2. Objectives
At the end of this power point
students will be able to:
Develop more strategies for
greater reflection through
journaling
3. WHY JOURNAL??
“If you cannot increase reflective
power in people, you might as
well NOT teach, because
reflection is the only thing in the
long run that teaches anybody.
Reflection is what makes the
knowing so that something that
can be touched and assimilated
for future use.” Dorothy Heathcote
4. Journaling = reflection + SELF EVALUATION
drama experiences = self reflection & self-
evaluation.
clarify their understanding of dramatic art
form and topics they choose to explore.
assess their own contributions to the
drama work
Discuss their ability to work with others.”
~ Curriculum Requirements, Saskatchewan
Education.
5. Some Models for Journaling
Psycho-Motor – What I can do??
Affective – How do I feel?
Cognitive - What have I learnt?
DIVIDE YOUR THOUGHTS INTO THREE
DISTINCT AREAS.
6. Journal Models
IMPROVING YOUR
WEAKNESSES
IDENTIFYING STRENGTHS
What teacher says
What my peers says
What audience say.
7. JOURNALING
TRACKS
Assess and Evaluate
Respond and Reflect
Create and Brainstorm
Offer suggestions and Ask Questions
Record Thoughts and Concerns
Discuss the Positive and the Negative
Writing a letter imagining you’re the
Character
8. What Should Go Into a Drama Journal
INPUT
Questions and Answers
Reflection on a particular exercise in class
Tracking of personal growth
Addressing challenges and personal solutions
Ideas/Research for an upcoming piece
Expectations
Character work for a performance
Reaction to a performance
OUTPUT
9. What Form Should It Take?
Forms
Computer Written
Handwritten
Collages
Art Work
Pictures
Video Clips
Letters in Character
Photos of Rehearsal
10. DIFFERENT JOURNAL ENTRIES
Keeping a Log of Reading/Rehearsal
Date Scene Rehearsal
Notes
Things to do
for Next
Rehearsal
Pgs
Sketches, Swatches and Diagrams
11. What should not go into a journal
It is not a diary
It is not used for personal outburst or attack
Or to tear down another student
I had a good breakfast this morning
I hate Tony.
The directing SUCKS!!
What the F**** !!
12. Prompts for your Journal after a Rehearsal
When students are working in a group, make it the responsibility of one person (which will change
from rehearsal to rehearsal) to write an assessment of the group:
How is the scene progressing?
How is the group working together?
Is there one leader, or does everyone participate?
What has changed since the last rehearsal?
A comment for each actor in the group.
Then give an evaluation of the group based on their assessment (a mark out of 10)
13. Quality of Work
Journal entries should use complete sentences unless otherwise specified (e.g. a collage). Every
journal entry should start with the date. A standard length should be between 200 and 300
words.
In terms of content, the purpose of journal entries is to show the teacher that the student
understands and is able to comment thoughtfully on a specific experience. The aim of the
student is to demonstrate a skill – whether it be assessment, reflection, or creative brainstorming.
To use the journal as a personal outburst or diatribe is inappropriate. To say I don't know, I don't
understand, or I have no answer is inappropriate. There is always an answer when it comes to
personal reflection because there is always a personal point of view.
14. Focusing on the psycho-motor
I regard the theatre as the
greatest of all art forms, the most
immediate way in which a human
being can share with another the
sense of what it is to be a human
being. ~Oscar Wilde
What I really enjoyed about the
masquerade is the fact that I really hated
my body. After practicing the steps this
term, I began to feel more comfortable
with my body, not so ashamed. I always
felt so awkward doing dance but this
masquerade with its heel and toe and
partnering was exciting. I finally
understood left from right. No kidding.
15. Focusing on the Affective
Acting is behaving
truthfully under
imaginary
circumstances. ~Sanford
Meisner
I just know that I feel like a failure. I am
told every day that I won’t amount to
anything. So you can image my joy
when I found I could act. And that this
gave me a new sense of confidence that
I had never had before. Imagine me not
being shy. Imagine me being able to
speak with confidence in front of a crow.
Thank you Drama!!
16. Focusing on the Cognitive
The most exciting acting happens in roles
that you thought you could never play.
I did not want to play the role particularly as
it deal with a death of a close family member.
Death for me is a difficult subject matter
since I lost my father at aged 8. There were
some rituals that my grandmother made us
do shortly after he died. I saw how learning
about Nine Nights could be included as a
central image in the play. But I could not see
how the role would help me to appreciate
death as part of our journey.
18. REFLECTING ON THE FINAL Performance
SAY HOW THE AUDIENCE RESPONDED?
DID THEY LAUGH HEARTILY?
DID THEY TALK DURING THE PERFORMANCE?
DID THEY STAND AT THE END?
WERE THEY SILENT AT THE END?