student of Dezyne E'cole College ,fashion design department ,www.dezyneecole.com. this is a portfolio of final year work of her in fashion Design

1. INTRODUCTION TO TIE AND DYE
AYUSHI KHILANI
2ND YEAR DIPLOMA IN FASHION DESIGN
CONFIRMING TO NSQF LEVEL 6 OF NSDC
DEZYNE E’COLE COLLEGE
www.dezyneecole.com

2. A Project On
TIE AND DYE
Submitted To
Dezyne E’cole College,
Civil Line,
www.dezyneecole.com
Towards the partial fulfilment
Of
Fashion design NSQF level 6
By Ayushi Khilani
2nd Year Diploma In Fashion Design
Conforming to NSQF Level 6 of NSDC

3. I Am Ayushi Khilani , Student Of Fashion Design Diploma At Dezyne E’cole College. I
Would Like To Thank All The Mentors Who Had Helped Me To Complete This Project.
I Also Thank Dezyne E’cole College For Giving Me This Opportunity And Helped Me To
Understand The Technical Working Of Fashion Designing
ACKNOWLEDGEMENT

4. This Project Includes The Various Methods Of Tie And Dye And How They Are Been Practiced With
Different Dyes And Variations.
In This Project I Have Shown The Various Techniques Through Which We Can Tie A Cloth Piece And
Resist The Areas To Create A Pattern On To The Fabric.
It Starts With A Brief Description About Tie And Dye And Its Methods And Proceeds With Different
Samples Created By Me During The Coarse Of Study.
SYNOPSIS

5. CONTENT
• Introduction to tie and dye
• Process of tie and dye
• Techniques of tie and dye
• Samples
• Different assignments done
during the project.

6. INTRODUCTION
Tie And Dye Is A Resist Dyeing Process. It Consists Of Knotting Binding Folding Or Sewing Certain
Parts Of The Cloth In Such A Way That When It Is Dyed The Dye Cannot Penetrate Into These
Areas, Which Are Resisted.
The Earliest Records From India And Japan, Date Back To The Sixth And Seventh Centuries A.D.
Chinese Tie And Dye Silks Of This Period Were Found In The Burial Grounds At Astana And At
Khotan In Sinkiong East Turkestan.
A Glimpse To
Tie And Dye

7. PROCESS
It Involves Following Steps:
1. Taking A Sample Cloth
2. Tying Certain Parts Of Cloth With Strong
Thread To Penetrate The Resisted Areas:
3. Dipping Into The Dye:

8. TECHNIQUES OF TIE AND DYE
MARBELING
TWISTING AND COILING
KNOTTING
BINDING
TWISTING AND COILING

9. SAMPLE
Display of certain tied samples created while making the tie and dye assignment .

10. MARBELING
The fabric is bunched up into a ball and tied with a thread or string to prevent it from opening up.
SAMPLE BEFORE DYE
TECHNIQUE

11. KNOTTING
This Is One Of The Easiest And Quickest Ways Of Producing A Design While Dyeing. A Knot Can Be
Tied In Several Ways Depending Upon The Shape.
Knotting Can Be Done In 3 Ways :
1. A Length Of Cloth Tied Into Knots.
2. A Square Rectangle Or Triangle Of Cloth Knotted.
3. Knots Tied In A Length Of Cloth To Form A All Over
Pattern.
SAMPLE BEFORE DYE
TECHNIQUE

12. KNOTTING
This Is One Of The Easiest And Quickest Ways Of Producing A Design While Dyeing. A
Knot Can Be Tied In Several Ways Depending Upon The Shape.
Knotting Can Be Done In 3 Ways :
1. A Length Of Cloth Tied Into Knots.
2. A Square Rectangle Or Triangle Of Cloth Knotted.
3. Knots Tied In A Length Of Cloth To Form A All Over
Pattern.
SAMPLE BEFORE
DYE
TECHNIQUE

13. KNOTTING
This Is One Of The Easiest And Quickest Ways Of Producing A Design While Dyeing. A
Knot Can Be Tied In Several Ways Depending Upon The Shape.
Knotting Can Be Done In 3 Ways :
1. A Length Of Cloth Tied Into Knots.
2. A Square Rectangle Or Triangle Of Cloth Knotted.
3. Knots Tied In A Length Of Cloth To Form A All Over
Pattern.
SAMPLE BEFORE DYE
TECHNIQUE

14. TWISTING AND COILING
The Design Produced By Twisting And Coiling Shows A More Definite Character Than
Marbelling And Is More Evenly Spaced Over The Cloth.
The Whole Length Of The Cloth Must Be Immersed In The Dye.
SAMPLE BEFORE DYE
TECHNIQUE

15. TWISTING AND COILING
The Design Produced By Twisting And Coiling Shows A More Definite Character Than Marbelling And
Is More Evenly Spaced Over The Cloth.
The Whole Length Of The Cloth Must Be Immersed In The Dye.
SAMPLE BEFORE DYE
TECHNIQUE

16. TWISTING AND COILING
The Design Produced By Twisting And Coiling Shows A More Definite Character Than
Marbelling And Is More Evenly Spaced Over The Cloth.
The Whole Length Of The Cloth Must Be Immersed In The Dye.
SAMPLE BEFORE DYE
TECHNIQUE

17. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The Color At Those
Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

18. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The Color At Those
Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

19. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The Color At
Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

20. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The
Color At Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

21. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The Color At
Those Areas Of The Fabric .
SAMPLE BEFORE
DYE
TECHNIQUE

22. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The
Color At Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

23. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The
Color At Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

24. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The
Color At Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

25. SEWING
In This Method The Cloth Is Sewn With Thread Into Different Shapes To Penetrate The
Color At Those Areas Of The Fabric .
SAMPLE BEFORE DYE
TECHNIQUE

26. BINDING
It is one of the most important processes in tie and dye used either alone or as a
supplement with other methods.
Binding applied before the third dying reserving the second colour.
SAMPLE BEFORE DYE
TECHNIQUE

27. BINDING
It is one of the most important processes in tie and dye used either alone or as a
supplement with other methods.
Binding applied before the third dying reserving the second colour.

28. BINDING
It is one of the most important processes in tie and dye used either alone or as a
supplement with other methods.
Binding applied before the third dying reserving the second colour.
SAMPLE BEFORE DYE
TECHNIQUE

29. BINDING
It is one of the most important processes in tie and dye used either alone or as a
supplement with other methods.
Binding applied before the third dying reserving the second colour.
SAMPLE BEFORE DYE
TECHNIQUE

30. BINDING
It is one of the most important processes in tie and dye used either alone or as a
supplement with other methods.
Binding applied before the third dying reserving the second colour.
SAMPLE BEFORE DYE
TECHNIQUE

31. THANK YOU
By Ayushi khilani
2nd Year Diploma In Fashion Design
Conforming To NSQF Level 6 Of NSDC
Dezyne E’cole College , Ajmer