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Abir Chattopadhyay
10/6/2018 1
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
In Search of Elements &
Identities
10/6/2018 2
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
Elements:
 Do we communicate?
 Why do we communicate?
 Where do we communicate?
 Which do we communicate in?
 Which do we communicate in?
 What do we communicate?
 What do we communicate?
 What do we establish?
 How do we communicate?
 Do we need any message?
10/6/2018 3
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
Identities:
 Who are we?
 Who am I?
 Who are you?
 Who is he/she?
 Who are they?
 What is sender‟s present status?
 What is recipient‟s present status?
 Is the receiver to be considered recipient always?
 Does the receiver participate in the interaction
independently?
All these queries will help finding the Identities.
10/6/2018 4
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Does interaction always occur independent of
any social control?
 Are sender‟s and recipient‟s roles in
interactions considered equal in value?
 Do the participants always belong to the same
semantic platform?
 If no, it may take any form like; „Dominant‟,
„Entertaining‟ and all other functional forms.
 General US Formulations of communication
however do not project suitable answers of all
these queries. They only project a linear
interaction PROCESS.
10/6/2018 5
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 General approaches include chiefly process oriented
communication / Interaction;
 Following S-M-C-R – principle;
 Promote predetermined positioning of S & R (trying
somehow identical over social inequality);
 So the prime issue remains deliberate/planned
“transmission” of a thing called message;
 „Who‟ starts interactions to enrich/inform/educate
„Whom‟;
 “Whom” is supposed to remain there as participant to
receive Who‟s message; at the receiving end.
10/6/2018 6
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
Who – Individual and Social Identity;
What – Form and Content;
Which – Medium channel / Institutions;
Whom – Receiving End;
What Effect – Adjustment / Surveyed outcome;
Howz that if I now add a new „W‟ – WHY? Can we?
10/6/2018 7
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 WW-II Ended;
 Europe was devastated;
 European countries were ideologically divided;
 Soviet Union emerged as a new power;
 US remained unaffected of the War;
 Colonies in the third world countries ended;
 Colonized nations desperately needed development;
 Economic Development was considered to be the
only criterion of development;
 Development of media & communication system
was considered as precursor of economic growth.
 New Linear Communication propositions following
Lasswell‟s principle coming in;
10/6/2018 8
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Linear model between the Source & Destination;
 Participants‟ identities predetermined like an
organization;
 Rest is mechanistic, strictly ordered;
 Acceptance of message is predetermined;
 So transmission of message denotes success of
communication;
 Only Technical/Technological entropy is defined;
10/6/2018 9
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Circular / Linear motion of Interpersonal
communication;
 Rest is as followed in Shannon-Weaver‟s one;
 Predetermined bonding of the sender and
recipient;
 Schramm introduced a field of experience to
denote a particular space where communication
takes place; Both share same field of experience;
10/6/2018 10
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Consents or mass consent is the prime element of
such “field” of experience;
 One of such is Newcomb‟s linear systemic model;
 Participants sharing same experience system want
to “remain in the system” or “maintain the system”
or “like the topic”.
10/6/2018 11
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 The same „field‟ is given to mass audience in the name of „co-
orientation programme;
 B (Mass Audience) has become dependent upon A & C.
 So possibility of feedback becomes irrelevant for co-orientation;
 Less feedback is considered as „mass consent‟;
 At this moment of time we are in the highest level of consent;
 Consent turns into liking that further turns into viral;
10/6/2018 12
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Coz, both sender and recipient projected to have
same human behavioural elements; Actual social
status is not at all mentioned;
 So sender knows about the recipient; Does it?
 No social inequality is there as predicted in the
model?
 No specific social context is also mentioned;10/6/2018 13
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
10/6/2018 14
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Long before, during 1930s, socially feasible
communication beyond any such consent was
formulated;
 Recipient in this model is projected to have a
„conative‟ quality;
 All six elements are NOT linearly ordered;
 Message is considered as thought structure; that
permeated into a Code of language;
 Talks about feasible social context as reference;
10/6/2018 15
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Roman Jakobson talked about the construction of
message;
 (1) As with the Emotive Attachment of Addresser;
 (2) Message „thought‟ holds a language structure;
 (3) knocks the Phatic door first;
 (4) on a suitable „Context‟, socially referential;
 (5) Reaches the Addressee;
 (6) Addressee being conative to the message places
its right to accept/reject the message;
 In this course a natural dialectical condition is
feasible in every communication practice.
10/6/2018 16
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Message is constructive;
 Whose message? Communicator‟s message;
 What message? A construction of language;
 Construction of what? A structure;
 Structure of What? A Thought;
 Thought of What? A Reason;
 Reason of What? Another reason;
10/6/2018 17
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 So every reason is political; Why? Coz.
 It is Communicator‟s own construction;
 So confirming the recipient is a political affair;
 Now, What message?
 That leads to a reality.
 What Reality? Reality of a social affair or Object.
 So Reality is a construction - of What?
 A Structure. Why?
 Reality represents the Event or Object.
 Recipient may have a different opinion or idea;
10/6/2018 18
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Both are visual structures representing social affairs or
events - as a message;
 If unit of the Society is Action or Interaction –
 Unit of all Social (structures) Texts? SIGN.
 These are therefore two Signs; Sign of What?...10/6/2018 19
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 What is Sign?
 Sign is an arbitrary structure or unit structure
that denotes something; What something?
 Any Idea/meaning. What Idea? Personal, Local,
Regional, National, Universal.
 These photos give you the universal idea of the
Sign and code (arrangement of signs).
Rose + Love
10/6/2018 20
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 What are these? Signs – of Traffic post, Games;
 What do they disseminate? Nothing;
 Society or system communicates about these
arbitrary Signs;
 Can you change the meanings or denotations of
these Visual Signs?...
 There are other Codes; Verbal and Written;
10/6/2018 21
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 The study of Signs and Codes is known as
Semiology;
 Semiology helps us understand the
construction of message communicated;
 Semiology or Semiotics deal with the extension
of structures in reality and materialist world;
 Semiology is such a process that analyzes
sociological and cultural aspects of every
communication practice;
 Semiology follows the philosophy of
structuralism; i.e. Ruling of Structure
10/6/2018 22
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
Frontrunners of Semiology are:
 Ferdinand De Saussure (1857-1913)
 Charles S. Peirce (1839 – 1914)
 Michail Bakhtin (1895-1975)
 Roland Barthes (1915 – 1980)
 Poststructuralist theorists, later on, have had used
concepts of semiology to go beyond the limits of
structuralism i.e. Rule of Structure;
 They had broken all conventional rules of Signs,
analyzed earlier; e.g. Rose is released from being
the Sign of Love etc.
10/6/2018 23
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
Reality Objects
10/6/2018 24
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Peirce used Interpretant as concept or signified;
 Meaning as signified comes from the Signifier
(Representation);
10/6/2018 25
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
For Saussure:
 Idea of a Sign structure and sound produced is
the signifier;
 Concept established about the reality object is
signified;
For Peirce:
 The form of the Sign is signifier, as it is
represented;
 Interpretant is the signified as it describes the
sign;
10/6/2018 26
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 All are arbitrary Signs of …
 Only Idea of a structure produces a concept /
interpretant – as Signified;
 That signified can identify the object;
10/6/2018 27
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 1st Order: Red Rose (Sr.) – Romance (Sd.)
 2nd Order: Rose Romance – Love (Form - Sr)
 2nd Order: Offering Rose declares Love (Myth)
10/6/2018 28
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 2nd Order Signifier: individual and social production of meaning;
 2nd Order Signified: Content as Myth;
 What does it signify? as form – meaning continues; as content -
myth
 Love, Relation, Sunny Relations, Acting, Heterosexuality etc.
10/6/2018 29
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 New meanings of message being produced over
older myths or mythic structures;
 Further communicative actions add further
meanings over older forms;
 Older contents become myth; Symbol of love etc.
10/6/2018 30
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Metaphors are frequent in every communication
practice;
 Metaphors export a meaning on its shoulders;
 What meaning? Meaning of messages;
 Metaphors add value to the message;
 What value? Emotional value, value of meaning;
 Metaphors can be proverbial, written, visual;
 Metaphors are literary, commercial in nature;10/6/2018 31
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
1
2
3
Visual metaphors add more
value to the meanings of
message; 10/6/2018 32
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
 Metonym works as symbolic sign;
 Metonyms represent the reality;
 Metonyms also extend / go beyond the reality
to frame a new reality; from fork to UNICEF
msg;
 All three metonyms project the new reality;
 Literate metaphors also work as well; (p-96);
10/6/2018 33
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
1: filmic metonyms
2: traditional metonyms of prostitution
3: social metonyms
10/6/2018
34
Abir Chattopadhyay;
Communication, Media & Cultural
Studies
All Photos taken from various Internet Sources

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Workshop on Communication and Cultural Studies Slides

  • 1. Abir Chattopadhyay 10/6/2018 1 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 2. In Search of Elements & Identities 10/6/2018 2 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 3. Elements:  Do we communicate?  Why do we communicate?  Where do we communicate?  Which do we communicate in?  Which do we communicate in?  What do we communicate?  What do we communicate?  What do we establish?  How do we communicate?  Do we need any message? 10/6/2018 3 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 4. Identities:  Who are we?  Who am I?  Who are you?  Who is he/she?  Who are they?  What is sender‟s present status?  What is recipient‟s present status?  Is the receiver to be considered recipient always?  Does the receiver participate in the interaction independently? All these queries will help finding the Identities. 10/6/2018 4 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 5.  Does interaction always occur independent of any social control?  Are sender‟s and recipient‟s roles in interactions considered equal in value?  Do the participants always belong to the same semantic platform?  If no, it may take any form like; „Dominant‟, „Entertaining‟ and all other functional forms.  General US Formulations of communication however do not project suitable answers of all these queries. They only project a linear interaction PROCESS. 10/6/2018 5 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 6.  General approaches include chiefly process oriented communication / Interaction;  Following S-M-C-R – principle;  Promote predetermined positioning of S & R (trying somehow identical over social inequality);  So the prime issue remains deliberate/planned “transmission” of a thing called message;  „Who‟ starts interactions to enrich/inform/educate „Whom‟;  “Whom” is supposed to remain there as participant to receive Who‟s message; at the receiving end. 10/6/2018 6 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 7. Who – Individual and Social Identity; What – Form and Content; Which – Medium channel / Institutions; Whom – Receiving End; What Effect – Adjustment / Surveyed outcome; Howz that if I now add a new „W‟ – WHY? Can we? 10/6/2018 7 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 8.  WW-II Ended;  Europe was devastated;  European countries were ideologically divided;  Soviet Union emerged as a new power;  US remained unaffected of the War;  Colonies in the third world countries ended;  Colonized nations desperately needed development;  Economic Development was considered to be the only criterion of development;  Development of media & communication system was considered as precursor of economic growth.  New Linear Communication propositions following Lasswell‟s principle coming in; 10/6/2018 8 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 9.  Linear model between the Source & Destination;  Participants‟ identities predetermined like an organization;  Rest is mechanistic, strictly ordered;  Acceptance of message is predetermined;  So transmission of message denotes success of communication;  Only Technical/Technological entropy is defined; 10/6/2018 9 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 10.  Circular / Linear motion of Interpersonal communication;  Rest is as followed in Shannon-Weaver‟s one;  Predetermined bonding of the sender and recipient;  Schramm introduced a field of experience to denote a particular space where communication takes place; Both share same field of experience; 10/6/2018 10 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 11.  Consents or mass consent is the prime element of such “field” of experience;  One of such is Newcomb‟s linear systemic model;  Participants sharing same experience system want to “remain in the system” or “maintain the system” or “like the topic”. 10/6/2018 11 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 12.  The same „field‟ is given to mass audience in the name of „co- orientation programme;  B (Mass Audience) has become dependent upon A & C.  So possibility of feedback becomes irrelevant for co-orientation;  Less feedback is considered as „mass consent‟;  At this moment of time we are in the highest level of consent;  Consent turns into liking that further turns into viral; 10/6/2018 12 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 13.  Coz, both sender and recipient projected to have same human behavioural elements; Actual social status is not at all mentioned;  So sender knows about the recipient; Does it?  No social inequality is there as predicted in the model?  No specific social context is also mentioned;10/6/2018 13 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 15.  Long before, during 1930s, socially feasible communication beyond any such consent was formulated;  Recipient in this model is projected to have a „conative‟ quality;  All six elements are NOT linearly ordered;  Message is considered as thought structure; that permeated into a Code of language;  Talks about feasible social context as reference; 10/6/2018 15 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 16.  Roman Jakobson talked about the construction of message;  (1) As with the Emotive Attachment of Addresser;  (2) Message „thought‟ holds a language structure;  (3) knocks the Phatic door first;  (4) on a suitable „Context‟, socially referential;  (5) Reaches the Addressee;  (6) Addressee being conative to the message places its right to accept/reject the message;  In this course a natural dialectical condition is feasible in every communication practice. 10/6/2018 16 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 17.  Message is constructive;  Whose message? Communicator‟s message;  What message? A construction of language;  Construction of what? A structure;  Structure of What? A Thought;  Thought of What? A Reason;  Reason of What? Another reason; 10/6/2018 17 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 18.  So every reason is political; Why? Coz.  It is Communicator‟s own construction;  So confirming the recipient is a political affair;  Now, What message?  That leads to a reality.  What Reality? Reality of a social affair or Object.  So Reality is a construction - of What?  A Structure. Why?  Reality represents the Event or Object.  Recipient may have a different opinion or idea; 10/6/2018 18 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 19.  Both are visual structures representing social affairs or events - as a message;  If unit of the Society is Action or Interaction –  Unit of all Social (structures) Texts? SIGN.  These are therefore two Signs; Sign of What?...10/6/2018 19 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 20.  What is Sign?  Sign is an arbitrary structure or unit structure that denotes something; What something?  Any Idea/meaning. What Idea? Personal, Local, Regional, National, Universal.  These photos give you the universal idea of the Sign and code (arrangement of signs). Rose + Love 10/6/2018 20 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 21.  What are these? Signs – of Traffic post, Games;  What do they disseminate? Nothing;  Society or system communicates about these arbitrary Signs;  Can you change the meanings or denotations of these Visual Signs?...  There are other Codes; Verbal and Written; 10/6/2018 21 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 22.  The study of Signs and Codes is known as Semiology;  Semiology helps us understand the construction of message communicated;  Semiology or Semiotics deal with the extension of structures in reality and materialist world;  Semiology is such a process that analyzes sociological and cultural aspects of every communication practice;  Semiology follows the philosophy of structuralism; i.e. Ruling of Structure 10/6/2018 22 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 23. Frontrunners of Semiology are:  Ferdinand De Saussure (1857-1913)  Charles S. Peirce (1839 – 1914)  Michail Bakhtin (1895-1975)  Roland Barthes (1915 – 1980)  Poststructuralist theorists, later on, have had used concepts of semiology to go beyond the limits of structuralism i.e. Rule of Structure;  They had broken all conventional rules of Signs, analyzed earlier; e.g. Rose is released from being the Sign of Love etc. 10/6/2018 23 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 24. Reality Objects 10/6/2018 24 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 25.  Peirce used Interpretant as concept or signified;  Meaning as signified comes from the Signifier (Representation); 10/6/2018 25 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 26. For Saussure:  Idea of a Sign structure and sound produced is the signifier;  Concept established about the reality object is signified; For Peirce:  The form of the Sign is signifier, as it is represented;  Interpretant is the signified as it describes the sign; 10/6/2018 26 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 27.  All are arbitrary Signs of …  Only Idea of a structure produces a concept / interpretant – as Signified;  That signified can identify the object; 10/6/2018 27 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 28.  1st Order: Red Rose (Sr.) – Romance (Sd.)  2nd Order: Rose Romance – Love (Form - Sr)  2nd Order: Offering Rose declares Love (Myth) 10/6/2018 28 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 29.  2nd Order Signifier: individual and social production of meaning;  2nd Order Signified: Content as Myth;  What does it signify? as form – meaning continues; as content - myth  Love, Relation, Sunny Relations, Acting, Heterosexuality etc. 10/6/2018 29 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 30.  New meanings of message being produced over older myths or mythic structures;  Further communicative actions add further meanings over older forms;  Older contents become myth; Symbol of love etc. 10/6/2018 30 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 31.  Metaphors are frequent in every communication practice;  Metaphors export a meaning on its shoulders;  What meaning? Meaning of messages;  Metaphors add value to the message;  What value? Emotional value, value of meaning;  Metaphors can be proverbial, written, visual;  Metaphors are literary, commercial in nature;10/6/2018 31 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 32. 1 2 3 Visual metaphors add more value to the meanings of message; 10/6/2018 32 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 33.  Metonym works as symbolic sign;  Metonyms represent the reality;  Metonyms also extend / go beyond the reality to frame a new reality; from fork to UNICEF msg;  All three metonyms project the new reality;  Literate metaphors also work as well; (p-96); 10/6/2018 33 Abir Chattopadhyay; Communication, Media & Cultural Studies
  • 34. 1: filmic metonyms 2: traditional metonyms of prostitution 3: social metonyms 10/6/2018 34 Abir Chattopadhyay; Communication, Media & Cultural Studies All Photos taken from various Internet Sources