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Dancing with Elephants:
Navigating Hollywood Studios
Lunch & Learn
April 22, 2016
https://www.linkedin.com/in/albert-chow-584a4a1
Albert Chow
Agenda
•Quick Intro to the Hollywood Theatrical Studio
•A Case Study for Basic Business Planning
•Valuing the Importance of Understanding
Market Structures
•Q&A
Founders: Sean Parker &
Prem Akkaraju
Concept (March 14, 2016):
• New theatrical releases to
the home for $50 for 48
hour viewing
• Plan to give exhibitors $20
of the $50 fee
• Purchase secure hardware
for $150
Case Study: The Screening Room
Movies at the Theater
Movies in the Comfort of Home
Response from Hollywood So Far…
“Have fun storming the castle”
Check the Boxes
 Customer
 Competition
 Company
 Product
 Pricing
The Studio Landscape
Majors
Mini-
Majors
Independents Over 50+ distributors of independent films releasing one or more
movies a year
The Value of Content
High Value
High Demand
Low Value
Low Demand
Theatrical
Release
Hospitality
Digital
& Home
Video
Pay Per
View &
Video on
Demand
Premium
Channels
Networks
& Cable
Syndication
At the Heart of Studio Motivation
$11.2 Billion Domestic Box Office (2015)
$39.1 Billion Global Box Office (2015)
Protect, Maintain (and hopefully Grow)
… and their Core Fears
• Cannibalization of Existing Business
• Piracy
Understanding the Value Chain
Studios
Talent
(Content)
Support
Exhibitors
(Distribution)
Agency
Producers /
Directors
Technology LegalOther
Movie Theaters
Enlisting Advocates in the Ecosystem
If you don’t already have (or even if you have) your own
industry relationships:
• Enlist and co-opt key skeptics and opponents
• Advocates amongst leading suppliers of your suppliers
• Previous industry executives and leadership
• Critical gatekeepers
Disruptive Technology & Hollywood
“The Rule of 3”
End of the Day: Economics need to Work
Price point: $50 for 48 hour
viewing window
Suggested share to Exhibitors
Plus 2 tickets: $20
Remainder: $30 to be shared
between studios and company
Additional 1 time: $150 box
price point
40% to Exhibitors. Healthy
but if free tickets thrown in
not so much
Studios typically take
anywhere from 50 – 90% of
the ticket price. Not
enough revenue to be
interesting
Poll taken and sweet spot
was $35 and no new box
Basic Business Planning Takeaways
Focus on Core Business Frameworks
Customer
CompetitionCompany
Product Price
Place Promotion
Another for the Toolkit: Porter’s Five Forces
• Add to your toolbox if its
not already there
• Key to financing often is
beyond just your
company or tech:
• Market Size
• Market Structure
• Incumbent Strength &
Weakness
• Microeconomics
In Closing
Importance of Market Structure in your business
planning
• Assess where the power exists (e.g. Suppliers, Buyers) and
how concentrated or segmented is it?
• What is their respective psychology and motivations?
• Do you or your company have the right credentials? If
not do you have supporters that do?
As an Entrepreneur it’s never a question of if…
but when and can you afford the time & investment
to change the landscape?
Select resources for those with Hollywood
Aspirations
• Both Creative Artist Agency (CAA) & William
Morris Endeavor (WME) have venture
investment entities
• Manatt also has a venture investment entity
• Disney has a formal accelerator in
conjunction with TechStars
A small sample set of the various Venture Oriented
initiatives in Hollywood
Thank you
https://www.linkedin.com/in/albert-chow-584a4a1
Albert Chow

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Dancing with Elephants: Navigating Hollywood Studios | Albert Chow | Lunch & Learn

  • 1. Dancing with Elephants: Navigating Hollywood Studios Lunch & Learn April 22, 2016 https://www.linkedin.com/in/albert-chow-584a4a1 Albert Chow
  • 2. Agenda •Quick Intro to the Hollywood Theatrical Studio •A Case Study for Basic Business Planning •Valuing the Importance of Understanding Market Structures •Q&A
  • 3.
  • 4. Founders: Sean Parker & Prem Akkaraju Concept (March 14, 2016): • New theatrical releases to the home for $50 for 48 hour viewing • Plan to give exhibitors $20 of the $50 fee • Purchase secure hardware for $150 Case Study: The Screening Room
  • 5. Movies at the Theater
  • 6. Movies in the Comfort of Home
  • 8. “Have fun storming the castle”
  • 9. Check the Boxes  Customer  Competition  Company  Product  Pricing
  • 10. The Studio Landscape Majors Mini- Majors Independents Over 50+ distributors of independent films releasing one or more movies a year
  • 11. The Value of Content High Value High Demand Low Value Low Demand Theatrical Release Hospitality Digital & Home Video Pay Per View & Video on Demand Premium Channels Networks & Cable Syndication
  • 12. At the Heart of Studio Motivation $11.2 Billion Domestic Box Office (2015) $39.1 Billion Global Box Office (2015) Protect, Maintain (and hopefully Grow)
  • 13. … and their Core Fears • Cannibalization of Existing Business • Piracy
  • 14. Understanding the Value Chain Studios Talent (Content) Support Exhibitors (Distribution) Agency Producers / Directors Technology LegalOther Movie Theaters
  • 15. Enlisting Advocates in the Ecosystem If you don’t already have (or even if you have) your own industry relationships: • Enlist and co-opt key skeptics and opponents • Advocates amongst leading suppliers of your suppliers • Previous industry executives and leadership • Critical gatekeepers
  • 16. Disruptive Technology & Hollywood “The Rule of 3”
  • 17. End of the Day: Economics need to Work Price point: $50 for 48 hour viewing window Suggested share to Exhibitors Plus 2 tickets: $20 Remainder: $30 to be shared between studios and company Additional 1 time: $150 box price point 40% to Exhibitors. Healthy but if free tickets thrown in not so much Studios typically take anywhere from 50 – 90% of the ticket price. Not enough revenue to be interesting Poll taken and sweet spot was $35 and no new box
  • 19. Focus on Core Business Frameworks Customer CompetitionCompany Product Price Place Promotion
  • 20. Another for the Toolkit: Porter’s Five Forces • Add to your toolbox if its not already there • Key to financing often is beyond just your company or tech: • Market Size • Market Structure • Incumbent Strength & Weakness • Microeconomics
  • 21. In Closing Importance of Market Structure in your business planning • Assess where the power exists (e.g. Suppliers, Buyers) and how concentrated or segmented is it? • What is their respective psychology and motivations? • Do you or your company have the right credentials? If not do you have supporters that do? As an Entrepreneur it’s never a question of if… but when and can you afford the time & investment to change the landscape?
  • 22. Select resources for those with Hollywood Aspirations • Both Creative Artist Agency (CAA) & William Morris Endeavor (WME) have venture investment entities • Manatt also has a venture investment entity • Disney has a formal accelerator in conjunction with TechStars A small sample set of the various Venture Oriented initiatives in Hollywood