiki/File:Munsell-system. 
svg 
2.2 Additive color 
Additive color is refer to RGB color model. The 
RGB model is the basis for displaying colors in 
television and computer screens. Additive color 
mixing begins with black and ends with white; as 
more color is added, the result is lighter and 
tends to white.
http://en.wikipedia.org/wiki/File:AdditiveColor.svg 
Color Name RGB Color Point HSV Color Point Color 
Red (255,0,0) (0,100,100) 
Green (0,255,0) (120,100,100) 
Blue (0,0,255) (240,100,100) 
Magenta (0,255,255) (300,100,100) 
Cyan (255,0,255) (180,100,100) 
Yellow (255,255,0) (60,100,0) 
White (255,255,255) (?,0,100) 
Black (0,0,0) (?,?,0) 
Gray (128,128,128) (?,0,50) 
Maroon (128,0,0) (0,100,50) 
Navy (0,0,128) (240,100,50) 
Purple (128,0,128) (300,100,50) 
Orange (255,128,0) (30,100,100) 
Brown (128,80,0) (30,100,50) 
http://condor.depaul.edu/sjost/gph205/paint-pigments/color-spaces.htm 
2.3 Subtractive color 
CMYK color model is the subtractive color used in the printing industry. 
The abbreviation stands for cyan, magenta, yellow, and key—black is referred to as the key 
color. In the subtractive model, adding white to a color, whether by using less colorant or by 
mixing in a reflective white pigment such as zinc oxide, does not change the color's hue but does 
reduce its saturation. Subtractive color printing works best when the surface or paper is white, 
or close to it. 
http://en.wikipedia.org/wiki/File:SubtractiveColor.svg
RYB (red, yellow, and blue) color model is another subtractive primary color. It is primarily used 
in art and art education, particularly painting. It predates modern scientific color theory. In RYB 
model, painters will need separate greens as a basis for mixing hues, a necessity based upon the 
purity of hues mixable with the primary pigments. 
http://en.wikipedia.org/wiki/File:BYR_color_wheel.svg 
3. COLOR PROPERTIES 
3.1 Color Wheel 
Color Wheel is an abstract illustrative organization of 
colorhues around a circle that shows relationships 
between primary colors,secondary colors, tertiary 
colors etc. A basic color wheel features 12 colors that 
can be combined in a variety of ways to create a 
number of different effects.
3.2 Primary Color 
The basic principle of the color wheel starts with three primary colors – red, yellow and blue. 
Primary colors are the basis for all other color and any color can be made using a combination of 
primary colors. 
3.3 Secondary Color 
Secondary colors are made by mixing two primary colors from the color wheel. The results – 
orange, green and violet – are centered between the colors mixed to make them on the wheel.
3.4 Tertiary Color 
Tertiary colors is made from mixing a primary and secondary color. Each color has a two word 
name, such as red-orange, blue-purple or blue-green. Tertiary colors rest between the colors 
used to form each on the color wheel. 
4. COLOR HARMONIOUS 
4.1 Analogous 
Analogous color schemes use colors that are next to 
each other on the color wheel. They usually match 
well and create serene and comfortable designs.
4.2 Complementary 
Colors that are opposite each other on the color wheel 
are considered to be complementary colors. 
The high contrast of complementary colors creates a 
vibrant look especially when used at full saturation. 
This color scheme must be managed well so it is not 
jarring. 
4.3 Split-Complementary 
The split-complementary color scheme is a variation 
of the complementary color scheme. In addition to 
the base color, it uses the two colors adjacent to its 
complement. 
This color scheme has the same strong visual 
contrast as the complementary color scheme, but 
has less tension. 
4.4 Triad
A triadic color scheme uses colors that are evenly spaced around the color wheel. 
Triadic color harmonies tend to be quite vibrant, even if you use pale or unsaturated versions of 
your hues. 
4.5 Tetrad 
The tetrad color scheme is similar to the square, 
but with all four colors spaced evenly around the 
color circle. 
The tetrad color scheme works best if you let one 
color be dominant.
5. ACHROMATIC & MONOCHROMATIC 
Monochromatic and Achromatic color scheme. What is monochromatic. 
The monochromatic color scheme uses variations in lightness and saturation of a single color. 
This scheme looks clean and elegant. Monochromatic colors go well together, producing a 
soothing effect. The monochromatic scheme is very easy on the eyes, especially with blue or 
green hues. You can use it to establish an overall mood. The primary color can be integrated 
with neutral colors such as black, white, or gray. However, it can be difficult, when using this 
scheme, to highlight the most important elements. 
5.1 Value
Value is the lightness or darkness of a color. Light colors are sometimes called tints, and dark 
colors shades. All high saturation colors have medium values (because light and dark colors are 
achieved by mixing with white or black). 
5.2 Shades, Tones, Tints 
A shade is a mixing result of an original color to which has been added black. 
A tint is a mixing result of an original color to which has been added white. 
The broader definition defines tone as a result of mixing a pure color with any neutral/ gray 
scale color including the two extremes white and black.
6. Color Temperature 
The terms “warm” and “cold” are often used to 
describe a color. In general blue, green and purple are 
considered cold colors while yellow, orange and red 
hues are considered warm. 
6.1 Warm colors 
Warm colors are vivid and energetic, and tend to advance 
in space.
6.2 Cold colors 
Cold colors give an impression of calm, and create a soothing impression. 
7. COLOR PSYCHOLOGY 
7.1 What is Color psychology? 
Color psychology is the study of color as a determinant of human behavior. 
Most psychologists view color therapy with skepticism and point out that the 
supposed effects of color are often grossly exaggerated. Colors also have 
different meanings in different cultures. Research has demonstrated in many 
cases that the mood-altering effects of color may only be temporary. A blue room 
may initially cause feelings of calm, but the effect dissipates after a short period 
of time. 
While perceptions of color are somewhat subjective, there are some color effects 
that have universal meaning. 
“Red is the most interesting of all colors in magic healing.”-------mentioned by 
Faber Birren in COLOR PSYCHOLOGY and COLORTHERAPY 
8. C OLOR PSYCHOLOGY AS T HERAPY 
Several ancient cultures, including the Egyptians and Chinese, practiced 
chromotherapy, or the use of colors to heal. Chromotherapy is sometimes 
referred to as light therapy or colorology and is still used today as a holistic or 
alternative treatment. 
In this treatment: 
Red was used to stimulate the body and mind and to increase circulation. 
Yellow was thought to stimulate the nerves and purify the body. 
Orange was used to heal the lungs and to increase energy levels.
Blue was believed to soothe illnesses and treat pain. 
Indigo shades were thought to alleviate skin problems. 
8.1 Color meaning & symbolism 
Red: Excitement, energy, passion, love, desire, speed, strength, power, heat, 
aggression, danger, fire, blood, war, violence, all things intense and passionate, 
sincerity, happiness (Only in Japan) 
Pink symbolizes love and romance, caring, tenderness, acceptance and calm. 
Yellow signifies joy, happiness, betrayal, optimism, idealism, imagination, hope, 
sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, 
covetousness, deceit, illness, hazard and friendship. 
Blue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, 
confidence, conservatism, security, cleanliness, order, loyalty, sky, water, 
technology, depression, appetite suppressant. 
Purple: Royalty, nobility, spirituality, ceremony, mysterious, transformation, 
wisdom, enlightenment, cruelty, honor, arrogance, mourning, temperance. 
Orange: Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, 
demanding of attention. 
Green: Nature, environment, healthy, good luck, renewal, youth, spring, 
generosity, fertility, jealousy, inexperience, envy, misfortune, vigor. 
Brown: Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, 
simplicity, and comfort. 
Gray: Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, 
conservative, practical, old age, sadness, boring. Silver symbolizes calm. 
White: Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, 
innocence, youth, winter,snow, good, sterility, marriage (Western cultures), death 
(Eastern cultures), cold, clinical. 
Black: Power, sexuality, sophistication, formality, elegance, wealth, mystery, 
fear, evil, unhappiness, depth, style, sadness, remorse, anger, anonymity, 
underground, good technical color, mourning, death (Western cultures), austerity,
detachment. 
9. FINAL PROJECT 
9.1 Rationale of my artwork 
I done this artwork for a reflection of myself. It is not only reflect my characteristic, 
but also my dream. I drew a cat to represent myself is a sometimes playful and 
sometimes lazy man, This artwork I drew has show out the circulate process in 
my life. A sentence always inside my head “What you see is what you get, what 
you dream you may get”. So I use this thought as my idea to draw out the whole 
artwork. I believe a man can’t do amazing things without a dream. 
My final project artwork is based on four colors and two neutral colors which is 
black and white. I use blue color to represent calm and trust. The blue fish bone 
shown that I done my favourite thing, and the blue color background to bring out 
the trust in my dream. I use yellow color to show there are joy, happiness and 
hope when chasing dream. For demonstration of my youth and spring 
imagination, so I chose green color to draw a child/ youth-look character with a 
pink color wing which means romantic and freedom. I used also the red color to 
bring out my energy and exciting for my dream. Inside the dream, the sky blue 
color character brush my real life with full of effort (all colors) a few by few onto 
my gray color life before dream. So, that is me.
10. REFERENCES 
http://www.greatreality.com/color/ColorHVC.htm 
http://www.sensationalcolor.com/understanding-color/theory/how-color-theory-came-about- 
812#.VDrKOPmSz3E 
http://condor.depaul.edu/sjost/gph205/paint-pigments/color-spaces.htm 
http://en.wikipedia.org/wiki/Primary_color 
http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm 
http://www.incredibleart.org/lessons/middle/color2.htm 
COLOR PSYCHOLOGY and COLORTHERAPY -A Factual Study of the INFLUENCE OF COLORON 
HUMAN LIFE - by Faber Birren

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Color rationale final 1

  • 1. DIPLOMA IN NEW MEDIA DNM 115 – COLOR STUDIES NAME : Kam Li Mun ID : 2014050028 GROUP : NMG2 PREPARED FOR MR SYAFIQ HARIZ Contents 1. WHAT IS COLOR? 1.1 Color Basics 1.2 Describing of Colors 2. COLOR SYSTEM
  • 2. 2.1 Munsell color system 2.2 Additive color system 2.3 Subtractive color system 3. COLOR PROPERTIES 3.1 Color Wheel 3.2 Primary color 3.3 Secondary color 3.4 Tertiary color 4. COLOR HARMONIOUS 4.1 Analogous 4.2 Complementary 4.3 Split Complementary 4.4 Triad 4.5 Tetrad 5. ACHROMATIC & MONOCHROMATIC 5.1 Value 5.2 Shades, Tones, Tints 6. COLOR TEMPERATURE 6.1 Warm color 6.2 Cold color 7. COLOR PSYCHOLOGY 7.1 What is color psychology
  • 3. 8. COLOR PSYCHOLOGY AS A THERAPY 8.1 Color meaning & symbolism 9. FINAL PROJECT 9.1 Rationale of my artwork 10. REFERENCES 1. WHAT IS COLOR 1.1 Color basics Color is the visual perceptual property corresponding in humans described by a color name such as yellow, blue, green and others. Color derives from the spectrum of light. Some wavelengths absorbed by an object and others reflect to the viewer. We perceive these wavelengths as color. 1.2 Describing of color Color can be described in terms of its hue, saturation, and value. Hue is refer to the color itself. Saturation is about the intensity, chroma, purity of a color. Value is the lightness or darkness of a
  • 4. color. 2. COLOR SYSTEM Sir Isaac Newton, was the first who in 1706 arranged red, orange, yellow, green, blue, indigo, and violet into a natural progression on a rotating disk while Leonardo Da Vinci was the first to arrange colors. Johann Wolfgang Von Goethe (1749-1832) designed a numbering system for each hue according to its value, brightness or dullness. Albert Munsell, American color theorist (1858-1918) created the first color system adopted by the USDA as the official color system for soil research in the 1930s. 2.1 Munsell color system The Munsell color system is a color space that specifies colors based on three color dimensions: hue, value, and chroma. http://en.wikipedia.org/wiki/File:Munsell-system. svg 2.2 Additive color Additive color is refer to RGB color model. The RGB model is the basis for displaying colors in television and computer screens. Additive color mixing begins with black and ends with white; as more color is added, the result is lighter and tends to white.
  • 5. http://en.wikipedia.org/wiki/File:AdditiveColor.svg Color Name RGB Color Point HSV Color Point Color Red (255,0,0) (0,100,100) Green (0,255,0) (120,100,100) Blue (0,0,255) (240,100,100) Magenta (0,255,255) (300,100,100) Cyan (255,0,255) (180,100,100) Yellow (255,255,0) (60,100,0) White (255,255,255) (?,0,100) Black (0,0,0) (?,?,0) Gray (128,128,128) (?,0,50) Maroon (128,0,0) (0,100,50) Navy (0,0,128) (240,100,50) Purple (128,0,128) (300,100,50) Orange (255,128,0) (30,100,100) Brown (128,80,0) (30,100,50) http://condor.depaul.edu/sjost/gph205/paint-pigments/color-spaces.htm 2.3 Subtractive color CMYK color model is the subtractive color used in the printing industry. The abbreviation stands for cyan, magenta, yellow, and key—black is referred to as the key color. In the subtractive model, adding white to a color, whether by using less colorant or by mixing in a reflective white pigment such as zinc oxide, does not change the color's hue but does reduce its saturation. Subtractive color printing works best when the surface or paper is white, or close to it. http://en.wikipedia.org/wiki/File:SubtractiveColor.svg
  • 6. RYB (red, yellow, and blue) color model is another subtractive primary color. It is primarily used in art and art education, particularly painting. It predates modern scientific color theory. In RYB model, painters will need separate greens as a basis for mixing hues, a necessity based upon the purity of hues mixable with the primary pigments. http://en.wikipedia.org/wiki/File:BYR_color_wheel.svg 3. COLOR PROPERTIES 3.1 Color Wheel Color Wheel is an abstract illustrative organization of colorhues around a circle that shows relationships between primary colors,secondary colors, tertiary colors etc. A basic color wheel features 12 colors that can be combined in a variety of ways to create a number of different effects.
  • 7. 3.2 Primary Color The basic principle of the color wheel starts with three primary colors – red, yellow and blue. Primary colors are the basis for all other color and any color can be made using a combination of primary colors. 3.3 Secondary Color Secondary colors are made by mixing two primary colors from the color wheel. The results – orange, green and violet – are centered between the colors mixed to make them on the wheel.
  • 8. 3.4 Tertiary Color Tertiary colors is made from mixing a primary and secondary color. Each color has a two word name, such as red-orange, blue-purple or blue-green. Tertiary colors rest between the colors used to form each on the color wheel. 4. COLOR HARMONIOUS 4.1 Analogous Analogous color schemes use colors that are next to each other on the color wheel. They usually match well and create serene and comfortable designs.
  • 9. 4.2 Complementary Colors that are opposite each other on the color wheel are considered to be complementary colors. The high contrast of complementary colors creates a vibrant look especially when used at full saturation. This color scheme must be managed well so it is not jarring. 4.3 Split-Complementary The split-complementary color scheme is a variation of the complementary color scheme. In addition to the base color, it uses the two colors adjacent to its complement. This color scheme has the same strong visual contrast as the complementary color scheme, but has less tension. 4.4 Triad
  • 10. A triadic color scheme uses colors that are evenly spaced around the color wheel. Triadic color harmonies tend to be quite vibrant, even if you use pale or unsaturated versions of your hues. 4.5 Tetrad The tetrad color scheme is similar to the square, but with all four colors spaced evenly around the color circle. The tetrad color scheme works best if you let one color be dominant.
  • 11. 5. ACHROMATIC & MONOCHROMATIC Monochromatic and Achromatic color scheme. What is monochromatic. The monochromatic color scheme uses variations in lightness and saturation of a single color. This scheme looks clean and elegant. Monochromatic colors go well together, producing a soothing effect. The monochromatic scheme is very easy on the eyes, especially with blue or green hues. You can use it to establish an overall mood. The primary color can be integrated with neutral colors such as black, white, or gray. However, it can be difficult, when using this scheme, to highlight the most important elements. 5.1 Value
  • 12. Value is the lightness or darkness of a color. Light colors are sometimes called tints, and dark colors shades. All high saturation colors have medium values (because light and dark colors are achieved by mixing with white or black). 5.2 Shades, Tones, Tints A shade is a mixing result of an original color to which has been added black. A tint is a mixing result of an original color to which has been added white. The broader definition defines tone as a result of mixing a pure color with any neutral/ gray scale color including the two extremes white and black.
  • 13. 6. Color Temperature The terms “warm” and “cold” are often used to describe a color. In general blue, green and purple are considered cold colors while yellow, orange and red hues are considered warm. 6.1 Warm colors Warm colors are vivid and energetic, and tend to advance in space.
  • 14. 6.2 Cold colors Cold colors give an impression of calm, and create a soothing impression. 7. COLOR PSYCHOLOGY 7.1 What is Color psychology? Color psychology is the study of color as a determinant of human behavior. Most psychologists view color therapy with skepticism and point out that the supposed effects of color are often grossly exaggerated. Colors also have different meanings in different cultures. Research has demonstrated in many cases that the mood-altering effects of color may only be temporary. A blue room may initially cause feelings of calm, but the effect dissipates after a short period of time. While perceptions of color are somewhat subjective, there are some color effects that have universal meaning. “Red is the most interesting of all colors in magic healing.”-------mentioned by Faber Birren in COLOR PSYCHOLOGY and COLORTHERAPY 8. C OLOR PSYCHOLOGY AS T HERAPY Several ancient cultures, including the Egyptians and Chinese, practiced chromotherapy, or the use of colors to heal. Chromotherapy is sometimes referred to as light therapy or colorology and is still used today as a holistic or alternative treatment. In this treatment: Red was used to stimulate the body and mind and to increase circulation. Yellow was thought to stimulate the nerves and purify the body. Orange was used to heal the lungs and to increase energy levels.
  • 15. Blue was believed to soothe illnesses and treat pain. Indigo shades were thought to alleviate skin problems. 8.1 Color meaning & symbolism Red: Excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence, all things intense and passionate, sincerity, happiness (Only in Japan) Pink symbolizes love and romance, caring, tenderness, acceptance and calm. Yellow signifies joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness, hazard and friendship. Blue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant. Purple: Royalty, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, honor, arrogance, mourning, temperance. Orange: Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of attention. Green: Nature, environment, healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, inexperience, envy, misfortune, vigor. Brown: Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity, and comfort. Gray: Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring. Silver symbolizes calm. White: Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, innocence, youth, winter,snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical. Black: Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, sadness, remorse, anger, anonymity, underground, good technical color, mourning, death (Western cultures), austerity,
  • 16. detachment. 9. FINAL PROJECT 9.1 Rationale of my artwork I done this artwork for a reflection of myself. It is not only reflect my characteristic, but also my dream. I drew a cat to represent myself is a sometimes playful and sometimes lazy man, This artwork I drew has show out the circulate process in my life. A sentence always inside my head “What you see is what you get, what you dream you may get”. So I use this thought as my idea to draw out the whole artwork. I believe a man can’t do amazing things without a dream. My final project artwork is based on four colors and two neutral colors which is black and white. I use blue color to represent calm and trust. The blue fish bone shown that I done my favourite thing, and the blue color background to bring out the trust in my dream. I use yellow color to show there are joy, happiness and hope when chasing dream. For demonstration of my youth and spring imagination, so I chose green color to draw a child/ youth-look character with a pink color wing which means romantic and freedom. I used also the red color to bring out my energy and exciting for my dream. Inside the dream, the sky blue color character brush my real life with full of effort (all colors) a few by few onto my gray color life before dream. So, that is me.
  • 17.
  • 18. 10. REFERENCES http://www.greatreality.com/color/ColorHVC.htm http://www.sensationalcolor.com/understanding-color/theory/how-color-theory-came-about- 812#.VDrKOPmSz3E http://condor.depaul.edu/sjost/gph205/paint-pigments/color-spaces.htm http://en.wikipedia.org/wiki/Primary_color http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm http://www.incredibleart.org/lessons/middle/color2.htm COLOR PSYCHOLOGY and COLORTHERAPY -A Factual Study of the INFLUENCE OF COLORON HUMAN LIFE - by Faber Birren